Actress Anya Taylor-Joy has proven herself as one of Hollywood’s most promising young performers. Her work in horror films such as The Witch, Split, and Last Night in Soho has earned Taylor-Joy critical acclaim. As a result, fans of the actress might be surprised by Taylor-Joy’s taste in movies.
Anya Taylor-Joy in 2022’s The Northman
In an interview, Taylor-Joy spoke about the movies she likes to watch, revealing a Jeremy Renner-led film as her go-to option when she feels depressed. At the same time, Taylor-Joy also talked about her other preferred genres and loved films. Here is everything Anya Taylor-Joy stated about her love for Renner’s film and rom-coms.
Anya Taylor-Joy Reveals the Jeremy Renner Movie She Watches When She Needs Comfort
After making her breakthrough with 2015’s The Witch, actress Anya Taylor-Joy gained mainstream recognition with her starring role in the Netflix miniseries The Queen’s Gambit.
Anya Taylor-Joy in 2022’s The Northman
In an interview, Taylor-Joy spoke about the movies she likes to watch, revealing a Jeremy Renner-led film as her go-to option when she feels depressed. At the same time, Taylor-Joy also talked about her other preferred genres and loved films. Here is everything Anya Taylor-Joy stated about her love for Renner’s film and rom-coms.
Anya Taylor-Joy Reveals the Jeremy Renner Movie She Watches When She Needs Comfort
After making her breakthrough with 2015’s The Witch, actress Anya Taylor-Joy gained mainstream recognition with her starring role in the Netflix miniseries The Queen’s Gambit.
- 4/1/2024
- by Pratik Handore
- FandomWire
There’s something uniquely cinematic about romantic comedies — something that makes them a natural fit for the movies and vice-versa. There’s an intoxicating alchemy that allows us to believe in the magic of meet-cutes, happily-ever-afters, and all the agonizing contrivances that tend to pop up between the two. Love it seems gives storytellers permission to transpose the stuff of operas and fables into the fabric of real (or at least overly glossed but still recognizable) life.
On paper, a film like “Pretty Woman” might be a retrograde fairy tale about a sex worker with a heart of gold and the rich businessman who can afford it, but the chemistry between Julia Roberts and Richard Gere is so explosive that you surrender to the sentiment of it all. Literally nothing in Richard Curtis’ “Love Actually” makes sense if you stop and think about it for even a few seconds. The...
On paper, a film like “Pretty Woman” might be a retrograde fairy tale about a sex worker with a heart of gold and the rich businessman who can afford it, but the chemistry between Julia Roberts and Richard Gere is so explosive that you surrender to the sentiment of it all. Literally nothing in Richard Curtis’ “Love Actually” makes sense if you stop and think about it for even a few seconds. The...
- 2/14/2024
- by Alison Foreman
- Indiewire
From left: Enchanted (Buena Vista Pictures), When Harry Met Sally (Columbia Pictures), Gentlemen Prefer Blondes (FilmPublicityArchive/United Archives via Getty Images)Graphic: The A.V. Club
Chemistry is perhaps the most elusive of all cinematic ingredients. Critics can point to craft in elements like directorial technique, set design, editing, and the...
Chemistry is perhaps the most elusive of all cinematic ingredients. Critics can point to craft in elements like directorial technique, set design, editing, and the...
- 2/14/2024
- by Gwen Ihnat, A.A. Dowd, David Anthony, Becca James, Caitlin PenzeyMoog, Alex McLevy, Danette Chavez, Ignatiy Vishnevetsky, Cameron Scheetz, and Marah Eakin
- avclub.com
Quentin Tarantino is doubling down on his film criticism, as he not only has his 10th and final feature, The Movie Critic, on the horizon but also has a follow-up to his book Cinema Speculation in the works.
As he revealed on the Pure Cinema Podcast – which frequently promotes goings-on at the Qt-owned New Beverly Cinema – the Cinema Speculation sequel will be his next book. While Tarantino didn’t provide any details as far as when Cinema Speculation II: Electric Boogaloo will hit shelves, he did mention one title he would be covering: Peter Bogdanovich’s 1972 screwball comedy What’s Up, Doc? On that movie and its cast dynamics, Tarantino said, “I am a big fan of everybody in this movie, but I’m a particularly big fan of Ryan O’Neal’s job as Howard Bannister. I think it’s one of the great straight-man comedy roles. I think he’s really,...
As he revealed on the Pure Cinema Podcast – which frequently promotes goings-on at the Qt-owned New Beverly Cinema – the Cinema Speculation sequel will be his next book. While Tarantino didn’t provide any details as far as when Cinema Speculation II: Electric Boogaloo will hit shelves, he did mention one title he would be covering: Peter Bogdanovich’s 1972 screwball comedy What’s Up, Doc? On that movie and its cast dynamics, Tarantino said, “I am a big fan of everybody in this movie, but I’m a particularly big fan of Ryan O’Neal’s job as Howard Bannister. I think it’s one of the great straight-man comedy roles. I think he’s really,...
- 2/3/2024
- by Mathew Plale
- JoBlo.com
As he's said frequently over the last few years, Quentin Tarantino is retiring from filmmaking. He has one more movie in the works — "The Film Critic" — and then he's apparently hanging it up. But that doesn't mean the acclaimed filmmaker is going to stop working entirely. For one thing, Tarantino has recently gotten into the book-writing game. He wrote a novelization of his most recent flick, "Once Upon a Time in Hollywood," and then followed that up with "Cinema Speculation," a collection of essays about several notable American films from the 1970s. The book was full of nerdy insights, and while I didn't agree with everything said — at one point, Tarantino calls Peter Yates' masterful "The Friends of Eddie Coyle" "overrated" — I loved pouring over Tarantino's thoughts on classic (and not-so-classic) films.
If you, like me, enjoyed the book, here's some good news: Tarantino is working on a sequel! The...
If you, like me, enjoyed the book, here's some good news: Tarantino is working on a sequel! The...
- 1/31/2024
- by Chris Evangelista
- Slash Film
While we expect to soon hear some casting news on Quentin Tarantino’s final feature The Movie Critic ahead of a shoot later this year, the small details being doled-out will have to suffice. In the meantime, he joined the latest episode of the Pure Cinema Podcast to promote a forthcoming all-film Ib Technicolor Fest taking place at his newly acquired Vista Theatre in LA. As part of this discussion, he shared the notable update that he plans to write Cinema Speculation Vol. Two, a sequel to his 2022 book of film analysis. He confirmed the book will feature his insights on Peter Bogdanovich’s 1972 comedy classic What’s Up, Doc?, and shared a tease. The director also shared quite an interesting take on Robert Altman’s McCabe & Mrs. Miller.
Speaking about Bogdanovich’s hilarious comedy, which he says “was made for I.B. Technicolor” and is “as close to [Frank] Tashlin as you are going to get,...
Speaking about Bogdanovich’s hilarious comedy, which he says “was made for I.B. Technicolor” and is “as close to [Frank] Tashlin as you are going to get,...
- 1/30/2024
- by Jordan Raup
- The Film Stage
Ryan O’Neal is dead at the age of 82 after years of health struggles. His son Patrick announced the news on Instagram.
O’Neal was one of the true heartthrobs of the New Hollywood era, making many who saw him in “Love Story,” “What’s Up Doc?,” “Barry Lyndon,” and “The Driver” swoon. He also was much more than a pretty face, showing a capacity to let the great directors of the era mold him into something so much more powerful than his looks. And his life was defined in some ways, also, by heartbreak and misfortune: the loss of his great love Farrah Fawcett in 2009, the years-long legal troubles of his son Redmond, the rupture of his relationship with son Griffin, and fraught connection to his daughter Tatum. He was a prickly icon, someone whose public statements and demeanor defied people to like him. But the films he leaves behind...
