Not Rated | | Drama, Romance
A reporter pretends to be Jewish in order to cover a story on anti-Semitism, and personally discovers the true depths of bigotry and hatred.
The timeliness of the film is revealed by a telling exchange that took place between screenwriter Moss Hart and a stagehand, as reported in "The Saturday Review", December 6, 1947, pg. 71: "You know," a stagehand is reported to have said to Mr. Hart, "I've loved working on this picture of yours. Usually I play gin-rummy with the boys when scenes are being shot. But not this time. This time I couldn't leave the set. The picture has such a wonderful moral I didn't want to miss it". "Really?" beamed Mr. Hart, pleased not only as a scenarist but as a reformer. "That's fine. What's the moral as you see it?". "Well, I tell you," replied the stagehand. "Henceforth I'm always going to be good to Jewish people because you never can tell when they will turn out to be Gentiles."
There was a boy in our outfit... Abe Schlussman. Good soldier. Good engineer. One night, we got bombed, and he caught it. I was ten yards off. Somebody said... ''Give me a hand with this sheeny.'' Those were the last words he ever heard.
When Phil is taking Tommy to meet his (Phil's) mother at Saks Fifth Avenue, they stop in front of the statue of Atlas outside Rockefeller Center. In the shot of the two of them talking, with Fifth Avenue in the background, Saks is directly behind them, diagonally across the street on the right, with St. Patrick's Cathedral on the left. But when Phil looks at his watch and tells Tommy they'd better leave to meet grandma, the two hurry off back north along Fifth Avenue - in the completely opposite direction of the plainly visible Saks.