Maisie Gets Her Man (1942) User Reviews (11)

Good entry into the series

[blanche-2 · 7/10 · 8 December 2007]

Ann Sothern again plays Maisie in "Maisie Gets Her Man," a 1942 film featuring Red Skelton, Leo Gorcey, Allen Jenkins, Donald Meek and Lloyd Corrigan. Maisie's hired by a comedian, Hap Hixby (Skelton) who gets horrible stage fright, so her job is gone before she even gets to do it. However, the building owner (Jenkins) is impressed with Hap and gives him a job managing the building, and Maisie becomes his assistant. Hap and Maisie fall in love, but when Hap's fiancée shows up, Hap can't tell her the truth. Maisie leaves and gets a job in a show. But when she finds out Hap is in trouble, she decides she has to do something.

This is a lively movie, in part because of Jenkins and Gorcey, who are very funny. I can't say I've ever been a Red Skelton fan, but MGM stuck him in every B movie as they attempted to build him up. Here he's nice-looking and plays it straight except when he's on stage. Sothern of course is a delight as the fast-thinking Maisie. Like most serials, the quality varies from film to film. This was one of the better ones, with a little more plot and a strong supporting cast.

The Jollity Building?

[ndean · 7/10 · 11 August 2008]

Spoilers Included - It's strange to see the well-known A.J.Liebling story The Jollity Building used in this film. A lot of the characters (I see Jack McGuire, Morty Ormont, Jerry Rex and Dave, Hi Sky, Marty the Clutch, and Barney the lunch counter owner), sets, and lingo are lifted whole from the story, and many of the situations as well. I didn't see Liebling's name in the credits, though. All the names and a few of the situations were changed in the building, and the locale (Chicago instead of NYC), but it's still quite obviously the Liebling story with a boy/girl romance thrown in. It's a likable film, and Allen Jenkins is very impressive as the building manager (he could be straight from the story's gloomy Morty Ormont).

Maisie and Red Skelton

[SnoopyStyle · 6/10 · 26 June 2023]

Maisie Ravier (Ann Sothern) is the assistant in a knife-throwing act with Professor Orco. He's angry at losing a woman and takes it out on Maisie. She barely escapes from a knife thrown directly at her. She encounters wacky comedian Hap Hixby (Red Skelton) and gets entangled with various criminal types.

I like the start with Professor Orco. It's a great launching point. Red Skelton is doing all kinds of pranks. His film career is on the rise. The most obvious move is for Maisie to partner up with Red Skelton in a comedy act. They just need to work on the act until it gets good. The movie can get rid of everything else. It's a bit of a missed opportunity.

Quite a pair of tipplers

[bkoganbing · 6/10 · 7 December 2013]

Two television icons of the Fifties team up in Maisie Gets Her Man. But as we know she never keeps any man lest she not be available to be down on her luck for the next film.

After nearly getting killed as the victim in Fritz Feld's knife throwing act our Brooklyn show girl Ann Sothern is once again on her uppers and looking for some kind of work. She rooms at a building that Allen Jenkins manages and he offers to put her to work assisting him. But then a rather obnoxious man who wants to break into show business played by Red Skelton kind of grows on Sothern and she helps him. Skelton falls for her even though back in Indiana he's got a sweetheart.

The plot moves through a few situations, but it's Skelton and Sothern you remember. A great scene is when the brash Skelton discovers he has stage fright and Sothern sees how vulnerable he is. After that Skelton and she go to work for conman Lloyd Corrigan who is selling shares in a mineral water company. You know he'll come to justice before the film ends.

Another great scene allows Skelton to do his drunk act substituting gin for the mineral water and softening skinflint Donald Meek. Red and Ann make quite a pair of tipplers.

Fans of Susie McNamara and Freddie the Freeloader will like Maisie Gets Her Man.

Maisie Ravier...dancer, all around great gal AND crime-fighter!

[planktonrules · 7/10 · 19 December 2013]

As usual, Maisie is out of work. However, HOW this occurs at the beginning of the film you'll just have to see for yourself! Following this debacle, Maisie is broke and is taken in by a nice guy 'Pappy' Goodring (Allen Jenkings) and allowed to stay as his apartment building. Unfortunately, Maisie is yet another non-paying tenant and Goodring is in jeopardy of losing the place because he can't pay the mortgage. However, when another tenant, Marshall Denningham, moves in, things begin to look up. And, the more successful Denningham is selling his 'Sapphire Water', the better things get between Goodring and the guy who keeps threatening to take the building (Donald Meek). Another huge plot involves an obnoxiously bad comic, 'Hap' Hixby, with stage fright (Red Skelton). Maisie first becomes Hap's stage partner and soon things start to heat up between them off-stage as well. So why's it called "Maisie Gets Her Man"? See the film and find out for yourself.

