It's a Wonderful Life (1946)

PG   |    |  Drama, Family, Fantasy


It's a Wonderful Life (1946) Poster

An angel is sent from Heaven to help a desperately frustrated businessman by showing him what life would have been like if he had never existed.

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  • Robert J. Anderson and Georgie Nokes in It's a Wonderful Life (1946)
  • James Stewart and Karolyn Grimes in It's a Wonderful Life (1946)
  • James Stewart and Donna Reed in It's a Wonderful Life (1946)
  • It's a Wonderful Life (1946)
  • James Stewart in It's a Wonderful Life (1946)
  • James Stewart and Henry Travers in It's a Wonderful Life (1946)

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Reviews & Commentary

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25 December 2005 | bkoganbing
10
| "To My Big Brother George, The Richest Man In Town"
I've always thought that the reason It's A Wonderful Life has had such enduring popularity is that more than in any other film it shows what can be the value of a single individual and the contribution to the greater good they can make.

George Bailey as portrayed by James Stewart is the kind of every man hero we can all identify with. He's got the every day problems to be sure, raising and providing for a family, but he's got bigger problems than that. Fate has made him the rallying point of opposition in his small town of Bedford Falls to the "richest and meanest man in town", embodied in Lionel Barrymore.

It's a real David vs. Goliath battle. Barrymore seems to have unlimited resources at his disposal. Samuel S. Hinds as Peter Bailey put it so well to him in asking what are you doing all this for? Barrymore does have more money than he could ever possibly use. A little charity wouldn't hurt him.

Remember the basic plot outline. A whole lot of people in Bedford Falls one post World War II Christmas Eve see that their friend George is toting a heavy load of mysterious origins. Their prayers reach the heavens where an angel is dispatched to aid.

But before Henry Travers the angel arrives, he's given the story of George Bailey's life. And we see the kind of struggles he's had, the sacrifices he's made for the good of a whole lot of others. We've also seen a greedy and grasping Potter, grabbing everything that George Bailey cannot save.

Something happens that day before Christmas through no fault of his own, Bailey is in big trouble. It's driven him to the brink of despair. That's why the angel is sent down. He shows him the alternate universe that would have been had he never existed. It's something each and every one of us should try to do, step outside ourselves see just what our contributions can be.

But I think what Frank Capra is trying to say in this greatest of his films is that having done that and we realize we haven't contributed to the greater good of humankind, we resolve to do so. It's a simple, but profound lesson.

What if Potter got the same opportunity? In a sense Charles Dickens did just that in A Christmas Carol. Would Lionel Barrymore change? It's an interesting point of speculation.

In addition to those cast members already mentioned a whole group of players who worked with Capra before grace this film. Add to that some others and you have a perfectly cast feature picture.

Donna Reed has an interesting part as well. Your choice of mate is real important in life. Had she not been as loving and supportive to George Bailey, he might very well have taken a different route in life. Mary Hatch Bailey became a signature part for her, more identified than her role in From Here to Eternity which got her an Oscar. It certainly was the basis for her TV series.

When Todd Karns who plays Harry Bailey toasts his brother he's saying that the riches of the world are not necessarily things that can be quantified. Your life is not measured in material things, but in how you use the material things given you.

And that universal lesson will be taught into eternity as long as It's A Wonderful Life is shown every year. Wouldst we all learn it.

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Did You Know?

Trivia

Sara Allgood, Helen Broderick, Jane Darwell, Ruth Donnelly, Connie Gilchrist, Hattie McDaniel, Una O'Connor and Irene Ryan were considered for Anne.


Quotes

Mr. Emil Gower: I owe everything to George Bailey. Help him, dear Father.
Giuseppe Martini: Joseph, Jesus and Mary. Help my friend, Mr. Bailey.
Ma Bailey: Help my son, George, tonight.
Bert: He never thinks about himself, God, that's why he's in trouble.
Ernie Bishop: George is a good guy. Give him a break, God.
Mary: ...


Goofs

When Mary puts on "Buffalo Gals" on the phonograph at 0:43:38 (2007 DVD), she starts a ten-inch, yellow-labeled record, but in the next shot, a dark-labeled record is playing. Also, when Mary breaks the record at 0:46:46 after the conversation with George, she breaks a twelve-inch, yellow-labeled record instead of the original ten-inch record.


Crazy Credits

A ringing facsimile of the Liberty Bell (without the crack) forms the backdrop for the studio logo, which is Liberty Films, and the opening credits are in a scrapbook with Christmas decorations. The bell reappears before the end credits, and the end credits have a Christmas card picture as a backdrop.


Alternate Versions

The film was colorized three times. The first colorized version of the film was produced by Hal Roach Studios (now Sonar Entertainment), the second by Republic Pictures. A third colorization of the film was produced by Legend Films for Paramount, the film's current copyright holder, in 2007.


Soundtracks

Wedding March
(1843) (uncredited)
from "A Midsummer Night's Dream"
Written by
Felix Mendelssohn-Bartholdy

Storyline

Plot Summary


Synopsis (WARNING: Spoilers)


Genres

Drama | Family | Fantasy

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