5 June 2017 | clanciai
Sally Gray getting caught by too many men and one too many
Everything is perfect about this film, although it is a shocker. Naturally you get worried as you get involved in the fates and faulty characters of all these personages, where everyone has a crux of her own, while only Jennie Pearl seems to come clear of everything, and yet it is impossible to foresee how events will turn out, as unexpected things happen all the time, twisting their fates around and taking you unpleasantly for more than one surprise ride.
The story is Compton Mackenzie's, who also gave us "Whisky Galore" among other priceless classics, a masterful story-teller and brilliant wit especially for dialogue, which permeates this whole film, while also the director worked on the script with even Peter Ustinov. Just for the dialogue, the film is worth watching at least twice.
The actors are all brilliant, from the jovial and incorrigible Stanley Holloway as the father, Catherine Lacey as his self-torturing wife, Sally Gray herself as something between Glenda Jackson and Katharine Hepburn and a marvellous dancer as well, this film is mainly about ballet and art and the problems artists of these crafts are facing, and Michael Wilding is overwhelmingly charming as usual. To this comes the astonishing and towering character that Bernard Miles is creating, who almost takes over the entire film. The grand finale in Cornwall crowns the masterpiece.
This was apparently Stanley Haynes' only film, while his main contributions was as a producer.
It's very difficult to say what is best about this film, since everything is so perfect, especially the sparkling dialogue and brilliant interplay of the actors, there are many adorable scenes, and the music adds to it, actually composed (like the ballets) exclusively for this film, which therefore could be regarded as something of a foreplay to the emerging of the greatest of all ballet films, "The Red Shoes" two years later.