Dunson leads a cattle drive, the culmination of over 14 years of work, to its destination in Missouri. But his tyrannical behavior along the way causes a mutiny, led by his adopted son.Dunson leads a cattle drive, the culmination of over 14 years of work, to its destination in Missouri. But his tyrannical behavior along the way causes a mutiny, led by his adopted son.Dunson leads a cattle drive, the culmination of over 14 years of work, to its destination in Missouri. But his tyrannical behavior along the way causes a mutiny, led by his adopted son.
- Nominated for 2 Oscars
- 2 wins & 5 nominations total
Coleen Gray
- Fen
- (as Colleen Gray)
Harry Carey
- Mr. Melville
- (as Harry Carey Sr.)
Chief Yowlachie
- Quo
- (as Chief Yowlatchie)
Hal Taliaferro
- Old Leather
- (as Hal Talliaferro)
John Bose
- Dunston Rider
- (uncredited)
Buck Bucko
- Cowhand
- (uncredited)
Featured reviews
Fourteen years ago Thomas Dunson entered Texas across Red River with two head of cattle, his trail hand, and a young boy, Matt Garth, who survived an Indian attack on a wagon train that killed Dunson's sweetheart. After years of development he is now head of a ranch and is preparing to drive his head of thousands of cattle up to Missouri for sale, despite the perils. However Dunson's brutal leadership style bucks up against the more peaceful Matt, leading to a rebellion and a splitting of the ways between Dunson and his adopted son.
With an early scene establishing both Dunson's methods (taking land by force) and the source of much of his future bitterness and rage, this film sets itself out to be a real good character piece and pretty much manages to do it. The plot sweeps across 14 years but doesn't suffer for it. The main plot device is the cattle drive, which is depicted with affection here, however the main story is the conflict between Dunson and Matt's methods and views on man management. This aspect is not given quite as much time as I had hoped and tends to be over shadowed by the scale of the cattle drive itself however this is still good.
The weakest point here is the romance which feels tacked on at the end. Not only does it feel unnecessary but it doesn't really work very well either. To make matters worse when the conflict between Dunson and Matt manifests itself physically, it is devalued by the involvement of Tess somewhat. Wayne's leading man is strong and is a good performance considering how unpopular he is as a character. Clift gives a balanced performance and stands up well alongside the Duke. The support cast is full of western favourites and does well to fill the story out with colour, comic relief from Brennan's chuck wagon driver is great fun.
Overall this is a good western that I felt didn't quite reach it's full potential as a film. It could have gone further with the battle of wills between the characters but instead the cattle drive takes the lion's share of screen time. Having said that, there is still plenty to enjoy with both the character clashes and the perils of the cattle drive itself.
With an early scene establishing both Dunson's methods (taking land by force) and the source of much of his future bitterness and rage, this film sets itself out to be a real good character piece and pretty much manages to do it. The plot sweeps across 14 years but doesn't suffer for it. The main plot device is the cattle drive, which is depicted with affection here, however the main story is the conflict between Dunson and Matt's methods and views on man management. This aspect is not given quite as much time as I had hoped and tends to be over shadowed by the scale of the cattle drive itself however this is still good.
The weakest point here is the romance which feels tacked on at the end. Not only does it feel unnecessary but it doesn't really work very well either. To make matters worse when the conflict between Dunson and Matt manifests itself physically, it is devalued by the involvement of Tess somewhat. Wayne's leading man is strong and is a good performance considering how unpopular he is as a character. Clift gives a balanced performance and stands up well alongside the Duke. The support cast is full of western favourites and does well to fill the story out with colour, comic relief from Brennan's chuck wagon driver is great fun.
Overall this is a good western that I felt didn't quite reach it's full potential as a film. It could have gone further with the battle of wills between the characters but instead the cattle drive takes the lion's share of screen time. Having said that, there is still plenty to enjoy with both the character clashes and the perils of the cattle drive itself.
