Add a Review

  • Warning: Spoilers
    It's not profound or brilliant, but this film stays with me because of the simple accumulation of small, well-crafted, well-written scenes. All four principal characters are rootless and searching, but in different ways and for different reasons. It adds up to a sometimes amusing, sometimes melancholy, but always quite engaging snapshot of four individuals in Depression-era America.

    The foursome: Glenn Ford at age 23 is perfect as a determined but comically naive city boy who buys 20 acres of Arizona land-- a piggery in a poke-- and heads West to become a rancher. Richard Conte, long before his face turned to wood , is a born drifter who only begins to imagine what staying put would be like when he's forced to consider it. The third, Jean Rogers as an illegal alien fleeing the Spanish Civil War, is searching for an uncle somewhere in California ("How big is California?"). The fourth, Raymond Walburn as a waggish scholar and gentleman, is a professional vagabond with a checkered vest, a checkered past, and a fondness for saloons. Their quartet crosses the country by rail and after a host of encounters, adventures, and mishaps, the conclusion is satisfyingly equivocal: two of them have a happy (well, hopeful) ending, one a desperately unhappy ending, and one settles for comfort with compromise.

    Regrettably, the depth of character and plot in Dalton Trumbo's screenplay is somewhat undermined by the usual telescoping-- contrived coincidences, lucky and unlucky accidents to swiftly advance the story. But this is one of the forgotten Depression-era films-- like "Man's Castle"-- that leaves a quietly lasting impression because it touches the whole spectrum of our existence, from barbed-wire to heaven.
  • Glenn Ford made his feature film debut, fourth billed, but in the lead in Heaven With A Barbed Wire Fence. Another one making his debut and fifth billed is Richard Conte under his real first name of Nicholas. Both were under Jean Rogers, Raymond Walburn, and Marjorie Rambeau.

    It's a B picture programmer from 20th Century Fox so no great care was taken with this. It's a simple story of a young man who quite the New York City rat race, who has spent his savings on 20 acres of Arizona real estate sight unseen and has decided to be a farmer there, because it means he's his own boss. Most of the film is Ford getting to Arizona to claim his dream and what happens along the way.

    Among other things he meets Jean Rogers who is in the country illegally as a Spanish refugee from their civil war. I'm still trying to figure out how illegal she could be if in fact she does have an American mother. Ford also meets Richard Conte who I have no doubt 20th Century Fox saw as their answer to John Garfield. These three make an interesting trio of vagabonds even after they're joined by Raymond Walburn as a hobo professor. In fact Walburn was a paleontology teacher at one time and in his performance he leaves you tantalizing hints about his background before he took to the road. Walburn steals the film in every scene he's in and that's not unusual.

    Ford had only made one short subject before being cast in Heaven With A Barbed Wire Fence. Peter Ford's biography of his dad says that director Ricardo Cortez treated him like garbage on the set increasing his insecurities. Ford had nothing but contempt for him and vowed he'd never treat a fellow performer as Cortez treated him if and when he reached stardom. Oddly enough Ford who essayed many roles playing shy and diffident young men probably had his very nervousness working for him. Right after this when Fox didn't sign him after this film, he got his long term contract with Columbia Pictures.

    Another winning part here is that of Marjorie Rambeau as a dance hall owner who renews an acquaintance with Walburn who isn't quite sure when and how he met her the first time. They played great off each other.

    Heaven With A Barbed Wire Fence is a B film and sloppily put together, but the cast is fine and Glenn Ford's future was assured.
  • I saw this movie when I was 8 years old, so my memories are not nearly as cynical as the previous comments. I've never forgotten a funny scene when Glenn Ford is sitting at the counter in a restaurant. He asks for a cup of hot water and proceeds to add ketchup, salt , pepper, and crackers. He's making soup, for free. When the owner realizes what Glenn is doing, he removes the doughnuts from the counter. Disparage his acting, if you want. I remember being so struck with Glenn Ford looking for Shady Acres that I watched for his other movies. The Depression didn't really end until 1942 with the beginning of WW2 and full employment. But even an 8 year old could see this was a future star.
  • Heaven with a Barbed Wire Fence (1939)

