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  • jotix10010 November 2005
    History repeats itself, again and again. Cuba was a magnet for people running away from Europe, before and after WWII. The country was a stepping stone for entering legally, or illegally, in the United States. At that time Cubans lived somewhat placidly in their land, but as things changed there, they are the ones trying to escape from the horrible conditions in that country.

    We are taken along to Havana by an Inmigration officer trying to find who is behind the smuggling of illegal refugees into America. This officer gets to know soon after his arrival the connection is Polinov, a shady character who has a pretty thing going operating from his Gulf Stream bar in the old section of town.

    Joseph H. Lewis directed this MGM film that has a look of being a B type picture, even though Hedy Lamarr was the main attraction going for it. Ms. Lamarr was totally wasted in the movie. As Marianne, the gorgeous woman who wants to get to America, she shows hardly any emotion and is, in general, a bland addition to the film. John Hodiak shows some intensity and speaks with a heavy accent. George Macready is the evil Palinov.

    The film shows a few scenes taken in Havana in all its beauty.
  • By the time of "Lady Without a Passport," Hedy Lamarr had seen better days. Of course, having seen better days for Hedy Lamarr would be any other beautiful woman's ultimate moment. She was one of the great film beauties. She never was one of the great film actresses, however, although she's pretty good in this post-war film about immigrants trying to get into the U.S. illegally with the help of the always oily George Macready. Immigration operative John Hodiak is sent to Havana, where he poses as a Hungarian trying to get into the states. He falls in love with Lamarr along the way.

    John Hodiak, who facially has always reminded me of Martin Landau, does a very good job. There is some magnificent Havana scenery to behold. For me the film bogs down in the protracted ending as everyone is tracing a plane, but picks up again in scenes filmed in the Florida everglades.

    The movie is black and white and very atmospheric.
  • bkoganbing9 November 2005
    Hedy Lamarr is the Lady Without a Passport, stuck in Havana and looking to get to the USA by any means necessary. George Macready is willing to help for a hefty price. John Hodiak is an immigration cop who is undercover investigating Macready's activities. Both have taken an interest in Lamarr and who could blame them for that.

    Hedy's career had been sliding downhill until her film just prior to A Lady Without a Passport. She had just come off Cecil B. DeMille's Samson and Delilah which was a comeback film for her.

    So from a mammoth multimillion dollar Cecil B. DeMille film, Hedy went into this? Don't get me wrong, A Lady Without a Passport is a good low budget crime drama. But I would have thought Hedy must have gotten better offers after Samson and Delilah.

    Anyway though it's worth a look. George Macready is always one of the most fascinating villains the screen has ever produced.
  • Before they went wide screen MGM, had a brief period of taking on likely action movie directors and pouring more money into their work than they or the audience were used to. Anthony Mann benefited with BORDER INCIDENT. John Sturges got THE PEOPLE AGAINST O'HARA and Joe Lewis scored this sweaty thriller, where the character people who enlivened his Columbia work can be seen milling round behind Metro's contract leads.

    The director was demoted to B movies after this, rather unjustly, as it's not only probably his most ambitious outing but also a very efficient entertainment. Lewis' handling breaks through the Metro gloss occasionally - the facing profiles of the death struggle, McCready firing into the fog after Hodiak has tricked him.

    The immigrant smuggling story adds surprising elements like the professionalism of the bad guys. "If he is killed he will be replaced - probably by a smarter man."

    One of the best aspects is the film's picture of Cuba, with Hodiak squiring Hedy's double round the real city along with studio construction which runs to a functional tramway, art director interiors and back projection. The seedy, fading opulent hotel the leads share is particularly evocative.

    While the process work occasionally shows, the model plane crash is a considerable set piece.

    The glamour shots of Hedy reveal the studio input, not altogether to the film's advantage. She acts well enough and looks mature-appealing with the hints of having been around enough to accept McCready's protection.