Like the rest of the films in the series, this one is entertaining and well made. Now I am NOT saying it's deep or will change your life--it is just light entertainment. But it's enjoyable and a worth addition to the series.

By the way, although his role was small, it was sure nice to see Willie Best playing a non-offensive and non-stereotypical sort of role. Fans of old-time movies often would remember him for playing Stepin' Fetchit-type roles in many films--the sort of characters that make most folks uncomfortable today. In fact, his character was pretty smart here!

Vaudeville Great

[pbrockert-1 · 6/10 · 26 August 2006]

Red plays the clown on vaudeville trying to get an act together when he meets up with Maisie who just lost her booking. They team up and flop miserably.

They then run across a man who offers to set them up in his business only to get them into the business far enough to get them indicted while he takes off. Maisie and Red fall for each other, but Red already has a fiancé back home. He can't get the nerve up to tell his old flame it's over with so Maisie hits the road also, right before the cops show up.

She accidentally runs into the nice man who helped them out and gets suspicious.

No more than reasonably entertaining!

[JohnHowardReid · 7/10 · 17 November 2017]

Ann Sothern (Maisie Ravier), Red Skelton (Hap Hixby), Allen Jenkins (Pappy Goodring), Donald Meek (Mr Stickwell), Lloyd Corrigan (Mr Denningham), Fritz Feld (Professor Orco), Walter Catlett (Jasper), Leo Gorcey (Cecil), Ben Welden (Percy Podd), Rags Ragland (Ears Cofflin), Frank Jenks (Art Giffman), Florence Shirley (Mrs Taylor), Pamela Blake (Elsie), Frank Faylen (theater manager), Phil Van Zandt (stage manager), Harry Tyler (peeler salesman), Joe Yule (elevator man), Pat Flaherty (bone-crusher), Esther Dale (Elsie's mother), Willie Best (Sam), Robert Emmett O'Connor (Frawley).

Director: ROY DEL RUTH. Screenplay: Betty Reinhardt, Mary C. McCall Jr. Story: Betty Reinhardt and Ethel Hill. Based on the character created by Wilson Collison. Photography: Harry Stradling. Film editor: Fredrick Y. Smith. Supervising art director: Cedric Gibbons. Associate art director: William Ferrari. Set decorator: Edwin B. Willis. Costumes: Kalloch. Music: Lennie Hayton. Song, "Cookin' with Gas" by Roger Edens. Dance choreography: Danny Dare. Sound supervisor: Douglas Shearer. Western Electric Sound System. Producer: J. Walter Ruben.

Copyright 26 May 1942 by Loew's Inc. A Metro-Goldwyn-Mayer picture. New York opening at Loew's Criterion: 15 July 1942. U.S. release: Not recorded. Australian release: 7 January 1943. 8 reels. 7,704 feet. 85 minutes. U.K. release title: SHE GOT HER MAN.

SYNOPSIS: Down-but-not-out hoofer meets a stage-struck country boy eager to make his comic mark on Broadway. (Theodore Strauss in his New York Times review suggests the script was inspired by A.J. Liebling's "Jollity Building" series of short pieces in The New Yorker).

NOTES: Unlike the Andy Hardy series which, although produced by M-G- M's "B" unit, were sold as "A" attractions, the studio's nine Maisie entries never amounted to anything more than fodder for the lower half of double bills. All the same, the series was well-liked. In working-class neighborhoods, Maisie was often booked for Saturday nights, particularly if the main feature was thought to lack drawing power. "Maisie Gets Her Man" was the 6th of the series.

COMMENT: Better than average offering in the series — thanks more to Roy Del Ruth's good direction than to any great virtues of the script. Some of the ideas are good but they are almost smothered in a plethora of lightweight dialogue. Conclusion is disappointing and seems to have been hurriedly tacked on.

My guess is that Harry Stradling did the photography while he was asleep.

OTHER VIEWS: Maisie Gets Her Man just limps along without ever being very amusing or ruefully touching. The script lacks the flavor of A.J. Liebling's sketches, the direction is ambling. Skelton labors heroically over some soggy material — but all to little avail. — Theodore Strauss in The New York Times.

I'm not a great fan of Red Skelton, but for once he's perfectly cast as an aggressively obnoxious, unfunny comic, whose nerve fails him when most needed. Not exactly an enjoyable interpretation, but accurate. More appealing characters are enacted by Allen Jenkins (as an undischarged bankrupt reduced to running a rundown office block), Donald Meek (as the mean-tempered, miserly-minded landlord), and some of the tenants of this Jollity Building, including surly Leo Gorcey, gushingly phony Lloyd Corrigan, crick-necked Walter Catlett and tricky Ben Welden.