    *** (out of 4)

    A poor New Yorker (Glenn Ford) saves all of his money for six years so that he can buy a ranch in Arizona. Once he has the deed he sets off by train for Arizona where he also meets a hobo (Ricardo Conte) and a Spanish immigrant (Jean Rogers). This film was the debuts of Ford and Conte and both men turn in winning performances but the real prize here is Rogers who is simply delightful and carries the film. When I first saw Ford I didn't recognize him due to how small he looked. The story is pretty good, if standard stuff and the 62-minute running time keeps things moving along. The sappy ending doesn't really work but there are plenty of laughs and nice moments throughout. However, this is another film rotting away in Fox's vault.
  • Warning: Spoilers
    Standing on the observation deck of the Empire State Building, handsome yet jaded Glenn Ford looks over the city that never sleeps, spitting off the ledge as he relates to a security guard of how miserable it is to work in the basement of a department store when you're surrounded by so much wealth. So he's taken his savings and invested in a supposedly large ranch in Arizona, and begins to hitch-hike his way west. Like the Joads of "The Grapes of Wrath", what he finds is a mix of humanity and hateful uncaring people, yet ends up with a destiny that he never would have predicted in a lifetime.

    Among his first encounters is an extremely young Richard Conte (billed as Nicholas) who teaches him the ways of getting cross country faster, and by coincidence, they end up on the same train, along with a European illegal immigrant (Jean Porter) whom Ford had encountered earlier while trying to sneak a ride on a truck. Conte takes the group to a hobo camp where they meet the gregarious professor (a delightful Raymond Walburn) who becomes the father figure of the group. Of course, not everybody they encounter is as nice as these folks, but they deal with the nefarious tramps in ways to protect each other, particularly the vulnerable Porter.

    The film takes several twists and turns both comic and dramatic, and becomes amusing when Walburn encounters an old love (Margaret Wycherly) who runs a dive bar they visit. Wycherly announces she only wants a man who can protect a helpless woman, but it is obvious who will wear the pants in that family. Tragedy strikes one of the members of the group, while Ford finds out that his dream house is closer to disaster house, basically a shack in the middle of nowhere. But hopes, while dashed, are never destroyed, and like Jane Darwell's Ma Joad, the people keep going'.

    Post depression America hadn't fixed everything, even two terms into Roosevelt's presidency, and this drama looks at the plights of a modernized America filled with planes, trains and automobiles where only the rich could fly, the poor had to hop trains or trucks to travel, and even a beat-up jalopy was better than no car at all. This reminds the audience to don't stop believing, never give up on dreams, and just because you are given a sow's ear instead of a silk purse doesn't mean that you can't find a silver lining at the end of the rainbow. Dreams really do come true, as one lost little country girl sang in 1939.
  • "Heaven with a Barbed Wire Fence" is a film written by Dalton Trumbo and directed by, of all people, by Ricardo Cortez! It also happens to be the first starring film for Glenn Ford...who had only been in a short, "Night in Manhattan". Despite receiving fourth billing, clearly Ford is the star of the film and every scene features him. I think such low billing was because he was a complete unknown...but it is the starring role he received.

    I noticed that one reviewer seemed to think that the far leftist, Trumbo, had created some sort of communist story here. However, I think quite the opposite...that the film COULD have had much more of a left slant but the writer avoided making much of a political statement with this film. So, instead of being any sort of propaganda, it's just a slight yet entertaining yarn. The story is set during the Great Depression and yet few 1930s films really talked about this one. It's about poor folks and hobos but as I said above, the story didn't seem to have much of an agenda. They were poor but the film didn't seem to push for any action or change.

    Joe (Ford) has a dream of owning his own ranch and growing things and raising stock. So, for some time he's been saving his money and recently purchased a small parcel of land in Arizona. He calls it his 'ranch' but at 20 acres, it's not exactly the Ponderosa! He's also not seen the land and trusts that it's everything they advertised. But he has a problem...he's ready to head west to his new property but he hasn't any spare money. So he begins walking, hitchhiking and riding the rails in order to get there....and along the way he encounters some new friends...as well as a lady friend. What is next? See the film.

    This story is very slight and not a lot of huge twists...but it's consistently well acted and enjoyable. My only complaint is a minor one. Jean Rogers plays a woman who is supposed to be an illegal alien from war-torn Spain. But her accent doesn't sound Spanish (more Swedish) and she doesn't seem at all a good choice for this part because of this.
  • As entertainment value this is no great shakes. A store clerk, Joe (Glenn Ford) has worked six years in New York to save up enough money to purchase a 20 acre ranch in Arizona, and now that he has purchased it he's quit his job and on his way there. But apparently, he didn't think ahead enough to save up for a train ticket there. But if he had a tidy comfortable trip across country in a train we would have no movie. Thus he ends up hitch-hiking and freight-hopping, with all of the dangers and complications that arise from such activities at the very tail end of the Great Depression. Along the way he meets up with an illegal alien from Spain (Jean Rogers) and a hobo, Tony (Richard Conte).