O’Neal was one of the true heartthrobs of the New Hollywood era, making many who saw him in “Love Story,” “What’s Up Doc?,” “Barry Lyndon,” and “The Driver” swoon. He also was much more than a pretty face, showing a capacity to let the great directors of the era mold him into something so much more powerful than his looks. And his life was defined in some ways, also, by heartbreak and misfortune: the loss of his great love Farrah Fawcett in 2009, the years-long legal troubles of his son Redmond, the rupture of his relationship with son Griffin, and fraught connection to his daughter Tatum. He was a prickly icon, someone whose public statements and demeanor defied people to like him. But the films he leaves behind...
- 12/8/2023
- by Christian Blauvelt
- Indiewire
Ryan O’Neal, the boyish leading man who kicked off an extraordinary 1970s run in Hollywood with his Oscar-nominated turn as the Harvard preppie Oliver in the legendary romantic tearjerker Love Story, has died. He was 82.
O’Neal died Friday, his son Patrick O’Neal, a sportscaster with Bally Sports West in Los Angeles, reported on Instagram. He had been diagnosed with chronic leukemia in 2001 and with prostate cancer in 2012.
“As a human being, my father was as generous as they come,” Patrick wrote. “And the funniest person in any room. And the most handsome clearly, but also the most charming. Lethal combo. He loved to make people laugh. It’s pretty much his goal. Didn’t matter the situation, if there was a joke to be found, he nailed it. He really wanted us laughing. And we did all laugh. Every time. We had fun. Fun in the sun.”
On the...
O’Neal died Friday, his son Patrick O’Neal, a sportscaster with Bally Sports West in Los Angeles, reported on Instagram. He had been diagnosed with chronic leukemia in 2001 and with prostate cancer in 2012.
“As a human being, my father was as generous as they come,” Patrick wrote. “And the funniest person in any room. And the most handsome clearly, but also the most charming. Lethal combo. He loved to make people laugh. It’s pretty much his goal. Didn’t matter the situation, if there was a joke to be found, he nailed it. He really wanted us laughing. And we did all laugh. Every time. We had fun. Fun in the sun.”
On the...
- 12/8/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
Fittingly for a series in which everybody seems to be engaging in some form of Classic Hollywood cosplay, the Rosebud moment in BritBox’s Archie is delivered by an actor playing comedy icon Danny Kaye.
Affecting a stereotypical German therapist accent — accents on top of accents on top of accents is the Archie way — Kaye cautions young Dyan Cannon (Laura Aikman) that her relationship with the more seasoned Cary Grant (Jason Isaacs) is destined for complications with the warning, “Men who have difficult relationships with their mothers always carry it over to the women that they love.”
There’s no reason for Kaye to make such an observation if he hasn’t been watching the two previous hours of Jeff Pope’s four-episode production. But for the series’ actual audience, his analysis will come across as both obvious and superficial — a bit like Archie itself.
Ultimately, it’s a bit more complicated than that.
Affecting a stereotypical German therapist accent — accents on top of accents on top of accents is the Archie way — Kaye cautions young Dyan Cannon (Laura Aikman) that her relationship with the more seasoned Cary Grant (Jason Isaacs) is destined for complications with the warning, “Men who have difficult relationships with their mothers always carry it over to the women that they love.”
There’s no reason for Kaye to make such an observation if he hasn’t been watching the two previous hours of Jeff Pope’s four-episode production. But for the series’ actual audience, his analysis will come across as both obvious and superficial — a bit like Archie itself.
Ultimately, it’s a bit more complicated than that.
- 12/6/2023
- by Daniel Fienberg
- The Hollywood Reporter - Movie News
Nancy Meyers has written a love letter to Cary Grant by recommending his screwball comedies and classics like North by Northwest and The Philadelphia Story as part of the December 2023 Turner Classic Movies lineup in her own TCM Picks video.
“He’s a brilliant prototype for a leading man in a romantic comedy certainly. And I would be lying if I said I didn’t think of him sometimes as I’m writing. You can picture him doing it and it makes you better,” Meyers, whose rom-com canon includes box office performers like Something’s Gotta Give, The Holiday and What Women Want, tells The Hollywood Reporter.
Her TCM movie picks follow Meyers insisting she has viewed most Cary Grant movies dozens of times, not least to study the iconic star’s slapstick humor and verbal sparring with leading ladies to see beneath his debonair looks and onscreen charisma, to the...
“He’s a brilliant prototype for a leading man in a romantic comedy certainly. And I would be lying if I said I didn’t think of him sometimes as I’m writing. You can picture him doing it and it makes you better,” Meyers, whose rom-com canon includes box office performers like Something’s Gotta Give, The Holiday and What Women Want, tells The Hollywood Reporter.
Her TCM movie picks follow Meyers insisting she has viewed most Cary Grant movies dozens of times, not least to study the iconic star’s slapstick humor and verbal sparring with leading ladies to see beneath his debonair looks and onscreen charisma, to the...
- 12/1/2023
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Leighton Meester and Robbie Amell play ex-fiancés in a war to win the title of best ex in Amazon Freevee’s upcoming holiday movie “EXmas,” lending itself to the battle of the sexes themes found in 1930s and ’40s screwball comedies.
“I thought the idea of two exes under one roof really was reminiscent of the films I’ve loved recently, whether it’s a movie like a ‘Bringing Up Baby,’ ‘The Lady Eve’ or ‘The Philadelphia Story,'” director Jonah Feingold told TheWrap, jokingly adding that he “tricked” Freevee and Buzzfeed into making a Cary Grant-esque movie.
In “EXmas,” which is now streaming on Amazon Freevee, exes Ali (Meester) and Graham (Amell) find themselves stuck in the same house after Graham’s family invites Ali for the holidays after Graham tells them he’ll be stuck at work for Christmas. When Graham surprises his family, he’s shocked...
“I thought the idea of two exes under one roof really was reminiscent of the films I’ve loved recently, whether it’s a movie like a ‘Bringing Up Baby,’ ‘The Lady Eve’ or ‘The Philadelphia Story,'” director Jonah Feingold told TheWrap, jokingly adding that he “tricked” Freevee and Buzzfeed into making a Cary Grant-esque movie.
In “EXmas,” which is now streaming on Amazon Freevee, exes Ali (Meester) and Graham (Amell) find themselves stuck in the same house after Graham’s family invites Ali for the holidays after Graham tells them he’ll be stuck at work for Christmas. When Graham surprises his family, he’s shocked...
- 11/18/2023
- by Loree Seitz
- The Wrap
EXmas is a delightful holiday rom-com featuring some classic but relatable tropes. While we may not find our ex at our holiday table, most of us have longed for a holiday like the Stroops share.
It features charismatic stars, including Robbie Amell as Grham and Leighton Meester as Ali. Michael Hitchcock and Kathryn Greenwood were hilarious and Graham’s holiday-obsessed parents.
Jonah Feingold loves directing com-coms, and he’s had great success with his two prior films, Dating in New York and At Midnight. We were excited to speak with him about how he directed Amazon Freevee’s EXmas.
Feingold spoke with us during a recent virtual press day about which holiday films inspired him, how he selected the cast, and how essential the family dynamics were to this film.
Check it out below.
Hi Jonah. I’ve heard you love rom-coms. How did you get involved in EXmas? Did...
It features charismatic stars, including Robbie Amell as Grham and Leighton Meester as Ali. Michael Hitchcock and Kathryn Greenwood were hilarious and Graham’s holiday-obsessed parents.
Jonah Feingold loves directing com-coms, and he’s had great success with his two prior films, Dating in New York and At Midnight. We were excited to speak with him about how he directed Amazon Freevee’s EXmas.
Feingold spoke with us during a recent virtual press day about which holiday films inspired him, how he selected the cast, and how essential the family dynamics were to this film.
Check it out below.
Hi Jonah. I’ve heard you love rom-coms. How did you get involved in EXmas? Did...
- 11/16/2023
- by Laura Nowak
- TVfanatic
Meg Ryan has returned to rom-coms, but sadly, even one she co-wrote and directed is not worthy of her charm. Ryan co-stars alongside David Duchovny in “What Happens Later,” based on the play “Shooting Star” by Steven Dietz. Ryan co-wrote the script along with playwright Dietz and Kirk Lynn; the film marks her sophomore directorial effort following 2015’s WWII drama “Ithaca.”
