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  • "Little Miss Broadway" (20th Century-Fox, 1938), directed by Irving Cummings, presents popular child star Shirley Temple in a showbiz background story ranking one of the most musical of all her movies thus far. Not precisely a backstage musical in the typical sense of the 1930s bearing "Broadway" in the title, but a movie by which almost every other scene includes singing and dancing, and with a handful of fine tunes, the plot nearly becomes secondary.

    The story opens in the auditorium of the Madrey Orphanage for Girls where the talented Betsy Brown (Shirley Temple) leads the quartet singing an optimistic song to an audience of cheerful little orphans. Moments later, Miss Hutchins (Jane Darwell), matron of the orphanage, announces that Betsy is leaving to go live with William J. "Pop" Shea (Edward Ellis), a close friend of her deceased parents, and his daughter, Barbara (Phyllis Brooks). Now a resident of the Hotel Variety in New York City, Betsy finds herself happily surrounded by a handful of unemployed vaudevillians living under the generosity of "Pop" Shea, who manages the place. Living across the street is the middle-aged grouch named Sara Wendling (Edna May Oliver), landlord of the Hotel Variety who detests both show people and loud noise, and intends to close down the hotel unless Shea comes up with the full payment of back rent. In order to help out, Betsy pleas with Miss Wendling, better known to her as "the old pumpkin," but to no avail. She does, however, succeed in charming Wendling's brother, Willoughby (Donald Meek), and her song and dance man nephew, Roger (George Murphy). Complications follow leading the actors to show off their musical talent in the courtroom s preceded by an old but lovable judge (Claude Gillingwater Sr.).

    With music and lyrics by Walter Bullock and Harold Spina, the musical program includes: "Be Optimistic" (sung by Shirley Temple and the Brewster Twins); "Auld Lang Syne" (traditional New Year's Eve song); "How Can I Thank You?" (sung by Temple to Phyllis Brooks); "We Should Be Together" (sung and danced by George Murphy and Temple); "If All the World Were Paper" (sung by Temple); "When You Were Sweet 16" (by James Thornton); "Happy Birthday to You," "How Can I Thank You?" (reprise); "Be Optimistic" (reprise); "Thank You for the Use of the Hall" (sung by Temple); "I'll Take the High Road and You'll Take the Low Road" (traditional Scottish song); "Swing Me and Old-Fashioned Song," and "Little Miss Broadway"/ "I'll Build a Broadway for You" (sung and danced by Temple and Murphy).

    The supporting cast features the likes of Jimmy Durante as Jimmy Clayton, leader of a swing band consisting of Eddie Collins, Syd Saylor, Jerry Colonna and Heinie Conklin; El Brendel as Ole, owner of a talented penguin; George Barbier as Mr. Fiske; George and Ella Brosno, a midget couple; The Brian Sisters, among many others. With a handful of fine character and veteran actors, many don't appear on screen long enough to make their performances count. Compared to others it appears that Jimmy Durante, one of the most notable and recognizable entertainers, to be regrettably the one whose has become the victim of severe editing. He's there but hardly shares any scenes opposite Temple, and in the finished product, he doesn't even get to sing nor dance in the popular Durante tradition. All this has been revealed when American Movie Classics presented one of its well constructed documentaries around 1997 titled, "Hidden Hollywood, From the Vaults of 20th Century-Fox," showcasing deleted scenes from Fox films, especially "Little Miss Broadway", many involving Durante, especially the Durante and Temple show-stopper, "Hop, Skip and Jump." How much more of Durante was filmed and scrapped is uncertain, but the reason given is so not to take away any attention from Temple. It has always been evident that "Little Miss Broadway" was originally intended to be a much longer film, around 85 minutes or so, since everything happens and ends so quickly.

    "Little Miss Broadway" plays like an MGM film, especially those annual "Broadway Melody" musicals since singing and dancing takes more precedence in the story rather than on the stage. George Murphy, on loan from MGM, whose "We Should Be Together" dance number opposite Temple is reminiscent to her fancy footwork opposite Buddy Ebsen from "Captain January" (1936), where they do their fancy footwork ranging from floor to table tops. As the story goes, Murphy plays a nice guy and romantic interest to Shea's attractive daughter (Brooks). Edna May (misspelled Mae in the credits) Oliver, another resident MGM character actress, makes a fine villain, but in spite of her meanness, succeeds in making her nasty character lovable.

