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  • This is one of the better entries in the Drummond series. Three of the best entries are from 1937. The real reason they are better may be because of the writer, Edward T. Lowe Jr. He wrote this one as well as 1937's Bulldog Drummond Escapes and Bulldog Drummond Comes Back.

    The pace is quick, the dialog good, and there is some very nice physical humor throughout that features reasonable exaggeration without being too farcical. John Barrymore's more restrained performance as Col. Nielsen helps to highlight his bits of physical humor. The supporting cast is in especially fine form.

    The plot centers on the theft of a powerful explosive and our hero's efforts to retrieve it and solve the murders associated with the theft. There is nice touch involving a hand and arm.

    Lastly, if don't like to see women faint, stay away!
  • John Howard settled into the role of adventurer Hugh "Bulldog" Drummond with this better-than-average entry. The dialog is quick and witty, and the plot is faster and more complicated than usual, with plane crashes, explosions, and scenes aboard trains and ships. Drummond gets mixed up with foreign agents smuggling some secret explosives in a suitcase and who just happen to be going Drummond's way. Barrymore has less to do as Colonel "Don't call me inspector" Nielson, but Phyllis is more helpful, and pal Algy and valet Tenny are never far behind. For those keeping score, in this one, Drummond and Phyllis are planning a European voyage to be married, and Algy is worried that his wife thinks he's left her (well, he has, but not on purpose).
  • Warning: Spoilers
    The Bulldog Drummond franchise was a busy one with nine films in the three years from 1937 to 1939. They generally followed a thematic line, one of those being the theft of a newly invented device that might prove useful to enemy hands. In "Bulldog Drummond's Revenge", the gizmo in question is an explosive powder called 'haxonite', presumably named after it's inventor Sir Hohn Haxton (Matthew Boulton). The powder is rather tricky and unpredictable, but it's theorized that enough of the crystals could blow London to bits.

    In very quick order, Haxton's traitorous butler Draven Nogais (Frank Puglia) murders the inventor aboard a plane flight, and parachutes himself and the device away from the doomed airplane. The coincidences necessary to make the film proceed are extraordinary, as Drummond and his sidekicks Algy and Tenny (Reginald Denny, E.E.Clive) recover the suitcase with the explosives, which conveniently falls on the road they're traveling. Back at Rockingham Lodge, the suitcase in turn is stolen by the bad guys during the old lights out trick, prompting a London to Dover escapade that have the heroes and villains trading the advantage before Drummond's team makes the save for Scotland Yard.

    As ever, Drummond's fiancée Phyllis Clavering (Louise Campbell) is left to wonder whether the wedding will ever take place, as it's constantly being interrupted by some nefarious plot or another. This time around, Miss Clavering receives consolation from Algy's wife Gwen (Nydia Westman), the first time Mrs. Longworth is introduced into the filmography. The movie gets some mileage out of a rather gruesome plot device, a severed hand from Sir Haxton's plane crash. The girls do a double faint when the hand is revealed in the commotion at Rockingham when the suitcase is stolen.

    Rounding out the cast is John Barrymore as Colonel Nielson of Scotland Yard; he once again gets top billing over John Howard's Drummond, as he did in their prior film "Bulldog Drummond Comes Back". Barrymore's manner is sophisticated and professional, unlike the roles assigned to the lead authority in films of the Charlie Chan and Mr. Wong series of the same era. The comic relief as it were is left to Algy for the physical slapstick, and Tenny for the cerebral. Tenny's best deadpan line occurs early when Drummond comments on how much fun getting married ought to be; the response - "It's a popular belief Sir."

    With the case solved and the explosive powder back in safekeeping, the anticipated Drummond/Clavering wedding plans seem to be on track to survive some more adventures, and it will take a few more films to get there. There does seem to be some semblance of continuity to the development of the characters, so watching the series in the order of release is helpful to keep track of things. The movies offer a nice balance of mystery and comedy and thankfully don't take themselves too seriously.
  • This is a pretty good, if unspectacular, Bulldog Drummond feature with the usual good cast and a story with plenty of action plus a little humor at the right times. The story is a little less imaginative than the ideas in some of the other features in the series, but it makes up for it with plenty of action that keeps things going.

