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  • Blackie and the Runt rescue a woman (Lynn Merrick) who's been attacked in the street right in front of their building. They carry in the unconscious woman, who is quickly identified as Gerry Peyton, one of Blackie's old flames. Nothing much new so far, but when they open the bedroom door we see the main twist that this series entry has to offer: a baby!

    Rather quickly, the rest of the plot is set into motion—Gerry's husband, a gunshot from around the corner of a doorway, some doubts about the identity of the baby and the honesty of Gerry. (Honestly, it's funny that Blackie and the Runt aren't suspicious of Lynn Merrick right away, since she just played a character pulling a similar deception on them in Boston Blackie Booked on Suspicion!)

    If you're familiar with the Boston Blackie series, you'll easily guess who is accused of the first murder and also who does the accusing. Yes, Inspector Farraday is—as always—shocked that Blackie has stooped to murder, but after all, Blackie did have a good motive and was caught with the body in his apartment. He must be guilty!

    Blackie and the Runt, Farraday and his sidekick Matthews are all in good form. The story's nothing special but it moves fast. Blackie once again disguises himself as an old man…and in a nice touch, Matthews turns up in the same disguise! (Blackie and Farraday had the same idea, it seems.)

    Easygoing fun that's all wrapped up in exactly an hour.
  • Boston Blackie is led astray by a dame. The dame in this case being an ex-girlfriend of his played by beautiful Lynn Merrick. There's a baby, an extortion plot, and the inevitable murder charge for Blackie. One of these days Inspector Farraday might get the right suspect if he actually stopped to consider someone, ANYONE, besides Blackie! An enjoyable entry in the Boston Blackie series with lots of comedy. Blackie once again disguises himself as an old man. At least he doesn't wear blackface this time. Chester Morris, Richard Lane, and George E. Stone are all good as usual. Claire Carleton is fun as Runt's girlfriend Mamie. The baby is cute. Certainly not the best Boston Blackie movie but hard to dislike.
  • Warning: Spoilers
    This Blackie entry has a more complicated plot to it, but essentially it's the same formula as before: Blackie accused of a crime he didn't commit, Inspector Farraday after him while Blackie's after the real baddies. The two main baddies in Close Call are Lynn Merrick (baddy from Booked on Suspicion) and Erik Rolf (baddy turned goody from Chance of a Lifetime), involved in a murky and murderous extortion racket. Suffice to say, there's a "kidnapped" baby involved too, meaning some great lines from the cast as the baby keeps popping up in all hands except for the police's.

    Sgt. Matthews plays a larger comic role here, unfortunately bringing a larger slapstick element into the snappy dialogue between Blackie and Farraday. However - Matthews: "I'm all ears Chief", Farraday: "With nothing between" - sums up Frank Sully's performance well. At least Blackie didn't feel it necessary to don black-face in this outing just his usual old man disguise (5th time) which was a blessed relief!

    *** Cute baby, orphaned pointlessly. ***
  • I didn't really catch the plot of this film very well as it went by, and I really hope to see it again, because I enjoyed it very much. Boston Blackie films are fairly fast paced comedies of error rolled up inside the usual amateur sleuth beats out the dumb police B movie staple fodder. These are light hearted films, and they're made for simple enjoyment.

    Beautiful blonde Gerry Payton is rescued by Boston Blackie as she is apparently about to be abducted by some thugs who are trying to drag her into their car. She asks him for help, and of course, he can't refuse such a gorgeous woman.

    There is a complex plot which I didn't follow and to heck with it. But, the babe is a crook, and her boyfriend is a crook, and half of the cast are crooks, and everyone but the cops are out to convince the cops that Boston Blackie is a murderer,and the cops didn't need convincing in the first place, so Boston Blackie is sunk and there is no way out for him.

    And part of the plot is that the criminals have made up a fictional baby boy, and have somehow managed to convince the grandfather of the non-existent baby boy that he should buy the boy from them for a large amount of money. Also, for some other unknown reason, they have actually managed to obtain a real baby boy, whom they are making no attempt to disguise as the fake Payton scion, since there is no one of any importance to them to see it, but nevertheless they are taking great pains to maintain this useless fiction.

    Can Boston Blackie and his partner The Runt figure out the plot, clear Blackie's name, rescue the child and put the criminals into the hands of the incompetent police?

