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  • This is a proficient and workmanlike version of the H G Wells novel about Arthur Kipps ,who at the age of 14 ,is apprenticed to a draper in Folkestone ,Kent .He leaves his lower middle class home and the girl next door ,Ann ,on whom he is sweet ,but not before they exchange a token of endearment -two halves of sixpence ,which they pledge to join together if they should meet again .

    Life as a draper's assistant is hard and the rule of the shop owner positively feudal but Kipps prospers until he is dismissed by his straight arrow boss following a night of drunkenness with the flamboyant actor Chitlow (Arthur Riscoe).His fortunes are revived when he inherits a large sum of money and a substantial property in the town .He is soon taken into society under the tutelage of Chester -a mannered and theatrical but effective performance by Max Adrian .He becomes engaged to the snobbish Helen Walsingham (Diane Wyngard)but things get complicated when a now grown up Ann (Phyllis Calvert)re-enters his life .

    Class and snobbery are at the heart of Kipps -both movie and book -and these motifs form the core of the movie .It is well acted and although Redgrave lacks the lightness of touch that ,say Guinness,would have brought to proceedings ,he is still admirable .Wynard is fine but Calvert is just a tad too genteel in the role of Ann .The script ,by Launder and Gilliat ,rambles a bit and the direction of Carol Reed seems excessively detached .There is much to enjoy however ,despite its longueurs ,and students of vintage British cinema will lap it up
  • A gentle Dickens type tale of rags to riches & back again & up again. Kipps or should that be Cuyps, came across as a likable but utterly naive character. He showed remarkable pluck as a young lad, but poor judgement as an adult trying to find his way in life, how he needed a father's guidance. I struggled slightly to buy into most of his relationships, he clearly was infatuated with his first fiancée, but did portray his general discomfort extremely well. Anne's was a lovely performance by Calvert, although again, Kipps didn't seem delighted to see her when they were re-acquainted after 7-8 years.Things worked out for him, but mostly by luck, not judgement. I suppose life is like that in many ways. Lots of thought provoking moments in a dated but somehow compelling story.
  • bkoganbing11 November 2020
    One of Michael Redgrave's earliest screen triumphs was in the title role in Kipps. The story is from an H.G. Wells novel and it's semi-autobiographical. Like our protagonist Wells came from humble circumstances and was taken in and trained as a draper's assistant. Wells hated every minute of it and took some literary revenge against his former employers in this novel. He became a convert to socialism in those years.

    Kipps is a man of humble origins who suddenly out of nowhere he inherits a modest fortune. Suddenly everything he's ever wanted in life seems attainable. Including upper class girl Diana Wynyard who steershim to her solicitor brother Michael Wilding who might est be described as a blue chip hack. Breeding, but no real brains, the polar opposite of Redgrave.

    The polemics are kept to a minimum and this film's greatest asset is the direction of Carol Reed and the engaging characters he creates including most especially Redgrave. Another good character is Phyllis Calvert the childhood sweetheart of Redgrave who has common sense

    The musical Half A Sixpence was created from this story and while the boisterous style of Tommy Steele is miles different from Redgrave, both tell the story well ad emphasize different aspects of the protagonist..

    Kipps is a well crafted and entertaining film.
  • Michael Redgrave stars in one of his perfect roles as the draper Kipps who rises through the class system, ready to better himself and take his place in the world.

    It's a steady and unremarkable tale, directed by Carol Reed and adapted by Sidney Gilliat from the novel by HG Wells. But despite the fairly routine story, it is livened up by performances by Phyllis Calvert and Diana Wynyard, both names which appeared regularly in British cinema period pieces.

    'Kipps', later remade as the musical 'Half a Sixpence' with Tommy Steele, is typically English, and a typical rags to riches piece. Done well, directed with interest, but perhaps a little overlong.
  • KIPPS is a film about the life of a rather stupid young man, played by Michael Redgrave. Mr. Kipps works as a clerk in a small department store and has little formal education. However, out of the blue, he receives a substantial inheritance. Kipps has dreams of becoming a country gentleman. Although he has a mansion and money, two things he doesn't have are an education or common sense. The audience may find that they like this artless man, but at times he's also incredibly foolish in his attempts to blend in with society. On top of that, he becomes engaged to a society lady who is VERY class-conscious and Kipps is forever feeling out of place around her or the company she keeps. How Kipps is able to somehow make a go of it all is something you'll have to see for yourself in this light drama.

