This risque farce in the screwball comedy vein delivers loads of laughs. Newlywed Dennis Morgan suffers a bout of amnesia on the verge of his honeymoon trip and winds up marrying a second wife while still unknowingly married to his first! The intrepid first wife eventually tracks him down, inserting herself into a manic menage a trois while persistently competing for her conjugal rights. Don't miss the glorious pillow fight erupting in a roomful of flying feathers as each wife surreptitiously tries to slip into bed with Dennis. And the fateful shower of oil when wife #1 switches the bathroom water pipe to the fuel line in the basement is a scream. Altogether a delightfully zany romp.
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bkoganbing24 August 2017Under two identities, one while suffering from amnesia Dennis Morgan marries two different women, Shirley Ross while himself and her cousin Jane Wyatt who Morgan meets while he's got amnesia. The circumstances for this bizarre occurrence I'll leave unsaid but it's both tragic and hilarious at the same time. Ross in fact thinks he's dead and is ready to marry stodgy Jerome Cowan.
When Wyatt gets an invitation to her cousin's wedding you can imagine how unsettling this all is. Especially since Morgan does not know who he is.
I'm in agreement that of course someone like Cary Grant or William Powell could have handled this better than Dennis Morgan, but Morgan does OK with it. Jerome Cowan is also all right in what would be the Ralph Bellamy role. Best in the film is Una O'Connor who gets all her information and advice for living from ye old Ouija Board. There's a bit role for young Cornel Wilde in Kisses For Breakfast.
A nice comedy from Warner Brothers B picture unit. -
Recently I watched this film because I had just viewed all the episodes of "Father Knows Best". And, this is one of the few film appearances of Jane Wyatt, later the mother in FKB.
I don't know quite what to make of this film. It is a bit of a different twist on amnesia. But somehow it just doesn't quite come together. Parts of it are quite clever, and other parts rather stupid. But, I've seen worse, and it is interesting due to the cast.
Dennis Morgan plays a hammy singer who gets married to a rather obnoxious woman (Shirley Ross of "Thanks For The Memory Fame"), and then, after being kidnapped, he is hit on the head and suffers from amnesia. He meets the lovely Jane Wyatt and marries her. A year later Wyatt and Morgan go to her cousin's wedding...Shirley Ross! Wyatt is fine, although it's difficult to get a sense of her acting in this film. Also of note are Willie Best and Louise Beavers, who get some rather racist lines...at least by today's standards. Lee Patrick is very good as the sassy best friend. And the maid -- Una O'Connor -- is a hoot.
It's worth a watch once just for the unusual cast. -
blanche-26 July 2015Dennis Morgan, Jane Wyatt, Shirley Ross, and Lee Patrick star in "Kisses for Breakfast" based on a play and produced in 1941.
Morgan, a likable actor, plays Rodney Trask, a handsome crooner who marries Juliet (Shirley Ross). Juliet wanted her cousin Laura (Jane Wyatt) to come up from the south, but cousin Laura begs off due to illness. Juliet decides that en route to their Havana honeymoon they will visit her, so Rodney takes down her address.
They are preparing to leave when Rodney's old girlfriend Clara shows up. She seems to think she can get $10,000 from Rodney. To keep their meeting private, they go for a drive. Clara has a partner, who knocks Rodney out and trashes his car.
Rodney wakes up with amnesia. Everyone believes him to be dead. The only thing Rodney has on him is Laura's address. After a hobo gives him the name "Happy Homes" from a billboard, Rodney heads for Laura's.
Laura and Rodney fall in love, and he is able to help bring her plantation back to its former glory. They marry, and Laura receives an invitation to Juliet's wedding to Lucius (Jerome Cowan). Laura and Rodney decide to attend.
Crazy comedy that would have been funnier with just the right cast. As someone pointed out, Jerome Cowan is miscast, and Shirley Ross is too overdone. Lee Patrick as Juliet's friend is hilarious. Morgan is just fine, as is Wyatt.