In the film, Ryan and Duchovny play two halves of the same whole — literally. Both star-crossed characters are named W. Davis, which the script reminds audiences every ten minutes or so in metronome-like precision. The first W. Davis, William, who goes by Bill (Duchovny), is a former poet and songwriter-turned-stockbroker whose youthful artistic hopes are rekindled after running into his ex-girlfriend, Willa (Ryan). Their bickering turns to banter turns to, yes, an inevitable return to romance as both W. Davises are stuck in a podunk airport 25 years after last seeing each other.
In the film, Ryan and Duchovny play two halves of the same whole — literally. Both star-crossed characters are named W. Davis, which the script reminds audiences every ten minutes or so in metronome-like precision. The first W. Davis, William, who goes by Bill (Duchovny), is a former poet and songwriter-turned-stockbroker whose youthful artistic hopes are rekindled after running into his ex-girlfriend, Willa (Ryan). Their bickering turns to banter turns to, yes, an inevitable return to romance as both W. Davises are stuck in a podunk airport 25 years after last seeing each other.
- 11/2/2023
- by Samantha Bergeson
- Indiewire
Judy Nugent, the former ’50s child actor who co-starred with Jane Wyman in Magnificent Obsession, Annette Funicello in the popular Annette serial on ABC’s The Mickey Mouse Club and flew in the arms of George Reeves’ Superman in a 1954 episode of The Adventures of Superman, died of October 26 cancer, surrounded by family at her ranch in Montana. She was 83.
Her death was announced in a family statement released by daughter-in-law Anne Lockhart, the Chicago Fire actor and daughter of Lost in Space star June Lockhart.
A Los Angeles native – she was the daughter of MGM prop man Carl Nugent – Nugent had already appeared in a handful of uncredited roles, including in the 1951 film Angels in the Outfield, when she landed her breakthrough role as Donna Ruggles in the 1949-52 TV series The Ruggles, an early family sitcom starring comic actor Charles Ruggles (Bringing Up Baby). Nugent played the twin...
Her death was announced in a family statement released by daughter-in-law Anne Lockhart, the Chicago Fire actor and daughter of Lost in Space star June Lockhart.
A Los Angeles native – she was the daughter of MGM prop man Carl Nugent – Nugent had already appeared in a handful of uncredited roles, including in the 1951 film Angels in the Outfield, when she landed her breakthrough role as Donna Ruggles in the 1949-52 TV series The Ruggles, an early family sitcom starring comic actor Charles Ruggles (Bringing Up Baby). Nugent played the twin...
- 10/31/2023
- by Greg Evans
- Deadline Film + TV
He may be the greatest horror director of all time (just ask Jordan Peele), but John Carpenter’s film taste skews farther away from the genre than you might expect.
Born in 1948 in Carthage, New York, Carpenter grew up with a love of cinema, watching Howard Hawks westerns an early age, and started making short films with an 8mm camera before he started high school. He studied at Western Kentucky University and University of Southern California, before dropping out of the latter after a short he made, “The Resurrection of Broncho Billy,” won an Oscar.
Now with a sudden amount of prestige, Carpenter made two little seen projects “Dark Star” and “Assault on Precinct 13,” both now critically acclaimed, before really breaking out with 1978’s “Halloween.” Starring a young Jamie Lee Curtis, the independent film became a massive hit, grossing $70 million, turning main villain Michael Myers into a horror icon,...
Born in 1948 in Carthage, New York, Carpenter grew up with a love of cinema, watching Howard Hawks westerns an early age, and started making short films with an 8mm camera before he started high school. He studied at Western Kentucky University and University of Southern California, before dropping out of the latter after a short he made, “The Resurrection of Broncho Billy,” won an Oscar.
Now with a sudden amount of prestige, Carpenter made two little seen projects “Dark Star” and “Assault on Precinct 13,” both now critically acclaimed, before really breaking out with 1978’s “Halloween.” Starring a young Jamie Lee Curtis, the independent film became a massive hit, grossing $70 million, turning main villain Michael Myers into a horror icon,...
- 10/31/2023
- by Wilson Chapman
- Indiewire
“Moonlighting” was more than a watercooler show. It was an obsession. Episodes were taped and rewatched. And for good reason. There had never been a anything on the small screen like the 1985-89 ABC romantic screwball comedy detective series. The rapid-fire dialogue recalled such Howard Hawks’ classics as 1938’s ‘Bringing Up Baby” and 1940’ “His Girl Friday.” Fourth walls were broken. There was a black-and-white episode and even and wild and crazy take on William Shakespeare’s “The Taming of the Shrew.” That was just the tip of the innovations.
Creator and executive producer Glenn Gordon Caron told me in a 2000 L.A. Times interview that ABC didn’t give him total freedom when it came to the episodes: “The truth is no one let me do everything. I just did it. Ignorance is bliss. There were rules and I chose not to listen to anybody. At a certain point, the network said- ‘This is working.
Creator and executive producer Glenn Gordon Caron told me in a 2000 L.A. Times interview that ABC didn’t give him total freedom when it came to the episodes: “The truth is no one let me do everything. I just did it. Ignorance is bliss. There were rules and I chose not to listen to anybody. At a certain point, the network said- ‘This is working.
- 10/16/2023
- by Susan King
- Gold Derby
The first trailer for What Happens Later makes it clear the title isn’t supposed to have a question mark at the end. Meg Ryan, a queen of romantic comedies back when rom-coms were smiled upon by audiences and studios, returns to the genre as co-writer, director, and star, teaming with David Duchovny to tell the story of a former couple who find themselves stuck together in an airport.
“It has a relationship to movies from the ’40s, like Bringing Up Baby, in terms of the banter and the rhythm of things and a lot of that era of filmmaking,” explained Ryan in an interview with Entertainment Weekly. “Nora Ephron used to say about rom-coms that they were really a secretly incredible delivery system to comment on the times, and we do that in this movie.”
David Duchovny and Meg Ryan in ‘What Happens Later’ (Photo Credit: Bleecker Street)
The...
“It has a relationship to movies from the ’40s, like Bringing Up Baby, in terms of the banter and the rhythm of things and a lot of that era of filmmaking,” explained Ryan in an interview with Entertainment Weekly. “Nora Ephron used to say about rom-coms that they were really a secretly incredible delivery system to comment on the times, and we do that in this movie.”
David Duchovny and Meg Ryan in ‘What Happens Later’ (Photo Credit: Bleecker Street)
The...
- 8/30/2023
- by Rebecca Murray
- Showbiz Junkies
Meg Ryan is returning to (and revamping) the rom-com genre.
The iconic star of “When Harry Met Sally” and “You’ve Got Mail” co-writes, directs, and stars in “What Happens Later,” based on Steven Dietz’s play “Shooting Star.” Dietz and playwright Kirk Lynn penned the script along with Ryan.
The official synopsis reads: Two ex-lovers, Bill (David Duchovny) and Willa (Ryan) get snowed in at a regional airport overnight. Indefinitely delayed, Willa, a magical thinker, and Bill, a catastrophic one, find themselves just as attracted to and annoyed by one another as they did decades earlier. But as they unpack the riddle of their mutual past and compare their lives to the dreams they once shared, they begin to wonder if their reunion is mere coincidence, or something more enchanted.
Ryan reflected on the inspirations for “What Happens Later” during an interview with Entertainment Weekly. “It has a relationship to movies from the ’40s,...
The iconic star of “When Harry Met Sally” and “You’ve Got Mail” co-writes, directs, and stars in “What Happens Later,” based on Steven Dietz’s play “Shooting Star.” Dietz and playwright Kirk Lynn penned the script along with Ryan.
The official synopsis reads: Two ex-lovers, Bill (David Duchovny) and Willa (Ryan) get snowed in at a regional airport overnight. Indefinitely delayed, Willa, a magical thinker, and Bill, a catastrophic one, find themselves just as attracted to and annoyed by one another as they did decades earlier. But as they unpack the riddle of their mutual past and compare their lives to the dreams they once shared, they begin to wonder if their reunion is mere coincidence, or something more enchanted.
