Julia Misbehaves (1948)

Approved   |    |  Comedy, Romance

Julia Misbehaves (1948) Poster

1936. Julia Packett, a London chorus girl, is always in trouble financially, but she always seems to manage to land on her feet by using her feminine wiles to manipulate the men in her life... See full summary »

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  • Julia Misbehaves (1948)
  • Elizabeth Taylor, Greer Garson, Peter Lawford, and Walter Pidgeon in Julia Misbehaves (1948)
  • Elizabeth Taylor, Greer Garson, Peter Lawford, and Walter Pidgeon in Julia Misbehaves (1948)
  • Julia Misbehaves (1948)
  • Greer Garson and Walter Pidgeon in Julia Misbehaves (1948)
  • "Julia Misbehaves" W. Pidgeon, G. Garson, E. Taylor 1948 MGM MPTV

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Reviews & Commentary

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User Reviews

21 August 2010 | AlsExGal
| Walter Pidgeon and Greer Garson try their hand at screwball comedy...
and do a very good job at it. If you've always wanted to see Greer Garson scantily clad and singing while being tossed about by acrobats and cheered on by sailors on leave, or if Walter Pidgeon being roughed up by a trained vaudevillian seal appeals to you, this is your movie. Garson and Pidgeon, a very popular MGM screen team of the 40's, this time are a long-estranged married couple. Pidgeon plays a real scoundrel in this one, but fortunately the scoundrel part is something we're largely told about, not something that we see much of. Pidgeon's character, William Sylvester Packett, is to the manor born and meets chorus girl Julia (Greer Garson) while in the service during World War I. They are hastily married, and a daughter Susan (Elizabeth Taylor) is born during the following year. War is often the great equalizer - it makes everyone involved forget their peacetime stations in life. Thus, when the war ends, it only takes a few months in familiar settings for William to decide he doesn't love Julia anymore and send her packing. However, William never divorces Julia, a symptom of his split feelings towards her. He does keep the baby for himself, though. Once you get familiar with the characters you feel that maybe William's mom had a hand in the break-up since she obviously thinks Julia is not good enough for her son.

The two are thrown back into each other's lives when Julia receives an invitation to her daughter's wedding. The problem is, nobody seems to know who sent that mysterious invitation. Before anyone can get in touch with her to "disinvite" her, free spirit Julia appears at the Packett estate a few days before the wedding. With estranged hubby and his mother so cool to her presence, the servants so happy to see her after all of these years, and her daughter a perfect stranger, how will this whole thing work out? I know this sounds like it has all the potential for Madame X style melodrama, but believe me it is good fun all the way. I highly recommend it. As an aside, don't be too confused by the fact that the time factor doesn't make much sense. This movie was made in 1948 but set in 1938 so the whole issue of World War II doesn't enter into the plot at all.

Critic Reviews

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Did You Know?


This film was first telecast in Seattle Thursday 7 February 1957 on KING (Channel 5), followed by Portland OR Monday 11 February 1957 on KGW (Channel 8); in Chicago it first aired 1 March 1957 on WBBM (Channel 2), in Norfolk VA 25 March 1957 on WTAR (Channel 3), in Hartford CT 23 April 1957 on WHCT (Channel 18), in Los Angeles 26 April 1957 on KTTV (Channel 11), in Phoenix 25 May 1957 on KPHO (Channel 5), in Philadelphia 19 July 1957 on WFIL (Channel 6) , in Altoona PA 16 August 1957 on WFBG (Channel 10), in New York City 3 September 1957 on WCBS (Channel 2), in Minneapolis 7 November 1957 on KMGM (Channel 9), and in San Francisco 26 January 1958 on KGO (Channel 7).


Fred Ghenoccio: That's the spirit. No use crying over spilled milk.
William Sylvester Packett: No, and it's a poor heart that never rejoices.
Fred Ghenoccio: Well, I must say, you're taking it very well.
William Sylvester Packett: After all, he travels fastest who travels alone. To say nothing of a stitch in time saves nine.
Julia Packett: Well, ...


After exiting the right hand drive phaeton/touring car at the honeymoon cabin, the two couples congregate at the right drivers side; the car is facing screen right. The next scene has the caretaker approaching from the right and the two couples are now standing in the exact same positions but on the left passenger side of the car; the car is now facing screen left.


O Sole Mio
(1898) (uncredited)
Music by
Eduardo Di Capua
Lyrics by Giovanni Capurro
Sung by Walter Pidgeon


Plot Summary

Synopsis (WARNING: Spoilers)


Comedy | Romance

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