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  • Warning: Spoilers
    The frantic duo now as library clerks (Abbott and Costello) who become involved into African adventures when an ambitious group led by a nasty , evil woman (Hillary Brooke) thinks Costello knows a treasure map . They , then , go to an Africa safari which leads a secret treasure , the king Salomon's diamonds . Stranded in Africa happens numerous humorous adventures , odds and risks .

    The picture contains slapstick , simple humor , parody and results to be pretty amusing . This is an okay comedy but a cheapie production in low budget developing a sarcastic look to jungle films . Most entertainment and madcap scheme comes from the animals apparition when are frightening to Costello such as a gorilla , Croc and lions , especially when happens into a cage . This is first independently financed film that Abbott and Costello made whilst under contract with Universal , it was released by United Artists . In supporting cast appears familiar faces joined in the mayhem , thus : Hillary Brooke (acting alongside with the crazy duo in ¨Against the captain Kidd¨ too) as femme fatal , she is especially known as wicked roles (¨Woman in green¨ against Sherlock's Basil Rathbone) ; Clyde Beatty and Frank Buck , they were actually lions tamers , in fact world renowned animal trainer Clyde Beatty provided his own animals for the film ; The Baer Brothers , Max and Buddy , real life muscle men heavyweight fighters and Buddy Baer (playing a giant) starred with the mad couple ¨Jack and the bean stalk¨ ; even appears the one time ¨Stooges¨ (Howard and Besser) . Atmospheric cinematography , though a colorized copy of this film was released in 1988 and mostly shot in studio .This middling spoof film was regularly directed by usual director of their films , Charles Barton . The flick will appeal to nutty duo fans . Hilarious and humorous gags make this one of the best from barmy pair . Low-budget comedy could have been better .
  • Since this independent Abbott & Costello comedy wasn't produced by Universal or MGM it comes off less slick than some of their other films, yet still emerges as pretty funny and is worth a look for fans of the team. Bud and Lou are joined by sometime-Stooges Shemp Howard and Joe Besser, and also lovely Hillary Brooke, who would later join them for their regular weekly television show.

    Brooke is a crime boss looking for a certain map that's in A&C's possession, so she and the boys (including Shemp and Joe) journey to the jungles of darkest Africa to search for what the men think is a rare type of orangutan gargantua gorilla (or some sort of nonsense); but actually, Hillary's only hunting for a secret treasure trove of precious diamonds. When Abbott finds out what's really going on, he becomes quite the self-centered businessman and is really funny and more mean than usual (which always works for me in these comedies).

    Some jokes include Costello getting locked in a cage with a lion, the humorous "I Lost My Pal" routine, and Lou tangling with cannibals. Real-life lion tamer/big game hunters Frank Buck and Clyde Beatty are also on hand to do their stuff if you go for that sort of thing. **1/2 out of ****
  • pmtelefon18 November 2018
    I am a big fan of Abbott & Costello. Out of all their movies they only made a couple of duds. "Africa Screams" is not one of them. But it does not belong in their Top 10 either. It is fast moving and mostly funny. It has very little down time. "AS" does not have any musical numbers which is a welcome change of pace for an A&C move. It also features two of the Three Stooges (Shemp Howard and Joe Besser). As you would suspect, they're both funny in this movie. For years I was down on this movie because it was only available on crappy out-of-copyright VHS tapes. There was never any joy watching those tapes. However, my DVD of "Africa Screams" looks great and is a fun watch.
  • Wow! The usually frumpy Costello looks positively dapper in his snazzy salesman's suit at movie's start. Superior A&C comedy with good routines, productive premise, and unusual cast. The boys get to chase around the wilds of a Hollywood sound stage pretending (not very hard) to be adventuring in darkest Africa. Of course, Lou gets to do his slow-to-catch- on routine as crocodiles, gorillas, and other assorted man-eating critters nuzzle up in humorously menacing fashion. I love it, though, when that savage-looking kitten scares the be-Jesus out of him in a downtown department store, no less.

    And whose great idea was it to load up the cast with some real characters. Take the giant Baer brothers, Max and Buddy, for example. Together they look like they could tear down the Empire State building without a wreaking ball. Not exactly, your usual movie types, and when they start scuffling, you can almost feel the ground shake. Then too, what an inspiration to stick coke-bottle glasses on Shemp Howard of Three Stooges fame and turn him into a nearly blind big-game hunter! So, better hide the house pets. But I really am curious how little, fat comedian Joe Besser snuck on set when the movie already had a little, fat comedian who's a lot funnier. Add real life adventurers Clyde Beatty and Frank Buck, along with the always regal Hillary Brooke who glitters, as usual, but never gets in on the fun, and it all adds up to a lively and entertaining bunch of characters.