    "Little Miss Broadway", which was distributed on video cassette in either the black and white and colorized format, played on numerous cable stations over the years, such as The Disney Channel in the early 1990s, American Movie Classics (1996-2001), and both Fox Movie Channel and Turner Classic Movies (TCM premiere: July 13, 2015) in original black and white format.

    "Little Miss Broadway" may not work well to those with lack of patience or understanding towards movie musicals such as this, but standard to enjoyable by those familiar with the Temple formula: young orphan makes good. An ordinary musical at best highlighted by some lavish dance numbers credited to Geneva Sawyer and Nick Castle, ranking this a very optimistic film. Oh my goodness! (***)
  • Little Miss Broadway is a very enjoyable movie musical format in miniature with bright,bouncy tunes,a plot that moves with light touches of comedy,sentiment and slight conflicts..All the main characters perform solidly,but THE main sharply etched brilliant performance belongs to Edna May Oliver...when I was a child,I was at first repelled by her "mean old pumpkin" ways...OH! but to look closer as one grows older..WOW! What subtle hysterical faces and brilliance beneath that unique face and her ever so subtle softness of heart which peeks out more and more towards the end..She truly stands out..such a marvelous artist!
  • Not-bad musical fluffball starring Shirley Temple, predictably sentiment-driven and extravagant, yet somehow fruitier than usual. Shirl plays an orphaned tyke adopted into a show-biz family overflowing with kooky characters (including tap-dancing midgets and a Swede with a pet penguin). A highlight of the film is the courtroom climax, which turns into a Busby Berkeley-styled musical production. Temple isn't at her peak here, in fact she seems rather unsure of herself on occasion. Fortunately, the rest of the players (including Jimmy Durante and Phyllis Brooks) are game, making up for the star's stiffness, and director Irving Cummings adds a good deal of eccentric pizazz. **1/2 from ****
  • What a spectacular Shirley Temple movie I have chosen to see. It is entitled "Little Miss Broadway." I have been, for long, a big lover of musicals.

    That is especially true for those with little Shirley Temple. She has adored audiences worldwide with her singing, acting, and tap-dancing in the films.

    This is one of those rare movies that I would automatically give the number 10 to. It has an array of great songs such as the title. Shirley opens her act with the song "Be Optimistic." That is one of those songs where you can learn a life lesson.

    "Little Miss Broadway" -- the song and the film itself -- are indeed heartwarming. That is rare for a musical show or film. Since it is a 1930s filmusical with Shirley Temple, I'd say it is right up there with the rest.
  • We all know the early Shirley Temple movies are the best, but if you're a die-hard fan of the little curly top, you've probably seen Little Miss Broadway a couple of times. It's one of those "let's put on a show!" musicals that doesn't really have much of a story. Lots of unrelated songs, lots of performers, but all in all, not that great. Shirley Temple was credited to saving America from the Great Depression, and this movie served as a miniature tribute to her.

    George Murphy is the manager of a small hotel, and he adopts little orphan Shirley. The hotel is populated with a bunch of out-of-work entertainers, and Shirley gets the idea of putting on a big show. They need backers (and Shirley sings a song about it), but the hotel owners, Donald Meek and Edna May Oliver, don't like showbiz and refuse to help. Will Jimmy Durante, Jane Darwell, Phyllis Brooks, and the others be able to make their mark on the stage?

    Shirley is very sweet, but she's transitioning into her adolescence and you can see it in her eyes that she's tired of being a little girl. This probably won't end up as a favorite in your collection, but you can check it out on a rainy afternoon.
  • Warning: Spoilers
    Cynical New Yorkers must have rolled their eyes to see the glamorous art deco court room featured in the climax of this Shirley Temple vehicle which turns Chambers Street into 42nd Street when tap-dancing George Murphy goes up against his pickle-pussed aunt (Edna May Oliver) to keep a hotel for actors which they own open. Temple starts off this charming comedy with a few musical numbers by singing "Be Optimistic". Of course, she's got a lot to be optimistic about. She's been adopted by the old man who runs the hotel (Edward Ellis) and his pretty daughter (Phyllis Brooks), not realizing that the crabby old pumpkin next door (Oliver) is furious over bandleader Jimmy Durante's constant interruptions of her desire for quiet and decides to demand the back rent building renter Ellis owes.

    It's obvious from the start that Oliver's crabby old bat is really a big pile of mush hidden under that fabulous horse face. She threatens to steal the picture just by her name in the title, and her comic genius is evident when she visits the hotel and is visited by a marching penguin and various acrobatic acts. Donald Meek comes close second as her milquetoast brother who secretly performs on the side and stands up to a butler who reports everything to his bossy sister. When he breaks out in a fight dance, it is one of those delicious moments of visual comedy that proved that the character performers were often better than the stars.