    This was Richard Conte's and Glenn Ford's feature film debut, and they are fifth and fourth billed respectively behind Jean Rodgers, Raymond Walburn , and Marjorie Rambeau even though Glenn Ford is the real center of attention. It's strange to see Glenn Ford speaking like a gangster - I think they were going for a Humphrey Bogart or James Cagney style performance here - a city slicker out of his element. Richard Conte seems to be Fox's answer to John Garfield with his "dust be my destiny" attitude, even though John Garfield just showed up on screen the year before. This was directed by actor Ricardo Cortez in the few years that he tried his hand at directing, and written for the screen and from and original story by famed screenwriter Dalton Trumbo early on in his writing career. Spartacus it is not.

    The road portion of the film takes up almost all of its short running time, with Ford arriving at his ranch only at the end. So if you are thinking this is a western from the title, you would be wrong. It's probably worth it just to see Ford and Conte so early in their careers.
  • Warning: Spoilers
    This is the story of an eclectic group of people trying to get to various destinations to the west, by hitchhiking and empty boxcars. One naïve young New Yorker, Joe Riley(Glenn Ford) has spent all his savings from 6 years of work, as a NYC department store clerk, on a parcel of land in Arizona, dubbed Shady Grove, site unseen. He takes the elevator to the observation deck of the Empire State Building, to say goodbye to NYC, then thumbs rides with trucks and cars west. Eventually, he runs into young drifter Tony Casselli(Richard Conte), as well as a young refugee from the Spanish Civil War: Anita Santos, played by first-billed Jean Rogers. Her parents having been killed in the war, she hopes to find her uncle in California, if the immigration authorities don't catch up with her in the meanwhile, as she is an illegal immigrant(No clue how she got into the US). They commander an empty boxcar as their temporary home and means of transport. Later, they are joined by 50ish Raymond Walburn, as a hobo ex-Professor of paleontology. When present, the charismatic bug-eyed Professor usually dominates the conversation......... Along the way, they stop at a hobo camp, where aggressive Ward Bond, as Hunk, tries to rape Anita, but is beaten on by Joe and the cane of The Professor. Later, Tony tries to steal some food for the group, but is shot in the leg, after a guard dog announces his presence. He is taken to a hospital, where The Professor pays for his care. Unfortunately, it is decided that his infected leg must be amputated to save his life(Remember, there as no commercial penicillin yet available). .......Undoubtedly, the most interesting segment occurs when they enter a Russian Pub. Serendipitously, The Professor encounters the owner(Margorie Rambeau, as Mamie), who is an old flame from long ago. He decides to stay on, no doubt providing some of the entertainment. The local sheriff(played by Irving Bacon) happens to be there, and somehow(?) sizes Anita up as an illegal immigrant. Thus, he wants to put her in jail, and also somehow connects Joe with her, as abetting her crime. Thus, he wants to put Joe in jail for 5 years, as well! But The Professor brings up the point that, if Anita marries a US citizen, she automatically is eligible to be a US resident. Thus, Joe is asked if he will marry her, right now. Very hesitantly, he agrees, as he doesn't want to spend 5 years in prison. The ceremony is performed by a Russian Greek Orthodox priest. Lacking a ring, a makeshift one is provided by the sheriff. Shy Joe almost has to be forced to kiss the bride. Soon thereafter, Joe tells Anita that he doesn't love her, and that they can get a divorce if she wants. During the party, she runs upstairs, writes a farewell note to Joe, and somehow(?) manages to slip out of the building without being noticed!........Joe continues westward toward his farm. He gets off at a little station, and walks to his 'Heaven', which turns out to be more like Hell. He finds a ramshackle house, and bare earth, instead of a shade grove. ......Very strangely, Anita shows up, and asks Joe if he still doesn't love her. Sheepishly, he says that he does. Their problem is that they have no money to fix up the house, nor to get started trying to grow some crops. Nonetheless, they are not totally cowed by their situation(They might mortgage their farm to get some money to start things).They have to cut up the barbed wire(fix the house and figure out what they can grow to sell) to create their own little 'heaven'.......This was the first feature-length film for both Glenn Ford and Richard Conte. Thus, even though he was the leading man, Ford was 4th on the list of players. I didn't detect any hint of greatness in his acting. It was the older supporting actors that most impressed me........Saw on FMC.
  • Warning: Spoilers
    Had started watching once before,but couldn't get past the opening scenes with Glenn Ford talking about his "ranch" in Arizona to a security guard on a roof in New York,he's quit his job to go seek his fortune on a ranch,which has to turn out to not quite live up to expectations.The adventures he has along the way with a Spanish Civil War emigree,Richard Conte's man on the road-his scene in the dinner is great!Then,along comes the great Professor of Paleontology,and the comedy begins!Walburn's scenes were truly hilarious,and he was his typical grandiose best.Marjorie Rambeau played perfectly off Walburn as his supposed former flame,finally reunited,even if he can't remember anything about her.
  • The scenario is amusing and primed for storytelling, and all throughout the small length is sufficient mild humor to provide entertainment. There are also dubious recurring themes of sexism, racism, xenophobia, and the inhumanity of established law - all generally glossed over with equally questionable casual indifference, only partly repudiated, and capped off with bizarre (dimwitted and unintentional) gaslighting. The movie is scarcely over one hour long, and is so generally modest in craft and content that it's difficult to find words for discussion without betraying narrative details. Both for better and for worse, 'Heaven with a barbed wire fence' is a bit of a curiosity.