    Surprisingly sympathetic treatment of aliens "A little thing like an accent, a foreign name will set you apart" relates to the Dore Schary era multi culturalism of BAD DAY AT BLACK ROCK or BORDER INCIDENT again.
  • Hedy wanted to go back to her old studio, MGM with some pride after her great success in Samson and Delilah. Mayer wanted her so badly, he first offered her the role of Poppea in Quo Vadis with her old co star Robert Taylor from Lady of the Tropics. Fortunately she refused that role. Then Mayer offered her this role when it was originally titled "Visa". She didn't think much of it either, but she was quite satisfied as bleeding Mr Mayer of $90000.00 for the role. He wanted to capitalize on her 'comeback' and he reluctantly agreed. Getting money out of him was like getting water out of a rock. It was quite a feat for Hedy. It was a very high price for an actress at that time. Today, even starlets get that amount. But it turned out to be a nice little film, mainly because of her beauty. Hodiak was not the ideal leading man. Mcready was his typical nasty self and very good.
  • It almost feels "A Lady Without Passport" shot today could be a comedy: John Hodiak playing half the film with a Cuban accent, Hedy Lamarr, the ice-cold Jewish princess often seeming not the least bit interested... but, it's meant serious and has a solid feel. Not badly directed by Benny Lewis' brother, Joseph, shot mostly on Lot 3 doubling for pre-Castro Havana, S. Florida and the Everglades (the swamp buggy was authentic, the café sequence, a set), the location work with doubles in Florida and Cuba cuts smoothly with principal photography, though the miniature work is a little choppy. David Raksin's atonal score pulls together the films dark 50s moods of terror and careful optimism.
  • wndlz12 November 2002
    Good film noir with Hedy Lamarr and John Hodiak. I think John Hodiak was a weak choice for this film; but I think that piece of casting was due to the low budget of this film; Hedy was reputedly paid $90,000, because of 'Samson and Delilah' This film could have obviously been better. However, I am a big Hedy Lamarr fan, and I thought 'Lady Without Passport, A' was a good film.
  • The lady from the title refers to Hedy Lamarr. However, although her character is referred to in the title of the film, she really is not the star of this picture. Instead, John Hodiak is the star and he does a very nice job playing dual roles--an American immigration agent as well as a stateless Hungarian.

    When the film begins, a man is accidentally run over when escaping from someone. Why folks are chasing him isn't certain...and you learn more about this as the film progresses. It seems that this unknown dead man is an illegal alien...and clues on his body point to his having just been in Cuba. So, Peter (Hodiak) goes down to this island nation to investigate...with the help of the local police. The trail then leads to a smooth but deadly jerk, played very well by George Macready (he played snake-like characters very well). So how is pretty Hedy involved? Watch the film.

    I think for Ms. Lamarr, this film was a letdown and didn't do a lot for her career. Now it isn't because it's a bad film at all...it's very good. But she isn't given a lot to do but look pretty...even, inexplicably, during a trek through the Everglades near the end of the film...and her makeup and hair look superb!!! I live in Florida and even if this had been in the middle of winter, she sure COULDN'T have looked that perfect! Well worth seeing...and an interesting and unusual plot.
  • adamgibson210 November 2005
    This movie gets some good laughs for the hilarious accents and the airplane chase scene. The scene involves two toy planes suspended over scenery drawn on a conveyor belt. The belt moves below the planes as they wiggle from side to side on their wires. The escaping pilot then deliberately crashes his plane into a tree and everyone walks away. Looks like they spent all of their special effects money on accent coaches and Hedy Lamar. It gets even funnier after the Border Patrol agents go after the "aliens" to save the from crocodiles and water moccasins in the "jungle" of Florida. Castro must have watched this movie before he decided to throw the Yanks out.
  • Warning: Spoilers
    **SPOILERS** Film about a smuggling ring operating out of Havana Cuba getting fake papers and passports for people desperately trying to enter the United States. It becomes apparent to the US Immigration Service that something is not right in Miami when Ramon Santez, Charles Wagenheim, is killed in a car accident in NYC. Having just arrived from Cuba Sentez was in possession of a half $1,000.00 bill when he was killed. We earlier saw that Santez was scared by this stranger who approached him in a car and threatened Sentez about something that he had going with this guy named Palinov, Geore Macready. That threat had him running for his life and head first into a moving automobile! who's the heck is this Palinov?

    It's later fond out by the INS, Immigration and Naturalization Service, that Sentez was in the country illegally. It's also found out that he was supposed to pay the person who scared him into practically killing himself the other half of the bill that he had on him. Sending Hungarian/American INS agent Pete Karcgaz, John Hodiak, to Havana Cuba to check on the late Satnez connections there Pete decides to go undercover as an Hungarian national. Pete masquerade's around as the snobbish and self-centered Josef Gombush who's trying to enter the United States. This act on Petes part is to get to the bottom of the story that leads him straight to the mysterious Palinov.

