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  • This film is better than some of Red's other movie efforts in that he has some better supporting actors in it. Wish Red had a chance to make more movies than he did in his career but shortly after this started his record run on television. That took away a lot of his time for making movies.

    This film is quite short at less than 90 minutes but most of the best comedy films are short. They don't get stuck in long & possibly boring sequences & they don't do the same joke over & over again. This film fits that model quite well.

    Red was a classic clown who is sorely missed in todays "over the top & down & dirty comedy era". He had a class that shows in films like this one & his old television programs. This film is still a very watchable example of that.
  • Skelton was never as popular as the other leading comics of his day including Hope, Crooner/Comic Crosby, Danny Kaye, Abbott and Costello for a while and many others but his movies made money as this one did too. The concept of this movie is not original but congenial and in an era of remakes would a nice, tidy vehicle for a Ben Stiller type. Watching Skelton convincingly bungle and bumble his way through scene after scene is a complete hoot. The jokes come naturally and to me, he is better at delivering these jokes than Bob Hope ever was. The mad cap finale is generally fun in this warm two hander with Gloria de haven. And direction is generally snappy and on point as our cab driver causes obvious hijinks in this on the nose but funny tale.
  • bkoganbing4 August 2016
    The Yellow Cab Man is another of Red Skelton's madcap big screen comedies where Red plays an eccentric inventor who is also accident prone. So accident prone is he that he can't get insurance no way, no how. So what does he become in lieu of a modest settlement and for signing a quitclaim given him by agent Gloria DeHaven, a cabdriver for the Yellow Cab company.

    Because of his tendency for the unfortunate, Red's invented himself a version of plexiglass, a shatter proof glass he calls elastic glass. Can't break it short of a bullet being fired into it. But he hasn't copyrighted the formula. And some unscrupulous people led by bottom feeding shyster lawyer Edward Arnold and medicine show charlatan Walter Slezak will do anything to steal the formula.

    Red's a true babe in the woods in this film, but it's amazing how schnooks like him get some really good looking women to fall for him like Gloria DeHaven. Arnold and Slezak look like they're having a great old time. Usually both of them when they play villains exude a quiet menace, but here they are both outrageously overacting and the audience joins in on the fun.

    The Yellow Cab Man is a treat for Red Skelton's legion of fans.
  • And The Yellow Cab Man is a good example. Fitfully funny comedy has Skelton playing his usual bumbler, this time an inventor and cab driver. Most of the funny bits here belong to Skelton, but Walter Slezak has a few nice bits too. Storyline has Skelton inventing bendable glass and a crew of crooks after him for the formula. Edward Arnold is the ringleader. Gloria DeHaven is a blah leading lady here. James Gleason, Paul Harvey, Polly Moran, Herbert Anderson (billed here as Guy and later on TV as Gus), Jay C. Flippen, Charles Lane, Jody Gilbert, Dewey Robinson, and Tiny Jones co-star. The IMDb lists Mae Clarke, but I never spotted her. Arnold is his blustery self, and Slezak was always a terrific comic villain. The finale is memorable, coming out just before Hitchcock's "Strangers on a Train," but with similar use of a carousel (in this case a rotating house). Skelton did better on TV, but his film career of 20 years or so (not counting cameos) was not inconsiderable. Skelton worked mostly for MGM, certainly not a studio known for its comedies. He might have fared better at a "lesser" studio. The film is notable also for its plethora of ugly DeSoto taxi cabs!
  • Warning: Spoilers
    It's often been said that MGM didn't "get" comedy. And with the scripts they would hand Red, again and again they proved that to be true. They could put really funny things in their forte -- musicals. But it was rare they really understood what makes a great comedy.

    For a change, here they got it right. I've always thought this to be the best of the Red Skelton comedy films, and my sister would have agreed when she was about 7 years old and we watched this on television. She was in absolute hysterics!