    While there isn't a lot about this movie that will linger, it is reasonably well-produced and acted--though I think they did make Kipps a bit dumb--too dumb. But, he's a likable fool and it all ends very well, so it's definitely worth watching. One thing that I wondered, though, as I watched. This film was made in the UK during the darkest days of WWII, yet you'd never suspect, as it's a period piece set about 1906--a rarity for a wartime British film, as most seemed to involve the war.
  • This is a minor work by a neglected master director, Carol Reed, who shared with his contemporary David Lean a great talent for adapting classic English novels to film. Unfortunately, Reed's original cut for the UK, slightly under two hours in length, was trimmed of another half hour before being shown in the United States. Consequently, that version, the one most people see, seems unnecessarily choppy at times. In recreating Edwardian England, Reed was helped here by the magnificent costumes of Cecil Beaton who would go on to design "My Fair Lady" for stage and film. Young Michael Redgrave as the feckless draper's assistant who unexpectedly rises above his station is ideally cast, as are any number of excellent supporting actors from the English stage, among them, most memorably, Max Adrian as the snob Coote and Arthur Riscoe as the playwright Chitterlow. Michael Wilding, Elizabeth Taylor's second husband, is seen briefly as Kipps' solicitor.
  • Kipps (an excellently cast and believable 'nice' guy Michael Redgrave) gets told the above at the beginning - and says it to himself at the end of this film. It gives an example of the era and mindset of this quaint period fable.

    From a novel by (a less than usual subject normally associated with) H G Wells, this enchanting piece of sub Dickensian clash-of-the-classes is rich in period detail, is at times witty but generally unenthralling fluff. Interestingly, directed by one Carol Reed, only 8 years before his mega-classic The Third Man, Kipps looks twenty years older in style - and quality, than his later classic. Whether that was budgetary, or intentional or simply lacking the brilliant cinematography of Robert Krasker, it shows to the point of being almost incomparable.

    Kripps is a dreamy draper in Edwardian England, who believes he has a higher calling in life and through an assorted set of not very adventurous jobs and relationships he attempts to better himself, but finds he cannot.

    The UK release is too long and the US version at under 90mins might find more favour. As a rainy afternoon time-waster with lashings of nostalgia it does hit the spot, though. As in a cosy, fireside scene, it's a comfortable fable like 'hot buttered muffins and tea'.

    Remade as Half a Sixpence, it probably did need the extra music and dance (and Technicolour) to make it sparkle and have a wider public appeal.
  • calvertfan28 December 2002
    Having read the book of Kipps I knew what happened which was lucky because at times it doesn't seem as likely to happen as in the book - what am I on about? The romance of course. Young Artie has a choice - snobbish Helen who won't let him be himself ("there ARE H's, you know") or dear Ann the maid who has been his friend since they were children, and the longer he takes to make up his mind, the more idiotic he makes himself look!

    Briefly, Kipps is a young draper's assistant who comes into money the very day he leaves his job. He thinks that the money will solve all his problems, but how wrong he is! And suddenly everyone he meets is either in society or trying to impress, and he is almost forbidden from talking to his old friends. Ann the maid is the only real character in the entire story, the only one who likes just to be herself, in a nice simple house, with a nice homely lifestyle.

    This was my 19th Phyllis Calvert film, and I must say I'm very impressed with her cockney accent! I'm hoping that another one might pop up somewhere in what I'm still to see, but I somehow doubt it.
  • Warning: Spoilers
    "Kipps," or "The Remarkable Mr. Kipps" is a British comedy drama made during World War II. It is "the story of a simple soul," as an opening sub-title appears on the screen. The story is about a young commoner in England in the late 19th century who is sent off to a larger town to apprentice as a retail store clerk. The 15-year-old Arthur Kipps leaves his uncle and aunt for the big city, and also a neighbor girl.

    After a few years pass, he comes into a fortune left by a grandfather he never knew. This H. G. Wells story was somewhat autobiographical. Kipps is then taken advantage of by some gold-diggers. But he meets girlhood friend Ann Pornick again and runs off to marry her in London - leaving his fiancé, her brother, mother and another friend in the gold-digger bunch in the lurch. He loses his fortune by the fiancé's brother's thievery, but by chance of having also put some money up for an actor-writer, again comes into the money. And so, it has a happy ending.

