Every Day's a Holiday (1937)

  |  Comedy, Musical

Every Day's a Holiday (1937) Poster

At the turn of the century, a con woman finds herself in trouble with the law while dealing with multiple suitors.



  • Every Day's a Holiday (1937)
  • Charles Butterworth in Every Day's a Holiday (1937)
  • Every Day's a Holiday (1937)
  • Mae West in Every Day's a Holiday (1937)
  • Mae West in Every Day's a Holiday (1937)
  • Every Day's a Holiday (1937)

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26 April 2004 | Kalaman
Mae West's Last Paramount Pic is One of Her Funniest
This lesser-known Paramount frolic, directed by Edward Sutherland, is one of Mae West's funniest and breeziest vehicles in her late period. It turned out to be her last Paramount picture, from her own solidly crafted screenplay. I had the opportunity of watching it recently along with another West movie called "Klondike Annie"(1936), directed by Raoul Walsh. Though Walsh is a vastly superior director than Sutherland, I much prefer this one to "Klondike Annie."

Set in the 1890s New York, Mae delightfully plays Peaches O'Day, a notorious confidence woman who sells the Brooklyn Bridge and flees the city while the police are looking for her capture. She later returns disguising as a hilariously droll French singer, Madamoiselle Fifi. Then she promotes the city's election candidate Capt.McCarey (Edmund Lowe), who also plays the good cop tracking down the corrupt police chief (Lloyd Nolan). Mae is aided by uniformly fine supporting players: Charles Winninger, Herman Bing, Charles Butterworth, Chester Conklin, and Louis Armstrong as the musical street cleaner.

Mae's suggestive one-liners are sparkling and fresh, especially the moment when she impersonates the French dame. Sutherland's unpretentious direction flows breezily through several hugely entertaining moments.

Pleasant and thoroughly enjoyable, "Every Day's Holiday" is must viewing for Mae West fans or anyone looking for harmless, pleasurable escape.

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