Desperate Journey

In this exhilarating adventure five POWs in Nazi Germany fight their way back to freedom...

Errol Flynn plays a downed RAF pilot making his journey through enemy territory disguised as a German officer... In addition to evading capture he manages with his crew, a Scottish veteran of World War I, Alan Hale; a Canadian navigator, Arthur Kennedy; an American Ronald Reagan and a young Englishman Ronald Sinclair, to blow up a secret chemical plant and steal a German bomber from a Messerschmitt factory...

The film (with exciting music by Max Steiner) ends with Flynn leading an RAF assault on the airplane factory after various acts of sabotage & violent conflict, aided and inspired by an anti-Nazi German family headed by a pleasant doctor (Albert Basserman) & his sweet daughter (Nancy Coleman).

The best scene comes early in the picture, when a Nazi Major (Raymond Massey) after having questioned the captured RAF crew, calls for a private interview with Reagan, thinking he will agree to reveal what he knows about the new RAF bomber engines, and recites easily an impressive number of facts about the component parts--all nonsense... Once he has the major's rapt attention, he punches him on the jaw, knocking him out and then help himself to the major's breakfast...

With Errol Flynn, Nancy Coleman, Ronald Reagan, Alan Hale and Arthur Kennedy in a picture, how bad can it be? Not at all. "Desperate Journey" is an exciting fast paced film about American and British soldiers inside Nazi Germany after their bombing plane crashes.

There is plenty of excitement as they try to evade their captors, the head being a very German-like Raymond Massey in another of his stellar performances. Alan Hale and Sig Ruman, the latter in one scene, bring comic relief.

Of course, there is the cliché speech of Nancy Coleman, a German helping the allies, who stays despite the fact that the Nazis know her whereabouts. Her speech about patriotism is familiar but keenly on target.

We have exciting chase scenes, and wonderful sabotage by our heroes inflicted upon Massey and his group of vultures.

A wonderful war-time journey that should be viewed by all.

Errol Flynn, Alan Hale, Ronald Reagan, Arthur Kennedy, and Ronald Sinclair are on a "Desperate Journey" in this 1942 wartime film directed by Raoul Walsh. The film also stars Raymond Massey as a German commandant and Nancy Coleman as a member of the underground.

Flynn and his pals crash land in Germany and attempt to fulfill their mission plus destroy other enemy sites and enemies as they make their way to safety.

For guys trapped in an enemy country, arrested at one point, and in constant danger, they're a pretty lighthearted bunch. They're also amazing at getting out of tight spots.

While it's not particularly realistic, "Desperate Journey" is very entertaining with non-stop action all the way, a charming performance by that prince of charm, Errol Flynn, and good support. People are terrible about Ronald Reagan's acting - he didn't have much range, but he was pleasant enough and very good for a role in this kind of film.

One interesting thing is that I didn't understand any of the German, which I usually do, so I wondered if it was a dialect. As usual, the actors used the formal instead of the familiar tense, which I doubt officers did when speaking to soldiers.

In one part of the movie, a German is asked if he speaks English, and he answers, "I speak as if I was in London born," which is exactly the way the German language is spoken, with the verb at the end. So someone knew what they were doing.

Recommended.

Flynn's last line in the movie sums up the tenor of the entire piece, "Now for Australia and a crack at those Japs." A bomber crew on a heroic mission is shot down and make their way from Poland, through Germany and Holland, to England, losing a few of their members enroute, but nothing compared to the slaughter and destruction the wisecracking warriors wreak on the Germans.

Let's see. Dispensing with the crew members who die early on, there is a British flight sergeant whose role is to be the plucky but inexperienced youngster who is wounded and holds the others back, although he urges them to leave him behind and save themselves. Then there is Alan Hale as the comic old cook, more or less transposed from the USS Copperfin in "Destination Tokyo." Then there is Arthur Kennedy as the serious Canadian accountant who objects to the playful way the others make war on the Nazis. He mistakenly thinks war is a serious business, but he comes around in the end. There is Errol Flynn, the only officer, and an Australian, who organizes one adventure after another and speaks German. (Somebody has to speak German.) Ronald Reagan is the American from Jersey City. He is Flynn's sidekick.

The Germans aren't so well differentiated but they're just as stereotyped. Raymond Massy is the monocled Herr Major who pursues them for personal reasons across half of Europe. Sig Rumann provides the best comic interlude. As a railroad policeman he discovers our gang making themselves at home in Gorings private car. He sarcastically tells them in German that he's happy to see that they've made themselves at home in the Reichsmarshall's quarters and asks them if there is anything he can do for them -- "Do you think the cigarettes are good enough for you?" Alan Hale completely mistakes Rumann's sarcasm and comes back with a jolly, "Oh, ja, ja," until Rumann spits on Hale's outstretched hand and throws them all off the train.

Boy, this movie is packed with action. Badabing, badaboom! Trains, planes, and automobiles -- one chase after another. Flynn setting his cap firmly on his head before diving through a window. Most of the movie was shot on Warner's lot, but there is some nice location shooting too at what I take to be the flats around South San Francisco Bay. Prop up a few fake windmills on the horizon and you have Holland. (You can see the same flats substituting for the Japanese coast in "Thirty Seconds Over Tokyo," or nearby ones on the Sacramento River posing as a ships' graveyard in "Blood Alley.")

The story isn't really worth going into. It isn't quite as focused as some other war movies in that there is no single mission to which the group must devote themselves. Instead they improvise a lot. But you can hardly notice it because the pace is so fast. Good old Raoul Walsh. Flynn got along a lot better with Walsh than he did with Michael Curtiz. Both were demanding directors but Walsh was more nearly human, stipulating only that Flynn's drinking wouldn't begin until five in the afternoon.

And Max Steiner, the composer, should get a medal. How can he possibly have ground out so many scores for so many different movies in so short a time? Did he ever sleep? He doesn't give this one a memorable theme as he did with "The Treasure of the Sierra Madre," but still there's hardly a moment that the orchestra is not banging away behind the action. One thing you do when you're pressed for time is to incorporate traditional tunes into the score, substituting them for original music. I was able to catch snatches of "My Country 'Tis of Thee" (or, I guess, "God Save the King," in this context), "Du, Du, Liegst mir Im Herzen," "Deutschland Uber Alles" (or the hymn it comes from), "British Grenadiers," "Rule Brittania," and "Ich Hatt Einen Kameraden."

No comments on acting are required. If you're in the mood for being diverted, "Desperate Journey" ought to get the job done. It's unpretentious propagandistic fun.

This is probably the silliest WW2 film made during the war. But if you dismiss that fact, you find yourself enjoying a well-made piece of Hollywood escapism. Everyone in the cast seems to enjoy themselves. Walsh's direction is good and Max Steiner provides a really exciting and stirring score. So who's quibbling?