    Perhaps best of all, A&C are still looking fresh in their roles, and if some of the routines wheeze a bit, the boys are still able to give them the needed lift, something they did not do in the last few years before the final 1956 break-up. Sure, this kind of nonsense is not everyone's cup of tea. But I defy even the sourest sour-puss not to surrender a few chuckles as the boys bumble along Africa-style.
  • yonhope27 March 2005
    Hi, Everyone, I have a theory that any movie scene will get better if you put a gorilla into the mix. It works better if the gorilla is big.

    There is a reason to spend the one dollar you might have to cough up for this film. There is a Crosley in the movie. Most people have never seen a Crosley. Most people do not know what a Crosley is. The Crosley was a small somewhat popular car that was built shortly after World War 2 (by a refrigerator manufacturer). If you watch this movie until the end you will see Lou getting out of a Crosley station wagon.

    This is also a pleasant romp through the wild jungle with Bud and Lou and some ex champion boxers, famous wild animal tamers, one pretty girl and a couple of stooges. The scenes with Clyde Beatty and his lions are obviously real. He was an actual lion tamer. The scene with Lou in the cage with the lion looks very real even though it had to be a blue screen or matte job.

    One oddity I noticed here was that Lou Costello is playing the part of Stanley Livington (no "s"). First name Stan and last initial "L." I wonder if that was a tribute to Stan Laurel? The gorilla is very well played. The gorilla suits used in many of the movies of the 1940s and 50s looked much better than the Chew Baca and other more modern gorillas.

    Worth a look.

    Tom Willett
  • "Africa Screams" was Abbott and Costello's independent production for 1949, filmed at Nassour Studios. A&C are booksellers who find themselves on an African expedition; the leader of the expedition (lovely Hillary Brooke) is after diamonds. Hilarity ensues as A&C dodge lions and gorillas; Will A&C get their share of the diamonds?

    "Africa Screams" boasts one of the finest supporting casts A&C worked with. In addition to Hillary Brooke (who later co-starred on their TV show), the movie is aided greatly by the appearances of legendary funnymen Shemp Howard and Joe Besser. An air of authenticity is given with the appearances of Frank Buck and Clyde Beatty. The tough-guy roles are nicely handled by boxers Max and Buddy Baer.

    Bud is given more to do in this film, and he shines - he shows again that he would have made a wonderful character actor. He stands up to Hillary Brooke and her goons, and cuts deals for himself. Although he takes advantage of Lou once again, I can report that Bud does get his in the end! (How, I won't reveal. Watch for yourself and see.)

    What prevents me from giving this film a higher rating than "6" are the low-budget sets at Nassour. Bud and Lou never had a big-budget film at Universal, but this film looks paltry by comparison. What also hampers the enjoyment of the film is the fact that it appears to still be in public domain; low-grade, scratchy prints are usually what can be found in the bargain section of the video store. All in all, though, a fun film. 6 out of 10.
  • Warning: Spoilers
    And they did make an awful lot of films starting with their debut in Universal's ONE NIGHT IN THE TROPICS (1940). And they did stay busy at Universal; where along with Miss Deanna Durbin, they managed to keep the Studio's doors open. But, they did not go exclusive with Universal; opting for some simultaneous work to be done for Metro-Goldwyn-Mayer, Samuel Goldwyn Studios/United Artists as well as some independents.

    Of all their films, we liked ABBOTT & COSTELLO MEET FRANKENSTEIN (Universal-Intermnational, 1948) the best; but that, my dear Schultz, is another story and review. Following this would be both more simplified, yet more complicated; simplified because it provided a road map of where to start with an A&C vehicle and where to go with it. As for the more complicated aspect of the equation; it becomes a matter of, "how do we top this?" With the release of Africa SCREAMS (Huntington-Hartford/Nassour Pictures/United Artists, 1949), it is obvious that all of this business learned on the A&C Frankenstein Project was applied to the "jungle project".

    First of all, they started with a simple enough premise and storyline to boot. Bud & Lou work in a big, Downtown Bookstore; being kind of like a B. Dalton, Bookseller or Kroch's & Brentano's (here in Chicago). Lou entertains dreams of being a big time Jungle Guy, sort of like co-stars Frank Buck and Clyde Beatty.* In true comedy movie fashion, the pair get tangled up with Treasure Hunter s Diana Emerson (Hillary Brooke) and her Henchmen Boots Wilson (Buddy Baer) & Grappler McCoy (Max Baer).

    They wind up at her house, having plenty of interplay with her Butler, Harry (Joe Besser) and Safari "Guide", Gunner (a Coke-bottle spectacled Shemp Howard). They eventually get to be part of Miss Brooke's expedition by lying about knowledge of the map needed to find a treasure trove of diamonds, worth a King's Ransom. They get into trouble with the local natives, "Bring 'Em Back Alive" Mr. Frank Buck (Himself) and the "World's Greatest Animal Trainer" Mr. Clyde Beatty (Himself).

