The Wrong Way Out (1938)

Approved   |    |  Crime, Short, Drama

The Wrong Way Out (1938) Poster

In this entry in the "Crime Does Not Pay" series, young Ann Stevens and "Windy" Brown, against the advice of both sets of parents, run away and get married as they yearn for'independence.' ... See full summary »

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User Reviews

27 September 2018 | redryan64
| Love And The Naive, Young, Broke And Impatient.
WE MAY HAVE seen some other entries into this CRIME DOES NOT PAY series of shorts from Metro Goldwyn Mayer, but damn if the memory has been able to access any such "file" deep in the recesses of our gray matter filing system. If this is episode of the series, they certainly made a fan in our house.

HAVING BEEN EMPLOYED as a Chicago Cop for 34+ years, it stands to reason that expectation of some degree of realism would be among the list of priorities in viewing any Police Procedural, Detective Story or Crime Drama. That would definitely be the case here. Our very skeptical nature is quick to analyze and put under a microscope just how much the story on the screen compares to the real world.

THAT IS NOT to say that all that we see has to be an extension of and an actual mirroring of that which we deal with daily in our lives. There is another side to this "Cops & Robbers" coin of ours.

THAT WOULD BE the escapist fantasy that is exemplified by such well known films such as RADIO PATROL (Universal,1937) a serial in 12 chapters; which was adapted from the King Features Syndicate comic strip. Any of the screen adaptations of Chester Gould's DICK TRACY would certainly fit into this category.

BUT IN GETTING back to our subject in the spotlight, we find that this little film was rendered in the most sincere way. It transcends the cops n' robbers sub-genre and reveals a powerful, truthful bit of morality play. Without being heavy handed, preachy or sanctimonious, a screening of this short may well impart the beginnings of a better and more moral life style on many of its viewers, be they young or old.

INASMUCH AS THIS is just one of many 20 minute mini-features, it struck us of how much it bears a resemblance to series television. The series that we see as its having a strong relation to is RACKET SQUAD (1951-53). It was an anthology series featuring Reed Hadley as Captain John Braddock, commanding officer of the bunco squad of a large, unnamed and fictional city's police department. Mr. Hadley's role was host, narrator and the detective who would show up at stories end to tie it all up.

AS WE'VE PREVIOUSLY said, this episode piqued our interest and we'll certainly be watching the listings for TURNER CLASSIC MOVIES to see more episodes, all of them we hope.

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Plot Summary


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