    It's a good story, with some more ups and downs along the way, and Kipps meeting and befriending many folks in the working class. This is the type of film that develops slowly, which may not be to modern audience liking of people who have adrenalin kicks with lots of action. With it's setting, there's no indication at all that WW II is going on at the time.

    The cast all are good, with Michael Redgrave showing his talent at 33 years of age, playing the polite yet at times flummoxed Arty Kipps. Phyllis Calver is the grown Ann Pornick and Diana Wynyard plays the snobbish fiancé, Helen Walshingham. Edward Ribby is the senior staff member, Buggins, in the retail clothing store where Kipps learns a trade. Michael Wilding has a short appearance in the role of Helen's brother, Ronnie Walshingham, who goes South with Kipps' fortune.
  • I have been waiting for this film for many years. My memory of it seems to have misled me. Having read the book first, in my teens, I thought it a good theme, as I could identify with it, working in a department store in the sixties at the time! However on seeing it on film4 29/03/08, it depressed me with it's dated and artificial style of acting and its greyness. I feel the tommy Steele version of 'half a sixpence' to be a much better vehicle for the story. A related story made into a film called 'the history of Mr Polly' with john mills was in my opinion a far better and more humorous film from the pen of Hg wells, made a few years later.
  • kidboots5 September 2012
    Warning: Spoilers
    I am surprised at some of the less than enthusiastic reviews here - Kipps a fool and a boob??? Good heavens, I thought he was just an innocent, an unsophisticated draper's assistant, no match for the mercenary Walshinghams. The story was set around 1900, not 2000 and Kipps didn't know what life was all about - it wasn't subtitled "The Story of a Simple Soul" for nothing!! H.G. Well's book is a satirical look at class pretensions and it also manages a dig at the flourishing Arts and Crafts movement of 1890 - 1910. That was when night schools were springing up, encouraging ordinary workers to take up crafts and skills such as (in Kipp's case) wood carving. Even though Wells wrote the feminist book "Ann Veronica" which told of a girl's affair with her teacher, he was still a Victorian at heart and in "Kipps" there was a dig at Helen Walshingham's attempts at short story writing - to which Kipps replies "Oh, so you just make stuff up"!! Talk about cutting her down to size!! Then there's snobby Mrs. Walshingham, who calls her children her "two little jewels". Her favourite phrase is "they need opportunities as other people need air" - in view of what happens at the end there is a wealth of meaning in Helen's phrase "my mother is overcome with grief"!! Did I happen to mention that "Kipps" is one of my favourite books!!

    Even though World War 2 was raging, British movies were not confined to just documentaries and patriotic efforts - Carol Reed made an excellent version of "Kipps" with Michael Redgrave (a bit more refined than the book character) perfect as the humble draper's assistant.

    Kipps is sent off by his aunt and uncle to become an apprentice at Shalford's Drapery but before he goes he and his sweetheart, Ann, exchange half sixpences. Kipps doesn't give Ann much thought over the intervening years but the drapery business proves a real thorn in his side. A chance meeting with Chitterlow, a colourful playwright (Chitterlow runs him over on his bicycle) sees Kipps spend a night on the town with his new found friend and when he finally returns to the shop it is to find out he has been "swapped" (fired). Before he leaves he renews the acquaintance of Helen, a very refined woman who takes the wood carving class Kipps joined in order to improve himself.

    I know Diana Wynyard is perfection as the beautiful but remote Helen but was there ever a sweeter "little woman" than Phyllis Calvert as Ann. She is the only person who realises that Kipp's inheritance may turn out to be a curse rather than a blessing. When Kipp's inheritance becomes common knowledge, the parasites come out of the wood work, in other words - the Walshinghams, who are far less haughty now they have heard of his good fortune. One thing leads to another and Kipps acquires a fiancée (Helen) and a new set of rules to follow about his dress, his speech and his old friends. He also meets Ann again who is now in service and he is swept away by the uncomplicated past. He also neglects to tell Ann he is engaged but, of course, she finds out when, in her capacity as a maid, she opens the door to Kipps who has come to join in an "Anagram Tea"!!!