    Lou also runs into a Gorilla who has apparent crush on him, in an emotional lovelorn way; not being a sort of Wrasslin' maneuver. And the censors objected to a female Gorilla feeling amorous about Costello; so the production team made the Gorilla a Male! So our would be 'G' Rated (today) Saturday Afternoon Kids Matinée special now has a Homosexual Bestiality relationship, right out there in front of God and Everybody! (Isn't it great to see how lucky we are in having an Arbiter of Public Taste and Morals looking- out for us in the Movie Business!**)

    So, in no surprise to anyone, after all of the above has transpired and a Giant King Kong/Mighty Joe Young knockoff Gorilla brings the action on the Dark Continent to a climactic crescendo, the Comical Pair returns to New York; where Lou has become some sort of Tycoon and Abbott some kind of blue collar worker in Costello's employ! THE END!

    A film of only about 80 minutes in length, Africa SCREAMS is obviously a project conceived as an Abbott & Costello movie from the most embryonic of stages. While it is no masterpiece; it is a top flight laugh maker, which is what it is all about, after all is said and done! The film is a crazy-quilt of the most unusual collection of personalities involved in the production at all levels. First of all, we have the cast; which we have already acknowledged in previous paragraphs; but, here we go again. Other than Bud & Lou we have a relatively small (not in size for the Baers) cast. The just mentioned brothers, Heavtyweights in the Prize Ring both, provided the brawn heavies in the gang, the "muscle." "The Livermore Larruper" former Heavyweight Champion of The World, Max Baer and his "little" brother, the near giant Buddy Baer did just fine in performing their shtick with Bud & Lou. Both Hillary Brooke and Joe Besser were later regulars on "THE ABBOTT AND COSTELLO SHOW" (CBS TV/ NBC TV, 1952-53); with Hillary providing the glamour and Joe playing the Man-Boy, "Stinky" in the Buster Brown suit! And let's not forget the old-pro, the comedians' comedian, the maverick Stooge (himself), Shemp Howard as the "blind-as-a-bat" (with or without the "Harry Caray-style" glasses.)

    In going beyond the cast we find a really strange conglomeration of people in different roles. Take for example: Musical Director, Walter Schumann-he of the "DRAGNET" theme and music for NIGHT OF THE HUNTER! We have Donald Crispi as Executive Producer! William Nassour (Producer of "SHEENA, QUEEN OF THE JUNGLE" TV Series, 1956) was Ececutive in Charge. Norman Abbott (Bud's nephew) worked as dialogue coach. Perhaps the most unusual member to be involved is Huntington Hartford, whose name is the same as his Production Company. Mr. Hartford, whose family owned the Great Atlantic & Pacific Tea Company, better known as the A&P Food Stores; once totaling about 15,000 Supermarkets nationwide.

    Now in Public Domain, Africa SCREAMS is easy to find; being all over the place, much like IT'S A WONDERFUL LIFE (Liberty Pictures/RKO Radio, 1946) used to be.

    NOTE: * These 2 guys were real life Jungle Bwanas; Mr. Buck having been known as "Bring 'Em Back Alive" for some 25 years before this picture. Clyde Beatty had his own Circus, was known as "the World's Greatest Animal Trainer" and had made many films before, including 2 Serials portraying Himself.

    NOTE: ** This begs the question: Who's pitchin' and who's catchin'?
  • Understand, I like Abbott and Costello films. Their two top films (...Meet Frankenstein and The Time of Their Lives) are comedic classics. This, alas, is a minor effort, though other movie comics appear in it.

    Possible spoilers in the following.

    The film takes a simple story and adds some comedic routines that could be applied to any equivalent film. Costello reacting to animal 'menaces" is usually good, and he's at prime form in this film. However, even in the most comedic situations, I'd have thought that even Lou's character would have noticed all the help he was getting from the gorilla.

    In the beginning of the film, the cover story is that an expedition is set up to go to Africa to hunt a legendary ape, Orang-Utan Gigantis. That translates to "great big Orang-Utan." But Orang-Utans aren't found in Africa! The chief of the cannibals mumbles some words, one of which is "ungawa," a Swahili word that means either "beat it," or "let's get moving," depending on context, but which is used as color in this one, having nothing to do with either meaning.

    Amusing, but not their top form.
  • While this isn't the best of the famous comedy duo's films (I personally think that A&C Meet Frankenstein has that honor), this is a decent comedy for fans of the pair. They manage to wring a few laughs out of a jungle theme that I personally feel was overused in films at that time. The actor who makes the film for me, however, is that wonderful "unknown" stooge, Shemp Howard, in a humorous supporting role.
  • Bud Abbott and Lou Costello search for diamonds in Africa, along the way meeting a visually-impaired gunner, a hungry lion, and a tribe of cannibals...

    I love the baby lion and the grown lion later on. Maybe they were not treated well by the studio (that seems to be common) but it made this all the better. Sure, the gorilla suit and snapping crocodiles are nice, but it is hard to beat a living animal -- lions!