    Well, maybe.
  • blanche-229 November 2007
    Chester Morris is "Boston Blackie" in this 1946 entry into the series. The Boston Blackie series is far superior to many others which seem to have less humor and move a lot more slowly. In this film, Blackie helps out a former girlfriend whose husband is recently out of prison - she's afraid he's going to kill her and their baby. Then the husband is murdered and Blackie is blamed, and he finds out his ex-girl has been using him as part of a plot to shake down her father-in-law for money so that she will give him the baby. Except it's not his grandchild; the child has been borrowed from a crook who has been cut into the scheme. It's up to Blackie to figure out all of this, keep a step ahead of Farraday and the baby out of the wrong hands.

    "A Close Call for Boston Blackie" has a lot of humor in it as well as delightful performances from Morris, George E. Stone as The Runt and Claire Carlton as Mamie, The Runt's girlfriend. Viewers will also recognize Kathryn Card, who played Lucy Ricardo's mother and always called Ricky Mickey, at the apartment house reception desk. All and all, quite entertaining.
  • Warning: Spoilers
    If you've never seen a Boston Blackie film, then there are a few things you should know about every film. First, Blackie USED to be a criminal. But, he did his time in prison and has definitely reformed. However, despite leading a very respectable life, the Inspector is always assuming that Blackie is bad and is constantly trying to pin murder raps on him. Second, the Inspector is an idiot...but his assistant is even stupider. Third, Blackie always is able to outsmart these two and ends up solving the crime himself. Fourth, he is a sucker for a dame...and in this particular installment, that's a serious problem. That's because he trusts an old ex-girlfriend--not realizing she's a crook and her boyfriend is a murderer! But because Blackie has this blind spot, he nearly gets arrested for murder and ends up having his friend, Runt, care for a lost baby! So is this film worth seeing? Well, for a B-movie it's pretty good but I must admit that there is a definite sameness with the Boston Blackie series. In other words, if you've seen a couple of them, you can pretty much guess what will happen in this one. It's pleasant and entertaining...plus the baby is pretty cute (yes, this one has a baby). A worthwhile time-passer and it's nice to see Blackie dressed up as an old man--the makeup job was actually really good.
  • Warning: Spoilers
    I've seen the Boston Blackie TV Series, but didn't know there were movies, as well. I finally got a chance to watch a number of the Film Series, and I find this one, the weakest plot of them, all, but one of the funniest in the bunch. In another of his unusual and fascinating capers, Boston Blackie (Chester Morris) gets entangled with a former girlfriend Gerry Payton (Lynn Merrick) when Blackie and his sidekick, the Runt (George E. Stone) rescue her during an attack in the street right in front of their building. They carry in the unconscious woman to the house. When they open the bedroom door we see the main twist that this series entry has to offer: a baby! The baby is very cute, and it's funny to see Blackie and Runt try to take out of it. It's somewhat comical that the baby sounds don't really match the baby. There is a sound edit that supposed to be a baby yawn, but its sounds like an adult male in one scene. The baby's mother Gerry ask the two to protect the baby from her recently paroled husband. The Runt takes the baby to her girlfriend Mamie (Claire Carleton). Blackie takes on the husband when he returns and disarmed him. Before he can question him, an assassin kill the husband, and blackmailing Blackie for murder and kidnapping. The chase is on, with Inspector Farraday (Richard Lane) and Sergeant Matthews (Frank Sully) at their heels. This fast-paced, surprising mystery wraps up in a tidy 60 minutes, but don't feel embittered. It's full of witty writing, comedy, and action to pack it. There is barely any slow moments in the film. The problem with the film is that, its plot is very low grade and simple. It also follows the same similar plot line as the other movies. If you follow the film series, you'll easily guess, Blackie will be accused of the murder and the Inspector will do the accusing. There a lot of dumb moments in the film as well like Runt leaving a baby by himself in Mamie's house when he get milk from a milk woman with a deep voice while leaving a woman's dress. Once again, Sergeant Matthew and Inspector Farraday are idiots, and makes you wonder how on earth did they ever became cops. Why on earth, did Matthew agree to a wrestling match with Blackie? I love the scene with the Inspector talking to Runt over the phone. Mamie, maybe. I don't why director, Lew Landers hired Lynn Merrick twice to play a similar role in the film series. She just played a character pulling a similar deception on them in Boston Blackie Booked on Suspicion! (1945). Honestly, Blackie does some dumb things to, like act like a dead man to escape, and put pajamas over his clothes to fool the cops. At least Blackie didn't feel it obligatory to don black-face in this outing just his typical old man disguise for 5th time, again. In a nice touch, Matthews turns up in the same disguise which is hilarious. The film series try to follows the far more successful Thin Man series starting William Powell in production, but fail to make their film series different to each other in each movie. It's so repeatable and predictable. Can Boston Blackie and his partner The Runt figure out the plot, clear Blackie's name, rescue the child and put the criminals into the hands of the incompetent police?
  • The eponymous "Blackie" (Chester Morris) and his sidekick the "Runt" (George E. Stone) rescue a woman assaulted outside their apartment. The former soon recognises the lass as "Gerry" (Lynn Merrick), an ex-girlfriend heiress and what's more, she has a baby with her too! Who's is it? Who assaulted her? Why? Well it doesn't take us long before the first gunshots ring out and good old "Insp. Farraday" (Richard Lane) and "Blackie" are competing to find the culprits before our intrepid cop, as usual, jumps to the wrong conclusion! It's a well oiled production process with well established characters going through the ultimate in formulaic detective mysteries with a few red herrings before an ending you can spot from space. The writing is adequate, the performances keep it interesting for just under an hour and there is just about enough to keep us guessing as to who did the shooting until quite near the conclusion. Morris was in his element with this series of films, charming and charismatic and with Stone doing his best Jimmy Durante impression the thing works fine.
  • The plot involves a kidnapped baby, a ransom, extortion, murder and all the usual ingredients that are mishandled by the police on the trail of a crooked lady (LYNN MERRICK) and her criminal pals responsible for all the trouble.