Ryan reflected on the inspirations for “What Happens Later” during an interview with Entertainment Weekly. “It has a relationship to movies from the ’40s,...
- 8/30/2023
- by Samantha Bergeson
- Indiewire
“It has a relationship to movies from the ’40s, like “Bringing Up Baby,” in terms of the banter and the rhythm of things and a lot of that era of filmmaking,” Meg Ryan told EW this week of her new rom-com, “Whatever Happens.” And yes, Ryan used to be the queen of rom-coms and knows a thing or two about the genre, but for this film, she makes her sophomore directorial follow-up, helming and starring in the movie.
Continue reading ‘Whatever Happens’ Trailer: Meg Ryan Returns To The World Of Rom-Coms In A Directorial Debut Co-Starring David Duchovny at The Playlist.
Continue reading ‘Whatever Happens’ Trailer: Meg Ryan Returns To The World Of Rom-Coms In A Directorial Debut Co-Starring David Duchovny at The Playlist.
- 8/30/2023
- by Edward Davis
- The Playlist
Meg Ryan; David DuchovnyScreenshot: Bleecker Street/YouTube
Romantic comedy lovers, our queen has finally returned. After a long hiatus, Meg Ryan—When Harry Met Sally’s Meg Ryan, Sleepless In Seattle’s Meg Ryan—has returned to the genre that made her a household name. And in What Happens Later,...
Romantic comedy lovers, our queen has finally returned. After a long hiatus, Meg Ryan—When Harry Met Sally’s Meg Ryan, Sleepless In Seattle’s Meg Ryan—has returned to the genre that made her a household name. And in What Happens Later,...
- 8/30/2023
- by Mary Kate Carr
- avclub.com
While her directorial debut Ithaca arrived nearly a decade ago with not too much fanfare, Meg Ryan is back this fall in a genre she knows well. The rom-com What Happens Later follows ex-lovers Bill (David Duchovny) and Willa (Meg Ryan), who get snowed-in at a regional airport overnight. Ahead of an October 13 theatrical release from Bleecker Street, the first trailer and poster have now arrived.
“Indefinitely delayed, Willa, a magical thinker, and Bill, a catastrophic one, find themselves just as attracted to and annoyed by one another as they did decades earlier. But as they unpack the riddle of their mutual past and compare their lives to the dreams they once shared, they begin to wonder if their reunion is mere coincidence, or something more enchanted,” the synopsis reads.
“It has a relationship to movies from the ’40s, like Bringing Up Baby, in terms of the banter and the...
“Indefinitely delayed, Willa, a magical thinker, and Bill, a catastrophic one, find themselves just as attracted to and annoyed by one another as they did decades earlier. But as they unpack the riddle of their mutual past and compare their lives to the dreams they once shared, they begin to wonder if their reunion is mere coincidence, or something more enchanted,” the synopsis reads.
“It has a relationship to movies from the ’40s, like Bringing Up Baby, in terms of the banter and the...
- 8/30/2023
- by Jordan Raup
- The Film Stage
In the vibrant panorama of Hollywood’s Golden Age, few stars shone as brightly as Cary Grant. He is a titan — born January 18, 1904, in Archibald Alec Leach in Bristol, England. His journey from humble beginnings to the glittering corridors of Hollywood fame is a captivating tale of grit, talent, and charisma. Grant’s meteoric rise in the film industry was not a stroke of luck but the result of his transformative acting style. Altogether, this brought a sophisticated charm to the silver screen. From screwball comedies like Bringing Up Baby to thrillers like North by Northwest, his filmography represents...
- 6/24/2023
- by Safwan Azeem
- TVovermind.com
Howard Hawks was the Oscar-nominated director who has become a favorite among cinephiles, praised as a master of genre entertainments. But how many of his titles have remained classics? Let’s take a look back at 20 of Hawks’ greatest films, ranked worst to best.
Born in 1896, Hawks had a background in engineering and aviation before turning to filmmaking during the silent era. He proved himself to be a versatile talent, adapting his direct, fast-paced style to a variety of genres, including comedies, westerns, film noir, adventures (“Only Angels Have Wings”), gangster epics (“Scarface”) and war dramas.
Although Hawks often explored the codes of masculinity in films starring Humphrey Bogart, John Wayne and Cary Grant, he was noted for his strong-willed, fast talking female characters, coined the “Hawksian woman.” The battle of the sexes was never more evenhanded than it was in one of his films, thanks to the likes of Katharine Hepburn,...
Born in 1896, Hawks had a background in engineering and aviation before turning to filmmaking during the silent era. He proved himself to be a versatile talent, adapting his direct, fast-paced style to a variety of genres, including comedies, westerns, film noir, adventures (“Only Angels Have Wings”), gangster epics (“Scarface”) and war dramas.
Although Hawks often explored the codes of masculinity in films starring Humphrey Bogart, John Wayne and Cary Grant, he was noted for his strong-willed, fast talking female characters, coined the “Hawksian woman.” The battle of the sexes was never more evenhanded than it was in one of his films, thanks to the likes of Katharine Hepburn,...
- 5/27/2023
- by Zach Laws and Chris Beachum
- Gold Derby
Just in time for Succession‘s end, let’s look at method acting. The Criterion Channel are highlighting the controversial practice in a 27-film series centered on Brando, Newman, Nicholson, and many other’s embodiment of “an intensely personal, internalized, and naturalistic approach to performance.” That series makes mention of Marilyn Monroe, who gets her own, 11-title highlight––the iconic commingling with deeper cuts.
Pride Month offers “Masc,” a consideration of “trans men, butch lesbians, and gender-nonconforming heroes” onscreen; the Michael Koresky-curated Queersighted returning with a study of the gay best friend; and the 20-film “LGBTQ+ Favorites.” Louis Garrel’s delightful The Innocent (about which I talked to him here), the director’s cut of Gregg Araki’s The Doom Generation, and Stanley Kwan’s hugely underseen Lan Yu make streaming premieres, while Araki’s Totally F***ed Up and Mysterious Skin also get a run. Criterion Editions include Five Easy Pieces,...
Pride Month offers “Masc,” a consideration of “trans men, butch lesbians, and gender-nonconforming heroes” onscreen; the Michael Koresky-curated Queersighted returning with a study of the gay best friend; and the 20-film “LGBTQ+ Favorites.” Louis Garrel’s delightful The Innocent (about which I talked to him here), the director’s cut of Gregg Araki’s The Doom Generation, and Stanley Kwan’s hugely underseen Lan Yu make streaming premieres, while Araki’s Totally F***ed Up and Mysterious Skin also get a run. Criterion Editions include Five Easy Pieces,...
- 5/22/2023
- by Nick Newman
- The Film Stage
The undisputed king of the screwball comedy is Cary Grant, and frankly, I don't think it's close. With classics of the genre like "His Girl Friday," "The Awful Truth," and "Holiday" under his belt, the most dapper man in Hollywood was also one of its funniest. Honestly, it's a little unfair that one person could be that handsome and that funny at the same time. Those two qualities should be at complete odds with one another. That's only fair.
If someone wanted to understand what the archetypical screwball comedy is, the film I would most likely show them is Howard Hawks' 1938 classic "Bringing Up Baby," starring Grant with his frequent screwball partner Katharine Hepburn. Its brand of antics is particularly wacky even by the standards of the best screwball comedies, and every single time I throw on the movie, whether I'm watching it in full or just looking at individual scenes,...
If someone wanted to understand what the archetypical screwball comedy is, the film I would most likely show them is Howard Hawks' 1938 classic "Bringing Up Baby," starring Grant with his frequent screwball partner Katharine Hepburn. Its brand of antics is particularly wacky even by the standards of the best screwball comedies, and every single time I throw on the movie, whether I'm watching it in full or just looking at individual scenes,...