    Like everything else here, plot development is very moderate - coming at its own pace, and no sooner. There's not a great deal to the narrative, but it's suitable enough to keep us watching. The performances aren't terribly striking overall, seeming like little more than straight repetition of lines. Only Jean Rogers and Raymond Walburn give any meaningful personality to their characters in their portrayals - it's not much, but I suppose it will do.

    And... that's about it.

    This isn't a bad movie. But it's hardly remarkable, and not truly noteworthy in any way; it's not really worth taking time to consider writing, direction, or technical aspects, because by the time you do, the movie's over. There's no reason to seek it out, but I guess it's marginally worthwhile if you chance upon it. Keeping in mind firstly that it's not particularly engaging, and secondly the inclusion of some suspect substance - 'Heaven with a barbed wire fence' is a little middling, and a little iffy, but slightly better than not. Take that as you will.
  • Glenn Ford, a New York boy who has been saving his cash, thumbs and hobos his way to the Arizona ranch he has bought, where he hopes to find HEAVEN WITH A BARBED WIRE FENCE.

    A film with a Dalton Trumbo script and story, directed by villain extraordinaire Ricardo Cortez, and starring the frequently twitchy Glenn Ford and the restless Richard Conte just shouldn't be so bloody nice. Though the system -- mostly seen as mean cops and railroad bulls and real estate con men -- is as awful as one might expect from the leftish Mr. Trumbo, every single proletarian is just so sweet and nice and salt of the earth that one feels nausea. It doesn't help that the heroine -- a sweet blonde thing who is an illegal alien refugee fleeing Franco's Spain -- is annoying for reasons of both scripting and acting.

    So why watch? Richard Conte, in his first role, already has his persona and a pretty good part. And there are some moments of 30s leftist camp that are pretty astonishing. (Did Dalton absolutely have to set a major portion of the movie in the Russian Worker's mission? All that was missing was a portrait of a beaming Joe Stalin!) Also, this is Glenn Ford's first substantive role (though his performance isn't good).

    Why not watch? Essentially, the movie offers an unconvincing vision, is wedded to a political viewpoint that is risible, and the two leads have made much better movies. Also, the strengths of Dalton Trumbo as a screenwriter are nowhere in evidence. Instead, we get a film that the Coen Brothers Barton Fink could have written in a flash (and avoided that hellish bout with writer's block).
  • In film school, when the 'chewing up the scenery' class comes up, this B movie is the feature presentation!

    Four likeable, yet different characters traverse the country from East to West. They are all fairly aimless, but the general goal is to find the unseen treasure that Glenn Ford has sold his soul for... a ranch in Arizona.

    Despite the terrible conditions, this somehow manages to maintain a high level of comedy and the travelers rarely complain. In fact, it's a lot of fun (mainly) and a rewarding way to spend time.
  • Warning: Spoilers
    Heaven With A Barbed Wire Fence features a very young Glenn Ford as Joe Riley, a New York department store salesman heading west to settle his Arizona ranch, Shady Acres. Along the way he joins up with itinerant Tony Casselli (Richard Conte) and illegal immigrant Anita (Jean Rogers) for a series of adventures. Ford is clearly in over his head here, with the cheerfully Reagenesque Riley a far cry from the morally compromised and deeply nuanced characters that later made him famous. His performance is not good, and it makes one wonder how he developed the skills that would render him one of the best film thespians of the 1950s. Conte, on the other hand, is excellent, his restless screen persona already fully formed. As for Rogers, she's frankly an embarrassment, but that's probably the fault of the awful dialogue she was saddled with. Technically, Heaven With A Barbed Wire Fence is quite well made, with some outstanding Edward Cronjager cinematography, but it's Depression-era tale of riding the rails was already thoroughly passé by 1939. Wild Boys of the Road it ain't, but if you're an admirer of either Ford or Conte, you'll still want to see it.
  • This is a wonderful movie! Really. It's not a 'Blockbuster" by today's standards, but it IS extremely heartwarming, well acted, and you-never-know-what's-going-to happen-next type film. Sure, most of us have money, now, to buy groceries and essentials, but what if that all changed?