    All the trouble, of course, is pinned on Boston Blackie, CHESTER MORRIS in his usual "old man" disguise, who wouldn't fool anybody--but, hey, this is a movie. He poses as the man willing to pay ransom money to get the baby back and it works, in time for a snappy ending.

    The baby is a cute little boy, well-behaved on camera most of the time and given numerous close-ups as he peers back and forth at the grown-ups handling him. Inspector Farraday and his dumb sergeant are more bumbling than ever while the accent is on comedy relief more than mystery.

    Summing up: Entertaining, but fluffy entry in the Blackie series, strictly routine.
  • Warning: Spoilers
    O.K., when you have the hero of a detective series recognize the film's leading lady and identify her as a character that the audience has never heard of before, make sure she's not the femme fatale actress of the same series from two films before. That's the case for Lynne Merrick, a charming blonde who was already "booked on suspicion". Here, she's gone from books to the stage, and is rescued from apparent kidnappers by Blackie in an obvious frame-up. Toss in a baby for her, and the entry starts off with more sugar than a coffee shop.

    The corn is high in this entry, rushed together for post war double bill audiences, obviously written and produced quickly to cater to increasing audiences. Merrick's scheme involves an apparently estranged husband, and for some reason, "the ruby" (George E. Stone) ends up watching the baby with the aid of the dizzy Claire Carlton, an eternally chatty magpie who could drive the pope to murder.

    There's an overabundance of over-the- top comedy, awkwardly interrupting what little mystery there is. Busy character actor Charles Lane gets the chance to play a different style of character and gets a shocking (for him) exit. Kathryn Card will be recognizable to "I Love Lucy" fans, here playing a prickly hotel clerk. Stone and Morris continue their trend of disguises, providing the few funny moments during these occurrences. This "remdevous" is not so memorable.
  • Every time we think that after so many hilarious and varied adventures, the writers of the 'Boston Blackie' movie series must be running out of ideas sometime, they surprise us with something ENTIRELY new: this time, the story seems to revolve around one of Blackie's romances at first, and when the husband of the girl Blackie was 'sweet on', just released from jail, is found dead in Blackie's apartment, Inspector Faraday comes to the conclusion that, while he's learned by now that Blackie wouldn't kill anybody for diamonds or money and neither is he a deranged strangler - for a woman he MIGHT commit murder...

    But the case very soon becomes a lot more complicated: there's a 'borrowed' baby involved that the 'Runt' and his girlfriend Mamie try to hide in the most impossible places (a very talented baby, by the way - literally a BORN actor!), while Blackie once more is at the same time on the run from the police and after the real murderer... Another VERY entertaining and surprising entry in this wonderful series of 40s crime-comedy mix!
  • Warning: Spoilers
    A Close Call For Boston Blackie is a title with a double meaning. Our hero is once again suspected of a crime he didn't do, in this case a murder right in his own apartment. But the really close call Chester Morris has is that he could have been married to dame who is part of a plot to slip him into a frame for said murder.

