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  • Over the decades, Felix Feist's The Devil Thumbs A Ride has gathered a fierce reputation as some sort of ultimate, quick-and-dirty film noir (like Detour). It's not quite that. Its dark star, Laurence Tierney, was more explosively, unpredictably violent in Born to Kill (and he had Claire Trevor at her malevolent best to play against). And Ida Lupino's The Hitch-Hiker corners the market on the terrors of the lonely road, come nightfall. (The better part of Devil Thumbs A Ride, by contrast, occur in a posh beach house somewhere between San Diego and Los Angeles). But the ensemble cast works well together -- Betty Lawford as good-time-gal Agnes is especially memorable. The end is somewhat troublesome; the necessary "restoration to normalcy" is abrupt and discordantly upbeat. The best films noirs close on a greyer, more ambiguous note. Still, this may be the finest 63-minute film ever made, and a key piece in the noir cycle.
  • Lawrence Tierney singlehandedly lifts this poverty row cheapie from lowbrow crime melodrama anonymity to the upper pantheon of low budget noir exploitation immortality. Bears some resemblance to other low budget limited set piece claustrophobic pics like THE DESPERATE HOURS or PETRIFIED FOREST, but don't dwell on that. There are a lot of strangled laughs given the tense set-up, but don't dwell on that, either. Ignore the implausibilities and wildly uneven acting and revel instead in young Tierney's charismatic menace and casual sadism. He so dominates the proceedings that any analysis of plot points (fairly lacking) or cinematography (surprisingly good) or direction (not so hot) really pales in comparison. One of those rare films that has such bad performances that it is an instant classic yet also featuring such a standout performance from Tierney that it is also an instant classic. Trust me on this one, brother... don't miss this obscure but vital piece of 50s Americrimedramacana. You will be amused and amazed, horrified and entertained, but most of all... you will not soon forget the experience.
  • A very enjoyable, mostly fast-paced film noir written & directed by Felix Feist, who also brought you This Woman Is Dangerous. FF doesn't muck around. The story of a murderous armed robber on the lam cracks along, and is full of snappy lines from all the characters - especially Lawrence Tierney, who clearly revels in his nastiness. Story gets a bit bogged down in a holiday house, and it's full of implausibilities, but it's also packed with a great supporting cast, who give it all they've got - even if what they've got tends to the fairly dumb at times..but hey, this is cheap and cheerful entertainment. Even Tierney's unremitting (and enjoyable) meanness is alleviated by the lively tone of the piece. Tierney by the way is the guy who plays Elaine's implacable dad in a classic episode of Seinfeld. However, his performances in the title roles of Dillinger and Born To Kill (both 1947) are chilling.
  • First of all, let's get something straight. "The Devil Thumbs A Ride" is the BEST title in the history of motion pictures. Hands down. It's not even close. What a vivid and startling image those words conjure up in the mind's eye.

    This is a movie I've been trying to track down for years and it does not disappoint. It's surprisingly nasty considering the year it was made, though always with a wingy "now let's not take any of this too seriously folks" feel to it. It's as if the director, Felix Feist, was hired to crank out a simple little crime quickie with a good guy, a bad guy, a nice girl and a bad girl, but wasn't quite sure how to do that (sort of like a gifted baseball pitcher who just can't throw any pitch straight). So he tosses everything into a blender and twists it into a swirling, pulpy freak show. The bad guy seems too cool and in control, the "good" guy is sort of a creep, the nice girl meets a shocking fate, and the bad girl almost steals the show. Certainly a zippy, wicked ancestor of Tarantino and all the Tarantino knock-offs that litter the shelves at Blockbuster.

    Feist was a breathless, inventive director who really knew how to move the camera and keep things humming along. (His movies are incredibly tightly paced.) The vacuum cleaner scene, played without dialogue, is a real highlight. And Lawrence Tierney of course, is excellent. When he advises "better let me take the wheel", you know it's going to be a wild ride.

    There are some goofy B-movie slip-ups (the cop who agrees to let the gas station attendant come along on the chase for the killer, for one) but that only adds to its charm. One of the cruelest code-era films I've seen, it has a slapped on happy ending that seems to go about as well as perfume on a chainsaw. Richly deserving of its growing cult.
  • With a title like that, incredible plugs from several film noir historians and the presence of Lawrence Tierney, I just had to find this movie and buy it, even if it was sight-unseen and hard to obtain.