    For one of the few times in his career, "Swedish" comic El Brendel is unobtrusive, commenting on the action with the aforementioned penguin who basically makes his presence in the film more tolerable than his early talkie appearances in the Fox musicals. The musical finale towards the end is of course outrageously ostentatious, turning a courtroom into the equivalent of a Mickey/Judy barn! The reactions from Claude Gillingwater as the judge is worth the price of admission alone, and of course, he applauds with his gavel. One of the oddest bloopers in film history appears in this sequence which shows George Murphy plain as day sitting in the court room in a suit watching Shirley perform, then magically re-appearing moments later swinging open the courtroom doors in tuxedo and tap-dancing his way back in. This "Little Miss Broadway", of course, never appeared on Broadway, but for post depression and pre-war audiences needing escapism, this didn't matter. Pure entertainment is entertainment, no matter how off the wall it ends up being.
  • Darryl F. Zanuck gave Shirley Temple a really great supporting cast for Little Miss Broadway. You can't go wrong with a cast that includes Donald Meek, Claude Gillingwater, Edna Mae Oliver, El Brendel, and the great Jimmy Durante.

    Shirley is adopted from Jane Darwell's orphanage by Edward Ellis a friend of her deceased parents and his daughter Phyllis Brooks who run a hotel for theatrical types. Ellis is a guy who gives easy credit so when the imperious dowager landlady of the hotel wants what is due he's caught in a bad cash flow situation.

    It's more than that, Oliver hates theatrical folks and is determined to close the hotel even going against her brother Donald Meek and their dancing nephew George Murphy who likes Ellis, Temple, and especially Brooks.

    The finale is a courtroom scene where Shirley pleads the case of the performers who have to prove how good they are to the satisfaction of Judge Gillingwater. Shirley is a persuasive advocate.

    For fans of Fox's eternal moppet and fans to be.
  • Being this the very first Shirley Temple movie I've ever seen, I must say it's my favorite. Shirley gives a great performance singing and dancing in all her numbers! And that one we can really call "musical". On the other ones we can see only one or two scenes with singing and dancing, but at this one you can see singing and dancing almost all the time.

    Shirley's an optimistic orphan who is adopted by a Vaudeville hotel "owner" and his daughter. She meets a guy (George Murphy, who is FABULOUS dancing with Shirley on the number "We Should be Together") trying to convince his aunt (Edna May Oliver, the real owner) to not close the hotel.

    Shirley looks so sweet in that movie, in all her numbers -- especially in "If the world was a paper", "We should be together" and "Little Miss Broadway".

    Anyway, this is a very enjoyable movie. Anyone who watches it can enjoy not just Shirley's performances but almost everything in the movie: the story, the characters, the songs, the dancing and so on. A heartwarming movie starring one of the sweetest Child-Stars of all the time with fabulous co-stars. A family movie that can be watched by children, adults and even teenagers and old people.
  • The highlight in this one is Edna May Oliver who made a wonderful detective in earlier films (she paired with James Gleason in several 30's efforts). I mean, to be mean to little Miss Everything--what can you say? Shirley looks a little chubby in this outting but no less talented as she reacts, moves that mouth, smiles and keeps up with famous hoofers.
  • This might be the best of all the Shirley Temple movies of the 1930s because its so interesting start-to-finish.

    The only annoying person is Edna May Oliver, who plays the standard mean old lady who is out to ruin things for the ""good guys" Fortunately, she's not in a lot of scenes and eventually even changes her thoughts for the better.

    The rest of the film is nothing but nice people who are a lot of fun to watch. George Murphy and Phyllis Brooks are the typical (for Temple movies) super nice, handsome young couple which gets together in the end.

    Edward Ellis plays a nice old man and Donald Meek nearly steals the show with some funny lines and funny faces. I thought James Durante would be funny, but he had more of a straight than comedic role.

    Other features which make this movie stand out from normal Temple fare were unique characters (midgets, twins, penguins and more) and a tremendous amount of songs and dances (much more than normally heard).