Ann Sothern, as usual, not only tends to overplay but unashamedly hogs the camera. Aside from this unwelcome indulgence of his star, Del Ruth's direction seems capable enough. A boost is provided by Harry Stradling's attractively glossy camera-work.

Nonetheless, despite the originality of the film's setting and characters, the script's main story remains a liability. Not only does it firmly adhere to traditional lines, but finally peters out in a tamely naïve conclusion. = JHR writing as Charles Freeman.

She loses her job this time as the target for a knife-thrower

[SimonJack · 5/10 · 19 September 2021]

This is Ann Sothern's sixth film of 10 that MGM made, in which she stars as Maisie Ravier. Following the formula for all of these openings, Maisie loses her job with a knife-thrower who loses his bearings after his girlfriend runs off with "a pig piccolo player."

After she leaves Professor Orco (played by Fritz Feld), she happens into a down-and-out office building being run by Pappy Goodring, played by Allen Jenkins. She also has an encounter with Red Skelton's Hap Hixby.

The plot for this one is different and goofy, but not in a humorous way for good comedy. Maisie Ravier's character seems to have undergone something of a change as well. She's more cynical and less upbeat and rebounding.

"Maisie Gets Her Man" has a first rate cast with several prominent supporting actors of the day. Besides Jenkins and Skelton, there's Donald Meek, Walter Catlett, Rags Ragland and Willie Best. Leo Gorcey, Esther Dale and some other familiar faces fill out the screen.

Die hard Ann Sothern fans and just a few others are likely to enjoy this movie. For most film fans in the 21st century, this will be a forgetful, silly and even boring flick after a while. Here are the best of the few funny lines in this film.

Hap Hixby, "Would you like me if I was stupid? Maisie, "Well, don't I?"

Maisie, "Well, here I am again. No job, no dough, no prospects. Stagehand, "Tough luck, miss." Maisie, "Yeah. They must've repealed the law of averages the day I was born."

"He's an okay kid, if slightly cracked."

[utgard14 · 7/10 · 28 January 2017]

Maisie gets involved with a comedian trying to break into show business while also helping out a landlord too kind for his own good and helping the police nab a con artist in this packed entry in the enjoyable Maisie series from MGM. It's a fun, fast-paced picture with a wonderful cast. Ann Sothern is lovable as usual. She gets some great support in this one from Allen Jenkins, Lloyd Corrigan, Leo Gorcey, and Donald Meek. Red Skelton plays the love interest. I like Red but sometimes, like many comedians then and now, he could get on my nerves. He's not my favorite part of this one but Sothern and the rest of the cast are so good it's easy to take his mugging. Jenkins is especially nice here, giving a sympathetic turn as "Pappy," the friendly landlord who essentially provides free room and board for a bunch of shiftless deadbeats. There's a low ceiling on these sorts of B programmers for me. All I expect is to be entertained and this one did that very well.

Listless but watchable

[cherold · 5/10 · 24 April 2017]

In this movie, down-on-her-luck actress Maisie teams up with an annoying comic. In an unlikely twist, this leads them to work for a bottled water company.

Skelton starts the movie being more annoying than funny, and Maisie's decision to team up with him seems unpersuasive. But then, pretty much everything in this movie seems unpersuasive, and the whole thing feels a little disjointed.

For the most part the humor is pretty mild, although there is a terrific moment when Skelton discovers he has severe stage fright. A little over halfway through I stopped watching.

Screwball Maisie returns.

[mark.waltz · 6/10 · 2 July 2016]

Things were getting a bit serious in the life of that good-hearted dame known as Maisie, everybody's favorite broad. Having dealt with dust bowl survivors, troubled rich folks and reluctant prize fighters, she's tired of tears and desperate for a few laughs, and boy does she get it here, with Hollywood's favorite redhead. No, it's not fellow MGM glamour girl Lucille Ball, but the other one whose first name ironically was Red.

Mr. Skeleton, who like Lucy, dominated TV for decades, is a down on his luck comic, and she's escaping from a woman hating knife thrower. Together, they set out to create their own act, and the road to fame ain't easy. Surrounding the duo are a bunch of other funny people, including comical tough guy Leo Gorcey, always cheery Lloyd Corrigan and cynical Allen Jenkins. Donald Meek rises up to the heights of the taller actors he appears opposite as a tough landlord, while Fritz Feld doesn't do his famous lip pop as he uses Maisie as his target for revenge against all women.

The teaming of Sothern and Skelton, paired together the same year in the entertaining if disappointing movie version of Cole Porter's "Panama Hattie", are a team worthy of their own series. He annoys her at first, but sometimes that fly in your ear is really good to get your circulation moving. After a four film "Maisie" marathon, it was nice to end on a lighter note. Some of the gags are dated and corny, but corn and dates sometime mix very well together.