    This had a "Detour" look to it, meaning a very low-budget film noir with a no- name cast except for Tierney, although he wasn't a big star anyway. I knew him from the film "Born To Kill" and was intriguing. Tierney played the same kind of psycho here. He was convincing, since he was mean and tough and nasty in real life, too.

    In this film, four people dominate: one good man, one bad man, one good woman, one bad woman. The bad people, of course, have the best lines. You know Tierney is not good because insults everyone he sees, even a little baby. The other people are idiotic and you want slap them and say, "Wake up!" before Tierney does something bad to them.

    The cops in here are also a bit strange. They would rather play poker than go chase a criminal. On second thought, maybe that was sensible. Anyway, it was odd to see.

    In a nutshell, Tierney is on the run, and winds up with these other saps who he cons into hiding out in someone's vacant house. Most of the film is talk, not much action, but it moves pretty well and it only lasts 62 minutes. There are laughs along the way despite the seriousness of the story but it still was disappointing overall. I guess I expected too much. The title is still the best thing about the film. See it, if you can, but don't spend money on it as I did.
  • This little gem sure packs a punch---or a low blow. Lawrence Tierney is wonderful as the psycho who tricks a dope (Ted North) into giving him a ride from San Diego to Los Aangeles. Along the way they pick up two stranded women: a tough blond (Betty Lawford), and an innocent (Nan Leslie). Of course Tierney is on the lam from a robbery and murder but he fools them into dodging the cops (after he runs one down) by going to the dope's friend's beach house for the night. Several sub plots involve some interesting characters. No on is really what they seem to be. The dope is driving drunk across state but he's actually a devoted husband trying to get home. Tierney is a vicious killer. The blond is a willing accomplice, and the innocent wants to be an actress. The cops (especially Harry Shannon) are almost comical in their rapport, and the gas station kid (Glen Vernon) turns out to be a card shark. Great characters here with everyone having some nice screen time. Andrew Tombes is the night watchman who makes a spectacular drunk. Minerva Urecal is the widow with THE phone (Laguna Beach was the STICKS in 1947), and Marian Carr is the little wife who makes a surprise appearance. Josephine Whittell is the mother in law. Dick Elliott is the guy with the stupid dog.

    Tierney is the driving force and he's really good in his patented tough guy role. Lawford is surprisingly good. She hadn't made a film since 1937 and never made another after this one. She kept reminding me of Lizabeth Scott. Vernon almost steals the film as the gas station kid who goes along for a ride with the cops. North is the weakest actor but his dope part doesn't really call for much. Interesting little noir film with a totally unrepentant main character. He never even bats an eye!
  • Handlinghandel31 July 2005
    Laurence Tierney seems to have been born to play this role. He is sinister, amoral, nasty. It's beautifully filmed and superbly directed, though it has a raw feel.

    Tiernry is the title character. A devil he surely is. He gets the poor dope who picks him up a very hard time. The two women they then give rides to fare even less well.

    Betty Lawford is perfect as the tough, over-the-hill floozy of those two. She is always looking for a deal for herself -- silk stockings, salvation... We like her, though, and feel that we may have encountered her or her like behind countless counters.

    We feel bad for the gas station attendant when Tierney says cruel things about the picture of his young daughter. There is no doubt: Tierney's character is a dreadful person. But the gas station attendant is a pain himself. He's an annoying know-it-all.

    The police are not portrayed in a very favorable light, either. So who do we actually like? Maybe the younger of the two hitchhikers, Beulah. Her older pal, though we surely do not admire her. The watchman Tierney cruelly gets drunk? Not really.

    It's a slice of life cut with a hatchet and the slice is not pretty no matter what angle we look at it from.
  • Ironic, given that TCM's print of "Detour" looks and sounds so awful it borders on unwatchable, this little film plays with crystal clear sound and a perfect picture.

    While "Devil" does not really approach the genius of "Detour", it is a very engaging story and a fun hour of film. The hitch-hiker is disturbingly without conscience, and his ability to manipulate the actions of both the driver and the other passengers display a rather keen understanding of the sociopathic personality. Just how different life was in the 1940's is immediately made clear by those two dames that get picked up early in the film (this is so unlikely in 21st America that no self-respecting film-maker would ask you to believe it).

    The pace is taunt, which I like, and there are a few real surprises along the way. Our story is marred only (and BADLY) by a very stupid slapped on ending that may have gotten a chuckle out of contemporary audiences, but will surely illicit only groans from the modern viewer. Still worthwhile, enjoy the ride and don't pick up any strangers!
  • I really need to see this little gem again. Tierney really is the whole movie.