    This is slightly less witty than their other work, the films with Universal. Some of the cracks are amusing, but it does not seem to be on the same level as "meet Frankenstein" or "meet the Killer". Is this because of the studio or the writing? I have no idea. Fans should still see it... besides, it has Shemp Howard!
  • Warning: Spoilers
    Until DVDs arrived on the scene, this was one of the rarest of all Abbott & Costello movies - and with good reason: It's not very funny. True, the team are in good voice and have a couple of able assistants in Joe Besser (as a pamby manservant) and Shemp Howard (a near-sighted gunman). In fact, Besser and Howard are given more amusing material than the stars. Lacking their usual writer, John Grant, Abbott and Costello have been fashioned into rather unusual characters. At first glance, Abbott is his normal hectoring, looking-out-solidly-for-number-one self, but then we find him volunteering to don a lion-skin so that his fraidy-cat buddy can impress the blonde vamp - something the old Abbott would never do. Costello's character has undergone an even more startling metamorphosis: No longer a lovable dimwit, he is a lying, cowardly braggart of uncommon stupidity yet self-preserving disloyalty! It's obvious that writer Earl Baldwin gave no great thought to sympathy or consistency of characterization but simply threw every old wheeze and routine he could think of into an already overburdened script.

    Unfortunately a lot of this material wasn't even meant to be funny in the first place. With the exception of such extended ennui-inducing episodes as Lou taming a lion in the process screen, the straight material is even more tedious than the unfunny funny. By and large, Baldwin lost a contract-sent opportunity to send up the whole jungle genre. Contenting himself with a few mild japes (Lou propelling his canoe with an eggbeater; the Baer Brothers trading insults), he allows Hillary Brooke (attractive though she is) to strut around in dead seriousness like the queen of a Congo serial. This mood is abetted by Frank Buck and particularly Clyde Beatty who take themselves very earnestly indeed. So eager were the producers to get their money's worth out of Beatty, they even provide him a chair, a whip and a cage of lions. A daring act certainly, but as presented in Africa Screams, boringly long-winded.
  • I've always been a fan of Abbott and Costello. The first time I saw this movie it became my instant favorite. Why? Lots of reasons ... The plot is fun, its put together well, it flows, it has the type of humor you'd expect from this duo, the sets work, the sound is good, the continuity is OK, but most importantly ... The REAL reason its my favorite Abbott and Costello flick ... TA DA! The CAST! Aside from Bud and Lou: Clyde Beatty! Geeze, a childhood hero of mine! Frank Buck! OMG, another one! Brothers Max and Buddy Baer, two of my favorites in whatever they did. Wait a minute, is that? YES! Shemp Howard! Wait yet again! Joe Besser? Yes again! Two of the six Three Stooges! And behind the camera, over there and off to the side, never seen but heard by extension, its Norman Abbott. Bud's Nephew and the dialog director for this flick. Norman Abbott is worth a little study of his own, having had one heck of a career! ALL of this, and its funny too!
  • If one can ignore the racism of the scenes set in Africa, or at least accept that this was a staple of Hollywood at the time, and can't be changed, then there's a lot to enjoy in "Africa Screams." It's not Abbott and Costello's best film, but it is one of their better later ones, with Lou contributing a very energetic performance, which can't always be said of post-"A&C Meet Frankenstein" films from the team. There isn't really a story here, just a premise, in which Abbott and Costello are drawn into a shady African expedition because the person in charge, played by Hillary Brooke, thinks Costello has memorized a map from a book that will lead her to a diamond mine. The transition from New York to Africa and back again is done in the finest "Well, here we are on the moon!" style employed in radio comedy shows, and of course, the jungle sets are patently phony, but it hardly matters. This is really a burlesque show without the strippers, careening from one barely-related, but often very funny, routine to another. The Baer brothers, Max and Buddy, are the heavies (Lon Chaney, Jr., must have been busy that month) and Stooges Shemp Howard and Joe Besser act as something of a secondary team, with Shemp playing a visually-impaired thug while Joe, doing his usual sissy routine, is forced to act as his guide-dog. Animal trainers Clyde Beatty and Frank Buck are there, too, because...well because they could be. There is one funny scene of Beatty doing his lion taming act while Costello, who is also trapped in the cage, desperately crawls around underneath a wicker stand trying to escape. There are also people in gorilla suits, rubber crocodiles, and those unfortunate bone-in-the-nose cannibals, one of whom oddly sports a skipper's hat. A&C's best director, Charles Barton, keeps everything moving to an absurd end, but the point is not to take any of this seriously.
  • So it goes. There's always going to be that inevitable time when a person just runs out of ideas, and this film seems to be that moment for Abbott & Costello. The whole of this film seems to me, just a bunch of their old routines and gags run together in order to fill up the running time of a feature film. This is why it's so very difficult, even for veterans like A&C, to keep a film moving, especially at feature length. Difficult for the writers first of all, to keep a story together and include comedic bits without it all seeming to be just a patch quilt of non-related ideas. They all went through this at one time or another, i.e. Chaplin, Keaton, Laurel & Hardy, etc. That isn't to say that this is a totally bad film, just parts of it. The giant "kong like" ape that's being searched for, for instance, is just too much. Good comedy exaggerates the realistic but never should it traverse into the "Twilight Zone" just for effect. Something that's interesting about this film is that there appears a current "Stooge" with a future "stooge", namely Shemp Howard and Joe Besser. Joe Besser was not, in my opinion "stooge material" but here with A&C and Shemp, he's an actual riot. Ironic. This is certainly not one of the better A&C films but worth watching, maybe as a double feature with "A&C Meet Frankenstein".
  • This is a generally enjoyable Abbott and Costello comedy, with a light and often silly feel that nevertheless works well enough. Hillary Brooke adds an elegant presence as their antagonist, and the story makes relatively good use of its comic possibilities.

