The four "Nancy Drew" movies are now available from Warner Bros. in an excellent DVD set, I don't advise viewing them in order, as the first of the series, Nancy Drew – Detective is undoubtedly the weakest. Not only are production values slight, but the plot is totally unbelievable. Even halfway competent crooks would make sure they snatched lady bountiful from sight before — not after — she made a public announcement drawing attention both to herself and her bounty.
The pity of it is that the actors concerned, James Stephenson (who looks rather odd without his customary mustache) and Charles Trowbridge might have got away with it had they played their roles for laughs. But, no! Even worse, perhaps, is the slow pace with which Clemens unwinds the story. His monotonous, never varied camera style of inter-cutting loosely framed medium shots with dull close- ups doesn't help liven up his sluggishly routine direction one iota. Admittedly, the screenplay's long dialogue exchanges don't help. Fortunately, there is a bit of action at the climax but even this disappoints when it is simply cut short just as it reaches the confrontation stage.
Not exactly an auspicious start. Fortunately, the second movie, Nancy Drew – Reporter, represents a considerable and even an astonishing improvement. There are at least five reasons for this remarkable turn-around: (1) The budget was much higher, permitting the use of a large number of sets, peopled with fair crowds of extras; (2) Kenneth Gamet was allowed to write his own script around the Keene characters, not try to adapt one of the silly plots from the books; (3) Arthur Edeson (whom just about everyone would agree is Hollywood's greatest black-and-white cameraman) was assigned to do the photography; (4) the hiring of Edeson seems to have inspired everyone else, including director Clemens and the players. Even the kids are good, while Litel gives one of the most engaging performances of his entire career. Outstanding in the support cast are Olin Howland and Jack Perry. Howland is always a barrel of fun. Perry, however, spent his time in bit parts. Here, as Soxie, he has a decent role for once; (5) Best of all, Reporter all comes to a rousingly funny, enjoyably thrilling and satisfyingly slap-up conclusion.
Trouble Shooter builds on the success of the second entry, and in some respects is even more entertaining. This time we have another straight-forward murder mystery. I thought the identity of the killer was revealed a little too early in the piece, but otherwise we are treated to plenty of exciting incidents, including a seat-twitching climax. Clemens utilizes his extensive budget wisely, turning on the pace and making effective use of numerous fascinating locations. The photography is crisp; and the players, especially Miss Wynters, are both engaging and appealing.
Unfortunately, this admirable momentum is not carried over into the fourth and final "Nancy Drew". For some reason, it was decided to adapt one of the silly novels (as was done for the first entry), not write an original. The novel has many shortcomings, not the least of which is that the whole plot is given away in the title itself! True, on its own juvenile level, Gamet's screenplay is reasonably well-written. It can also be argued that Clemens has directed with okay competence and that the players are still in fair form.
One thing for sure, however: Despite its promising plot premise, "Nancy Drew and the Hidden Staircase" falls far short of its predecessors. There are no acerbic newsmen like Thomas Jackson, or villainous plug-uglies like Jack Perry, or even young stars of tomorrow like Joan Leslie, Mary Lee, Charles Smith and company in this one.