    TCM runs "The Devil Thumbs A Ride" early in the mornings on rare occasions. On one of those I taped it several years ago, lent it to a brother and never got it back. GRR.

    Its plot is one those relentless, improbable stories with so many loose ends you cannot conceive of them all being tied up in 63 minutes.

    BTW, Tierney was the older brother of actor Scott Brady, who appeared in "He Walked By Night," "Johnny Guitar," "The China Syndrome" and many other films. More visible, but not as good an actor as his older bro. IMHO
  • existenz-622 December 2002
    I saw this many years ago on AMC. I barely remember the story, but I do remember that it was a very effective piece of noir. I've wanted to see it again, but it is extremely hard to come by. It isn't on video or DVD, and it rarely appears at revival theatres. If you ever have the chance to catch this on AMC or TCM, do whatever you can to see it. I definitely put it up there with "Detour" and "They Walked By Night". Great stuff.
  • An awesome film noir, an awesome film of any color...not to be missed. Expert pacing, classic dialogue, terrific story. Highly recommended for anyone who's looking for something new and different, an escape from the today's tired formulas. Sure, this film is formulaic itself, but you'll love it. And watch for some bizarre bit players.
  • Bucs196016 July 2010
    Warning: Spoilers
    This is a little-seen film noir that doesn't quite live up to its hype but comes pretty damn close.

    Starring that quintessential bad guy, Lawrence Tierney (who was a bad guy in his personal life as well which eventually sank his career)this film is truly deranged. Tierney goes on a killing spree and ties up with an innocent and very gullible salesman, played by Ted North, whoever he was. They go careening up the California coast, picking up a couple of hitchhiking girls on the way and end up in a beach house where they hide from the police. Some more killing takes place and then it ends. Doesn't sound like much, does it? But what makes it a part of noir history is the chilling performance of Tierney. He may have been the toughest looking, meanest guy in B-movie history and he plays it to the hilt. He is the reason to search out this film.
  • Jimmy 'Fergie' Ferguson is a pretty dumb travelling salesman who gives a late night ride to Steve Morgan(Lawrence Tierney),a man on the lam from the cops after a daring armed robbery went wrong leaving a guard dead.While stopping at a gas station Morgan offers a ride to two damsels in distress who are going their way,Morgan thinks it will help cover his tracks but the gas station attendant is a police informer and recognizes Morgan from police descriptions and soon the police are on their tails.Fergie himself has been drinking heavily and Morgan uses this as a ruse for his dodging the cops but as the heat mounts and they dodge roadblocks,Morgan whose ID is still not known to the occupents suggests they take the heat off and go to the nearby beach house owned by one of Fergie's workmates,it is here that the Devil in Morgan appears. There are a few well developed sub plots within this short but pacey thriller,the cops are given a humorous and a very relaxed crime fighting spirit,the crimes tending to interfere too much with their poker games,The card shark gas attendant who takes their money is also given a humorous side but all characters are given time to develop.Betty Lawford as the tough blonde Agnes is very good and is a good foil for the more sheltered brunette Carol Demming an aspiring actress who Morgan takes an immediate shine to,the feeling is not mutual.Ted North as Fergie is perhaps the least successful character,his role serving little more than a starting point for the film to gather pace but it is without doubt the performance of Tierney that steals the show,a real life tough guy whose menace is never in any doubt.Often compared to Ulmer's Detour and Lupino's Hitchhiker,The Devil Thumbs a Ride is perhaps left a little wanting in such high brow company,but it still remains a fun and exciting entry in the RKO back catalogue and despite its wonderfully descriptive title isn't really that violent,most of the violence occurring off screen.See it if you get a chance
  • Warning: Spoilers
    In 2002, Reservoir Dogs came out with their 10th Anniversary Edition DVD. Included in the set was a tribute to the actor who played Joe Cabot: Lawrence Tierney. The cast had mixed feelings towards Tierney but all agreed on one thing: he was amazing in The Devil Thumbs A Ride. I had never heard of this film, but immediately went on a hunt for it. I checked every tape trader online and couldn't find the sucker. For a year and a half it became my Unicorn (something you want but always seem to just miss). So when through dumb luck I found that TCM was showing it one Friday night I canceled my plans and set my VCR.

    The film is about bank robber Steve Morgan. After pulling a late night robbery, he takes a ride with slightly tipsy salesman Jimmy Ferguson driving back home to California. On the way they pick up two ladies who are also on their way to Cali. Through several seemingly logical mishaps, Morgan convinces Fergie to evade police, back up over an officer and hide out at a friend's house until morning. The way Morgan manipulates the passengers is really quite something, and there are moments of true suspense in the friend's house. Some of the acting from the lesser characters can be a little corny, but Tierney is more than enough reason to watch. And the climax is especially good.