    The plot has the kind of deliberately implausible setup that Bud and Lou usually handled well, as their two characters become part of an African expedition led by the scheming Brooke. Once there, there are plenty of lions and other beasts that get tangled up with the characters. Frank Buck and Clyde Beatty also appear as themselves, although they are mostly only incidental to the story.

    Brooke and the Baer brothers, as her henchmen, make their end of things work well, and there are also some good moments from Shemp Howard and Joe Besser. Not all of the comedy ideas are of the same quality, but most of it works well enough as long as you don't take it too seriously.
  • Warning: Spoilers
    This Abbott and Costello comedy brings to mind the earlier rather similar "Road to Zanzibar", staring Hope, Crosby and Lamour. Both involve interactions with gorillas and cannibals. They differ in that the gorilla in the present film is friendly and helpful toward Costello because be rescued it from a pit fall trap. Also, we get a look at a King Kong-sized gorilla, which just stands there. It's unclear if this is supposed to be the Orangutan gargantuan-a fabled giant form of orangutan that the expedition supposedly was seeking. All present naturally occurring orangutans are confined to the islands of Sumatra and Borneo, no where near Africa. Partial fossils of a long extinct giant form of Orangutans (Gigantopithecus) have been found in parts of eastern and southern Asia.

    Getting back to the movie, Lou is afraid of all animals. We see him cracking a whip at some unseen animal, which turns out to be a house cat. Doesn't sound like a good candidate for a safari to darkest Africa! Nonetheless, he's invited to go on such an expedition organized by Diana Emerson, who seems to be an independent wealthy young woman, who was actually after diamonds rumored to be plentiful in one small area of the Congo basin. Lou claims to have memorized the lost map of where these diamonds are. Abbott invites himself on the expedition. Ex-boxers Max and Buddy Baer: Diana's henchmen are also present, while Shemp Howard, of The Three Stooges, plays gunner, who is nearly blind, despite very thick glasses. Incredulously, he's supposed to be ready to shoot any dangerous animals, in case the primary shooter misses. He appears as the focus of attention occasionally, serving as a running gag. We also have wild tropical animals experts Clyde Beatty and Frank Buck. Clyde snaps his whip to encourage some lions to do his bidding in a large bamboo enclosure. Lou enters this enclosure, locking the door, confident that he can get along with the lion inside, thinking it's Abbott, in his lion suit. When he sees Abbott outside the cage, he panics, and later hides under a wicker enclosure. Abbott returns and doesn't see Lou, thus supposes the lion ate him, clothes and all(right!). Later, Abbott finds Lou, who finds a large clear stone. Abbott declares it's a diamond(very unlikely). As they walk along the jungle path, they find more, until they come to a native village, where they see that a native has been planting these stones to make them come to their village. They're tied to poles, while a big cauldron of water is being boiled. A gorilla comes along and unties Lou's ropes, then he unties Abbott's ropes, and they skedaddle. Abbott has the stones in a sack, which he hides in the jungle while Lou is elsewhere. When Abbott returns for his diamonds, they aren't to be found, as the gorilla took them. Meanwhile, the Baer brothers are roaming the jungle when a group of chimpanzees decides to have fun with them. They pile palm leaves on the trail, which one trips over. They hit one with a pea shooter. Soon, the two are fighting each other. The chimps end the fight by dropping coconuts on their heads.

    We see Abbott paddling a raft down the river, when Lou yells he wants to go with him. But Abbott refuses, saying, since his diamonds were stolen, he's going home. The next scene is in front of a tall skyscraper in NYC. Lou gets out of a car, smartly dressed, enters the skyscraper, and goes to the elevator. Abbott is the elevator operator. He asks Lou if he can have a raise. Lou says he will have to consult with his business partner. Guess who his business partner is. You got it!

    Although this was filmed in B&W, I saw the colorized version at YouTube, which was quite good. This was a relatively short A&C film, at 75min....Hillary Brooke, who played Diana, had an extensive film and TV career. She played a pirate captain in "Abbott and Costello meet Captain Kidd.", and was Lou's usual girlfriend on "The Abbott and Costello Show"

    This is a moderately interesting film, especially for children, with some childish performances here and there.
  • Warning: Spoilers
    The vaudeville humor as seen in the '40s comedies, the banter, Costello or Mantan Moreland, is naturally of varying charm, 'Africa Screams' has more vaudeville showcased, than slapstick, the almost nonexistent storyline, the slightly suggested plot, and so there are several good scenes: those with the crocodiles (near the boat, etc.), the lions, the cannibals, but a better plot would of helped immeasurably, anyway enjoy the movie for what it is, and for what is was meant: humble, unpretentious divertimento, where none dreamed of subtlety, a sequence of gags, less than what the opportunity for it would of afforded.