- 5/16/2023
- by Mike Shutt
- Slash Film
Over 100 popular films are leaving HBO Max at the end of the month, but luckily you have the whole month to stream them.
They include cinema classics like “Ben Hur,” the winningest film in Oscars history
Leaving April 5
The Inside Story, 1948
Reminiscence, 2021 (HBO)
Leaving April 11
Adult Swim Yule Log (aka The Fireplace)
Leaving April 12
About Face: Supermodels Then and Now, 2012 (HBO)
Leaving April 13
The Last Duel, 2021
Game Theory With Bomani Jones, Season 1
Leaving April 18
The Lego Batman Movie, 2017
Leaving April 24
Tom and Jerry Cowboy Up!, 2022
Leaving April 27
Malignant, 2021 (HBO)
Leaving April 30
47 Ronin, 2013 (HBO)
3 Godfathers, 1948
Accepted, 2006 (HBO)
The Adventures of Robin Hood, 1938
A Private War, 2018 (HBO)
An American in Paris, 1951
The American President, 1995
Any Given Sunday, 1999
Australia, 2008 (HBO)
Before I Fall, 2017 (HBO)
Ben-Hur, 1959
Black Legion, 1937
Blade, 1998
Blood Diamond, 2006
Blow Out, 1981 (HBO)
The Bodyguard, 1992
Boogie Nights, 1997
The Book of Eli, 2010
The Bourne Identity, 2002 (HBO)
The Bourne Supremacy, 2004 (HBO)
Bringing up Baby,...
They include cinema classics like “Ben Hur,” the winningest film in Oscars history
Leaving April 5
The Inside Story, 1948
Reminiscence, 2021 (HBO)
Leaving April 11
Adult Swim Yule Log (aka The Fireplace)
Leaving April 12
About Face: Supermodels Then and Now, 2012 (HBO)
Leaving April 13
The Last Duel, 2021
Game Theory With Bomani Jones, Season 1
Leaving April 18
The Lego Batman Movie, 2017
Leaving April 24
Tom and Jerry Cowboy Up!, 2022
Leaving April 27
Malignant, 2021 (HBO)
Leaving April 30
47 Ronin, 2013 (HBO)
3 Godfathers, 1948
Accepted, 2006 (HBO)
The Adventures of Robin Hood, 1938
A Private War, 2018 (HBO)
An American in Paris, 1951
The American President, 1995
Any Given Sunday, 1999
Australia, 2008 (HBO)
Before I Fall, 2017 (HBO)
Ben-Hur, 1959
Black Legion, 1937
Blade, 1998
Blood Diamond, 2006
Blow Out, 1981 (HBO)
The Bodyguard, 1992
Boogie Nights, 1997
The Book of Eli, 2010
The Bourne Identity, 2002 (HBO)
The Bourne Supremacy, 2004 (HBO)
Bringing up Baby,...
- 4/4/2023
- by Lawrence Yee
- The Wrap
Well folks, it's that time yet again. With March coming to an end, that means that streamers like Netflix, Amazon Prime and HBO Max are shuffling their catalog around for April. HBO Max is consistently bringing great new things to the platform each month — and fan favorite series like "Succession," "A Black Lady Sketch Show," and "Titans," will make their return too — but I've always been more concerned with the films and shows that depart. The streamer's monthly cull with be an especially extensive one this moth; quite a few must-sees are leaving the platform in April. Landmark romantic comedies like "Bringing Up Baby," seminal classics like "Citizen Kane" and dystopian dramas like "The Book of Eli" will all be headed away this month. As ever, we do still have some time before some of these go bye-bye, so make sure to check out these titles before they're phased out.
- 3/24/2023
- by Lyvie Scott
- Slash Film
When Katharine Hepburn made her final big-screen appearance in Warren Beatty's 1994 romantic drama, "Love Affair," it marked the first time in her 62-year film career that she played a supporting role (aside from a cameo in 1943's "Stage Door Canteen") -- and this is all the more amazing when you consider how much she struggled at various junctures to maintain her leading lady status.
Hepburn's options were plentiful at birth. The Connecticut-born daughter of a wealthy urologist and a suffragette campaigner, Hepburn was raised in a permissive environment where societal limitations existed to be disregarded. She cut her hair short, excelled at sports like tennis and golf, wore pants, and smoked cigarettes. She pursued social justice causes at an early age, and received a liberal arts education at Bryn Mawr College (graduating with decidedly unladylike degrees in history and philosophy).
There was nothing performative about Hepburn's interests. She was appreciative of her good fortune,...
Hepburn's options were plentiful at birth. The Connecticut-born daughter of a wealthy urologist and a suffragette campaigner, Hepburn was raised in a permissive environment where societal limitations existed to be disregarded. She cut her hair short, excelled at sports like tennis and golf, wore pants, and smoked cigarettes. She pursued social justice causes at an early age, and received a liberal arts education at Bryn Mawr College (graduating with decidedly unladylike degrees in history and philosophy).
There was nothing performative about Hepburn's interests. She was appreciative of her good fortune,...
- 3/11/2023
- by Jeremy Smith
- Slash Film
While we’ve known the results of Jeanne Dielman Tops Sight and Sound‘s 2022 Greatest Films of All-Time List”>Sight & Sound’s once-in-a-decade greatest films of all-time poll for a few months now, the recent release of the individual ballots has given data-crunching cinephiles a new opportunity to dive deeper. We have Letterboxd lists detailing all 4,400+ films that received at least one vote and another expanding the directors poll, spreadsheets calculating every entry, and now a list ranking how many votes individual directors received for their films.
Tabulated by Genjuro, the list of 35 directors, with two pairs, puts Alfred Hitchcock back on top, while Chantal Akerman is at number two. Elsewhere in the top ten are David Lynch, Francis Ford Coppola, Jean-Luc Godard, Agnès Varda, Orson Welles, Yasujirō Ozu, and Stanley Kubrick, and tied for the tenth spot is Wong Kar Wai and Ingmar Bergman.
Check out the list below,...
Tabulated by Genjuro, the list of 35 directors, with two pairs, puts Alfred Hitchcock back on top, while Chantal Akerman is at number two. Elsewhere in the top ten are David Lynch, Francis Ford Coppola, Jean-Luc Godard, Agnès Varda, Orson Welles, Yasujirō Ozu, and Stanley Kubrick, and tied for the tenth spot is Wong Kar Wai and Ingmar Bergman.
Check out the list below,...
- 3/5/2023
- by Jordan Raup
- The Film Stage
No filmmaker loved ripping off their own work more than Howard Hawks. And if your oeuvre is riddled with all-timers like "Bringing Up Baby," "Only Angels Have Wings," "His Girl Friday" and "Ball of Fire," you might copy yourself, too.
Hawks' most egregious act of self-theft has its roots in "Rio Bravo," which is widely and correctly considered one of the finest Westerns ever made. The film that Quentin Tarantino calls the greatest "hangout" movie stars John Wayne as Sheriff John T. Chance, who teams up with his alcoholic former colleague (Dean Martin), a hotshot young gunfighter (Ricky Nelson), and Stumpy (Walter Brennan) to keep the outlaw brother of a wealthy local rancher in stir until the federal authorities can ride into town and take him into custody.
In an interview in the 1997 book, "Backstory 2: Interviews with Screenwriters of the 1940s and 1950s," scriptwriter Leigh Brackett shared that Hawks'...
Hawks' most egregious act of self-theft has its roots in "Rio Bravo," which is widely and correctly considered one of the finest Westerns ever made. The film that Quentin Tarantino calls the greatest "hangout" movie stars John Wayne as Sheriff John T. Chance, who teams up with his alcoholic former colleague (Dean Martin), a hotshot young gunfighter (Ricky Nelson), and Stumpy (Walter Brennan) to keep the outlaw brother of a wealthy local rancher in stir until the federal authorities can ride into town and take him into custody.
In an interview in the 1997 book, "Backstory 2: Interviews with Screenwriters of the 1940s and 1950s," scriptwriter Leigh Brackett shared that Hawks'...
