No, there is no Barbra Streisand ballad to express the flaws of adults in relationships, just a neurotic wife (Loretta Young) who goes a little nutty on her 10th wedding anniversary to dashing hubby David Niven, suddenly demanding a divorce. The problem, as the title suggests, is that their marriage is perfect-in fact, too perfect. In short, boring. They admit that they haven't wanted each other for a year, even though they seem to get along splendidly in spite of a rocky start to their relationship. The problems they do have include mothers who can't stand each other yet separately interfere over the objections of their own husbands, a few toxic friends who want to see their perfect little world smashed, and Young's ex-boyfriend (Eddie Albert) who happens to turn up just as the gossip about the divorce gets around the social club they hang out in.
Yes, this is very similar to Claire Booth Luce's classic play and the 1939 MGM movie "The Women", although the husband doesn't stray at all here. The leading characters are somewhat flawed but basically nice people, successful in their career, and devoted to their precocious daughter (Nina Griffith). All of the supporting women, however, are as one of Norma Shearer's pals in "The Women" commented, "females". Not one Lucille Watson in the bunch. The film seems to give the impression that women are either neurotic innocents or calculating cats. Young comes off as basically nice, but touched with moments of moodiness, insecurity, and somewhat scatterbrained in spite of the fact that she is a top fashion magazine editor. The closest to a non-female "lady" is housekeeper Zasu Pitts who is basically a gloomy gus that gets more pleasure from horror movies than musicals, sort of a flittery Mrs. Danvers.
Paramount, the art-decco king of Hollywood's sophisticated comedies of the 1930's, hits gold here. The art direction is simply divine, and Loretta Young is decked out here in the finest clothes horse fashions since Kay Francis. Poor Nina Griffith suffers in that department. One outfit she wears makes her look like a pint-sized nun. She does well in a role that Natalie Wood might have brought too many tears to, and is equally as plucky as Virginia Wiedler was in the same type of role (with a similar plot) in "The Women".
As for Eddie Albert, he is obviously stuck in the Ralph Bellamy role, and it is so apparent where the plot is going. As for Ms. Young, she seems a tad too mature for her Rita Hayworth like long flowing hair, even though she's still quite stunning. There are laughs, but they come through more of a snicker than much needed gut busters. You just pray that these adults will wake up, see the silliness of their ways (especially Young's character) and get rid of the toxic friends and maddening mothers-in-laws who have been trying to topple their "perfect" world.