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  • Warning: Spoilers
    I enjoyed watching much of this amiable trifle from the late Italian fascist era. The film begins with the predicament of a young count (Alberto Rabagliati) contemplating suicide because of gambling debts and saved from his plan by a scientist professor who urges the man to postpone his decision and pays him to do so, money he further gambles away. The young man befriends a homeless man, spends the night in the rear of a truck with him, and wind up wandering off into the countryside together, singing cheerful songs along the way.

    The two are hired as workers in a farm. Two sisters run the place, played by Maria Mercader and the inimitable Anna Magnani, seen here two years before her "Open City" role that brought her world attention. While Mercader does most of the work running the farm, Magnani is pursuing a vocation as a singer and to that end takes lessons from Carlo Campanini, who is secretly in love with her.

    The most priceless moments in this harmless movie are when Magnani and Campanini sing with each other, or rather against each other since Campanini is a parody of an over-emoting hammy Italian crooner.

    All turns out well in the end. People sing, have fun, run farms, engage in instant romances, and sing the title song "La vita è bella" or "Life is Beautiful." This movie proved a popular diversion in 1943, particularly in Rome when it played successfully during the Nazi occupation and served as a soothing bit of escape from the grim realities outside the cinema entrance.
  • The moment Anna Magnani makes her entrance in this film, it is raised many levels in both interest and quality. It is actually a rather silly entertainment, the plot is next to ridiculous, made more so by the phoney musical professor, who is exorbitantly in love with Anna Magnani and constantly keeps making a fool of himself, while she only despises and insults him. It's a comedy indeed, but there is an interesting philosophical twist to the tale. It starts with the count sitting at a gaming table playing off all his money, whereupon he goes aside to the bar, where a professor, who has studied him, seeks him out and proposes to him an experiment, offering him a fortune of money if he will be his guinea pig for the experiment. The count accepts, the agreement is that they will meet again in a month, a lot of things happen during this month, he and a vagabond end up together with two sisters running a farm, one of them being Anna Magnani, the other Maria Mercader, but he keeps the appointment, and there is an interesting conclusion. Anna Magnani crowns the film, Maria Mercader seconds her, while the two singing men just make entertaining fools of themselves for the enjoyment of a cinema public in Italy of 1943 in the middle of the war, that badly needed laughable stuff like this to stay alive.