Not Rated | | Documentary, Sport
Producer Winfield R. Sheehan and his wife, Viennese opera singer Maria Jeritza offered to help Riefenstahl to find a US distributor for the film, but no contract ever materialised.
In the final scenes, just after Speer's 'Lichtdom' or Cathedral of Light is revealed, there is a procession of flags. The 7th flag, that of Portugal is hung upside down on its pole. The same mistake is shown again a few seconds later as the wreaths are placed on the finials.
It is well known that both parts of Olympia were made in three language versions - English, French, and German. Less well known is that each version is slightly different from one another. Additionally, at least with the English version, Riefenstahl frequently altered prints. The prints distributed on 16mm film in the 1960s did not have a boxing sequence, whereas current prints do (although the dialogue for the boxing sequence is in German). Even less well known is that upon its original release in the United States (1940), the Diving Sequence was about 1 minute longer than its current version (attentive soundtrack listeners can clearly hear the abrupt break in the music). This longer version of the Diving Sequence can be seen at the Anthology Film Archives (whose print comes from Raymond Rohauer) and the Museum of Modern Art, both in New York City.