    Most of the story-line revolves around a secret new explosive that a scientist has invented, which the villains would obviously love to get their hands on. Some of the better moments come when the main action interferes with Drummond's plans to marry Phyllis (Louise Campbell), while flustering the befuddled but ever-helpful Algy (Reginald Denny).

    John Barrymore is always good fun as Colonel Neilson, and he makes good use of his opportunities here, while E.E. Clive does likewise as the quick-witted Tenny. It's a good feature that should satisfy any fan of the series, though its fairly familiar plot ideas and rather nondescript villains keep it from being one of the very best entries in the series.
  • The best part of this movie is unintended: 1937 England preserved with its autos, planes, streets and attitudes. The plot is hardly new. There's an invention (crystals in this case) that would prove disastrous if it should fall into the hands of the wrong people. Just who the wrong people are is not mentioned, but in retrospect they would seem to be the Nazis. Anyone who has watched many movies or serials from the period will recognize the plot quickly--and anticipate the ending.

    The Bulldog Drummond hero bears little resemblance to the character created by "Sapper" McNeile. His marvelous series of books are about a much rougher individual who, having enjoyed the adventure and danger of the World War, advertises in the newspaper for interesting quests and assignments. Drummond of the novels is more of a daredevil than a detective.

    For reasons I'd be hard pressed to explain, the makers of this movies inserted some really insipid humor--rather, attempts at humor. Drummond's sidekick, Algy, and Algy's stupid girlfriend aren't funny. They are merely annoying.

    Still, this is an enjoyable view of a world now gone. Not only that, it has John Barrymore in a role that is a considerable comedown for his talents.
  • ...he can ever stop working on a case long enough.

    In this Bulldog Drummond film, Hugh (John Howard) and Phyllis (Louise Campbell) are close to their wedding, when he becomes involved in the protection of a new explosive, recently invented by a scientist. Supposedly this explosive is fragile and will go off if you even brush past the container.

    The explosive is in a suitcase, which is stolen. For something that will go off if you breathe on it, this suitcase was thrown, dropped, you name it, and it never blew up.

    Phyllis, in her sweet way blew up, however, and wondered if she could marry Hugh Drummond when he's so involved in detective work.

    John Barrymore again gets top billing as the Colonel, and he's great. Howard is an excellent Drummond, Reginald Denny is on hand as the confused Algy, and E.E. Clive is the butler who is so much more. It's a nice cast.

    These Drummond films are B movies and are enjoyable and entertaining. They shouldn't be judged in comparison to Citizen Kane. The Saint, Bulldog Drummond, Charlie Chan, Mr. Moto - all second features that are delightful.
  • The title in this film, Bulldog Drummond's Revenge is a bit of a misnomer because John Howard as the intrepid Bulldog is not out for any personal vengeance in this case. What he's looking to do is stop an international crook played by Frank Puglia from stealing a new, but as yet unstable explosive compound. In some of these B films the studios were never really careful.

    Howard is once again planning his wedding with his ever faithful Louise Campbell who seems to be more faithful to him than Olive Oyl was to Popeye. A chance visit to his bete noire, John Barrymore as Colonel J.A. Neilson of Scotland Yard has him learn of the experiment of scientist Matthew Boulton. The source is of all people, a Japanese diplomat played by Miki Morita. This was probably the last time, other than in Mr. Moto films that a Japanese was given friendly treatment in an American film.

    Matthew Boulton plays Sir John Hackston and of course he's named the stuff Hackstonite. It seems to come in grains and small pebbles and you never can tell when it will blow up, like liquid nitroglycerin that way. Anyway Puglia stages an elaborate plane crash killing Boulton and gets away with the stuff. The rest of the film is Drummond with his team of silly friend Algy, Reginald Denny, and his intrepid butler Tennison played by E.E. Clive. Clive actually proves in the films I've seen to have a head on his shoulders.