But this thing needed a boost, which a few tweaks in the casting would have given it. William Powell, Jean Arthur, Cary Grant, Claudette Colbert, actors more adept at comedy could have helped this along.
Since it's 1941, there are also racial stereotypes and racial humor. I for one think these are a reminder of where we once were - I'm not a fan of rewriting history.
Una O'Connor plays a maid, and she's a riot. This is a true madcap comedy that needed more madcap actors. -
Rodney (Dennis Morgan) meets and falls in love with Juliet (Shirley Ross). But on their wedding day, Rodney is attacked and bashed over the head with a blackjack. When he awakens, he has no memory of the past. And, in the meantime, the crooks push his car into the sea and he's assumed to be dead. So, he's declared dead and he wanders about a bit until eventually he follows the one lead he finds in his possession...the name of a woman in South Carolina. This woman (Jane Wyatt) is the cousin of Rodney's wife...but when he meets her, he has no idea he's been married. After about a year, the pair marry....and Juliet is about to remarry. Rodney and his new bride arrive at Juliet's house for the wedding....and, not surprisingly, the house is up in arms with his arrival. Oddly, they don't confront him about already being married to Juliet. Instead, the servants think he could be a ghost and the first wife thinks he has some sort of amnesia or psychological problems. Regardless, folk behave so weirdly around Rodney that he and his new bride think that Juliet and her household are a bunch of nuts! Where does all this go? See the film.
The notion of a person losing their memory after a bad blow to the head is very possible. But it's also VERY unlikely to be permanent but only short term. For permanent or long-term amnesia, it would actually require some significant brain damage...the type that would get you hospitalized for a very LONG period. So, my advice is to take it all with a grain of salt....just accept the plot and don't question how logical (or illogical) it all is! If you can do so, the film is quite entertaining....and a bit silly.
While the film stars mostly second and third-string actors and has a plot that seems like a B-movie, it isn't, as the movie clocks in at 82 minutes...the length of an A picture. Maybe it should be seen as an A- film, as Dennis Morgan was a mostly unknown actor back in 1941 and the cast is pretty much a B cast.
So is it any good? Well, it has a plot that makes little sense...especially since if they think he has amnesia (which he clearly does). Why don't they just tell him this and let him know the truth??? This would work....but would also limit the movie to about 20 minutes! So, it's best to turn off your brain and just enjoy it for what it is. And, you really have to because what Juliet and her friends do...well, it's also totally screwy and is the sort of thing that ONLY happens in movies. -
JimB-46 July 2003This is an insanely implausible and stupid concoction about a guy marrying one woman, getting amnesia, then marrying her cousin. Dennis Morgan and Jane Wyatt, certainly serviceable performers, are at their worst here -- thanks mainly to the idiotic script and perversely inane dialogue. But the real showstoppers are Jerome Cowan and Shirley Ross, who manage to hambone their ways through this like it was dollar-ninety-eight night at the dinner theatre. Worse performances in a film from a major studio I don't recall ever seeing. The wonderful Willie Best and Louise Beavers are called upon to do some unfortunate (even for the time) racial comedy, and the ever-reliable Lee Patrick gets to be arch for no reason and to spout one of the more wince-causing racial jokes. This one's a waste of time, unless it's to catch Cornel Wilde in a brief and very early appearance as a sort of heavy. Embarrassing on almost all counts.
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Handlinghandel26 March 2005That dreadful casting error is only one of many. Cowan was a good character actor and perfectly adequate as a lead in mysteries. But his comic timing, at least based on this horrible mess, did not exist. He also looks terrible, with a very noticeable double chin.
Shirley Ross is exceptionally unappealing as the first of two women Dennis Morgan marries. She overacts and is generally thoroughly disagreeable.
Morgan is shown in a lot of beefcake shots. And he was a handsome man. He's fine here, though I personally could do without his singing.