    It's Palinov who approaches Gombush, the undercover INS agent Karczag, not the other way around and invites him to his café the "Gulf Stream" in downtown Havana to talk business. Needing $1,000.00 to get the papers in order for Gombush to enter the US Palinov felt that the guy is loaded and $1,000.00 feed can easily be doubled or even tripled by him.

    It just happens that Palinov is also working on the papers of beautiful Buchenwald Concentration Camp survivor Marianne Lorress, Hedy Lamarr, who doesn't have the cash, $1,000.00, but sure as hell has the looks to get him to get her into the United States. Gombush/Karcgaz also notices the gorgeous knock-out Marianne at the café which almost causes him to lose both his composure as well as his fake Hungarian accent.

    Gombush/Karcgaz really over doing it by acting like some high class jerk get's Palinov suspicious of his intentions. He later has a number of his boys break into Gombush's hotel room and work him over. It's then found out that Gombush is actually Pete Karczag American INS agent which completely blows his cover.

    Knowing that the heat is on Palinov starts to work fast to check out of Cuba but makes a point to point out to the exotic and alluring Marianne that her boyfriend Gombush, he didn't take long to make a move on her,is really American INS agent Pete Karczag! This has her drop Karczag cold and leave together with Palinvo, who's also crazy about her, and a number of other illegal refugees on a chartered plane to Florida.

    With the US military and local police having an all points bulletin out in looking for him Palinov has his pilot James ,Bruce Cowling, crash land in the wetlands of the Florida Everglades It's then that Palinov takes off with James and of course the captivating Marianne by rubber raft for the open sea in a boat that he had hidden in the swamps.

    Tracked down by INS agent Karcgaz and his boss chief Westake, James Craig, Palinvo ends up losing his pilot James to an attack by a poisonous water-moccasins. Palivo now on foot makes it to the boat only to run into Karcgaz who made it there first. After trying to shoot and miss both Karcgaz and, I guess he didn't love her anymore, Marianne Palinvo helplessly sails into the fog to Key West. With all his plans now shot to pieces Palinvo is then picked up by the awaiting US Coast Guard as he become stranded, because of agent Karcgaz sabotaging his boat, in the Caribbean Sea.
  • In retrospect, film noir is an exciting concept. Of course in reality, there was no such thing at its peak in the 1940s and 1950s. French critics coined the term in the sixties, and it has stuck.

    Sadly, today people who made these generally low budget movies are making undistinguished TV movies. Many of those who would have gone into a studio's B-unit are doing so, not all.

    With some notable exceptions like "Double Indemnity," the main characteristic of what we now call noir is low budgets. And what director REALLY would prefer a low budget to a higher one, the name value of Ann Savage to that of Hedy Lamarr? Which brings us to this terribly disappointing movie. The great noir director Joseph H. Lewis is working here for MGM and has quite a cast. In addition to the gorgeous Ms. Lamarr, he has the handsome John Hodiak as his leading man. In addition, he has James Craig and that great villain George Macready.

    Who knows what went wrong? But clearly something did. The movie starts fairly promisingly but degenerates quickly. To be honest, I couldn't wait for it to end. And it looks -- looks: They're not here to ask -- as if the cast and director felt the same way.
  • The title character of "A Lady Without Passport" is Marianne Lorress (Hedy Lamar), a Viennese ex-patriate who has waited years to immigrate to the U.S. where her father lives. She is stuck in Cuba due to American regulations and is down on her luck. There she meets Pete Karczag (John Hodiak), an INS agent who is trying to bust a smuggling ring.

    An ex-pat in a way station, waiting to leave but held back by the authorities. Where have we heard that before? Yes, this is undoubtedly another of the films inspired by the success of "Casablanca" (1942). But it lacks the intensity or charm of the Bogart vehicle. The set for the hotel in this film looks like the set from "To Have and Have Not" (1944), another film about ex-pats trying to get away.

    But let me focus on the positive aspects of the film. First, there is John Hodiak. The character he plays is clever and street smart--traits that Hodiak pulls off quite well. Secondly, there are the Havana location shots that add an authenticity and the little bit of charm that the film possesses. Lastly, the (B&W) photography shows some originality and adds to the mood of the narrative.