    This was an excellent adaptation - all the key scenes are there, all the philosophizing and socialism isn't. Definitely Kipp's uncle "Old Kipps", had some of the funniest scenes in the book - in the movie he comes across as a bit shifty!! Another difference was, at the novel's end, Helen was only talked about as having run off with Revel, a married man, but in the movie she was the one who broke the news to Kipps about her brother and gives a little speech where she admits to over reaching her social ambitions - in other words being a social climber!!!
  • Arthur Kipps is an incredible one dimensional boob and nitwit. I found the character totally unbelievable and quickly lost my patience and interest. The story line is basically an embellishment on the theme that a fool and his money are soon parted. Very unimaginative and predictable. It probably worked a lot better on the stage.
  • It's a simple tale about a simple man, it was H.G.Wells' first novel, but it was a success, and the film takes good care of all the novel's assets, especially the characters - Carol Reed was always among the best in making actors create characters with some convincing depth. On the other hand, the lacks of the film are also entirely due to the lacks of the novel. What saves the film are the two women characters, Phyllis Calvert and Diana Wynyard, each other's opposites but both adorable, Phyllis for her honest sincerity and rustic simplicity, and Wynyard for her overwhelming beauty and style. She always made amazing appearances on screen, and here grown in the years to some maturity she is striking to some almost breathtaking degree; and although the intrigues of her family lead to a disastrous crisis, she is the one who doesn't lose her face, while all the others do. The character of poor simple Kipps (or Cuyps) had a very difficult choice indeed between the two, but Michael Redgrave makes the best of it and is convincing enough. It was remade 25 years later as a musical called "Half a Sixpence" with Tommy Steele as the singing Kipps, a sumptuous wedding cake of a glittering film with splendid music, but the music is outstanding enough here as well.
  • Warning: Spoilers
    Adapted from H.G. Well's novel which was subtitled'The Story Of A Simple Soul' it tells the story of Arthur Kipps from boyhood to manhood and spousehood. He starts in a draper's shop until he gets an inheritance from his grandfather and then tries to adapt to a wealthier position in society until he discovers what is valuable and what is not, helped by a former sweetheart. It is an excellent film, directed by Carol Reed, with lots of humour and interesting characters. The art direction by Alex Vetchinsky adds immeasurably. The draper's shop is a a great creation, rivalling Cecil Beaton's perfect costumery.

    Michael Redgrave as Kipps gives a good blend of naivety and aspiration. Phyllis Calvert is wonderful as his old playmate Ann. The supporting actors are ideal in their roles. Even the child actors at the beginning of the film. Max Adrian as Chester Coote, Arthur Riscoe as Chitterlow and Edward Rigby as Buggins are particularly good. Familiar faces like Felix Aylmer and Kathleen Harrison also appear.

    H.G. Wells wrote many kinds of books including his celebrated science fiction tales but personally I prefer his novels of ordinary life like 'Kipps' and 'The History Of My Polly' which seem straight forward but are in fact profound works on the human condition. This film also seems simple but there is an lot under the surface, subtle but definitely there. A film worth watching more times than once.
  • The Remarkable Mr. Kipps or Kipps, depending on how you might see it listed, is a wonderful feel-good soap for both men and women of all ages. With Gary Cooper like simplicity, Michael Redgrave gives a Mr. Deeds-like performance as a young man who suddenly inherits a sizeable amount of money. This money only makes his life more miserable than it was before. And, in addition, he now has to choose between a "lady" and a down to earth girl from his home town. Of course, we can all see where this is going, but it is the trip, not the ultimate destination that makes the film so memorable. A must-see.
  • JohnHowardReid12 November 2013
    Warning: Spoilers
    I love this movie and as usual my enthusiasm seems to have dimmed its commercial prospects. Here it is mid-November 2013 and there's no sign or even hint of a DVD release for this brilliant screen version of the H.G. Wells novel, directed by Sir Carol Reed from a screenplay by Sidney Gilliat. The novel was later turned into a most enjoyable musical, "Half a Sixpence" (1967), which is available on an excellent Paramount DVD, Actually, there are in fact three or four musical numbers in the 1941 "Kipps" plus at least two very obvious openings for more. I'm also sure Chitterlow's scenes and lines would be much improved by making him a singing comedian. Nevertheless, the cast in this 1941 version is absolutely perfect, with marvelous performances by all involved, especially Redgrave, Max Adrian and Edward Rigby. Reed handles both cast and camera with seemingly effortless ease. His acute observation and skillful attention to detail make nearly every scene a memorable one. And we must also acclaim Sidney Gilliat for his fine screenplay which has translated the quintessence of the novel so ably. As usual, Arthur Crabtree's photography is superb, and the art direction by Alex Vetchinsky is nothing short of marvelous. The adept film editing by R.E. Dearing brings every scene across with maximum impact. So bring on that DVD!