Jane Wyaatt is pretty and sweet as Ross's Southern cousin, whom he marries while he has amnesia.
One of the few amusing bits is a bum's looking at a billboard and giving Morgan, who has no memory of who he is, the name F.H.A. Homes. (He is later called Happy.) One of the very least appealing is the shower that first makes Wyatt and Morgan, later Ross, appear in blackface. -
Icehands11 June 2003This is an "A" script with a "B" cast. Except for Jerome Cowan, Lee Patrick and Una O'Connor, the cast is not worthy of the material which is quite witty. I can imagine Jimmy Stewart, Rosiland Russell and Carole Lombard in the major parts. Then it would have been a classic.
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atlasmb16 July 2021This comedy is too wacky to merit much consideration, and I don't mean wacky in a screwball sense. While it is interesting to see Jane Wyman and Dennis Morgan in their roles, any romance is undermined by the unevenness and inanity of the dialogue. A case of inadvertent bigamy could be, and has been, a premise that promises comedy, but only if it feels like some of the characters have some real feelings involved. In "Kisses for Breakfast," there is no real conflict because there are no real emotions on the line.
Una O'Connor and Jerome Cowan are enjoyable as the maid and the perpetual suitor, adding the only humor with their rubber-faced reactions.
And it is curious to see the depiction of plantation life that is irrelevant to the story.
But there are much better films to see than this hapless "comedy". -
jarrodmcdonald-19 September 2023Okay, this film may not be to everyone's liking since the premise is so outlandish. But it's one I enjoyed a lot, as I'm a fan of farcical screwball comedy. Not everything that happens on screen is supposed to be logical or make a whole lot of sense, but it is supposed to be funny...and I think this film is quite funny. It's especially interesting to watch Jane Wyatt play a refined but daffy southern belle, something she was not ordinarily allowed to play on screen.
Warner Brothers star Dennis Morgan is at his most handsome, sporting a suave looking mustache and appearing shirtless in several scenes. In addition to the comedy hijinks, he gets to sing in a few scenes and make out with both leading ladies. I'm sure he went home after a day's work at the studio with a smile on his face.
The other leading lady is Shirley Ross, who had starred in a series of musical comedies at Paramount in the late 1930s. She's freelancing at this point of her motion picture career, and in fact there would be only two more films for her before early retirement. Miss Ross is not given the chance to sing here, and she doesn't even end up with Mr. Morgan at the end. But she still does well with a thankless role as a woman who loses her husband twice, and isn't exactly happy about it.
Speaking of "happy," Morgan's character is conked on the head shortly after marrying Ross and develops a case of amnesia. He spends the next year of his life under a different alias, and his new name is Happy Homes. With a moniker like that, plenty of irony occurs, since he may be happy/Happy with Wyatt, whom he also marries...but he can't be happy/Happy with Ross.
There are several fine supporting cast members in this picture. Studio contract player Jerome Cowan is on hand as a substitute suitor for Ross, while Lee Patrick plays an unwed gal staying at Ross's home who has quips about all the zany goings-on, in a role probably intended for Eve Arden. We also have Una O'Connor and Barnett Parker as domestic servants, along with Willie Best who appears in whiteface in one scene. And Romaine Callender has an uproarious turn as an uncle who hypnotizes Morgan so that Morgan can regain his true identity.
Warner Brothers previously filmed the story back in 1930 as THE MATRIMONIAL BED, which was its original title as a stage play. Plus the studio remade it in the mid-1930s as a British quickie quota starring Seymour Hicks, who gets a writing credit. That version was known as MR. WHAT'S HIS NAME.
A viewer won't come away from watching KISSES FOR BREAKFAST with any newfound understanding about life or how to solve life's myriad problems. But as worthwhile entertainment that has the ability to elicit laughs and make one forget about his troubles for a while, it's more than up to the task.