    This is a film that I highly recommend. That is, if you can find it. Good luck and happy hunting.
  • gordonl564 July 2015
    Warning: Spoilers
    THE DEVIL THUMBS A RIDE 1947

    I was not sure how this one would work for me. It has a reputation as a hard case example of film noir. I had also read that some found it somewhat over-rated. So I took the plunge and what I found, was a surprisingly effective lower budget winner.

    Laurence Tierney headlines as a killer on the loose. This one starts off in San Diego, where Tierney has just robbed a man making a drop off at a bank night deposit chute. Tierney was not above shooting the man when he was less than forthcoming with the cash.

    He soon hitches a ride going to L.A. from a salesman heading home after an office party. The man, Ted North has had a few too many and could use the company. They stop at a gas station to fuel up. North wants to call his wife, Marian Carr. Tierney now offers a ride to two dames, Nan Leslie and Betty Crawford.

    The viewer knows that this arrangement is going nowhere good, and right they are. The man Tierney robbed and shot, has died and an all points is sent out. The gas jockey at the filling station, Glen Vernon, hears a report over the radio and calls the Police. He soon identifies Tierney.

    Now the chase is on with a wild car chase and a motorcycle cop gets a rather close view of a rear car bumper. Tierney, North and the two girls end up hiding out at a small seaside cottage of a friend of North.

    The minor plot holes here are nicely covered up by the rapid pacing delivered from writer, director Felix Feist. Tierney is a hoot to watch as he goes from one level of nastiness to the next. Ted North is slightly out of place, but Betty Crawford and Nan Leslie are both excellent.

    All in all, a 62 minute thrill ride that does not fail to entertain.
  • Warning: Spoilers
    Not the best film noir, but the story does have a grip that lasts to the fadeout. Bad boy Lawrence Tierney plays Steve Morgan, a charming criminal who has just robbed and killed a cashier at a movie theater. Jimmy Ferguson(Ted North)is a little tipsy returning home from a convention and picks up a hitch-hiker...Morgan. Along the way he convinces 'Fergie' to pick up a couple of women(Nan Leslie and Betty Lawford)and proceed to a friend's beach house to dodge roadblocks and hide from the law in hot pursuit. This melodrama turns very predictable very fast. Glen Vernon plays a gas station attendant that alerts the law to Morgan's whereabouts. Others in the cast: Marian Carr, Harry Shannon and William Gould. Running time is a mere 63 minutes, but is a worthwhile watch. THE DEVIL THUMBS A RIDE makes rare appearances on TCM.
  • The Devil Thumbs a Ride is basically just your classic 40's B-movie; it's cheap and there are a lot of things wrong with it, but it's also fast moving and very entertaining, which makes it very easy to forgive all the flaws and just sit back and enjoy the film. It soon becomes clear that the film was made with little budget as it looks very cheap and most of the acting is terrible; but we launch straight into the plot with minimum hanging around and the fact that the film is only an hour long means that there's no filler and the film sticks to the important stuff. The film focuses on a straight up but very naive guy who calls himself Fergie. Fergie is on his way home from a party, and makes a regrettable decision when he decides to pick up a hitchhiker in the form of Steve Morgan. Steve Morgan is a thief turned murderer and on the run from the cops. The pair stops at a gas station where they pick up a couple of broads, but not before Steve manages to insult the plucky young gas station attendant. The quartet continue their trip, and Steve soon realises he has to take steps to conceal his identity.