    The music feels inappropriate at times, but first-rate at other times. Ms. Lamar falls short of being the woman who drives the story and who inspires a man to risk his life.
  • nomoons1121 November 2012
    Warning: Spoilers
    Wow, now this was a turkey. Even a couple of name brand actors couldn't save this thing.

    A couple of Immigration officials in Miami have had it with an organization sneaking in immigrants. One illegal gets killed in Miami and they decide to infiltrate the home base in Havana. Things don't too well and with a few missteps the crooks get away...but Immigration gives chase.

    Thats's pretty much it. You get a decent performance outta John Hodiak but Hedy Lamarr is just there for you to look at. Just as beautiful as any female to grace the screen. Nobody ever accused her of trying to win an Oscar and after watching this you can see why. They try to throw in a curve ball to make the film interesting in that Hedy Lamarr is stuck from one port to another and can't get citizenship anywhere cause she was a concentration camp survivor who was deported and can't get to stay anywhere. Even with that injected this thing is just dull and bland the whole way.

    A couple of fun parts to watch for. A scene early one where the undercover Immigration official goes into town after dark in a café where a girl is dancing.Take a close look at the girl. She ain't Cuban. Just a small white girl painted on with a deep dark tan. Reminds me of those old westerns where the Indians were all white guys darkened up. I think the best part is the plane chase sequence. They wanna keep track of this guy flying so they keep the navy on him with a flier. My issue is if these smugglers were so wanted why didn't they dispatch more planes to follow? The plane deliberately crashes and they coulda had another plane follow the raft the go off on. What a laugh. The worst is the plane crash itself. No one in the plane had seats so they had to sit on their luggage. The plane(model plane) crashes and hits a tree really hard and they all get out OK. Now I've never been in a plane crash but in this case, physics would dictate most if not all those passengers woulda flown out the cockpit window with the speed the plane hit that tree.

    Save your time and watch the sun set in a lawn chair with a cold beer and be happy you avoided a 73 minute waste of time.
  • Not the best film that Hedy Lamarr has been in, but certainly another chance to enjoy this incredibly beautiful and talented actress. She made this semi-documentary film noir after Samson and Delilah. Supposedly, she got paid some big bucks as she was a hot property at the time.

    The story takes place in pre-Castro Cuba, but it is basically the same as today. It was a jumping off spot for refugees from Europe who wanted to come to the US. Hedy plays a Buchenwald concentration camp victim that has been bouncing around, is broke, and only 90 miles from her dream.

    She runs into an INS agent (John Hodiak) that is working undercover to find out about the smugging into the US. Director Joseph H. Lewis was more familiar with westerns, and you can see that here as Hodiak ends up playing Dudley Do-right and rescuing Nell (Lamarr) from Snidely Whiplash (George Macready, who plays a great cultured bad guy).

    A quality story, it's not, but. hey, we came here for Hedy.
  • Strong production values (including location shooting), good camerawork, and Hedy's beauty boost this immigration-themed programmer. The male lead is earnest but unmagnetic; the villain is above-average. **1/2 out of 4.
  • edwagreen5 August 2014
    4/10
    **
    Warning: Spoilers
    Even George MacReady's usual sinister ways is not enough to save this 1950 film. Problem is that the character should have more developed to produce more vile behavior.

    Film is predictable since you know that Agent John Hodiak, posing as a Hungarian with an authentic accent to break up a smuggling immigrant ring, shall fall for Hedy Lamarr, who is trying to gain entrance into the United States by any means.

    Half-way into the film, MacReady becomes aware of who Hodiak really is and the film goes rapidly downhill from there.

    Even the chase through the Florida swamp lands lacks the necessary excitement.
  • AaronIgay21 October 2013
    I always wondered what the story was on Hedy Lamarr. I'd never seen her in anything before this film, only heard about her in Mel Brooks jokes and so forth. Turns out she was also a Math genius, but if this film is anything to go on, she offered little more than a pretty face to the acting profession. The only thing that was memorable about this film was the location shooting in Havana. The highlight of the Cuban segment was the Mambo music and dancing as the lead walks into a seedy little nightclub. This 1950 film predates Mambo Mania in the US by a few years, by 1955 Cuba and the music that came with it were all the rage stateside and featured in numerous TV shows and films. Lots of 'Casablanca-esque' scenes of stranded refugees in this one, but unlike that film, you'll have already forgotten everybody's name by the time the credits roll.