    This film rests on a wildly illogical premise than Lynn Merrick who had been kanoodling with Morris before marrying playboy Robert Scott. On the day after her husband was paroled from prison because he turned out to be one bad seed of a prominent family, he turns up with gun in hand looking for Blackie. He's later found shot to death in Blackie's apartment.

    Of course the idea that Boston Blackie would ever fall for a bad dame and worse almost marry her is wildly ludicrous since we know how street smart he is. But this dame borrows a baby from Charles Lane who is his real father and passes it off as her's and Scott's. The idea is to extort some money out of Scott's wealthy father.

    Followers of the series know that Blackie is a master of disguise and he puts on an old man's disguise as the baby's grandfather to help expose the scam. But I cannot believe that Merrick could not have seen she was also being scammed by a guy she was intimate with. That just won't play.

    The ever faithful George E. Stone is here as well as the dumb and dumber cops Richard Lane and Frank Sully. But A Close Call For Boston Blackie was way too impossible to swallow.
  • Close Call for Boston Blackie, A (1946)

    *** (out of 4)

    Lew Landers (The Raven) directs this tenth entry in Columbia's popular series. This time out Blackie (Chester Morris) runs into a woman he formally loved who know is married with a kid. When her husband gets out of prison he's killed in Blackie's apartment and of course the police thing Blackie pulled the trigger so he must set out to prove his innocence as well as capture the real killers. This one here is a step up from the previous film because they changed the mode quite a bit. For starters, the plot is a lot more difficult to figure out and is a lot more challenging for the viewing. Another added bonus is that Inspector Farraday (Richard Lane) and Sergeant Matthews (Frank Sully) play a bigger part of the mystery and they aren't just here for laughs, although they still have a lot of funny moments. Another added bonus is the baby itself, which leads to several cute scenes with Blackie, the police and The Runt. All the cast members are once again at full force with Morris being as delightful as ever.
  • Warning: Spoilers
    ***SPOILERS*** The usually sharp and on the ball Boston Blackie, Chester Morris, gets himself into deep you know what here by falling for an old flame Jerry Payton's, Lynn Merrick, sob story. That of her being left along in the world by her convict husband John, Mark Roberts with his baby that was born while he was behind bars serving a stretch for a homicide conviction. As it later turned out Payton was killed while, after being let out on bail, showing up at Jerry's apartment with Blackie who just happened to be there getting blamed for it!

    With Blackie on the lamb he gets help from his sidekick "The Runt", George E. Stone, and his girlfriend Mamie, Claire Carlton, to just why he was set up by Jerry and what's exactly the story with the baby that she suddenly, what seemed like out of nowhere without the help of a stork, gave birth to! That without the usual and biological nine month gestation period?

    As Blackie soon finds out that baby wasn't her's or her late husband John but that of Hack Hagen, Charles Lane. It was Hagen who together with Jerry and her accomplice Smilley Slade, Eric Rolf, planned to trick Jerry's father in law millionaire Cyrus Payton to pay her and Smilley big bucks, 100 G's,to take home with him as his long lost grandson. The problem is that Blackie is on to them and to both prove his innocence in the murders of both John Payton and Hack Hagen, who was murdered by Smilley for asking too many questions, as well as expose Jerry as the mastermind behind this whole scam!

    ***SPOILERS*** Unexpected ending with bumbling policemen Inspt. Farrady and his butterfingered partner Sgt.Matthews, Richard Lane & Frank Sully, actually being able to solve the very complicated case and end up coming to Blackie's rescue when you at first thought that they, as they alway do, blew it. But it was "The Runt" and Mamie who put the two cops on the right trail not anything that they did in police work in solving the case as well as them putting the cuffs on both Jerry and Smilley who almost got away with murder!
  • While helping a friend out by looking after a baby, Boston Blackie (Chester Morris) is framed for murder.

    The penultimate programme thriller featuring fast talking and wise cracking Boston Blackie. The character of Blackie is as annoying as ever and will most likely leave its viewers feeling irritable, certainly for those who survived the course of the film.
  • Warning: Spoilers
    Entertaining mid-40's black-and-white comedy-mystery entry in the Boston Blackie film series. Blackie runs afoul of a femme fatale, an involved scheme to scam a millionaire, and his friendly nemesis Inspector Farraday. The Sony Pictures Choice Collection DVD-R is excellent quality but it would be nice to see these films released to regular DVD. Recommended.