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  • This lesser known 1945 Roy Rogers western is actually very good, though it has an off the wall plot. Dale Evans "flashes back" to earlier times while reminiscing about her Grandma. Roy and Gabby are in fine form in this film, completing what was the most entertaining western pairing of the day.

    Western vets Roy Barcroft & Tom London are again on board for this film and the Sons of the Pioneers help with the musical interludes. Dale Evans gave one of her best performances in the series, stealing the spotlight in some ways from Roy & Gabby.

    An enjoyable, light western saga.
  • I am trying to watch as many of the old Roy Rogers films as I can find. However, in the case of "Sunset in El Dorado" the copy I found on YouTube is a mess. It appears as if someone took a VHS version or saw it on TV and copied it using a video camera! The sound is awful and sounds like the film was made in a cave...and you can periodically hear the person who copied it moving about, opening bags of chips, listening to music and even coughing and sneezing! It's a surreal experience...like you have someone who is annoying watching the film with you! So, if you can find a better copy, please see it...especially since 12 minutes was also trimmed off this one!

    The story is a story within a story. You aren't sure if it's a flashback or dream by Dale...but it's an unusual gimmick. The story is about Gabby and his discovery of gold in a hidden mine. However, dumb old Gabby cannot remember where it is located AND crooks stole it from him. Roy thinks perhaps Dale knows about this but the real villain is ultimately caught in the end...thanks to Roy.

    The is a very enjoyable film...well worth seeing...but NOT the copy I saw. It just shows you how desperate I was to see this film that I even bothered.
  • Warning: Spoilers
    Unusual Roy Rogers film, in that it is split between the contemporary world, and Dale's dream world that she was her famous grandmother: Golden Nugget saloon entertainer, Kansas Kate........Dale, as Lucille, works for a tour company, evidently in southern Arizona, near Yuma, where she is supposed to marry Cecil Phelps,(Hardie Albright), imminently. However, she sneaks a ticket on a tour bus, as she has not been to the places she promotes to clients. She especially wants to visit the Golden Nugget, in the present ghost town of El Dorado. However, her Aunt Dolly(played by the veteran Margaret Dumont) and Cecil get wind of this and speed to the bus, demanding that Lucille come with them. They then set off for Yuma. Actually, Cecil is more Dolly's choice for Lucille's husband. Dolly and Cecil seem to travel around together. I don't understand their connection, unless it's just that he is her choice, rather than Lucille's. Lucille delays their progress by throwing something out, and telling Cecil to retrieve it. While he's gone, she pulls some critical wires under the dashboard, so that the car won't start. Along comes Roy, and offers to help. Lucille seems to take a liking to him. She tells him she wants to go to El Dorado, even though there are no auto mechanics there. So, Roy hitches up Trigger to the front of the car, and they slowly make their way to El Dorado(Good thing traffic is light!) Once there, Roy disappears and Lucille meets the grizzled old-timer, Gabby. He knew Kate well, and remarks that Lucille looks remarkably like her, as shown in a painting. They go check out Kate's room, upstairs. Somehow, Lucille falls asleep, and dreams she is back in Kate's time, and is Kate. The manager of the Golden Nugget is an alternative version of Cecil, called Cyril. Along comes Gabby and brings his mule and gear into the Nugget. The latter 2 are ejected. He wants to talk to Kate, who has been supplying him with his grubstake, and tells her he struck it rich. Somehow, Cyril finds out, and arranges for his henchmen to hold up the stage that Gabby plans to take to Tucson, to register his claim ......Kate, and Anabella(the alternate version of Dolly) also take that stage, but I don't know why, other than the fact that they will become damsels in distress for Roy to rescue. Cyril's men hold up the stage, and there is a gun battle. The driver is killed, and the coach horses are scared into running away with the coach, which still contains Lucille and Anabella. Roy shows up, chases the stage, jumps on the stage and gets in the driver's seat. He takes the stage back to El Dorado, where he meets Gabby, who complains that the outlaws stole all his gold and his mine map, which is written in code. Says he can't find his mine without that map.(By the way, how did Gabby get back to El Dorado, if not by the stage?). Kate is suspected of being in on the robbery, since Gabby told her about the gold, and the robbers didn't take her expensive necklace. Roy gets in a fight with the Nugget bouncer: Buster, and Roy finally wins. Cyril offers to replace Buster with him, and Roy accepts. He's also Kate's body guard, which gives him an excuse to follow her around. Kate does one of her stage routines, and Roy comes on stage shooting his weapons, then helps Kate sing "The Belle of El Dorado." Roy and Kate take a ride in the country, and stop to talk. Buster sneaks up on them and shoots at them, but Roy wounds him. Buster says that Cyril has Gabby's map. Meanwhile , Cyril is working on Gabby, filling him with alcohol, trying to get him to tell where on his map the mine is. Unbelievably, Gabby tells them.........In his office, Cyril shoots Buster dead, then blames it on Roy, who was also there. Kate doubts Roy is guilty, thus arm-twists Cyril into releasing him into the custody of 2 of his henchmen, with instructions to take him to the Mexican border. However, along the way, Roy overpowers them, shooting one dead, and getting the other to talk about Cyril. Roy and the Sheriff enter the Nugget, and arrest Cyril, who doesn't go quietly. Kate was supposed to marry Cyril after her last performance. But, now she has changed her mind..........At this point, Lucille awakens. Gabby berates Polly for insisting that Lucille marry Cecil. Roy suggests that he take Lucille on an extended horse trip around and point out some other things of interest. Lucille accepts. We see the two riding side by side, singing, while Gabby and Dolly ride side by side behind them. Gabby and Dolly: now there's the least compatible couple I can imagine!
  • Here's a sweet little "oater" from Republic that probably entertained the girls in the audience more than their guys. It's really a Dale Evans movie all the way, told totally from her viewpoint and she appears in practically every scene.

