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  • This film is a slight departure for its star, Pat O'Brien, because in this film he is an undercover agent trying to expose saboteurs at a ship-building plant. He gets a job doing "grunt work" but really is outside his element--since he knows nothing about ships or machinery. His brother, Chester Morris, has no idea why Pat wants this job, but reluctantly hires him. It's obvious there is some bad blood between them, though exactly what it is doesn't ever get explained. However, Morris and the rest of the guys at the plant give him a pretty hard time until he eventually proves himself. To make the ruse more believable, Pat is set up with an instant family--a pretend wife and two cute little pretend kids who are actually war orphans. Over time, Pat can't help but love the pretend family--and looking at them, I could certainly see why.

    At the plant, almost no one knows O'Brien is an agent. His contact there is Wallace Ford--who has already started to infiltrate the gang of Nazis planning on sabotaging something--exactly what and when are unknown. How this all comes together in the end is very exciting and kept my attention. In fact, the movie was so well-written and tense that it managed to somehow rise above the genre and is STILL an excellent drama...and I LOVED the ending even though it was a tad "schmaltzy".
  • Government agent Pat O'Brien goes undercover at a shipyard where his estranged brother Chester Morris works. Pat's trying to root out Nazi saboteurs. Part of his cover is that stunning Carole Landis pretends to be his wife. Something tells me they didn't have to twist Pat's arm to take this assignment. The look on Pat's face when he comes home to see Carole in her tight-fitting dress is priceless. Well paced WW2 espionage movie with a decent script and likable leads. Very nice supporting cast includes Ruth Warrick, Barton MacLane, Tom Tully, and Wallace Ford. One of those little hidden gems you come across on TCM every once in awhile. A must-see for Carole Landis fans.
  • blanche-29 February 2015
    TCM gave this four stars. It's a 2-1/2 stars film, in my opinion.

    Pat O'Brien is Sam Gallagher, a U.S. government agent, a step up from his old job as a foreign correspondent. His brother Jeff (Chester Morris) offers him a job working in a shipyard as a pileback. Piles are poles, driven into the soil by a mechanical device to give a foundation to a structure Sam's purpose is to ferret out a group of Nazi spies trying to sabotage the shipyards. To give him a background, Jill McCann (Carole Landis), who is an FBI agent, poses as his wife, and two small war orphans are brought in as his children.

    Jeff is surprised by all this - okay, he hasn't seen his brother in seven years, but something isn't right. He tells Lea Damoran (Ruth Warrick, his girlfriend who used to be Sam's girlfriend) his thoughts.

    Sam is able to find out that the yard is going to be blown up the yard while an aircraft carrier is docked. And he begins to learn who the Nazis are in the yard. One problem: His brother's suspicions are drawing too much attention to Sam.

    Pat O'Brien for me has never made it as a leading man, yet for some reason, every once in a while he was given a lead role. This is a role for Joel McCrea, John Wayne, that ilk: masculine, solid, and, frankly, kind of a chick magnet. I mean, on one side there's gorgeous Carole Landis, and on the other, his old girlfriend who still has feelings for him.

    The story is only so-so, but the final scenes are quite good. The subplot concerning the war orphans is sweet and probably unnecessary.

    Carole Landis would be dead only four years later, at the age of 29. I suspect the affair with Harrison was probably the last straw. She was done in Hollywood: she was nearing 30, the cutoff age for actresses back then, there were no more big films thanks to her relationship with Darryl Zanuck ending, she couldn't have children, and at the age of 29, she had already had four husbands. A sad end for a beautiful woman who learned that in Hollywood, you're disposable.
  • Pat O'Brien shows up on the docks, down and out and in need of a job. His brother Chester Morris, construction manager, reluctantly hires him on. Very soon we discover that O'Brien's real job here is not building ships.

    This WWII spy thriller has a bit of romance thrown in and features an assortment of characters whose personal and wartime lives often overlap: Carole Landis and Ruth Warrick are both quite good as women doing jobs that take precedence--at least during wartime--over their personal lives or relationships. Landis is a fellow agent who poses as O'Brien's wife; Warrick is Morris's assistant in the shipyard office. Morris would like to marry Warrick but she may still have feelings for her old flame, O'Brien--whose professional regard for Landis may grow into something more.

