Approved | | Comedy, Musical
A newspaper reporter and the daughter of an immigrant maintenance man help expose political corruption in New York City.
Shooting in Technicolor was set to start in December 1946, but due to a year-end strike at the Technicolor processing facilities, the project was initially postponed until July 1947. When filming actually commenced in October, black-and-white cinematography was employed as a cost-saving measure to keep the movie budgeted at about $2,000,000. In addition, Universal International was avoiding a Technicolor bottleneck, as described by William Goetz, the studio's production chief, to Thomas F. Brady of The New York Times on September 28, 1947. With a color shoot, Mr. Goetz explained, studio capital would be tied up in the picture for nearly a year after its completion. Back in January, Universal International, wanting Deanna Durbin to stay active, had rushed her before the black-and-white cameras in another vehicle, Something in the Wind (1947), which the studio had bought for her in August 1946.