    The hitchhiker theme would go on to become one of the staples of the horror/thriller genre with films like The Hitcher being the best of them. I don't know the entire history of the genre; but this film is surely one of the earliest examples. The film does have its fair share of problems, however. The script is at times ridiculous and the plot would have completely fallen apart if three of the central characters had more than a single brain cell between them. The comedy elements are also extremely misplaced in such a dark film (although I guess they are there to relieve the audience somewhat as there weren't a great deal of films darker than this one around in 1947!). I know the thing I'll remember about this film longer than anything else is the central performance from Lawrence Tierney, who is excellent in the lead role. He cuts a truly imposing figure and really does put his supporting cast to shame; in particular Ted North who doesn't manage to convince at all, particularly during his shouting scenes. Still, problems aside; this is a thrilling and very entertaining little thriller that kept my interest for the duration (even if it was only an hour) and even manages a couple of well worked twists at the end. Check this one out if you can!
  • Tierney's an authentic tough guy, but this movie misfire from normally competent RKO undercuts his impact at every turn. The script is about as plausible as OJ Simpson at a Ten Cmmandments dinner. Just count the times Tierney's incredible car companions swallow one lame excuse after another for his evasive and violent acts. The old cliché about it "only happening in the movies" applies here in spades. Then there's the guy playing the watchman, who appears to have wandered in from a boozy WC Fields comedy, ruining the menacing mood in the process. The static one-room sets don't help either, and neither does director Feist's obvious lack of feel for the material. Then add a final car chase missing both imagination and pay-off, and the results are pretty flat. In fact the movie only picks up in the station-house scenes where hard-bitten cops discover the hidden powers of innocent-looking gas station attendants. Too bad that Tieney's career never really gelled. I gather that was due largely to being as big a tough guy off-screen as on and getting in one sleazy scrape after another. His ice-cold manner and clarity of emotion remind me at times of Lee Marvin at his tough-guy best. Anyway this project might have worked as a radio play, but as a movie with a promising noir title, it's a disappointment.
  • Warning: Spoilers
    Boy! was Lawrence Tierney tough - both on screen and off. He had a very "don't mess with me" attitude. From the start of his career - even in uncredited parts - you wanted to see more of him. Unfortunately drink killed his career - he would have been a superb character actor but he did star in some very memorable noir films. This is one of his best.

    Unsuspecting Jimmy Ferguson (Ted North) picks up a hitch-hiker, Steve Morgan (Lawrence Tierney) on his way home to Los Angeles. He soon regrets it as Morgan is edgy, rude and no wonder - he has just been involved in an armed robbery. When they pull into a gas station Steve invites two girls to ride with them while Jimmy is in the wash room and he immediately begins to try pick up lines on shy Carol (Nan Leslie) but she isn't having any of it. The ride becomes a nightmare with police chases, shooting - all to the horror of the unsuspecting passengers (Steve is now driving). Morgan then tells them the story of his sad childhood but when they stop at the beach house that Jimmy's boss owns things go from bad to worse. Jimmy tries to explain things to his wife when he rings her but she doesn't believe him. In the meantime Steve has flattened the tyres with a broken bottle and cut the telephone wires - then there is a murder!!!!

    This is a really gripping little thriller, reminiscent of "Detour". Lawrence Tierney is the only name in the cast but everyone is perfect in their roles. Nan Leslie is sweet as the shy Carole - it was surprising she didn't become a bigger star. This was Betty Lawford's last movie and she makes an impression as Agnes. She had come to Hollywood as the female lead in "Gentlemen of the Press" (1929) but Kay Francis is the reason everyone remembers that movie. Marian Carr was Jimmy's wife Diane.

    Highly Recommended.
  • Sinister forties road movies with 'joe' from reservoir dogs as the 'hitcher'. Worth catching if you can find it. It's a definite precursor to the 'yuppie in peril movies that would come about forty years later.
  • Warning: Spoilers
    When I first heard about this film, I knew I had to see it. I love Lawrence Tierney and his bad-guy persona on screen (and supposedly off screen as well) and when he's in a movie, you know it's gotta be good. So, after searching for a DVD copy, I finally found one and after the movie was done the first time, I was mesmerized. Such a short film, yet so effective with it's suspense, numerous plot twists and most of all, the brilliant camerawork, providing for us multiple closeups of Tierney and even one of Nan Leslie, an RKO starlet of the late 1940's who was mostly cast in Tim Holt westerns. All of those aspects make this low-budget thriller seem like a top-notch film noir with all the trimmings.

    The film's storyline is rather simple: about a killer who hitches a ride from a traveling salesman on his way home from a convention. Along the way, they pick up two other women looking for a ride to L.A., played by Nan Leslie and Betty Lawford. Then, as the ride gets more and more dangerous, Tierney is able to manipulate his way into staying at a rather remote beach house along the shore, and as the night progresses, everybody starts to figure out who he really is... causing Tierney to want to kill to keep from talking.

    So, it sounds like a routine RKO "B" picture at first, but when you watch it, you find that it's a lot more than that. It's laced up with a couple of minor shootouts, a car chase, and murder, so just from those plot points alone this film is already a film noir.

