The movie was originally filmed in Thomson-color, a process that became extinct before prints of the film could be shown and was previously only available in a black and white version that was filmed as a precaution, in case the color process was not perfect. In 1995 the color copy was restored and published by Tati's daughter Sophie Tatischeff and cinematographer François Ede.
François le facteur:
It's not my fault if your goat gobbles up telegrams.
Alexandre Wirtz has an actor credit in the black and white version only.
Director Jacques Tati shot the film simultaneously with two cameras: one was loaded with color film and one with black and white film, as a backup copy. The film was originally intended to be released in color, but the laboratory could not develop the color film because it was shot using a new, experimental process, so Tati decided to release the black and white version instead. Another version, with some color footage was released in 1961. In 1995 the original color negative was partially restored and some parts of the black and white film were computer colorized in order to generate a new color version faithful to Tati's original vision. This new version was released with a short prologue detailing the shooting history of the film.