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  • Roy Rogers and The Sons Of The Pioneers set up an 1890's style trail ride and invite some big money types, with the ulterior motive of introducing them to a gal pal with a goldmine that's waiting to be developed. Unfortunately, invitee Paul Fix turns out to be a gangster who has the whole party kidnapped and blames it on Roy.

    Fast-paced and with a decent amount of action, South Of Santa Fe is another typical but fun adventure for Roy and friends with a handful of great tunes on display.

    Speaking of the music, this is one of those rare times where The Sons Of The Pioneers were allowed to show their vocal range and individual talents for singing. Usually in pictures, they're only allowed to sing in unison or as backing for Roy Rogers or sometimes Gene Autry.
  • Warning: Spoilers
    There are basically 2 components to the plot, with some overlap. In the early going, the people of the small town of Whitakers are worried their town may soon become a ghost town. Since the goldmine owned by Carol Stevens(Linda Hayes) closed down operations, local money has pretty well dried up. Her mine was established by her father, who apparently didn't leave much money to further expand it. Thus, she has been writing to various CEOs about possibly forming a partnership with her. But, so far, no takers. Roy suggests that several of these men be invited to the town's annual 'Spirit of the West' celebration' All 3 executives bite. They are Peter Moreland(Arthur Loft), John McMahon(Charles Miller), and Harold Prentiss. At first, they are treated to some of the spectacles, including much singing by the Sons of Pioneers. There is a square dance, followed by a demonstration of jive dancing by the teenagers: Bobby Beers and Judy Clark : quite a switch! After seeing some rock samples and the mine, all three were impressed with the possibilities, especially for tungsten, which one identified. Thus, things are looking up for the town.........But just then, a number of gangsters from an eastern city show up. They are looking for a place to lay low for a while, and guess that these 'hillbillies' will be easy to fool. Badman Keenan suggests to the programmers that a fake ambush and kidnapping be staged. Amazingly the programmer takes the bait! Badman Keenan takes movies of the staged kidnaping, to prove that the Sons of the Pioneers took part in the real kidnaping that followed. Roy was not in the movie, as he was at the mine with the 3 executives. Yet, the gullible sheriff gathers a posse to chase him down. Later, Roy and others at the mine are stuck up and tied up. But , Roy says they didn't do an expert job, hence guesses they wanted them to escape eventually. Roy slithers quite a distance to a pool of water, soaks his ropes and slithers out of them. He needs to find out where the kidnaped are to rescue them........Meanwhile, Gabby is taking the $240,000. the gang demanded to the place designated in a letter, dropped by parachute from a plane! He has no guards with him , in his auto. Gabby meets Keenan at the designated place and hands over the money. Keenan doesn't bother to count it. Gabby asks where the prisoners are being held, and is told truthfully. Keenan then shoots Gabby several times at close range. We don't see Gabby fall, but presumably he does. Later, we see him getting up. He shows us his secret life savor. He now writes a message and map of where the kidnapped are, and stuffs it into the pouch of his carrier pigeon, which takes it to the Sheriff, and those around him. The sheriff has his men ride in that direction. Meanwhile, Roy also rides there, alone. He locates the old mine tunnel, and finds the abductees, being watched by several men. He wounds several of the men, then snuffs out the fuse to a dynamite charge the baddies were hoping would seal the victims in the tunnel for good. Roy then rides to where he thinks Keenan will be driving his car, and takes a short cut across a trail, so he's in front of Keenan's car. I won't detail what he did to stop Keenan and his buddy. Wew! Roy had a very busy day, and now is enjoying some singing with Sons of the Pioneers. ........ It's a pretty crazy story, so you will have to just accept somethings. Also, remember it's been chopped down from its original length, which sometimes works against understanding the story. See it at YouTube.
  • Warning: Spoilers
    I've never seen each member of the Sons of the Pioneers sing solo before, but that's how the story opens as Roy and friends on horseback come into view with every rider offering a line or two of song. I have to say, they all sounded pretty good, even Pat Brady who's better known for his comic relief. Pat manages to go at it with Gabby Hayes for a good part of the story, and their back and forth banter is always good for a few laughs.