- 2/15/2023
- by Jeremy Smith
- Slash Film
It might sound obvious, but getting nominated for an Oscar doesn’t automatically make a film good.
In fact, there have been many deserving movies over the years that were somehow overlooked by the Academy.
While it’s easy to assume that certain films don’t get nominated because they’re not what voters of the Oscars would usually go for, there have been a lot of surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films like DC’s Suicide Squad may have been mauled by the critics, but will still get recognised by the Academy (it went on to win), which is ridiculous when you consider classics such as The Good, the Bad and...
In fact, there have been many deserving movies over the years that were somehow overlooked by the Academy.
While it’s easy to assume that certain films don’t get nominated because they’re not what voters of the Oscars would usually go for, there have been a lot of surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films like DC’s Suicide Squad may have been mauled by the critics, but will still get recognised by the Academy (it went on to win), which is ridiculous when you consider classics such as The Good, the Bad and...
- 2/5/2023
- by Jacob Stolworthy
- The Independent - Film
It might sound obvious, but getting nominated for an Oscar doesn’t automatically make a film good.
In fact, there have been many deserving movies over the years that were somehow overlooked by the Academy.
While it’s easy to assume that certain films don’t get nominated because they’re not what voters of the Oscars would usually go for, there have been a lot of surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films like DC’s Suicide Squad may have been mauled by the critics, but will still get recognised by the Academy (it went on to win), which is ridiculous when you consider classics such as The Good, the Bad and...
In fact, there have been many deserving movies over the years that were somehow overlooked by the Academy.
While it’s easy to assume that certain films don’t get nominated because they’re not what voters of the Oscars would usually go for, there have been a lot of surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films like DC’s Suicide Squad may have been mauled by the critics, but will still get recognised by the Academy (it went on to win), which is ridiculous when you consider classics such as The Good, the Bad and...
- 2/4/2023
- by Jacob Stolworthy
- The Independent - Film
John Carpenter's "The Thing" was by no means a success when it was first released. It under-performed both at the box office and critically. Carpenter was no newbie to the filmmaking scene, either, with successes like "Halloween" and "Escape from New York" under his belt. The failure of "The Thing" was a big blow to his surging directorial career.
Fortunately for Carpenter, history has viewed "The Thing" extremely favorably. The film has become known as a cult classic, a quintessential science fiction horror movie. People love its excellent practical effects and the absolutely chilling atmosphere of paranoia and fear it cultivates. It even recently returned to theaters for its 40th anniversary, a clear sign that it has stood the test of time.
Carpenter is certainly a unique filmmaking talent. He writes the scores for (almost) all of his movies, and he has an understanding of the horror genre that...
Fortunately for Carpenter, history has viewed "The Thing" extremely favorably. The film has become known as a cult classic, a quintessential science fiction horror movie. People love its excellent practical effects and the absolutely chilling atmosphere of paranoia and fear it cultivates. It even recently returned to theaters for its 40th anniversary, a clear sign that it has stood the test of time.
Carpenter is certainly a unique filmmaking talent. He writes the scores for (almost) all of his movies, and he has an understanding of the horror genre that...
- 10/16/2022
- by Matt Rainis
- Slash Film
Dir: Ol Parker. Starring: George Clooney, Julia Roberts, Kaitlyn Dever, Maxime Bouttier, Billie Lourd, Lucas Bravo. 12A, 104 minutes.
It’s a joy to watch Julia Roberts and George Clooney fall in love. It’s an even greater joy to watch them bicker. As embittered exes in Ticket to Paradise, flying to Bali in order to stop the whirlwind nuptials of their daughter (Kaitlyn Dever) to a local seaweed farmer (Maxime Bouttier), the duo have been provided a full buffet of snappish asides. They’re heirs to that great screwball tradition. Think back to Claudette Colbert, hitching a car ride with a coquettish flash of the leg in order to tease Clarke Gable in It Happened One Night. Or to Cary Grant at wit’s end in the face of Katharine Hepburn’s scatterbrained antics in Bringing Up Baby.
Here, when Georgia (Roberts) and David (Clooney) are – incidentally – sat next to...
It’s a joy to watch Julia Roberts and George Clooney fall in love. It’s an even greater joy to watch them bicker. As embittered exes in Ticket to Paradise, flying to Bali in order to stop the whirlwind nuptials of their daughter (Kaitlyn Dever) to a local seaweed farmer (Maxime Bouttier), the duo have been provided a full buffet of snappish asides. They’re heirs to that great screwball tradition. Think back to Claudette Colbert, hitching a car ride with a coquettish flash of the leg in order to tease Clarke Gable in It Happened One Night. Or to Cary Grant at wit’s end in the face of Katharine Hepburn’s scatterbrained antics in Bringing Up Baby.
Here, when Georgia (Roberts) and David (Clooney) are – incidentally – sat next to...
- 9/15/2022
- by Clarisse Loughrey
- The Independent - Film
It might sound obvious, but a film getting nominated for an Oscar doesn’t automatically make it good.
In fact, there have been numerous deserving films over the years that were somehow overlooked by the Academy.
Sure, it’s easy to assume that certain films don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films like DC’s Suicide Squad may have been mauled by the critics, but still get recognised by the Academy (it went on to win), which is ridiculous when you consider classics such as Don’t Look Now or The King of Comedy didn’t even get recognised.
In fact, there have been numerous deserving films over the years that were somehow overlooked by the Academy.
Sure, it’s easy to assume that certain films don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films like DC’s Suicide Squad may have been mauled by the critics, but still get recognised by the Academy (it went on to win), which is ridiculous when you consider classics such as Don’t Look Now or The King of Comedy didn’t even get recognised.
- 8/26/2022
- by Jacob Stolworthy
- The Independent - Film
It might sound obvious, but a film getting nominated for an Oscar doesn’t automatically make it good.
In fact, there have been many deserving films over the years that were somehow overlooked by the Academy.
Sure, it’s easy to assume that certain films don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films like DC’s Suicide Squad may have been mauled by the critics, but still get recognised by the Academy (it went on to win), which is ridiculous when you consider classics such as Don’t Look Now or The King of Comedy didn’t even get recognised.
In fact, there have been many deserving films over the years that were somehow overlooked by the Academy.
Sure, it’s easy to assume that certain films don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films like DC’s Suicide Squad may have been mauled by the critics, but still get recognised by the Academy (it went on to win), which is ridiculous when you consider classics such as Don’t Look Now or The King of Comedy didn’t even get recognised.
- 8/26/2022
- by Jacob Stolworthy
- The Independent - Film
In Variety’s feature, The One That Got Away, Emmy nominees reflect on one of their projects that never saw the light of day, was canceled too soon or that they’d like to revisit some day.
Picture it: Southern California, 1994.
Cinco Paul is fresh out of USC School of Cinematic Arts, churning out his first post-grad comedy script — an homage to screwball comedies including “What’s Up, Doc?” and “Bringing Up Baby,” called “Band of Gold.”
“At the time, there were big splashy spec sales happening all over the place and this was mine,” he says. “It kind of launched my career, but unfortunately, it never got made.”
Nearly 30 years later, Paul, the creator and Emmy-nominated lyricist of Apple TV+’s musical love letter “Schmigadoon!,” has never lost his wistful fondness for the script, which had been bought by Sony and even attached a few directors.
Had it made it to the screen,...
Picture it: Southern California, 1994.
Cinco Paul is fresh out of USC School of Cinematic Arts, churning out his first post-grad comedy script — an homage to screwball comedies including “What’s Up, Doc?” and “Bringing Up Baby,” called “Band of Gold.”
“At the time, there were big splashy spec sales happening all over the place and this was mine,” he says. “It kind of launched my career, but unfortunately, it never got made.”
Nearly 30 years later, Paul, the creator and Emmy-nominated lyricist of Apple TV+’s musical love letter “Schmigadoon!,” has never lost his wistful fondness for the script, which had been bought by Sony and even attached a few directors.
Had it made it to the screen,...
