Stage Door (1937)

Approved   |    |  Comedy, Drama


Stage Door (1937) Poster

A chronicle of the ambitions, dreams, and disappointments of aspiring actresses who all live in the same boarding house.


7.8/10
7,059

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  • Ginger Rogers and Gail Patrick in Stage Door (1937)
  • Ginger Rogers and William Corson in Stage Door (1937)
  • Stage Door (1937)
  • Lucille Ball and Ginger Rogers in Stage Door (1937)
  • Stage Door (1937)
  • Katharine Hepburn and Ginger Rogers in Stage Door (1937)

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User Reviews


9 February 2002 | gaityr
10
| The calla lilies are blooming...
Watch this movie, *any way* you can.

Seriously, you won't be disappointed.

It's a brilliant way to spend a couple of hours: where else would you get an all-star cast that would make your jaw drop today (Katharine Hepburn, Ginger Rogers, Lucille Ball, Eve Arden, Ann Miller etc. etc.), and a clever, witty script played to the hilt by the astounding cast?

The story is fairly simple: Terry Randall (Hepburn) moves into the Footlights Club to begin her career as an actress. Viewed as an odd cookie by the rest of the girls, her room-mate Jean (Rogers) especially, she starts to win them over until she wins the part belonging to Kaye (Andrea Leeds). Not wins, so much as given. It takes a tragedy to turn Terry into the actress she could be, and the friend she eventually becomes as she remains in the Footlights Club.

This film benefits from a truly amazing cast: Hepburn is glorious as Terry, an independent, in-your-face girl from the upper class, unsure why she's not liked by her new friends as she blithely (and unknowingly) talks down to them; but fiercely loyal and protective of them nonetheless. Witness Terry's outburst in Powell's office, or the way she puts Jean, much the worse for wine, to bed. Hepburn is truly great in her emotional scenes, when she is called to perform on stage despite the revelation she's received just beforehand.

Hepburn alone doesn't make the movie though (as she eventually does in lesser vehicles with less worthy co-stars). Ginger Rogers as Jean is a breath of fresh air. She's quirky, charming, and just generally appealing in her role, playing Jean with a wonderful confidence that bodes well for the character. You warm to Jean immediately. I love Rogers' drunken scenes with Menjou--ditzy yet sweet.

The supporting cast is fantastic as well, Lucille Ball never missing a chance to steal a scene or make a quip, Eve Arden fast on her heels. Andrea Leeds overacts a little, I think, but is generally good in her demanding role as Kaye--she does an excellent job on the staircase towards the end of the movie.

Absolutely A+. Everything Hollywood should be, was, and now isn't.

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