    All the elements that made Shirley Temple's films so successful are rolled up into this movie. Great stuff!
  • kenjha8 September 2009
    Warning: Spoilers
    In a surprising departure from her usual roles, Shirley plays a lovable orphan. For reasons that are not clear, she is moved to a hotel full of entertainers. Unfortunately, the hotel is owned by a witch who summons the authorities to have Shirley sent back to the orphanage. No spoiler alert is needed to reveal that all ends well in Shirley's world. Those who are not Temple fans and those who like good movies should stay away from this one. The only highlight is Murphy's dancing. After retiring from show business, Murphy served as US Senator from California while Ronald Reagan was the governor! Of course Shirley became an orphan ambassador.
  • An orphaned Shirley is adopted by an elderly man and his daughter who run a hotel for "Entertainers", however when the rent is past due, the grumpy wealthy landlady who lives next door, tries to have the hotel closed. When that attempt fails, she has Shirley sent back to the orphanage, because of the " unwholesome " atmosphere at the hotel. But fear not, it IS a Shirley movie---it always works out!

    I think this is an adorable movie. It's hard to grasp the reality of how YOUNG Shirley was when she did these films. To be so talented at such a young age! The story is cute, with a probably predictable ending, but the characters stand out and keep your interest. And watching Shirley dance to " We Belong Together " with George Murphy always makes me smile. Edna Oliver is PERFECT as a cantankerous IL' landlady. The film clearly isn't an Oscar winner, but if you enjoy good, wholesome entertainment without all the sex, violence and fowl language, you will LOVE this movie.
  • llihilloh20 January 2001
    I'm not the biggest fan of black and white films but this was still good. That shouldn't interfere with the acting and story itself, but that's just me.

    I actually enjoyed this even though it lacked color. During the first ten or fifteen minutes, I was pretty determined that I was going to hate this film. It was kind of slow and the writing wasn't all that great. Then I realized that it was made in the '30s and should think how this would have appeared back then. I thought and began to enjoy it.

    I'll be honest, this is the first Shirley Temple film that I have ever seen. I've heard of her and had been wanting to see her in something for a while, but never did. I was so impressed with her acting ability. Plus, she's so cute dancing around that office. The rest of the cast is pretty good but I especially liked the part of Betsy Brown.

    While 'Little Miss Broadway' was still very slow, I enjoyed it because of the dancing number(s). Also, the writing was somewhat comical.

    This isn't one of the best films I have ever seen, not even close, but it was/is something good to see on a quiet afternoon when there is nothing else on.
  • "Little Miss Broadway" isn't a bad film. However, Shirley Temple sure made a lot of films that were a lot better. Overall, it's watchable but most likely a film for someone who is more the die-hard Shirley Temple fan than anyone else.

    George Murphy, Edna May Oliver, Jimmy Durante and Jane Darwell are among the supporting cast for Temple and this is a rare case when the support actually was a bit better than she was. That's because whoever wrote the music for Miss Temple really missed the boat--making quite a few songs which were not particularly suited for her range. Again and again, Shirley sounded off due to this. Plus, there were just too many production numbers and not enough schmaltz--the good sort in which Shirley excelled. It's clearly a second-rate effort overall.

    The plot is rather minimal in this one. Shirley is an orphan that's been adopted by a nice old man who owns a hotel for actors. Not surprisingly, the place is awfully loud--with the residents singing, dancing and acting all the time. Their neighbor is a nasty old rich lady (Oliver) and she HATES the noise and is determined to use her money and power to send Shirley back to the orphanage and close the hotel. In many ways, it's a lot like "The Grinch Who Stole Christmas", actually! By the end of the film, the nasty old lady's nephew (Murphy) is planning on using his fortune to put the folks in the hotel in a Broadway review. But, the aunt (who is the executor of his estate) is determined not to let this happens and the case goes to court. In an insane move you'd only see in a movie, the judge orders the actors and dancers and singers to put on a show in the courtroom--to convince him whether or not Murphy is throwing away his money. And, the rest is rather predictable.

    While some story elements are very familiar, the plot is too thin and the film makes poor use of Temple's amazing talents. Here, she just seems pretty ordinary--and is a testament to poor writing and direction.
  • Judy_Garland_Fan15 January 2005
    9/10
    Fab!
    Warning: Spoilers
    I thought this movie was funny as well as entertaining! I loved the part where Shirley and George Murphy were in a quiet room and Shirley made a huge bang by blowing into a bag, held it and popped it!!!!

    Shirley's routine with George was excellent. The only prob I have with this one is the ending cuts short. One minute she's saving the hotel the next George and Phillis Brooks ( Shirley's sister)are getting married!! A lot of other Shirley film actors are in this- Jane Darwell from Bright Eyes, Poor Little Rich Girl, Curly Top (my favourite Shirley movie). Phillis Brooks from Rebecca Of Sunnybrook Farm. Claude Gillingwater from Poor Little Rich Girl. I give this movie 9.5/10.
  • Orphaned Betsy Brown is sent to live in a New York City theatrical boarding hotel and quickly becomes involved in the struggle to keep the sour old landlady from closing down the establishment. By starring as LITTLE MISS BROADWAY in a show staged in a judge's courtroom, the moppet hopes to sway the verdict in her friends' favor.

