Notorious (1946)

Not Rated   |    |  Drama, Film-Noir, Romance


Notorious (1946) Poster

A woman is asked to spy on a group of Nazi friends in South America. How far will she have to go to ingratiate herself with them?


7.9/10
90,144

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  • Ingrid Bergman and Cary Grant in Notorious (1946)
  • Ingrid Bergman and Cary Grant in Notorious (1946)
  • Ingrid Bergman and Alfred Hitchcock in Notorious (1946)
  • Ingrid Bergman in Notorious (1946)
  • Ingrid Bergman and Alfred Hitchcock in Notorious (1946)
  • Ingrid Bergman and Cary Grant in Notorious (1946)

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Cast & Crew

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Director:

Alfred Hitchcock

Writer:

Ben Hecht

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User Reviews


2 September 1999 | Danimal-7
9
| My favorite Hitchcock!
Alicia Huberman (Ingrid Bergman) is the daughter of a German-American who has been imprisoned for turning traitor to the U.S. during World War II. Despondent, she becomes an alcoholic and flits from man to man, until one day a mysterious government agent named Devlin (Cary Grant) comes to her and asks for her help. Some old Nazi acquaintances of her father's has taken up residence in Rio de Janeiro; he needs her help to spy on them. Somewhat reluctantly, Alicia agrees.

Once in Rio, it takes some time for the couple to be assigned their mission. The trip takes on the character of a honeymoon, and Alicia and Devlin start falling in love. Then their orders do arrive, and Alicia is assigned to infiltrate the house and the bedroom of the Nazi leader, Alexander Sebastian (Claude Rains).

This movie delivers a very different kind of suspense from Hitchcock's more famous NORTH BY NORTHWEST. There are no strafing runs by malevolent crop-dusters, no cliff-hanging mountain-climbing scenes, no mad footraces. The suspense here relies all on subtleties that get under your skin and chill you much more than the in-your-face antics of Hitchcock's later piece. The popping of champagne corks signals time running out for two spies in the wine cellar; an impassioned lover seeks to kiss the hand of his lady who has a deadly secret concealed in her palm; a victim of poison sees the shadows of the poisoners merge together on the wall. The final scene is the best of all. Who but Hitchcock could imbue the innocent sentence, "I wish to talk to you," with such chilling power?

This is one of Ingrid Bergman's best performances; Alicia is hardly perfect, but brave and lovely. Hitchcock was far ahead of his time in discarding male chauvinist attitudes that elevated a woman's chastity and "ladylike" attributes over her courage and intelligence. When a superior disparages Alicia for the lack of "character" she has shown by following the orders he himself has given her, Devlin sarcastically lashes out: "She may be risking her life, but when it comes to being a *lady,* she doesn't hold a candle to your wife, sir, sitting in Washington playing bridge with three other ladies of great honor and virtue." Yet Devlin himself is often unsympathetic and harsh in his treatment of Alicia, and the unfairness of that treatment is sharply highlighted in a manner very sympathetic to her.

Not to be overlooked is Rains' magnificent rendition of Alexander Sebastian, a villainous but human and rather weak man who genuinely loves Alicia. I have never seen Rains better except for his immortal portrayal of Cap. Renault in CASABLANCA. Also superb is Leopoldine Konstantin as Sebastian's domineering, scheming mother.

NOTORIOUS is intense and meticulously crafted, and benefits from the best acting in any Hitchcock movie. While NORTH BY NORTHWEST or THE 39 STEPS might be a better introduction to Hitchcock for people used to the slam-bang action of modern cinema, NOTORIOUS is the best I can recommend for those who have already learned to love Hitchcock's work.

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Did You Know?

Trivia

Sir Alfred Hitchcock got the shot where Ingrid Bergman is in the background and the coffee cup is in the foreground, with both in focus, by using a giant coffee cup placed farther away than it appears.


Quotes

[Title card]: Miami, Florida, Three-Twenty P.M., April the Twenty-Fourth, Nineteen Hundred and Forty-Six...
Judge: Is there any legal reason why sentence should not be pronounced?
District Attorney: No, your honor.
John Huberman: Yes, I have something to say. You can put me away, but you can't put away ...
Defense Counsel: ...


Goofs

Alicia and Devlin's shadows can be seen "over" the background plates during the drunk driving scene and the balcony scene.


Crazy Credits

Opening credits prologue: Miami, Florida, Three-Twenty P.M., April the Twenty-Fourth, Nineteen Hundred and Forty-Six....


Alternate Versions

When released in West Germany in 1951 "Weißes Gift" (White Poison), the plot was significantly changed. Instead of Nazi agents, the villains became drug-trafficking bandits. The names of the characters were also changed to avoid any reference to Nazi Germany and spying:

  • The Ingrid Bergman character was called 'Elisa Sombrapal' (as opposed to Alicia Huberman), Claude Rains was called 'Aldo Sebastini' (instead of Alexander Sebastian), Leopoldine Konstantin was referred as 'Frau Sebastini'. Similarly, Ivan Triesault was called Enrico (instead of Eric Mathis) and the E.A. Krumschmidt character (originally called Emil Hupka) was rechristened 'Ramon Hupka'.


Soundtracks

Carnaval, Op. 9, Scènes mignonnes sur quatre notes: 'Chopin'
(uncredited)
Written by
Robert Schumann
Performed in the distance as Alicia enters Alex's house for the first time

Storyline

Plot Summary


Synopsis (WARNING: Spoilers)


Genres

Drama | Film-Noir | Romance | Thriller

Michael Sheen Gets Quizzed on His Career

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