    Not too bad, but did Louise ever get the slippery Bulldog to finally say 'I do'?
  • This is the eleventh Bulldog Drummond film, and the second starring John Howard as Drummond. It was released in December, 1937. Once again, the lead billing is instead given to John Barrymore as Inspector Nielson, in deference to his star status, despite the fact that he is only a supporting player who walks through his part, turning his Barrymore glare on and off again like a traffic light. This is a particularly good Drummond film, with lots of interesting second unit shots of London and Dover in 1937 and some amusing and original scenes (it starts with a joke about Americans chewing gum). Later Drummond films tended to be more set-bound, probably to save costs. John Howard is marvellous as Drummond, full of youthful buoyancy (not what Sapper the author intended, but still refreshing to watch), E. E. Clive is magnificent as always as Tennie the gentleman's gentleman, and Reginald Denny is the engaging and lovable but bumbling and clumsy twit Algy Longworth, Drummond's 'chum'. The plot is unimaginative, concerning a scientist who has invented a new high explosive ('one hundred bombs of it would wipe London off the map'), and baddies want to steal this and sell it to a hostile foreign power. The whiff of war to come was very much in the air when this was made. This film and the one preceding and following were extremely annoying for containing the insipid and irritating Louise Campbell as Phyllis Clavering, Drummond's fiancée whom he is always trying to marry, but crime always interferes. In the fourth Howard film, she was replaced, thank goodness. Also annoying in this and the following Drummond film is Nydia Westman, as Gwen Longworth. Her high-pitched chattering is infuriating and incomprehensible babble. The two women in this film could thus be described as: tedious, tepid, fainting all the time, dull, stupid, presumptuous, arrogant, feeble, useless, maddening, vacuous ... (That's enough adjectives, ed.) Despite the dreary women, the film moves along with jollity, firmness of purpose, good pace, and clicks like a train on a track. (I mean of course a 1930s track, before long rails were invented.) Yes, this is a good 'un.
  • Bulldog Drummond's plans to get married are interrupted when a top-secret explosive is stolen. Seems like a very familiar plot that was used in dozens of similar B detective movies, doesn't it? Well it is but there are a few new touches, such as the arm business, that keep it interesting. Most of the comedy in this one is not that funny. Reginald Denny's Algy is especially irritating this time around. E.E. Clive can still be depended upon, however. This movie also finally lets us meet Algy's wife Gwen, played by Nydia Westman. She's an insufferable character whose one joke ("Algy-walgeeeee!") wears out its welcome immediately. For his part, John Howard does fine. He improves considerably whenever he has scenes with lovely Louise Campbell. John Barrymore steals every scene he's in, which isn't as many as I'd have liked. The Great Profile's career was in poor shape at this point, as evidenced by his doing these quickies. Still, he does his job admirably and is enjoyable to watch. Frank Puglia plays the villain in drag and that's a pretty hideous sight. It's very unconvincing that other characters aren't able to immediately recognize he's a man in a dress. Not my favorite of the series but watchable. It's just shy of an hour long and moves along briskly. Can't think of a reason not to watch it if you're a fan of these sorts of programmers.
  • Warning: Spoilers
    Captain Hugh "Bulldog" Drummond was one of those British gentlemen of leisure who one assumes was mentioned in dispatches for gallantry during The Great War. These amateur sleuths had superb manners and upper-class attitudes. They solved some of England's most ingenious crimes during the Twenties and Thirties. According to Drummond's chronicler, H. C. McNeile, Drummond "has the appearance of an English gentleman: a man who fights hard, plays hard and lives clean...Only his eyes redeem his face. Deep-set and steady, with eyelashes that many women envy, they show him to be a sportsman and an adventurer." In Bulldog Drummond's Revenge, John Howard plays Drummond. The Bulldog is turned into a conventionally handsome man with a carefully groomed moustache and not much sign of life. It's a bland, pleasant performance.

    The plot, told in 57 brisk minutes, has something to do with haxonite, a super explosive, often unstable, that can obliterate cities. A large sample is stolen from the inventor while he's flying his single-engine plane at night in the fog. When Hugh Drummond and his best friend, Algy Longworth (Reginald Denny, playing the epitome of the English twit), discover the suitcase (it had been tossed out of the plane attached to a parachute) on their way to meet Phyllis Claverling, Hugh's long time fiancée, all sorts of complications arise. There's the increasingly impatient Phyllis who wants a husband and not a detective, a hand reaching around a doorway to turn out the lights, a long train ride to Dover with a suspicious woman who looks so mannish she must either be a male in disguise or on heavy-duty hormones, and international spies. All this takes place, or course, at night. Phyllis despairs of ever getting Hugh to the altar. Algy's wife shows up briefly and then disappears, thankfully. She brings a shrill laugh that is to comedy what a drill is to dentistry. There's also a severed arm, a few days old, which makes an occasional appearance. And there is John Barrymore playing, in a few brief scenes, Colonel J. A. Nielson, head of Britain's most shadowy secret service. He's top billed, has little to do but be authoritative and lend his name to this enterprise. It's a poignant situation. Barrymore still can dominate any scene he's in.