    Wallace Ford, always fun to watch, is part of "the team"--his main job being spotting Nazis at the shipyard. Barton MacLane is excellent as a rough-edged yard worker whose eventual friendship with O'Brien is hard fought.

    The plot is solid: O'Brien and Ford keep an eye out for saboteurs while Morris and Warrick, realizing that O'Brien is no ordinary dock worker, keep an eye on him. There's some comic relief that isn't too funny, unfortunately, and also some cute scenes involving a couple of war orphans that just aren't real convincing.

    It's a great role for O'Brien, though, as that rugged American everyman who doesn't say much but performs awesome feats.
  • Enjoyed viewing Carole Landis in the 1941 picture,"I Wake Up Screaming" and greatly enjoyed her performance in this film where she was so young, pretty and happy as a wife, (Jill McGann) to her husband Sam Gallagher, (Pat O'Brien) and a sweet funny little girl and boy to complete their lovely family. Sam Gallagher had a brother played by Chester Morris, (Jeff Gallagher) who did not see each other for years and wound up meeting each other in a ship yard which was building an aircraft carrier during WW II. Jeff Gallagher becomes suspicious of his brother Sam and for some reason does not believe he is married to Jill McGann and wonders just what his brother is up to. Jeff does not trust his brother and they both have a good fight in which both of the brothers get all beaten up. This is a great spy picture, but I still think Pat O'Brien was too old to act with Carole Landis or even marry her. Good Spy Film in 1944.
  • Warning: Spoilers
    Roy Chanslor's screenplay of the John and Ward Hawkins story, "The Saboteurs", is, as we might expect, war-time propaganda concerned with the enemy's attempts to sabotage Californian shipyards. It's now somewhat dated. Worse still, the script is inclined to be too talkative, even though producer Phil Ryan has tried to offset this problem by engaging a first-class cast, including always reliable Pat O'Brien, plus two lovelies in the form of Carole Landis and Ruth Warrick, to do most of the talking.

    Alas, generally speaking, both Eddie Sutherland's direction and Franz Planer's cinematography are undistinguished. But fortunately, the action scenes have a fair amount of credibility, and there is an adequate climax.
  • These things generally are more interesting for their social history than the cinematic experience. But that history is hot and heavy here.

    Its a strange thing to witness, how Hollywood toes the line on perceived social needs, sometimes taking the lead from Washington.

    The US entered the war with a strategy not based on valor, or military prowess. It was simply based on outproducing the bad guys. We could make stuff faster than they could blow it up. So industrial sabotage was a real worry. We weren't worried about the Japanese because we simply locked up anyone who looked Japanese.It was the Germans who "looked like us," that were the worry.

    So Hollywod ginned up some stories to fit, and this is probably the best of the bunch. The interesting thing here is how far the Irish had come as the prototype American. Only a few decades before, Irish (with Jews) were considered slime. They were quite literally the "other," the non-American.

    Its anyone's guess why they rose so quickly. The common theories don't hold much water because we see other groups who behaved much the same way and never achieved the exalted status of the Irish as movie icons. But here we have it in spades: brawling is an honorable, friendly thing. Booze is never mentioned. All the hard working, patriotic, tough souls here are Irish. They win the war with pluck and expect no reward or recognition.

    Now, that's a story. Incidentally, though the story, sets and action are pure hokum, that acting here is pretty modern and realistic. I think that's related to the Irish story.

    Ted's Evaluation -- 2 of 3: Has some interesting elements.
  • ksf-214 June 2007
    World War II spy thriller, taking place in a ship-building plant, with Pat OBrien, who made a whole lotta movies, mostly war times. Carol Landis, who made a good number of movies, but committed suicide at an early age, shortly after making, ironically, "The Noose". Secret Command was nominated for an Oscar, but was up against "30 seconds over Tokyo" (S Tracy, V Johnson,R Mitchum), so of course, it didn't have a chance. I thought the suspense-full high crane scenes were actually pretty good, considering when this was made, in spite of the liberal use of back-mats throughout the film. The sound also cuts out several times, and I wondered if it was dialogue editing, poor recording quality, or the fault of my local cable company. (was shown on Turner Classic Movies in June 2007). see my entry in message boards for this film for additional observations and shortcomings in the script.
  • Warning: Spoilers
    Secret Command" is an espionage and sabotage movie that takes place in the U. S. home front during World War II. The plot involves a secret group of Nazis who have infiltrated the shipbuilding yards of a company on the West Coast. Their plot is to blow-up and shut down the plant and its shipbuilding. This story is quite different from other such films. This plot has the main counter-intelligence undercover guy set up in a home with a wife and two children. That makes this a unique film of sorts. The two children are a little girl and a young boy who are orphans from England. The tug at the heart of this story raises it at least one star.