I really enjoyed this the first time I saw it but it got a little slow on the second viewing. Nevertheless, it's a pretty solid classic-era western that has a deep cast. By deep I mean John Wayne, Montgomery Clift, Walter Brennan, Harry Carey Sr., Noah Beery Jr., John Ireland, Joanne Dru, Coleen Gray, etc. This is more of a man's movie as those last two ladies listed both have small roles.
In addition to the western action, you get some nice black-and-white cinematography. The cattle driving scenes are magnificently filmed.
Wayne plays a "Captain Bligh" type of tyrant for most of the film, although he shows a few soft touches. Brennan has a great knack of making all his characters interesting, and this movie is no exception. Clift usually was pretty interesting, too.
My only complaint is the length of the film. This could have been much better with a tighter script and about 15-20 minutes chopped off it. It's still a compelling story.
In addition to the western action, you get some nice black-and-white cinematography. The cattle driving scenes are magnificently filmed.
Wayne plays a "Captain Bligh" type of tyrant for most of the film, although he shows a few soft touches. Brennan has a great knack of making all his characters interesting, and this movie is no exception. Clift usually was pretty interesting, too.
My only complaint is the length of the film. This could have been much better with a tighter script and about 15-20 minutes chopped off it. It's still a compelling story.
You don't have to use up too much of your imagination to get into and to appreciate this Epic, Howard Hawks does a manificent job in bringing to us a story that depicts the strengths ( and weaknesses ) of early pioneers in the American West. In Red River, Hawks clearly makes us aware of the hardships and loneliness settlers experienced doing their thing, particularly on cattle drives. John Wayne, as always in his element astride a horse, does a great job portraying the single minded cattle Baron Tom Dunson. He looked comfortable in the role with all his regulars like Harry Carey Snr. and Jnr,.Hank Worden and Walter Brennan around him and, along with Hawks is responsible for the Movie being as good as it is. You could almost taste the dust and sweat as Dunson bullies his way along the cattle drive, ignoring advice, doing what a man has to do and saying often, ' I'll read over them in the mornin ', then, being left in the dust himself after his men and his adopted son Matthew Garth...... played by Mongomery Clift.... decide they've had enough. We always knew they'd meet up with each other again, and when they did....what a showdown! Dunson catches up with them in Abeline, gets off his horse when he sees Garth and bullies his way again, this time through a herd of cattle to get to him. That walk Wayne makes amongst the cows is a classic. For a big guy he's got a lot of balance, never losing his stride as he forces his way through the herd, turns, draws and fires at Cherry Valance....played by another resident bad guy of the era, John Ireland....gets hit with a bullet from Valance, crosses the railway track then proceeds to beat up on the only man game enough to stand up to him, and in the process gets a bit of a pasting himself. Fantastic stuff!! Both Clift and Brennan, who played Dunson's old friend Groot Nadine give fine supporting roles, particularly Brennan with his excellent narrative throughout the Movie. Made in 1948, Red River is a great Western and perhaps had much to do in setting standards for others to follow.
Red River(1948) is a film that gets better with age. This was the first of five Howard Hawks/John Wayne features. Red River(1948) was Howard Hawks third straight gem right after To Have & Have Not(1944) and The Big Sleep(1946). John Wayne had come a long way from his low budget Lone Star film days.
The film is considered a Western take on The Mutiny on the Bounty. The relationship between Tom Dunson and Matt Garth is deeply complex. Although they're prepared to kill each other, deep down they still respect for one another. This relationship is based on control, idealism, respect, and trust.
It takes a fascinating look at the cattle drive during the Wild West. The film shows the responsbility that went with driving cattle across country and the different road blocks that many riders were faced with. Red River(1948) shows that the cattle drives were a cowboy's main source of work. City Slickers(1991) would do a wonderful homage to this Howard Hawks classic.
Tom Dunson, Ringo Kid, and Ethan Edwards to name a few are some of the best characters played by the duke. He exhibits here that he was a great actor as well as a great Hollywood star. Its a shame that his best performances were overlooked by by many people during his lifetime(he's definitely a superior actor compared to the likes of Stallone, Arnold, and Willis combined). It was actually filmed during 1946 but was shelved for two year due to a legal battle with Howard Hughes.