    E. E. Clive is one of the best things in the movie, and in the series. He plays Drummond's manservant, Tennyson. "Tenny" is an elderly snob, but marvelously competent, remarkably resourceful and, one surmises, probably smarter that Drummond. His performance brings some acerbic life to the movie. "Ah, Tenny, getting married is great fun, isn't it?" says Drummond. "In Switzerland, sir?" says Tenny, raising an eyebrow. "Anywhere, Tenny, anywhere!" Says Tenny, with finely tuned distaste, "It's a popular belief, sir."

    Bulldog Drummond's Revenge is one of those many time-filling programmers from the past that do no harm. They're fun to watch every now and then.
  • I had never seen one of these before, so I wasn't aware of the dynamics of Drummond, his fiancée, the butler, and the scatterbrained friend, Algie. Obviously, the play for humor often trumps the seriousness of the events unfolding. In this one, a secret explosive is concealed in a suitcase that finds its way from person to person, with most not knowing that even a small amount of the junk could send everyone up in smoke. The suitcase is jarred, thrown, kicked, run with, but, of course, remains inert. The byplay with the regular characters is okay, once you get used to the fact that 1937's humor is a bit different than 2006. The one character that I couldn't tolerate was Algie's significant other who cackles and squawks and runs off at the mouth. Once we get into the intrigue and figure out who is who, it is a nice little spy story. Drummond, of course, is the playboy type never becomes flustered and treats things that are deadly serious as a joke. One thing that has bothered me in the three I have watched is how seldom the character listen to each other.
  • It looks like Capt. Hugh Chesterton 'Bulldog' Drummond (John Howard) is getting married to Phyllis (Louise Campbell) and giving up the detecting racket. He almost loses the wedding rings, but with a little ingenuity and a stick of American gum, they are retrieved. A lot of good that does him as it turns out a scientist is missing along with an extraordinary explosive formula. The only Bulldog finds out the hard way with a severed arm containing a familiar ring. Col. J. A. Nielson (John Barrymore) of Scotland Yard wants to know how Bulldog fits in the situation.

    Yes, this is a formula spy story with a Bulldog Drummond overlay. Based on the novel "The Return of Bulldog Drummond."
  • Warning: Spoilers
    The third and weakest of the Paramount series, "Bulldog Drummond's Revenge" seems to run much longer than its 57 minutes, thanks mostly to the exasperating "comic relief" contributed by Reginald Denny, and the boring clichés of its ho-hum, stolen secret formula plot. Although the climactic action is set on a train, director Louis King proves unequal to the task of providing suspense, let alone atmosphere. Top-billed John Barrymore actually has an extremely small role as Colonel Nielson (he's given a big introduction and then virtually disappears), while Louise Campbell makes little impression as Phyllis Clavering. No match for Ray Milland's Bulldog, super-spruce John Howard even allows scheming heavy, Frank Puglia, to steal the picture.
  • Warning: Spoilers
    While E. E. Clive appeared in every one of John Howard's entries in the "Bulldog Drummond" series (playing his droll butler), he was usually so far in the background that some viewers forgot that he was even in the film. But of the films I've seen in the series, this is the only one where I recall him being there, getting laughs simply for a phony laugh at one of Howard's jokes. Once again, Bulldog is intending on marrying Phyllis (Campbell), but a major turn in one of his cases threatens that union again from going through.

    Practically every type of people moving vehicle is represented in this film, including planes, trains and automobiles, and a luxury cruise ship where everything comes together. A plane crash gets the film off the ground, and the train ride seems to take place surrounding a set consisting of miniature models, set at night, obviously filmed in a darkened room. The killer is obviously hidden in a very obvious disguise, and there's still doubts that they look better without the disguise. While Howard and John Barrymore's colonel have the usual amount of witty dialog, the best lines still go to Clive, with Reginald Denny getting the worst.
  • coltras3512 April 2021
    In this typically fast-paced installment, suave sleuth Bulldog Drummond stalks the master criminal responsible for stealing the formula explosive containing the chemical Hexanite.