    The hook is that the entire cast plays dual roles: one in present day, and one in the 1890's in which may either be a flashback or a dream. The plot centers on unhappy career woman Dale who makes a fast break for the country to reconnect with her roots, namely her deceased Grandmother who was a notorious saloon hall songstress. Her aunt Margaret Dumont and her fiancé Hardy Albright follow, and they're not happy when Dale meets flirtatious cowboy Roy Rogers. He gives Dale a tour of the now deserted town of El Dorado, winding up in the saloon where Dale's granny sang. Sleepyhead Dale nods off, and dreams up an alternate reality where she's now playing her own grandmother, and all the cast members are there only with different costumes and names.

    There's some shootouts and chases, all handled expertly by Roy Rogers at his athletic best. And of course, between the bullets, he sings a couple songs and two duets with Dale. The supporting cast is great, and it's a joy to see old pros Gabby Hayes and Margaret Dumont playing scenes together. There's a lot packed into the short running time, although the denouement seems a bit rushed.

    So Dale Evans really proves that she has star quality in this, and looks fabulous in both the contemporary and gay nineties fashions. And not far away is Roy Rogers, leading Trigger and looking handsome in his trademark cowboy gear.

    *** out of *****
  • bkoganbing2 June 2011
    This is a most unusual western for Roy Rogers and Dale Evans taking place in both the past and present. It's like one of those British films where the same woman plays a variation on herself in several centuries.

    In the present in Sunset In El Dorado Dale Evans has run away to the west rather than marry stuffy Hardie Albright. One look at Roy Rogers astride Trigger has definitely got Dale reevaluating her future. But aunt Margaret Dumont and Albright have come after her. Dale's grandmother was the legendary Kansas Kate from the former boom town of El Dorado which is now a ghost town. When she visits there and meets up with Gabby Hayes who was around back then, Dale wanders back to the old west where she becomes Kansas Kate and all these people assume roles in her life.

    Sunset In El Dorado is an unusual type film for Roy and Dale, but it does fit them quite well. This is a chance to see Dale in a part that at one time she would have had hopes of doing. Before meeting and marrying Roy, Dale wanted a career in musical comedy. Imagine her instead of Doris Day doing Calamity Jane or her instead of Betty Hutton doing Annie Get Your Gun. Those were the parts she aspired to and I think she could have done them if fate hadn't intervened and given her a different personal and career direction.

    And who wouldn't have chosen Roy over Hardie Albright?
  • Warning: Spoilers
    You could almost call this a Dale Evans movie instead of a Roy Rogers one. Dale portrays not one, but two central characters as a flashback takes over a major part of the story when Lucille Wiley (Evans) reminisces about her grandmother 'Kansas Kate' in 1880's El Dorado. The set up has Dale heading West to avoid marriage to Cecil Phelps (Hardie Albright), and when the car carrying her Aunt Dolly and would-be fiancé breaks down in the desert, she makes her way to the what's now a ghost town. With Gabby Hayes as an unexpected tour guide, Lucille relives her grandmother's exploits with the characters she knows from the present day.

    Once in old El Dorado, the story centers on prospector Gabby's stolen map to a gold mine, with Albright as the owner of the Golden Nugget Saloon where Kansas Kate is the premier entertainer. Unless you've seen Dale Evans as a saloon gal you'd never know how sexy she could look, so in that respect, this movie offers a bonus. When Roy comes on the scene, he's hired as a bodyguard for Kate by Albright's character after disabling his strong arm Buster Welch (Roy Barcroft), but when Roy and Gabby come close to smoking out the bad guys, Buster is rehired to do away with Rogers to lay claim to Gabby's gold.

    I caught this film while streaming Tubi TV, and like so many of Roy's films, this one was showcased as part of Roy and Dale's Happy Trails Theater which they hosted many years after their heyday as King and Queen of the Cowboys. Dale explained how this movie was written specifically for her, with Roy about to report for military service. Roy relates how he arrived to enlist, and newspaper headlines stated that anyone over the age of thirty was exempt from service, which allowed him to continue with his career. That neat bit of trivia was accompanied by their son Roy 'Dusty' Rogers with memories of his childhood growing up with two famous parents.
  • Warning: Spoilers
    "Sunset in El Dorado" (formerly available on a cut-to-blazes GoodTimes DVD) is an unusual ROY ROGERS entry that tends -- even in this cutdown version -- to out-stay its welcome as Dale Evans re-lives the role of her grandmother in the El Dorado past.

    It was certainly very ingenious to cast all the characters from the modern story into the dream sequence but, despite solid sets, good acting and a fair-sized budget, director Frank McDonald gets very little or no tension into the proceedings.

    I'm surprised to see this film has achieved a rating of 6.6 here on IMDb. I would be more inclined to give it a five.

    And I wonder too which version people are rating. As I said above, I am rating the TV cut featured on the GoodTimes DVD. That is why I take that fact into consideration. Frankly, I would give this cut-down no more than a "5", but I assume that some really good footage has hit the cutting-room floor! That is what usually happens! Hence , I rate the film, "6".