Montgomery Clift stands out on his own as Matt Garth in acting next to John Wayne. Walter Brennan is excellent in the role of Tom Dunson's sidekick. Red River(1948) was one of the best film to come out of 1948. Red River(1948) contains a trademark flirtious man-woman relationship between Matt Garth and Tess that also evident in some of the director's other works...I.E., His Girl Friday(Walter & Hildy), Ball of Fire(Potts & O'Shea), To Have & Have Not(Harry & Slim), The Big Sleep(Phillip Marlowe & Vivian Sternwood), and Rio Bravo(John T. Chance & Feathers).
The film is considered a Western take on The Mutiny on the Bounty. The relationship between Tom Dunson and Matt Garth is deeply complex. Although they're prepared to kill each other, deep down they still respect for one another. This relationship is based on control, idealism, respect, and trust.
It takes a fascinating look at the cattle drive during the Wild West. The film shows the responsbility that went with driving cattle across country and the different road blocks that many riders were faced with. Red River(1948) shows that the cattle drives were a cowboy's main source of work. City Slickers(1991) would do a wonderful homage to this Howard Hawks classic.
Tom Dunson, Ringo Kid, and Ethan Edwards to name a few are some of the best characters played by the duke. He exhibits here that he was a great actor as well as a great Hollywood star. Its a shame that his best performances were overlooked by by many people during his lifetime(he's definitely a superior actor compared to the likes of Stallone, Arnold, and Willis combined). It was actually filmed during 1946 but was shelved for two year due to a legal battle with Howard Hughes.
Montgomery Clift stands out on his own as Matt Garth in acting next to John Wayne. Walter Brennan is excellent in the role of Tom Dunson's sidekick. Red River(1948) was one of the best film to come out of 1948. Red River(1948) contains a trademark flirtious man-woman relationship between Matt Garth and Tess that also evident in some of the director's other works...I.E., His Girl Friday(Walter & Hildy), Ball of Fire(Potts & O'Shea), To Have & Have Not(Harry & Slim), The Big Sleep(Phillip Marlowe & Vivian Sternwood), and Rio Bravo(John T. Chance & Feathers).
Wo aspects that make the film tick: the handling of the large number of cattle and Montgomery Clift. Otherwise the film is ordinary putting some history in focus: the Chisholm trail, the railroad, Texas as a beef state, and Abilene.
Did you know
- TriviaHoward Hawks shot the beginning of the cattle drive in close-ups of each of the principal cowhands because he felt tight shots would be needed to help the audience keep all the characters straight in their minds. To that end, he also gave them all different kinds of hats, including a derby. Montgomery Clift used Hawks' own hat, which was given to him by Gary Cooper. Cooper had imparted a weather-beaten look to the hat by watering it every night. "Spiders built nests in it," Hawks said. "It looked great."
- GoofsWhen the Mexicans ride up and Dunson asks them the name of the river, they reply without hesitation, "Rio Grande." The river has always been called "Rio Bravo" in Mexico, which is what they would have answered.
- Crazy creditsOpening credits prologue: Among the annals of the great state of Texas may be found the story of the first drive on the famous Chisholm Trail. A story of one of the great cattle herds of the world, of a man and a boy--Thomas Dunson and Matthew Garth, the story of the Red River D.
- Alternate versionsAccording to Peter Bogdanovich, the shorter version is in fact the Director's Cut. Howard Hawks was unhappy with the pacing of the longer, 133 minute cut.
- ConnectionsFeatured in The Screen Writer (1950)
- SoundtracksSettle Down
(1947)
by Dimitri Tiomkin
Lyric by Frederick Herbert (uncredited)
Played during the opening credits
Details
Box office
- Budget
- $3,000,000 (estimated)
- Gross worldwide
- $14,462
- Runtime2 hours 13 minutes
- Color
- Aspect ratio
- 1.37 : 1
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