    And, the film would rate even one more but for the very poor technical quality. The movie is so dark that it appears to have been filmed without the use of any lighting. Even daytime scenes with daylight in the picture seem very dark, and some of the scenes within the plant obscure the faces of the actors completely. It might have been a little better seeing it in theaters of the time, but still very dark If it was purposeful and intended to add a sense of darkness to the plot, it only lessened the film.

    There's a subplot of sorts in that the main character and his brother have been estranged since before the start of the war. Pat O'Brien plays Sam Gallagher, brother of Jeff Gallagher who is a foreman or construction boss in the shipyard. Chester Morris plays Jeff who has a chip on his shoulder because Sam dropped out of sight and wouldn't even answer letters and a wire telling him that their mother had died He and Sam's former girlfriend, Lee Damaron, played by Ruth Warrick, learn at the end why that was so. The audience knows well before by some scenes between Sam and Jill and with James Thane, played by Charles Brown.

    Sam had been working as a newspaper foreign correspondent. Jeff checked up on him and found out that he was dismissed from that job four years earlier. And, that was in Berlin, which would have been shortly after Germany invaded Poland and Britain and France went to war with Germany. At the end, Jeff and Lee learn that Sam had been in a German concentration camp for a year and was now working for U. S. intelligence.

    This is one of a few things that this film is fuzzy on. If Sam had been a member of the press, he would have been expelled from Germany for anything derogatory he might have written about Germany. If he had quit and went into Army intelligence or any other espionage effort, he would have been shot as a spy, and not put in a concentration camp. Only uniformed combatants and political prisoners were put in POW camps. So, Sam must have joined the American forces after the U. S entered the war in 1941, and he must have been in uniform to have been imprisoned rather than executed. Well, the studio didn't make any effort to clarify this at all, so the audience is left hanging as Hollywood goofs on this point. Movie audiences decades later wouldn't give that a thought, but you can bet people were alert to such things while they were living in those times.

    The one other quite dumb aspect in the film is Jeff suspecting something about brother Sam and Lee hearing from Sam and Jill different locations where they were married - London, says Sam; Paris, says Jill. One doesn't have to be able to pass the second grade to realize that any intelligence undercover project would first have all the participants learn everything about their past for a cover story. That showed the American intelligence group, whatever it is or was, to be grossly incompetent.

    Carole Landis plays Jill McGann, the woman who poses as Sam's wife. Barton MacLane plays Red Kelly, Wallace Ford is Miller, Tom Tully is Col. Hugo Von Braun -- "Brownie" to the shipbuilding crew. These and others do so-so in their performances. Carol Nugent is the six-year old orphan girl, Joan, who plays Sam's daughter. And, Richard Lyon plays her 12-year-old brother, Paul.

    There are other movies about attempted Nazi sabotage of American industry during the war, and most are better than this film - for the technical quality and the acting. But the angle of an undercover agent living in a home with actors playing family roles is quite different. Especially when it involved two children who were war orphans from England.
  • There are some great scenes at the wharf with shootouts and manhunting and some very hard fights with sledge knuckles and some water incidents - the greatest scene is the rescuing of a man falling down from a great height, and the greatest combat is also in the water with one man drowning, but everything is rather predictable. It's about sabotaging a wharf building ships for transporting American soldiers over seas, and the Nazis are really bad guys, not hesitating to shoot to kill. Fortunately there are also some women involved (the beautiful Carole Landis) and some very sweet kids, who contribute in saving the film. It is worth watching but only barely, mainly for the dramatic fights and incidents at the wharf, but any propaganda film of 1943 could of course only end one way.
  • mark.waltz14 November 2017
    Warning: Spoilers
    Secret agent Pat O'Brien poses as a dock worker at a navy ship building factory as a method of tracking down a band of saboteurs, pretty much right under his nose in this World War II bit of propaganda. On the way, he finds a "wife" (Carole Landis) to give him cover and keep fifth columnists from finding out that he was once a foreign correspondent. Landis is his wife in cover only, but ex girlfriend Ruth Warrick suspects that the marriage is a sham. As the clock ticks down, accidents happen on the ship building site, particularly a nasty one to Obrien's estranged brother (Chester Morris) who had great reluctance in hiring O'Brien in the first place.