    Which is to state that this isn't the ultimate jungle comedy, but the likable divertimento for an evening; the opening scenes, set out of Africa, Costello at his desk in the bookshop, were better than the rest of the movie, and the map was a nice gag. Hillary Brooke, very charming in a leading role, always enjoyable on screen, is exquisite, Abbott, the insatiable coveter of diamonds, is 'Buzz'. Why such unassuming silliness gave so much pleasure to audiences 60 yrs ago is a quiz for the sociology of culture, or why has this type of innocent silliness been out-fashioned; decades later, a wholly other brand of silliness has been invented, either gross or stupid or frankly deluded.
  • Of all the Abbot and Costello films, Africa Screams has always been one of my favorites. With the added supporting help of soon to be stooges Joe Besser and Shemp Howard, the laughs are fast and furious. The main problem is that the movie, for some inexplicable reason, fell into the public domain. The good part is there is no lack of exposure for this film. The bad part is the versions that make it to DVD are simply horrible transfers. I think it is a terrible shame that so many classic comedies, like Afirca Screams, Morgy and Shoo in Chatanooga Shoo Shoo and The Stooges handful of short subjects like Disorder in the Court, Malice in the Palice, etc seem to get short-changed because some suit in the copyright-renewal office fell asleep at the wheel. I hope Africa Screams someday gets the remastered restoration it deserves.
  • Warning: Spoilers
    As a kid, there were two kinds of movies I always watched - all the ones with Abbott and Costello in them, and anything having to do with wild jungle animals. Catching this one back in the day then was obviously a bonus, how many times could lightning strike like this for a young movie fan!

    Of course back then, I wouldn't have known too much about all of the supporting players who appear here, so watching it today was a real trip down memory lane. Hillary Brooke of course was a regular on the comedy pair's TV show, usually going by her real name, while Joey Besser also had a fair share of appearances there as a character named 'Stinky' Davis. Besser's former 'Three Stooges' team member Shemp Howard also shows up here as a sight challenged safari member named Gunner who gets to do a couple of gimmicks with Lou.

    Then of course you have the most famous pair of wild animal experts of the era in Clyde Beatty and that 'Bring 'em Back Alive' guy Frank Buck. All but unknown today, they were like household names for me as I did my wild animal research back in the Fifties. On top of all that though, you've got a couple of pro boxing brothers here in the way of Max and Buddy Baer, and even though their connection to the sport isn't specifically mentioned in the story, I got a kick out of Buddy's remark as his character Boots Wilson got into a scrap with Grappler McCoy - "I'll hit you harder than Louis ever did" - a cool reference to Ring Magazine's 1924 Fight of the Year in which Joe Louis beat Max in the fourth round of their heavyweight bout.

    With all that, the story here is almost superfluous, but filled with plenty of Abbott and Costello's traditional gags, and plenty of wild animals to boot! Interestingly, as straight man Buzz Johnson, Abbott faints dead away at the sight of crocodiles, lions and gorillas, leaving his partner to handle all the double takes and feigned fear of becoming part of the lunch menu. Watching as a kid, that scene of Lou seeing the 'Orangatan Gargantua' just blew me away, something I had forgotten about until that scene played out this time around.
  • Africa Screams, one of the least seen of Abbott&Costello's films was an independent production that was released through United Artists. The thin plot has Hillary Brooke believing Costello has the map to a hidden territory that is rich with diamonds. Bud and Lou go to Africa at her behest with her two companions, the fighting Baer Brothers. Of course the payoff she has in mind is different than the one boys are expecting.

    Not that Universal studios exactly invested Abbott&Costello's films with much in the way of productions values, but this one is really really bad in that department. What budget they had they must have spent on getting both Clyde Beatty and Frank Buck to do guest appearances playing themselves.

    On the plus side the boys do have some amusing moments, especially Costello in the cage with one of Clyde Beatty's lions which he thinks is just Abbott in a lion costume. Joe Besser and Shemp Howard also provide for some additional laughs.

    My favorite moment in the film however is with the Baer brothers, Max and Buddy, both of them having fought Joe Louis and coming out on the short end, in Buddy's case twice, falling out and starting to fight as Max says he'll hit Buddy harder than Joe Louis ever did.