- 8/11/2022
- by Hunter Ingram
- Variety Film + TV
Something Wild, Jonathan Demme’s screwball thriller from 1986, makes good on its title and then some. Jeff Daniels plays a mild-mannered IRS agent caught in the orbit of a flaky small time thief played by Melanie Griffith. The film proceeds as a funny, quirky rom-com á la Howard Hawks’ Bringing Up Baby until the arrival of Griffith’s sociopathic ex-husband, played by Ray Liotta, when things take an abrupt turn toward the dark side. The movie’s eclectic soundtrack, a Demme trademark, reinforces the film’s roller coaster mood swings.
The post Something Wild appeared first on Trailers From Hell.
The post Something Wild appeared first on Trailers From Hell.
- 6/1/2022
- by TFH Team
- Trailers from Hell
She’s got pregnancy cravings for dirt, confusing sexual feelings for her prisoner/husband, and alligators and bears randomly showing up at the palace. When you’re Empress Catherine on Hulu’s “The Great,” you’ve got to be at home taking big swings.
“You can’t be embarrassed with comedy…I think that’s the number-one thing you have to be comfortable with: trying the crazy idea and going for it,” said star Elle Fanning during a recent interview with IndieWire. “I remember the macaroons on Paul during the baby shower. I do a little [backbend] bridge and surf macaroons down on my pregnant stomach. That was my idea! So I’ve definitely grown; I don’t know if I would have come up with that in the first season. But now I’m really living in Tony’s land for so long. You start to kind of morph into...
“You can’t be embarrassed with comedy…I think that’s the number-one thing you have to be comfortable with: trying the crazy idea and going for it,” said star Elle Fanning during a recent interview with IndieWire. “I remember the macaroons on Paul during the baby shower. I do a little [backbend] bridge and surf macaroons down on my pregnant stomach. That was my idea! So I’ve definitely grown; I don’t know if I would have come up with that in the first season. But now I’m really living in Tony’s land for so long. You start to kind of morph into...
- 5/4/2022
- by Erin Strecker
- Indiewire
The feature documentary has been picked up by Netflix and Sky.
UK production outfit Salon Pictures has commenced principal photography on Lorna Tucker’s feature documentary Call Me Kate, chronicling the life of US actress Katharine ‘Kate’ Hepburn.
The documentary combines new and archive footage, with the shoot taking place in the US in Connecticut and New York, and in London.
London-based Abacus Media Rights is handling worldwide sales with financing from Head Gear Films. Abacus has taken over from Embankment, which initially boarded sales in 2020.
The film has pre-sold to Netflix for the US and Canada, Sky in the...
UK production outfit Salon Pictures has commenced principal photography on Lorna Tucker’s feature documentary Call Me Kate, chronicling the life of US actress Katharine ‘Kate’ Hepburn.
The documentary combines new and archive footage, with the shoot taking place in the US in Connecticut and New York, and in London.
London-based Abacus Media Rights is handling worldwide sales with financing from Head Gear Films. Abacus has taken over from Embankment, which initially boarded sales in 2020.
The film has pre-sold to Netflix for the US and Canada, Sky in the...
- 4/25/2022
- by Mona Tabbara
- ScreenDaily
Despite the increase in pop-culture amnesia, there are actually a lot of great rom-coms that predate the Reagan era
For many pop-culture websites, which we will not name here, the history of cinema apparently begins somewhere around the release of “Star Wars” (1977), with almost everything that preceded it to the big screen being sloughed off as quaint, forgettable and irrelevant.
It’s the sort of thing that people who love movies and movie history can often ignore with the roll of an eye, but when one site recently trumpeted its list of the 50 Best Rom-Coms of All Time — which featured exactly one movie made before 1980 and zero prior to 1970 — we could sit by no longer.
Here is an alphabetical list of 50 classic romantic comedies that merely scratches the surface of great movies made during ye olden times of 1979 and earlier:
“The Awful Truth” (1937): Cary Grant and Irene Dunne star...
For many pop-culture websites, which we will not name here, the history of cinema apparently begins somewhere around the release of “Star Wars” (1977), with almost everything that preceded it to the big screen being sloughed off as quaint, forgettable and irrelevant.
It’s the sort of thing that people who love movies and movie history can often ignore with the roll of an eye, but when one site recently trumpeted its list of the 50 Best Rom-Coms of All Time — which featured exactly one movie made before 1980 and zero prior to 1970 — we could sit by no longer.
Here is an alphabetical list of 50 classic romantic comedies that merely scratches the surface of great movies made during ye olden times of 1979 and earlier:
“The Awful Truth” (1937): Cary Grant and Irene Dunne star...
- 4/18/2022
- by Alonso Duralde
- The Wrap
The 2020 Oscars produced a record four films that all received at least 10 nominations. While it created a wide-open field, it also meant great movies like “The Farewell,” “Hustlers,” “Midsommar” and more were completely snubbed. And believe us, there have been some bad movies nominated for plenty of Oscars in the past. And while we could go all day naming movies that have been unfairly overlooked by The Academy for one reason or another, these near classics feel like they should’ve been awards season shoo-ins and yet ultimately received no Oscar love at all.
“King Kong” (1933)
It was the quintessential monster movie of the era and was a landmark for special effects, but the Academy handed it zero nominations.
“Modern Times” (1936)
Many of Charlie Chaplin’s silent masterpieces predate the Oscars, but the Academy didn’t take the chance to nominate his final turn as The Tramp. Chaplin himself wouldn...
“King Kong” (1933)
It was the quintessential monster movie of the era and was a landmark for special effects, but the Academy handed it zero nominations.
“Modern Times” (1936)
Many of Charlie Chaplin’s silent masterpieces predate the Oscars, but the Academy didn’t take the chance to nominate his final turn as The Tramp. Chaplin himself wouldn...
- 3/22/2022
- by Brian Welk
- The Wrap
One of the biggest comedy hits of the early ’70s. Following up on his dramatic breakthrough with The Last Picture Show, movie scholar turned director Peter Bogdanovich evokes ’30s screwball comedies and classic Looney Tunes in this self-consciously wacky homage to Bringing Up Baby. As befits the brief post-Easy Rider era when directors were as famous as stars, this is an unusually auteur-centered trailer.
The post What’s Up, Doc? appeared first on Trailers From Hell.
The post What’s Up, Doc? appeared first on Trailers From Hell.
- 1/14/2022
- by TFH Team
- Trailers from Hell
Not many movie buffs have the chance to meet, let alone interview or become friendly with, their favorite moviemakers.
Peter Bogdanovich, who died January 6 at the age of 82, managed the trick many times over. First as a film scholar and magazine features writer, then as a filmmaker in his own right, Bogdanovich cozied up to the likes of directors like Ford, Hawks, and Welles, and actors like John Wayne, Cary Grant, and Jimmy Stewart, among countless others.
By some combination of luck and persistence, Bogdanovich saw to it that these men, whose movies he had seen, inhaled, and studied as a youth in New York, became his teachers, mentors, and friends.
He accomplished what had been the dream of every movie buff since before the movies talked: to get to know, in flesh and blood, those icons of the silver screen.
It was with that model in the back of...
Peter Bogdanovich, who died January 6 at the age of 82, managed the trick many times over. First as a film scholar and magazine features writer, then as a filmmaker in his own right, Bogdanovich cozied up to the likes of directors like Ford, Hawks, and Welles, and actors like John Wayne, Cary Grant, and Jimmy Stewart, among countless others.
By some combination of luck and persistence, Bogdanovich saw to it that these men, whose movies he had seen, inhaled, and studied as a youth in New York, became his teachers, mentors, and friends.
He accomplished what had been the dream of every movie buff since before the movies talked: to get to know, in flesh and blood, those icons of the silver screen.
It was with that model in the back of...
- 1/8/2022
- by Peter Tonguette
- Indiewire
Peter Bogdanovich — whose “The Last Picture Show” and “Paper Moon” solidified his reputation as one of the most important filmmakers in the New Hollywood of the ’70s, but whose personal life threatened to overshadow his career behind the camera — has died, Variety has confirmed. He was 82.