    Filled with action and plenty of thrills in a relatively short running time, this is typical war propaganda with one dimensional villains and tough talking but completely patriotic factory workers. Barton Maclane is particularly memorable as the aging bully who goes out of his way to fight with O'Brien but ends up a loyal drinking buddy after their dukes are put up. Fans of "All My Children" will be delighted to see Phoebe Tyler Wallingford in a nice role. There are a few surprising twists in this, but they don't necessarily involve the war intrigue, but the equally important romantic subplot.
  • bkoganbing16 December 2015
    The Secret Command made it into Oscar contention with a nomination for Best Special Effects. Still this World War II flag waver has not worn well over the years.

    Pat O'Brien who was a former war correspondent and now secret government agent takes a job at a shipyard where his brother Chester Morris is now the hiring boss. O'Brien seems changed to both Morris and Ruth Warrick a girl both of them courted back in the day. Biggest change of all is that O'Brien is married to Carole Landis and has two kids. That does not sound like the rollicking hell raising brother Morris knew back in the day.

    It's suspected that the Nazis have planted saboteurs at the shipyard and O'Brien's mission is to find out who they are and most important who the ringleader is. He's also getting used to home life with Carole Landis and who wouldn't have a hard time keeping his mind on the mission.

    A few familiar faces are in the cast in roles suitably comfortable for them. I do confess that the ringleader does turn out to be a surprise.

    Still the subject of sabotage was covered far better in the Alfred Hitchcock classic Saboteur. It holds up where this one does not.
  • Lightweight Propaganda that is Family Friendly Fodder and Heavy on the Irish-are-Americans Theme, as well as the Need to Include those Cute Kids as a Reminder of what We are Fighting for. Speaking of Fighting, those Irish will Fight at Any Opportunity. They will Fight and Argue with Family Members, Friends, Co-Workers and even the Nazis.

    In the Middle of the Movie it Stops Dead to Include a Scene where the Shipbuilders Remove their Welder's Helmets so the Audience can See Everyone is Doing their Part...Negroes...Women...and an Oriental (had to be Chinese because the Japanese were in Internment Camps).

    Pat O'Brien is Miscast Again Playing a Hunk that Every Woman on Screen Pines. Ridiculous. The Frumpy, Overweight, Hardly Handsome "Star", should have Traded Places with Chester Morris and it would have Worked a Whole Lot Better.

    Carol Landis is a Sleek Beauty and some of the Cinematography is Above Average. Overall it is a Watchable Piece of Propaganda Fluff that is Neither that Suspenseful or Intriguing. In the Prolog it is Mentioned that America is Building Sturdy Ships, Honest Ships. What Exactly is an Honest Ship?
  • "Secret Command" wastes what must have been a fairly large budget and high-power cast on a predictable story with little suspense or drama.

    Pat O'Brien is miscast in the leading man role, failing to convey the quiet masculine strength and sexuality called for here.

    The home-life scenes, with the European orphans, designed to tug at our heart strings, don't quite work either, and detract from the drama of the hunt for Nazis in the shipyard. And our hero is never really put in any danger.

    I have a fondness for the World War II propaganda flicks, but even I didn't warm to this one. What I generally like about the propaganda films is that they have some edge to them, since they are dealing with life and death stuff. "Secret Command" seems to go light on these elements.

    A posted comment questioned "Secret Command" winning a special effects Oscar, and I found myself wondering about that as well. I concluded that the underwater shots, and the (apparent) location shots on the crane were considered "special" effects in the 1940s. (Today we assume special effects relates to only fabricated shots or images.)