    The story itself is a pretty familiar one. This time around, Roy tries to help Carol Stevens (Linda Hayes) revive her gold mine operation by enticing some business investors to offer financial backing. As usual, there's a main villain lurking around to take advantage of the good guys before he's finally brought to justice. I managed to watch the entire film without ever realizing Joe Harmon was portrayed by Paul Fix, even though he was a mainstay of the era's Westerns before hiring on as Sheriif Micah Torrance of 'The Rifleman'. The resemblance is there of course, but it's a fleeting one.

    The other thing I hadn't thought about was Gabby being the mayor of Whittaker City. I know his character went by Whittaker in a bunch of films with Roy, but I don't recall that name being used here except for the tie-in with the Annual Ride of the Vaqueros. Boy, I thought Gabby was a goner when one of the baddies shot him off his jeep. Funny thing about Gabby's timing, I never saw him with a bullet proof vest before.

    So during the shootout at the old rustlers hideout, Roy manages to hit one of the villains behind a wall with only a single gun-sight to shoot through. How did he do that? Then Roy gets shot, but manages to brush it off and continue the chase. That was one durable cowboy. Not that I want to find fault, stuff like this happened all the time during the Thirties and Forties and it didn't seem to bother anyone. It's just that watching today as an adult, you have to wonder why film makers didn't think about those things. If they did, it didn't seem to matter.

    Anyway, Roy Rogers has always been my favorite movie cowboy, so cutting him some slack is easy enough to do. He always saves the day in the end, and gets to win the pretty romantic lead. Along the way, there's a pile of tunes provided by Roy and his Pioneer buddies, a formula that worked time after time.
  • South Of Santa Fe has Roy Rogers with the rest of the Sons Of The Pioneers in New Mexico trying to get a group of wealthy investors to look at a mine owned by Linda Hayes. But gangster Paul Fix who is on the lam sees a real big opportunity to make a lot of quick bucks by kidnapping these rich guys.

    Fix is one of the shrewdest and most dangerous of villains ever in a Roy Rogers western. He's put a neat little frame around Roy and the Sons and it will take every bit of cleverness to foil his dastardly scheme.

    A fair share of music is in South Of Santa Fe though nothing really stands out. The best was a square dance where Bobby Beers and Judy Clark decide to liven things up with a jitterbug.

    One of Roy's better films and I think I saw a much edited version because I had to fill some blanks in with the story. Still lots of action, lots of singing, and a very cunning villain for Roy to best.
  • planktonrules24 November 2011
    This is a pretty silly movie if you think about it. However, it's also easy to forget about the plot and just enjoy the movie, as it's a pretty good little B-movie.

    "South of Santa Fe" begins with a young lady fretting that she needs investors for her mine--but no one seems interested. So, Roy comes up with a scheme to use his 'Vaqueros' (actually the Sons of the Pioneers) to deliver singing invitations to some rich potential investors--inviting them out to the dude ranch for a vacation. The plan is to butter them up and show them a great time and then spring the mining proposition on them. What they don't know is that a mobster (Paul Fix) has infiltrated this group and has plans of his own.

    The biggest negatives about this film is the plot (which is just odd) and Fix's character--he's simply too obviously evil to work. While a very good supporting actor, here he isn't given much to work with--and EVERYONE knows he's bad--so why doesn't Roy recognize this?! But, although the plot is bizarre, it all is fun and enjoyable in a 'turn off your brain' sort of way.
  • Warning: Spoilers
    Director: JOSEPH KANE. Original screenplay: James R. Webb. Photography: Harry Neumann. Film editor: William Thompson. RCA Sound System. Associate producer: Joseph Kane. Executive producer: Herbert J. Yates.

