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  • Warning: Spoilers
    The last of the extensive Don O'Connor + Peggy Ryan musical comedies, before Don was called into military service.It's a bit different from the others in that it has a different director, and there is no young prima dona 'good girl' singer to serve as Don's 'official' girlfriend: a competitor in this department with Peggy when she isn't cast as his sister. This is not to say that Peggy has no competition as Don's girlfriend. Far from it. Although she begins the film as Don's pinning girlfriend, as usual, Don regards her more like a kid sister than a lover. She tries at times to act like a sexy sophisticate, but it doesn't really work. Her prolonged attempt to act like a 'siren' when the director calls for 'a real siren'(think fire siren) is painful to watch and falls flat. Don, then, meets a single woman in her '30s(Frances Dee, as Lynn), whom he regards as beautiful and apparently sophisticated, if with no obvious acting or singing talent. She secretly regards him as just an ambitious kid, but plays along with his infatuation for a while, not wanting to hurt him.(This is the reverse of the melodramatic situation in "This is the Life", with costar Suzanne Foster falling for an older man). Lynn's really interested in his single father(played by Donald Cook): a famous dramatic actor and singer, nicknamed Patrick the Great, whom Don is trying to emulate. Nonetheless,she acts as Don's inspiration when he practice sings the love song "For the First Time", out in a forest, in preparation for a Broadway play role he has been offered. Trouble is, he finds out that his father is hoping for this part, and he graciously defers to his father's wishes, not mentioning that the show producers think his father is too old for the part.

    Don wants his father to get to know Lynn as his hoped for bride, but eventually this backfires, as Lynn gradually realizes that Don's father is the man for her. There is much scheming behind the scenes by Lynn, her wisecracking secretary(played by Eve Arden), Don's father and the show producers, to get the 'right' people together romance-wise and the 'right' male lead for the show. Problem is Don keeps deferring to his father's wishes until his father announces that he is marrying Lynn and has decided not to seek the role Don wants. Don reluctantly goes back to Peggy as his apparent girlfriend. They star in a couple of stage productions, with Peggy receiving a hug, but not kiss in the fade out. Yes, it's all rather corny.

    Aside from Don's nice solo in the forest, he teams with Peggy in a practice vaudeville-like number for a local show , to "Don't Move" It begins with them 'accidentally' hooking their arms together while hurrying in opposite directions, falling flat. This gag was reused in the much later MGM film "I Love Melvin", in which Don and Debbie Reynolds initially meet by a similar collision when rounding a hedge row and finish the film with a similar collision. In fact, preliminary pieces of Don's famous "Singing in the Rain" 'Make 'em Laugh' routine can be recognized in several of his '40s Unversal films: the rag dummy dancing partner in "Top Man", the terminal jump through the wall in "Feudin', Fussin' and A-Fightin'" and the behind-the-couch bit plus acrobatic tap dancing and falls in the 'I Love a Mystery" number in "Something in the Wind"... Back to the present film, Don and Peggy later do the "Don't Move" number in full on stage, but it seems different than the part we saw before. They again star in the finale Broadway extravaganza with a Latin theme.

    I should point out that the statement of one reviewer that Gale Storm was the main contested love interest in the film is incorrect. They are confusing this film with the later "Curtain Call at Cactus Creek", which did costar Gale Storm and Eve Arden, the latter also being in the present film. Frances Dee played the contested love interest. Her film career spanned back to the beginning of talkies. Although regarded as a noted beauty, she was mostly cast in supporting roles. She was also the wife of noted leading man Joel McCrea. Reportedly, she was favored to play Melanie in "Gone With the Wind", but it was feared she might outshine the female lead, whom she rather resembled.

    Donald Cook, who played Don's father, was a veteran actor, in his '40s, married to Princess Gioia Tasco di Cuto, of Sicily. He reminds me in looks and personality, of Humphrey Bogart. I don't know if his two brief singing roles were dubbed, but the singing sounded impressive. He also costarred in the previous "Bowery to Broadway", which included Don and Peggy in a cameo appearance.

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  • Warning: Spoilers
    This good natured musical comedy is a variation of Universal's 1941 musical film "It's a Date", officially remade by MGM in 1951 as "Nancy Goes to Rio", but here, given a sex change. Both Deanna Durbin and Jane Powell played the young stage hopeful whose parents (Kay Francis, Anne Sothern) were already stars, and the romantic intrigue between the youngsters and their parents. Here's it is the same, but it is an male Broadway star (Donald Cook) and his talented son (Donald O'Connor) who are rivals on stage and off. This is more of a "swing" version of the other movies, as Durbin and Powell are famous Sopranos, while O'Connor is a lively song and dance man with that non-aging little boy deep inside him. Peggy Ryan and Gale Storm are the women in their lives, and Eve Arden is, as always, the scene-stealing wisecracker, here Storm's secretary. There's plenty of fun music with the Jivin' Jacks and Jills, and a bit more lavish production than Universal's usual teen musicals.
  • Warning: Spoilers
    I'm surprised this movie received a couple of enthusiastic reviews on IMDb. Frankly, I agree with Tom Pryor's review in The New York Times. In fact, I'd go a bit further than Tom. I thought Peggy Ryan was absolutely dreadful in this one. She obviously received no help from the film's uninspired director, Frank Ryan. Fortunately, despite her co-star billing, we actually don't see a great deal of Peggy. It's the super-beautiful Frances Dee and delightfully wisecracking Eve Arden who share the female limelight. In fact, they contrive to make even some of their quite dreadful lines seem quite respectable. And also on the credit side, the movie is very attractively photographed by Frank Redman. However, the musical numbers are second-rate at best, and the screenplay - despite the fact that no less than five writers including Bertram Millhauser and Ralph Block worked on it - reveals not an atom of inspiration. Thank heavens for Eve Arden and Frances Dee who manage to make their so-so lines and too-familiar bits of business seem so entertaining.
  • This movie is all around great. The acting is certainly top notch and you couldn't ask for anyone better to play the parts. Compared to the rest of Universal's teenage musicals, this one seems to be the most professional. It has a different director than the rest. Though the old director, Charles Lamont, was very good, this film needed a director like Frank Ryan. I seemed to get more laughs out of his work. The rest of the teenage musicals seem to appeal to only teenagers. This appeals to teenagers, children, adults, elderly, anyone! Frances Dee is in this. She is very pretty and a great actress. I enjoyed her so much, I am wishing to see another one of her films. Donald Cook was good as the father. He is a good singer, a bit more of a bass, if you ask me. Peggy Ryan is a joy in anything. I happen to think that this film shows all of her beauty. I think she's gorgeous. And in this film, you can definitely see it. Donald O'Connor is the star of the show and he lives up to the title. He was amazing. I loved his little song, "Let Me See". Hilarious! There actually isn't much dancing or songs. It's more of an actual movie than the rest of them. I can only think of three dances done, not counting a waltz. The first dance is by the Jivin' Jacks and Jills, who I thought did the best in this film than almost any of their other films. I recognized several of them from previous ones and they improved over the time. The other dances are by Donald and Peggy, one with background dancers.

    This was Donald and Peggy's last film together before he was drafted into the Army. I think that Universal finally decided to do the kids justice and finally let them fall in love. In their fourteen previous pictures together, they had never fallen in love. They do in this one, though.

    I only have one minor complaint about this one. A the end, Donad and Peggy don't kiss. It is a small complaint. But I was hoping for them to kiss at the end. Other than that, it is one of the best films I have ever seen and I recommend it over many other Donald and Peggy movies.