The director also had acting roles on such shows as “The Sopranos,” on which he recurred as Dr. Melfi’s psychotherapist; “The Simpsons”; and as a DJ in Quentin Tarantino’s “Kill Bill Volumes 1 and 2.”
Wildly prolific and celebrated early on, then mired in hubris-laced scandal when he became involved with two of his leading ladies — the first for whom he left his wife, the second a Playboy centerfold killed by her husband — Bogdanovich nevertheless remained busy directing, writing and acting through his late years, and emerged, like Martin Scorsese, as a scholarly champion of old-school American moviemakers.
Like his peers of the French New Wave,...
The director also had acting roles on such shows as “The Sopranos,” on which he recurred as Dr. Melfi’s psychotherapist; “The Simpsons”; and as a DJ in Quentin Tarantino’s “Kill Bill Volumes 1 and 2.”
Wildly prolific and celebrated early on, then mired in hubris-laced scandal when he became involved with two of his leading ladies — the first for whom he left his wife, the second a Playboy centerfold killed by her husband — Bogdanovich nevertheless remained busy directing, writing and acting through his late years, and emerged, like Martin Scorsese, as a scholarly champion of old-school American moviemakers.
Like his peers of the French New Wave,...
- 1/6/2022
- by Steve Chagollan
- Variety Film + TV
Rom-coms have been popular since the '30s and '40s, when classics like "It Happened One Night," "His Girl Friday," "The Philadelphia Story," "Bringing Up Baby," and "Some Like It Hot" courted moviegoers. It wasn't uncommon for these uproarious films to receive rave reviews from both critics and viewers, and they continued to permeate as Hollywood moved into the '50s and beyond.
'80s rom-coms continued this beloved tradition, infusing classical filmmaking techniques with the innovations of blockbuster movies, pioneered by the likes of "Jaws" and "Star Wars." Accordingly, rom-coms of the era borrowed from many different genres, including fantasy, satire, and science fiction. The rise of John Hughes...
The post The 14 Greatest '80s Romantic Comedies Ranked appeared first on /Film.
'80s rom-coms continued this beloved tradition, infusing classical filmmaking techniques with the innovations of blockbuster movies, pioneered by the likes of "Jaws" and "Star Wars." Accordingly, rom-coms of the era borrowed from many different genres, including fantasy, satire, and science fiction. The rise of John Hughes...
The post The 14 Greatest '80s Romantic Comedies Ranked appeared first on /Film.
- 10/14/2021
- by Liam Gaughan
- Slash Film
You know the type. Lonely old woman, cluttered household, sheltered from society, with her only friends in the world her numerous cats roaming around her house. It’s the “crazy cat lady.” Weirdly, it’s not a pop culture character trope for men, even though they’re often as obsessed with cats too! Just look at the James Bond villain Blofeld, Don Corleone or Robert De Niro in “Meet the Parents.” Still, the crazy cat lady stereotype persists, often with hilarious results. And because June is the National Adopt-a-Cat Month, we decided to look at some of the most famous crazy cat ladies in movies and TV. It’s about to get furry.
Crazy Cat Lady – “The Simpsons”
“The Simpsons'” crazy cat lady, simply named as such, is the perfect embodiment of this character trope, a delusional hermit who’s only real characteristic is that she has dozens of cats she can hurl at onlookers.
Crazy Cat Lady – “The Simpsons”
“The Simpsons'” crazy cat lady, simply named as such, is the perfect embodiment of this character trope, a delusional hermit who’s only real characteristic is that she has dozens of cats she can hurl at onlookers.
- 8/8/2021
- by Brian Welk
- The Wrap
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“I Can’T Give You Anything But Love, Baby”
By Raymond Benson
It boggles this reviewer’s mind that Bringing Up Baby, released in early 1938, was considered a “flop” at the time. Was it really, or is that Hollywood PR nonsense? The truth is that it did fine, but perhaps not as well as the studio, Rko, had hoped. Shortly before its release, the Independent Theater Owners of America had deemed star Katharine Hepburn (and other popular leading ladies) “box office poison.” This bit of nastiness may have had an impact on Baby’s earnings in 1938.
The movie was re-released in the early 40s after the success of The Philadelphia Story (1940) and did much better. When television began broadcasting Bringing Up Baby, the picture’s reputation shot through the roof. Today, it’s considered one of Hollywood’s greatest screwball comedies, and fans...
“I Can’T Give You Anything But Love, Baby”
By Raymond Benson
It boggles this reviewer’s mind that Bringing Up Baby, released in early 1938, was considered a “flop” at the time. Was it really, or is that Hollywood PR nonsense? The truth is that it did fine, but perhaps not as well as the studio, Rko, had hoped. Shortly before its release, the Independent Theater Owners of America had deemed star Katharine Hepburn (and other popular leading ladies) “box office poison.” This bit of nastiness may have had an impact on Baby’s earnings in 1938.
The movie was re-released in the early 40s after the success of The Philadelphia Story (1940) and did much better. When television began broadcasting Bringing Up Baby, the picture’s reputation shot through the roof. Today, it’s considered one of Hollywood’s greatest screwball comedies, and fans...
- 7/16/2021
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
The Criterion Collection prides itself on curating fantastic classic cinephile-friendly films that may have gone under-the-radar in the home release market and their upcoming Blu-Ray release won’t be any different. Criterion has announced that they’ll be putting together an essential collection of Melvin Van Peebles movies with their latest offering, “Melvin Van Peebles: Four Films” set to be released on September 28.
Read More: Criterion Adds ‘Bringing Up Baby,’ Tarkovsky’s Mirror,’ ‘La Piscine’ & More For July
A one-man creative maverick and revolutionary, who wrote, directed, starred in, and composed the music for many of his works, Melvin Van Peebles was a shock to the system of American Independent cinema.
Continue reading Criterion To Release ‘Melvin Van Peebles: Four Films’ Blu-Ray Collection This September at The Playlist.
Read More: Criterion Adds ‘Bringing Up Baby,’ Tarkovsky’s Mirror,’ ‘La Piscine’ & More For July
A one-man creative maverick and revolutionary, who wrote, directed, starred in, and composed the music for many of his works, Melvin Van Peebles was a shock to the system of American Independent cinema.
Continue reading Criterion To Release ‘Melvin Van Peebles: Four Films’ Blu-Ray Collection This September at The Playlist.
- 6/12/2021
- by Christopher Marc
- The Playlist
From video store clerk to eventual New York Times bestseller. It makes for quite the trajectory, eh?
That’s still clearly Quentin Tarantino’s thinking too. The mercurial and celebrated filmmaker behind such modern classics as Pulp Fiction and Inglourious Basterds has teased for years that he looks forward to the day he can retire from filmmaking and leave his filmography at an allegedly perfect 10 films. He’s been discussing it since at least Django Unchained, and as he’s approached that mythical “tenth” film (he counts both volumes of Kill Bill as one movie), his opinion hasn’t changed on the matter. In fact, in a new interview with Pure Cinema Podcast (via Collider), Tarantino sounded audibly thrilled about the idea of settling down and being a family man author.
“Most directors have horrible last movies,” Tarantino said on the audio interview. “Usually their worst movies are their last movies.
That’s still clearly Quentin Tarantino’s thinking too. The mercurial and celebrated filmmaker behind such modern classics as Pulp Fiction and Inglourious Basterds has teased for years that he looks forward to the day he can retire from filmmaking and leave his filmography at an allegedly perfect 10 films. He’s been discussing it since at least Django Unchained, and as he’s approached that mythical “tenth” film (he counts both volumes of Kill Bill as one movie), his opinion hasn’t changed on the matter. In fact, in a new interview with Pure Cinema Podcast (via Collider), Tarantino sounded audibly thrilled about the idea of settling down and being a family man author.
“Most directors have horrible last movies,” Tarantino said on the audio interview. “Usually their worst movies are their last movies.
- 6/4/2021
- by David Crow
- Den of Geek
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