    Lawrence Tierney is great as the lead, as usual, and Ted North's character is more standard than the rest, but adequately played in my opinion. We find out Nan Leslie's character has ambitions to become a Hollywood movie star, and Betty Lawford is an ordinary fun-time gal, whom, we find out later on in the film, is smarter than we thought. All in all, the cast is great, with some other great supporting players such as Andrew Tombes, Harry Shannon, and Glenn Vernon, but Betty Lawford really does almost steal the entire picture, and after looking into her a little bit I was surprised to find out she didn't have much of a film career, as it seemed she preferred stage work. This was her last film appearance before tragically dying in 1960. She was also the cousin of more popular actor and playboy Peter Lawford, who, as many of you probably know, was in a lot of films at MGM, a big step-up from the little RKO studios. But, personally, I like RKO films better, because even Eddie Muller considers the studio as "The House Of Noir" and I'm inclined to agree because they did produce one of the best film noirs of all time, 1947's Out of the Past starring Robert Mitchum and Jane Greer. This one, too, plus all the other film noirs released by RKO in the late 40's (Crossfire, Race Street, They Live By Night, The Woman on Pier 13) prove that RKO really was the "House Of Noir."

    10/10.
  • The Devil Thumbs a Ride is directed and written by Felix E. Feist. It stars Lawrence Tierney, Ted North, Nan Leslie, Betty Lawford, Andrew Tombes, Harry Shannon, Glen Vernon and Marian Carr. Music is by Paul Sawtell and cinematography by J. Roy Hunt.

    After just robbing a San Diego theatre and killing the manager, Steve Morgan (Tierney) hitches a ride to Los Angeles with Jimmy Ferguson (North), a trusting young salesman. After a stop at a gas station, the two men pick up a couple of dames looking for a ride, and soon Morgan is manipulating everyone so as to stay ahead of the cops looking for him.

    Compact at just over an hour in length, The Devil Thumbs a Ride thrives on account of Tierney's strong performance. He in turn exudes a charming veneer and a cold hearted darkness that unnerves throughout. The set-up is pretty thin and even the most forgiving of noir fans will attest that the sheer idiocy of the other passengers beggars belief. No matter what Morgan does, however crazy or evil, he will spin a yarn and the dopes fall for it. While a plot strand that sees the head detective take a member of the public with him in pursuit of Morgan, is pushing it a bit too far.

    Still, once the four of them reach a beach house belonging to a friend of Ferguson, the picture gathers a pace and the drama explodes to reveal its bloody denouement. Good noirish characters and Tierney on form ensure it's never less than entertaining, though the weakness of the writing asks a lot of the audience. 6/10
  • Written and directed by the auteur of the Crime Does Not Pay shorts, this entertaining film noir is not what one might expect. Rather than a straight, hard-edged drama, the movie is so riddled with comic relief that it has the quirky quality of a burlesque. Many of the characterizations are zany, and most of the acting ranges from mediocre to abysmally bad. Only Lawrence Tierney's portrayal of the diabolical hitcher keeps the plot from sinking into farce, as his sardonic, serpent-like treatment drives the story relentlessly through a cast of ditzy dames, doddering drunks, and card-dealing cops. Fans of Tierney and so-terrible-it's-terrific flicks should thus be delighted! (And keep an eye out for all the Production-Code-breaching innuendo!)
  • AAdaSC24 September 2017
    I'm a big baby doll" says Betty Lawford (Agnes) in one of the funniest lines in the movie. Another contender comes from Lawrence Tierney (Steve) who comments about a baby girl's ears. These two characters are the standout in the cast with Tierney running the show as a bad-guy who is being hunted by the police. He manipulates his way through the film and convinces as the tough guy that he really was in real life as well. As for Lawford, despite her strange intonation, she also does well as a lady who's slightly edgy. Tragically, this was her last film as she died the following year and Peter Lawford lost a cousin.

    Apart from the two cast members mentioned, the others don't fare so well with Ted North (Fergie) being the worst. There are unnecessary comedy characters that just don't belong in this film and I'm afraid to say that North is just hugely annoying and even gets a super-cheesy end sequence. The ending isn't well executed as, all of a sudden, it's over. Oh, that was convenient!

    This film could have been better if it was expanded and the lead good guy was replaced. He ruins the film and whilst Tierney is very good, he ultimately can't rescue the whole experience. The moral of this film is to get yourself hitch-hiking if you want some stories to tell. One of mine involves hitching on a tractor somewhere in the south of Portugal with a guy that spoke no English and my friend and I had no idea where we were going. Didn't involve murder, though – that's another story with a biker nutter going to Warrington. He was terrifying.
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