The Redhead and the Cowboy (1951)

Approved   |    |  Western


The Redhead and the Cowboy (1951) Poster

Framed for murder during the Civil War, Gil Kyle's only alibi is Confederate agent Candace Bronson who he must track down in dangerous territory filled with foes.


6.4/10
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  • Glenn Ford in The Redhead and the Cowboy (1951)
  • Glenn Ford and Rhonda Fleming in The Redhead and the Cowboy (1951)
  • Glenn Ford in The Redhead and the Cowboy (1951)
  • Glenn Ford and Rhonda Fleming in The Redhead and the Cowboy (1951)
  • Glenn Ford and Rhonda Fleming in The Redhead and the Cowboy (1951)
  • Glenn Ford and Rhonda Fleming in The Redhead and the Cowboy (1951)

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16 January 2010 | tedg
Noir Western
Gosh. I don't have the energy to chart the history of the western. But this fits into an interesting pocket. Many westerns — including ones celebrated at the time — seem mighty dreary to me. But this one moves along.

It is basically a chase, a sort of detective story. It features a cowboy in noir mode with the redheaded saloon gal in her noir role, superimposed on her western role.

Nearly everyone we see is pretending to be something they are not and several key reversals happen. Of course our noir everyman, played by Ford, is pure and open. Dogs and little girls sense this.

It is in black and white, shot in Utah following the pattern. It has Indians, renegade soldiers, a stupid sheriff, a big finale complete with jumping into a runaway wagon. Until then, we have noir, but it switches to a western ending. Honest cowpoke, gets feisty redhead.

Ted's Evaluation -- 3 of 3: Worth watching.

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