    Shirley Temple shines in this pleasant musical comedy. Her youthful spunk and astonishing talent are very much on display. As her leading man, dancer George Murphy is elegant & charming, just what the audience expects from Shirley's knight errant. Murphy's flirtation with Phyllis Brooks is dull stuff; we can't wait for him to dance again with Miss Temple.

    Along with Murphy, Shirley faces unusually stiff competition from the comics & character actors involved in this film. The inimitable Edna May Oliver is the villainess here, and she doesn't care a fig for the feelings of the little girl; diminutive Donald Meek is her brother who longs for an adventurous theatrical life.

    The great Jimmy Durante brings his own brand of insanity to the proceedings as a band leader; it's almost criminal that he's given so little screen time with Shirley. Dialect comedian El Brendel has some funny moments and gets to interact with a peculiar penguin. That's Jerry Colonna as one of the band members.

    Jane Darwell is sweet, as always, in her matronly role as the orphanage director - she would appear in several Temple films in similar roles. Old Claude Gillingwater has fun with his role as the sympathetic judge. George & Olive Brasno, two of Hollywood's famous Little People, appear as themselves.

    Movie mavens will spot an unbilled Dick Elliott as a cheerful cellist.

    Shirley warbles `Be Optimistic,' `How Can I Thank You?' & `If All The World Were Paper;' Murphy joins her in singing & dancing through `We Should Be Together' & `Little Miss Broadway.'
  • 20th Century Fox was having a hard time coming up with original story material for Shirley Temple and this is one of their least inspired efforts. Yet, despite a weak script and the obvious fact that Shirley herself was getting a little too plump for her diminutive figure, there is a generous sprinkling of song routines to keep Shirley's fans satisfied. The added bonus is George Murphy as her dancing partner, no slouch in the tap-dance department.

    Edna May Oliver comes on strong as a cantankerous old woman who wants to close a theatrical hotel for boarders. Jimmy Durante has a few fun moments but one of his routines with Temple was cut from the final print.

    The courtroom finale has everyone doing a musical revue in court--something that could happen only in a Temple film! Shirley has a few pleasant ditties to sing: "Be Optimistic" and a song-and-dance routine with Murphy to "We Should Be Together".

    Not one of Shirley's best. Recommended only for Temple fans.
  • Warning: Spoilers
    Although most of the Shirley Temple movies were quite formulaic, most of them had a great deal of charm, and this is probably one of the better ones. One of the things that makes many of the Temple films so great are the supporting casts, and this one has a great cast.

    Shirley is a tad older here, but still bubbly, although this one doesn't have quite the classic songs that many of the films did. Here she plays an orphan that ends up living with an adoptive family in a show biz hotel. Of course, there is a threat to take Shirley away...that's to be expected.

    Edward Ellis is very pleasant as "Pop" and manager of the hotel.

    Edna May Oliver plays the bad "guy" who wants to shut down the hotel and have Shirley returned to the orphanage. If there's anything that doesn't work about this film, it's Oliver. She's simply too lovable to not come around and be an old softie. You know it's coming from the very beginning. Oliver has shined in practically every film she every appeared in -- she was a great scene stealer.

    Donald Meek, another wonderful character actor, shines here in a role that is just a little bigger than usual, here as the brother of Oliver.

    George Murphy proves once again that he was a pretty good hoofer and could play roles that were very sympathetic. Here he plays the bridge between his aunt (Oliver) and Temple's family.

    Jimmy Durante shines as a Broadway trooper with a big heart. Jane Darwell is here as the head of the orphanage. And the wonderful Claude Gillingwater plays the judge.