    Songs: "Headin' for the Home Corral" (Rogers and the Sons of the Pioneers); "We Are the Vaqueros" (Rogers and the Sons of the Pioneers); "Down the Trail" (Rogers and the Sons of the Pioneers); "There's an Open Range Ahead" (Sons of the Pioneers); "Yodel Your Troubles Away" (Beers & Clark). Music director: Cy Feuer.

    Copyright 17 February 1942 by Republic Pictures Corp. No New York opening. U.S. release: 17 February 1942. Australian release through British Empire Films: 31 December 1942. 6 reels. 5,160 feet. 57 minutes.

    SYNOPSIS: Rogers' scheme to inveigle Eastern money-men to invest in girl friend's gold mine backfires when racketeer kidnaps the financiers and holds them for ransom.

    COMMENT: The execrable print under review does less than justice to Harry Neumann's extraordinary atmospheric photography with its remarkable silhouettes-on-location effects.

    A modern-day western (never mind that the cowboys are all toting guns!), South of Santa Fe's unusual plot is also graced by the attractively svelte presence of heroine Linda Hayes.

    The rest of the players are competent enough, though Mr Hayes' crotchety mannerisms tend to irritate more than they entertain.

    However, the plot is spiced with plenty of action, leading up to a rousingly exciting climax with crowds of hard-riding extras, running inserts and thrilling stunts. Kane's direction piles on the pace, allows Neumann visual fireworks, and takes full advantage of locations and a comparatively generous budget. The songs are pleasant enough too. All in all, an enjoyable, vigorous slice of escapist anachronism.
  • What would it take to get prominent businessmen to come to an old mine? The adventure of a trail ride with the Vaqueros, that's what!

    Gabby Whitaker is the mayor of... Whitakerville! The town is dying off, but if Carol Stevens (Linda Hayes) can get someone to look at her isolated gold mine she knows it will bring prosperity back to the town. This is a tough proposition, but Roy Rogers and The Sons of the Pioneers just go (instruments and all) into the offices of a few businessmen to make them want to join the annual ride of the Vaqueros. A little western harmony can work like magic. It's just like Judy Garland and Mickey Rooney putting on a show to save the day, and it could only work in the movies! So, once the industry leaders show up in their dude outfits they soon learn the mine has a value. Those men also have a value to a crook named Harmon (Paul Fix). He kidnaps them and frames Roy and the Pioneers for the crime. It's no big deal because Roy Rogers always wins.

    What makes this Roy Rogers adventure stand out is the Sons of the Pioneers. The classic lineup is there: Hugh and Karl Farr, Bob Nolan, Tim Spencer, Pat Brady, and Lloyd Perryman. They play several songs throughout the movie by themselves and also backing Roy. The group had been well established before South of Sante Fe was made, and by this time their personalities were known. Tim and Lloyd had less screen time, but everyone was well represented. More singing is provided by Judy Clark and Bobby Beers. Music works its way into several scenes perfectly.
  • Did I see correctly or did good old Fuzzy take several bullets to the gut taking him out of the gunfight action. Oh my, what a surprise for an oater! Anyhow the cowboy flick is set unexpectedly in modern times, circa 1942. Thus there's no mistaking the baddies in their sleek city suits while Roy and guys are in their usual rough cowboy togs. Thus it's frontier tradition vs modern city ways, cowboys and horses vs airplanes, cars and phones.

    The battle itself is over who gets control of an abandoned gold mine. But now it's WWII time and the mine's recently discovered tungsten ore is needed for warfare. That means lots of money's at stake, and Roy wants the mine's sweetie legal owner (Carol) to benefit instead of the scheming greedy easterners. So which side will win out.

    Don't let the first part fool you. It's all melodic singing and merri-making. But then the action starts and picks up speed as it goes along. Lot's of hard-riding and fast- shooting, but few flying-fists or good scenery. Nonetheless, it's Roy and Fuzzy on their way up the cowboy trail, along with a good mix of the old and the new, so give it a look-see.