    With such a bumbling potato-head in the WH, right now, who knows what can happen? This film depicts life in the 1930's. For many of you who don't remember that era, or if your 'History Book' conveniently left that part of our recent heritage out -- this was after the Great Depression -- hardly anyone had anything. My parents grew up in that era, and they made their way through it; but they didn't talk about it much.

    This film depicts that era. If 'Something Happened', and grocery store shelves were empty and/or you had no money -- or your money was worthless, what would YOU do? How long could you really survive on your pitiful stockpile of "Prepper supplies"? It's worth thinking about.

    Watch this movie. Yes there is camaraderie among relative strangers, also fights, trouble with the Law -- however, it all comes out OK -- and it's worth your time to view this film!

    I hope to God that part of our History does NOT repeat itself; but NEXT TIME be more careful who you vote for -- AND be far MORE careful about who counts the Votes!!!!!! Oh, and get out of your comfy easy chair -- and GET INVOLVED with politics and governance at your LOCAL levels too!!!
  • It was bad enough the young actor in his first feature film to have a case of the jitters when he initially reported to the studio's morning shoot. But then he had to face an abusive director hurling insults at him. Such demeaning put-downs nearly unnerved Glenn Ford, 23, in his major film role debut in November 1939's "Heaven With A Barbed Wire Fence." Ford became one of cinema's biggest box office draws of the 1940s and 1950s. He had previously appeared in only a 1937 short credited under his real name, Gwyllyn Ford, when he appeared at the 20th Century Fox studio that morning. Ricardo Cortez, an actor-turned-director, sauntered in front of the movie's actors and film crew and said, "I want you all to know they stuck me with this guy in the lead," according to Ford's son Peter in his father's biography. Cortez continued, "I didn't want him. I wanted a real actor for the thing and not some unknown amateur. I'm disgusted, but there's nothing I can do, so I ask you for your patience as we put up with him."

    Cortez, going through his own personal problems, continued riding Ford throughout the shoot, telling him he had a stupid expression, exclaiming "What did I do to deserve a no-talent like you on this film." Glenn later told his son, "Every time I looked up, I saw pity in the eyes of the other people on set." He recalled cameraman Eddie Cronjager whispering to him, "Don't let the jerk get you down." Years later when Ford bumped into Cortez in a Los Angeles restaurant, the now-wildly popular actor nearly punched him in the face, but his better judgement told him to walk away.

    Glenn Ford specialized in playing ordinary men caught in unusual circumstances. The Quebec, Canadian moved with his family to Southern California when he was six years old. He was active in his high school drama class and appeared in several stage plays after graduating. Appearing in the 1937 short 'Night in Manhattan,' Ford was signed to a Hollywood studio contract, and he changed his first name in honor of his father's hometown of Glenford, Alberta.

    Another young actor making his film debut in "Heaven with a Barbed Wire Fence" was Richard Conte, listed as Nicholas Conte in the credits. The Jersey City, New Jersey native dabbled in a series of jobs after graduating high school before he was discovered on the stage at a Connecticut resort by Elia Kazan and John Garfield. Conte, 29, was assigned to his first movie after impressing studio executives on his screen test for 1939's "Golden Boy," a role that went to William Holden. He somehow escaped the wrath of director Cortez, playing a wandering hobo who meets at a truck stop Joe (Ford) and Anita (Jean Rogers), an illegal Spanish immigrant in the states. In the Dalton Trumbo co-written script, Joe worked six years to buy a 20-acre farm in Arizona and was hitchhiking across the United States from New York City to settle there. The three decide to ride the rails, encountering a number of adventures, including an attempted rape of Anita by Hunk (Ward Bond). The three arrive at his farm, only to discover a barren stretch of desert land. Jean Rogers was one of a number of low-budgeted film actresses who appeared in Grade B movies. Her major claim to fame was playing Dale Arden in the Flash Gordon serials.

    Film reviewer Jessica Pickens praised "Heaven with a Barbed Wire Fence," writing the movie "packs a punch. It's funny, endearing and at other parts tragic. You'll find yourself cheering for the group of travelers, hoping that they find their 'heaven' in the end." For Glenn Ford, despite the torture working for an abusive director, it proved to be a promising beginning to a long career of film acting.