    The film could have been a lot better, the boys are fine, but the production values give the film a look like something Ed Wood might have created.
  • lugonian15 March 2015
    "Africa Screams" (Nassour Studios, released through United Artists, 1949), directed by Charles Barton, is a better than average Abbott and Costello comedy which places the popular team in one of their rare independent productions outside their home base of Universal Pictures. With military themes, ghost stories, college musicals, westerns, murder mysteries and everything else imaginable behind them, it would be a matter of time before Bud and Lou attempted a jungle comedy. The original screenplay by Earl Baldwin doesn't have Bud and Lou meeting Tarzan, Jungle Jim, Bomba the Jungle Boy, King Kong or The African Queen, but do team up with notable animal trainer, Clyde Beatty, and animal hunter, Frank Buck, in guest starring roles playing themselves.

    The story revolves around a couple of store clerks in the book section at Klopper's Department Store. Stanley Livington (Lou Costello), is approached at the counter by Grappler McCoy (Max Baer) and Boots Wilson (Buddy Baer), a couple of tough looking thugs inquiring about an out of print book, "Dark Safari" by Cuddleford, a notable explorer. The men, who are more interested in the map enclosed in the book, find that Stanley can reproduce the map by memory. They offer him $1,000 with the reproduction at their address later that night. At the same time, Diana Emerson (Hillary Brooke) inquires about the same book to Stanley's friend and partner, Buzz Johnson (Bud Abbott). Knowing Stanley to be more familiar with the book than he, offers his services at her asking price of $2,500, arranging their meeting at her home later that evening. Upon their arrival, Buzz introduces Stanley to Diane as the world's greatest explorer who accompanied Cuddleford on an African expedition, never revealing Stanley has a phobia towards animals. Stanley also gets to meet Diane's present guest, Clyde Beatty, who's hired to lead the safari in search for an orangutan gargantuan (while in actuality seeking for uncut diamonds depicted on the map of the book) . Overhearing Diane offering Beatty $2,000 for the expedition, finding he could obtain more money than offered, convinces Diane to take he and Buzz on the expedition as well, which she does, at the price of the drawn map by Stanley. Once in the jungles of Africa, with the safari crew with Diane's henchmen; Harry (Joe Besser), her cook and butler; Gunner (Shemp Howard), an extremely near-sited sharpshooter as their protector (!); Buzz and Stanley soon realizes their lives are in greater danger with Diane and her thugs than coming face to face with lions, crocodiles, a giant gorilla, and cannibal tribe from the Ubangi territory as Stanley's map turns out not to be quite the one depicted from the book in question.

    Although its title "Africa Screams" is reportedly depicted from a 1930 documentary,"Africa Speaks," a product made so long ago for 1949 audiences not to even recall, is, what it appears, to be a parody to the Bing Crosby, Bob Hope, Dorothy Lamour "Road to" series of the 1940s, especially the jungle African ventures of ROAD TO ZANZIBAR (1941) and ROAD TO MOROCCO (1942). In fact, with Bud, Lou and Hillary Brooks doing a Crosby, Hope and Lamour take, minus the song and dance interludes and Hollywood in-jokes, who could ask for anything more when it comes to certain gags and situations that could be just as fun to see with either Hope or Costello clowning in their own individual comedic style.

    Overlooking the aforementioned ROAD series format, "Africa Screams" is pure 79 minute comedy in the best Abbott and Costello tradition. Aside from Costello's frightful expressions and reactions, he naturally gets the biggest laughs here, especially with his shared sequences with other famed comics as Shemp Howard and Joe Besser (individually part of the Three Stooges comedy team at one point in their careers). Interestingly, both Besser and Hillary Brooke would become semi-regulars on their two-season television series of "The Abbott and Costello Show" (1952-53). Best moments for Costello occur when trying to impress Diane by doing a Clyde Beatty by locking himself inside a cage with a real lion who turns out not to be Buzz in lion costume; unknowingly swimming with a crocodile; and frightful reaction when approached by a giant gorilla, among others.As Costello gets the last laugh, it's his partner Abbott who, in state of confusion, who responds, "I just don't understand it." The audience does. Watch for it.