    There's a few fresh touches invigorating this formula detective yarn - the hexanite angle and twisty plot portion where the villain parachutes the case off the plane after shooting the pilot and jumping off himself. Reminds me of Bond. Well the Drummond series is like Bond meets Sherlock Holmes. The usual comedic touches are courtesy of Algy, but it's the simmering plot that makes this entry enjoyable.
  • Warning: Spoilers
    In this installment of the Bulldog Drummond series, Bulldog and his fiancée are on their way to get married and go on a honeymoon when, naturally, bad happenings occur and put a stop to their plans. In one of the weirder plot elements in film history, an inventor is killed and his secret formula for a bomb is stolen. Now here's where it gets weird, the bad guy plants another person's arm in the plane and puts his ring on it--hoping that the police will assume BOTH men perished in the crash. Well, the bomb formula accidentally falls into the lap of Drummond and the rest of the film consists of Drummond and the baddies fighting over the bomb. The only really remarkable thing about all this is the presence of John Barrymore as the Police Inspector, the Colonel.

    By the way, in this film he's on the way to marriage and a honeymoon. Two films later, with the same fiancée, he's AGAIN on the way to get married and once again, the marriage never takes place. There's a later Drummond entitled BULLDOG DRUMMOND'S BRIDE--and again, the wedding plans are put on hold to solve a mystery. What a patient dame!
  • British adventurer John Howard (as Hugh "Bulldog" Drummond) is all set to marry girlfriend Louise Campbell (as Phyllis Clavering), but a strange plot to steal the explosive "Haxtonite" from a plane sidetracks their nuptials. For this film series, that's par for the course. Scotland Yard investigator John Barrymore (as Colonel Nielson) is first informed about the explosive plot. He hopes his friend Drummond will get on with his marriage, after several cancellations. Driving with his pal Reginald Denny (as Algy Longworth) and manservant E.E. Clive (as Tenny), Drummond witnesses the plane crash and finds a dismembered hand and suitcase in the wreckage. When the plot thickens, Drummond must solve the mystery. Directed by Louis King, "Bulldog Drummond's Revenge" is fast, confusing and lacks the "Revenge" suggested by its title.

    **** Bulldog Drummond's Revenge (1937-12-16) Louis King ~ John Howard, John Barrymore, E.E. Clive, Louise Campbell
  • jkstill-3438615 December 2021
    Bulldog Drummond flicks are light fare at best, but entertaining.

    This one however is really confusing.

    Drummond can't decide if he's on a ship or a train. Talk about continuity issues.

    This one is best watched with some form of distraction and/or a glass of whickey.
  • Warning: Spoilers
    "Bulldog Drummond's Revenge" was originally released back in 1937.

    Anyway - As the story goes - Bulldog Drummond, along with his pal, Algy Longworth, come upon a severed arm that is still attached to a valise filled with high explosives. Their investigation puts them on the trail of the evil Draven Nogais who has run off with the top secret formula for high explosives.
  • One of the better Bulldog Drummond films. There is plenty of action in this one. While I do not consider the film anything above an average crime film of the time era, I can say out of all the Bulldog Drummond films this is one of the better ones.

    In this "episode", Bulldog is on his way to Switzerland to marry his girlfriend when he is stopped by a cargo of explosives disappearing. There is a stolen formula for a new bomb involved.

    It's OK. Not a great movie but it has it's moments of excitement. So many crime films of the time era that were pumped out to audiences in a hurry but they took a little bit more time to pump out this "episode" of Bulldog Drummond.

    4/10
  • Warning: Spoilers
    At this point, the "Bulldog Drummond" film series seems to be merely going through the motions, and the films are starting to blend together. Although the plot of "Revenge" (amazingly inaccurate title, by the way) involves a powerful explosive that could theoretically wipe out an entire city, there is nothing interesting or urgent about it. And there are no memorable scenes in the film, except for a plane crash and a severed hand. The cast is largely going through the motions as well, except for E.E.Clive who continues to score with his comic deliveries. I did prefer John Barrymore's more serious, less disguise-heavy take on the role of Colonel Neilson, compared to the previous entry. Louise Campbell's Phyllis is around mostly to scream and faint. ** out of 4.