    Corny, of course. Heartwarming, of course. And just one more example that Shirley Temple could do what no other child actor ever could before or since. Try watching this film and not find yourself smiling.
  • Warning: Spoilers
    In contrast to some other reviewers, I thought this was a highlight of Shirley's movie career, along with the recently completed "Rebecca of Sunnybrook Farm" and the prior "Heidi" As one reviewer noted, this plays like a miniature version of the "Broadway Melody of ...." series. In fact, leading man George Murphy was a leading character in the 1938 and 1940 versions, exhibiting his somewhat limited dancing skill. We have quite a few old and new songs scattered throughout. The new ones were composed by Harold Spina and Walter Bullock, and aren't bad, although none made the hit parade. Most are sung and sometimes danced by Shirley. However, Murphy gets a couple of song and dances, alone or with Shirley, including the title song. Sometimes, as with the beginning "Be Optimistic" , a girl chorus backed up Shirley. The male quartet had a couple of numbers. Unfortunately, Jimmy Durante's main song and dance with Shirley was cut, as was Shirley's imitation of Durante's style of speaking, when he's on the witness stand. These outtakes may be seen at YouTube. Just type in Little Miss Broadway and scroll down until you see it.

    Edna May Oliver makes a very forceful controller of the purse strings for the show troupe: the thorn in everyone's side, until the end, when she demands that the pay for performances by the troupe be double the offer by an anonymous man in the courtroom... Donald Meek plays Edna's brother, who tries to counter her extreme haughtiness. Edna and Meek live beside the boarding house that she owns, where the show performers are currently renting. This includes Shirley, after she is taken from an orphanage by the manager of the boarding house: Pop Shea and his daughter, played by Phyllis Brooks. I don't understand why Shirley was later sent back to the orphanage, and had to climb down a "rope" of bed sheets to escape and participate in the courtroom scene.. Claude Gillingwater plays the comical old judge who ordered the anticipated show to be performed in the courtroom so that he could judge whether it was likely to be a financial success. Mr. Gillingwater died the following year.

    George Murphy and Phyllis Brooks were the young romantic couple who planned on adopting Shirley after they married, which had been put off until the success of the show had been demonstrated... Shirley was cute, confident and competent throughout the film. She was 10 years old with only one more year of superstardom left. When Murthy invites her out to lunch, she pleads with Pop Shea "Please let me go. I'm old enough to go out with a nice young man". She finishes the film with her stock "Oh, my goodness", when she sees her future parents kissing, and she with their marriage license application in hand. It's obvious that Shirley looks somehow different. Yes, she's done up in curly pigtails rather than straight curls. Makes her look "sexier", I think. She sported similar pigtails in part of "Rebecca of Sunnybrook Farm".
  • Definitely one of Shirley Temple's most musical ventures, and its FABULOUS. The gang's all here, beautifully handled by master director Irving Cummings, who made a great team with Temple.

    10 Stars. An absolute Must.

    The story certainly inspired many musicals and comedies to come, all about a hotel-filled with a lot of artists with hearts of gold. This is one film you can't get enough of; so much to see and with some of the best veteran actors strutting their stuff.

    Naturally... it all begins at Jane Darwell's orphanage. Of course there's no one else better than Jane to play the motherly figure to so many poor and unfortunate kids. Among them a larger than life little girl called Betsy (played by Shirley Temple). She's also going places, destined to live with a distant relative called Pop (well played by Edward Ellis) and his sweet daughter, Barbara (Phyllis Brooks).

    Fast forward to the wild hotel where Pop lives, populated by some very talented but NOISY tenants, getting on to the nerves of stone-fanced owner, Miss Wendling (masterfully portrayed by Edna May Oliver).

    Bottom line; it's a close tie as to WHO outdoes WHO--Shirley Temple or Edna May Oliver. They are an incredible match, assuringly at odds with each other. Wendling wants to throw everybody into the street --but not before the proverbial BIG SHOW!

    Among the performers is Jimmy Durante as a band leader! Song and dance man George Murphy plays Oliver's young nephew! Funny Donald Meek plays Oliver's kindly brother, who really likes Shirley.

    That's the catch. Look for famous brother and sister midgets George and Olive Brasno, who were featured in the OUR GANG/LITTLE RASCALS short films and in CHARLIE CHAN AT THE CIRCUS, also shot at Fox.

    This is a whole lot of fun, and with some dynamic singing and dance routines. So many memories if you grew up on this movie back in the day. A thank you --more recently-- to Public TV in Los Angeles for constantly re-running this classic for everyone to see and see again.

    I agree with the last reviewer, there were scenes cut with Jimmy Durante and Shirley Temple together, more than likely to trim the long running time. This was revealed in documentaries, certainly a questionable decision on the shoulders of producers.

    Alas, that's why its called show "business."

    Always on dvd and re-mastered blu ray for all us Shirley Temple buffs.
  • With very memorable musical numbers and interactions, this picture is another shining example of Shirley temples brightness. Yes it is well worth watching. James Welch Henderson Arkansas 6/6/21.