    With well thought out gags and some unexpected surprises, it's a wonder why "Africa Screams" has become the least known of all of their comedies combined. Once shown on New York City television (1956-1961) before disappearing from view, "Africa Screams" never became part of New York's television package of Abbott and Costello comedies (1940-1956) commonly shown Sunday morning/afternoons on WPIX, Channel 11 (1971-89). Falling into public domain with some poor reproductive copies, "Africa Screams" resurfaced on television after a long hiatus on cable, public television and independent stations as well as the early stages of home video in the early 1980s. In later years, "Africa Screams" turned up on DVD, and on cable TV's Turner Classic Movies starting in 2006. With availability readily accessible in recent years, "Africa Screams" should be an interesting rediscovery and real treat for anyone familiar with every Abbott and Costello movie ever made but unaware of the existence of this one. Availability in colorized format is quite good. (***)
  • Warning: Spoilers
    Even by Abbott & Costello standards, 'Africa Screams' is a terrible film with a few amusing moments. There are some items of interest to movie buffs today, such as the casting of two of the Three Stooges, Shemp Howard and Joe Besser, in secondary roles; this was seven years before Besser replaced Shemp as the 'third Stooge.' 'Africa Screams' was a rare independent production for A&C. It was filmed by Nassour Studios, though the team was still under contract to Universal. The previous year had seen Bud and Lou reach the top of the box office after a slump in the mid-forties, with 'Abbott & Costello Meet Frankenstein,' arguably their best film ever. Whether 'Africa Screams' was planned prior to that success or was a result of it, I don't know. In any event, it was a 'one-off,' as A&C immediately returned to Universal afterward and stayed there until 1955, when they were dropped. They made one more independent film in 1956, 'Dance With Me, Henry', before calling it quits for good. 'Africa Screams' is a hodgepodge of old routines, a few new ones, and an 'African safari' plot that pops up occasionally, mainly to justify the presence of animal trainers Clyde Beatty and Frank Buck. The pro boxing brothers, Max Baer and Buddy Baer, are along for the ride too as a couple of tough henchmen. So we get the obligatory 'lion-taming' sequence from Mr. Beatty, and a punch-out scene with the two Baer brothers. Frank Buck, fortunately, has virtually nothing to do. Joe Besser has one funny moment when he hears one of the others reveal a secret; he punches the guy on the arm and in his best spoiled-brat voice says, "Ooo, you're such a snitch!" Shemp Howard, like Frank Buck, is nowhere to be seen during most of the action and when he is, has nothing amusing to do. As for Abbott & Costello themselves, they resurrect any number of old routines, most of which are not related to the plot at all. It's almost like watching an early television variety show where they come on at intervals, do a sketch, then depart. Abbott does the familiar bit where he thinks Lou has been killed and delivers a long, mournful monologue about what a great guy Lou was and how he, Abbott, is to blame... even though Lou's standing right there. (How many times did A&C AND the Three Stooges use that routine?) My favorite is Lou reprising the 'whispering threat' business from 'Wistful Widow of Wagon Gap' where he challenges the bad guys to a no-holds-barred fight, but from a distance where they can't see him and in a voice so slight they can't hear him. For about three minutes, it's a very funny film. The casting of Besser and Hillary Brooke, as the female lead, foreshadows in fact the Abbott & Costello TV show of the early fifties, as both would be regulars. Production values of 'Africa Screams' are bottom-of-the-barrel, making any of the team's Universal flicks look like 'Gone With The Wind' by comparison. Well, the good news is, there are about 35 other Abbott & Costello films to watch instead.
  • There is a lot to like about this movie. Two of the stooges are in it. A couple of real-life prize fighters. And, a couple of real-life big game hunters...

    The plot is simple, sweet and stupid: Lou has a map memorized and he is forced on safari because everyone assumes it is a different map. He encounters lions, tough guys, crocodiles and big-game hunters. Bud Abbott is in the movie as well, being unbelievably horrible to his best friend...

    Not as many "routines" in this one, but a lot of solid comedy. Joe Besser gives a few out-loud laughs, as well. Shemp is great as the blind mobster.

    This was from a particularly fertile time for the duo. Well worth a watch...
  • Bud and Lou are up to their necks in the jungle where peril is rife at every turn. It's standard fare for the boys this one, though some strong scenes induce the laughter that the viewers are looking for. Plot is a sort of Tarzan Meets King Kong And King Solomon's Mines, with animals, cannibals and diamonds ago go. The usual rules apply, Lou is constantly under threat and offering up cowardly reactions, while Bud is calm and manages to avoid the tricky situations. As a formula it works to an extent, but as always with Abbott and Costello movies it's best not to watch too many in one sitting due to the repetitive nature of their material. Joining the lads for this one is Clyde Beatty, Frank Buck, Max Baer, Buddy Baer and Hillary Brooke. 6/10
  • Warning: Spoilers
    • With Costello poising as a big game hunter and guide, the boys tag along on an African expedition supposedly looking for a giant, undiscovered ape. What they don't realize is that the story of the ape is a hoax. The expedition is really searching for diamonds. Along the way, the boys run into crocodiles, cannibals, lions, a gorilla, a giant ape, and every other sort of trouble one could find in the jungles of Africa.


    • There are a lot of Abbott and Costello movies I enjoy - Africa Screams is not one of them. There aren't any of those Abbott and Costello "bits" that I enjoy so much. In addition, much of the movie feels too contrived. Take the gorilla that Costello accidentally saves from a trap. I realize that these movies are corny and in no way resemble real live, but the fact that the gorilla hangs around to help Costello out of one jam after the next is just too much for me to take.


    • There are several familiar faces in the supporting cast - Joe Beseer and Shemp Howard being the most recognizable. Shemp's character (an almost blind killer) gets old very fast. But, Beseer steals almost every scene in which he appears. My favorite is a very small moment where Beseer interrupts Abbot and Costello by running into a tent to get cup after cup of water. When the boys finally ask him why he needs so much water, he responds by telling them that his tent is on fire. Classic moment as far as I'm concerned.


    • By the way, I picked-up a copy with a decent transfer on one of those budget DVDs for $1.
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