    But there's more to this film than slapstick (although that's what my sister remembers). Red always had the ability to play pathos, and he does here as the accident-prone inventor of unbreakable glass, which he tries to sell to the Yellow Cab Company, hoping that they will make unbreakable windshields. Of course, with Red being accident prone, his demonstration of his invention is a disaster. It's one mishap after another. But the bad guys are always at hand trying to take advantage. There's Edward Arnold (once a leading man himself), here reduced to a con-man shyster lawyer (but he's so good at it!). Then there's his accomplice -- Walter Slezak, as a crocked psychiatrist...and he leads Red into a fantasy sequence that's genuinely clever, original, and very funny. And then there's the hilarious finale at the Home Show. But what also works in this film is Red's sympathetic performance, silly little bits, and his romantic interest with Gloria DeHaven, who does quite nicely here. And then there's character actors James Gleason and Jay C. Flippen.

    Yes, MGM got it right this time, and gave Red one of his best roles. One for the DVD shelf! If you only buy one Red Skelton movie on DVD...this is the one!
  • Warning: Spoilers
    Funny man supreme Red Skelton plays 'Red' Pirdy, a cab driver that also invents safety devices. When he invents elastic glass for unbreakable safety glasses criminals big and small come after him to force or trick him out of the formula. 'Red' is very gullible and easily influenced. Some of his inventions are pretty wacky.The cab driver's relationship with the attractive Ellen(Gloria DeHaven)is odd at best. A rip roaring climax involves a chase through a futuristic revolving home show exposition. Skelton, one of the funniest ever on TV, seems to always be better than his movies. Silly movie with a strong cast featuring: Walter Slezak, Edward Arnold and James Gleason.
  • Warning: Spoilers
    Directed by Jack Donohue, this slightly above average comedy features Red Skelton in the title role. Though I'm not a big fan of this comedian's mugging and frequently goofy on-screen persona, I have to admit that this film's story (by Devery Freeman, who co- wrote the screenplay) kept me interested, if not laughing, until its end. Perhaps the fact that the cast is filled with several recognizable and competent character actors like Walter Slezak, Edward Arnold, James Gleason, Paul Harvey, Guy (Herbert) Anderson, and even Polly Moran (in her last film) had something to do with it. Charles Lane also appears, uncredited, as a casualty company executive who denies Skelton's character coverage for being a bad risk.

    Skelton plays 'Red' Pirdy, an accident prone inventor who meets Ellen Goodrich (Gloria DeHaven), an insurance adjuster for the Yellow Cab Co. after he'd been hit by Mickey Corkins's (James Gleason) cab. Naturally, Ellen tries to get the victim to unwittingly sign a document absolving her company from any responsibility for the accident. She visits him at his apartment which is rigged with inventions he's created per his lifelong study of, and expertise in, safety.

    Red, more than aware of his 'reckless' tendency, is all too willing to sign the paper until an ambulance chasing lawyer Martin Creavy (Arnold), whose name is alternately mispronounced Greedy and/or Creepy, stops him. Ellen wonders how Creavy always seems to arrive at her claimant conferences, during the course of which Red inadvertently demonstrates his elastic glass invention. Ellen is then able to get Red to sign the document by promising a demonstration of his invention to her cab company's owner, Mr. Hendricks.

    Creavy, who had backed out of Red's apartment with an idea, is then seen in the Yellow Cab Co. office of Willis Tomlin (Anderson), who's been being bribed by Creavy for giving inside information to the lawyer about claimants' cases. Creavy, who'd instantly realized the value of Red's elastic glass, tells Tomlin that he must sabotage the demonstration to Mr. Hendricks (because he needs time to "unlock" the secret formula from Red's brain). Tomlin switches Red's elastic glass windshield for a regular one so that when Red throws a baseball at Mr. Hendricks (Harvey), sitting behind it, the owner is beaned. Ellen, who's demoted to the "Lost & Found" department, and Mickey sympathize with Red before convincing him to become an employee of the company in order to get another chance to demonstrate his invention.

    A scene which should be funnier than it is follows: it begins with Mickey mentoring Red on the fine art of cab driving and ends with Red totaling Mickey's cab. Moran plays the mother of the bride who, along with the groom become oblivious, kissing passengers in the back of the ill-fated cab. However, somehow, Red becomes a full fledged member of the cab company.

    Meanwhile, Creavy has one of his men (John Butler) fake an accident by throwing himself in front of Red's cab in hopes of gaining leverage over him. Creavy also schemes to learn the secret of Red's invention by utilizing phony Dr. Byron Dokstedder (Slezak) to hypnotize it out of him.

    Though neither of these plans work, fortunately for Creavy (and for no other reason than to foreshadow a later event and introduce a place for it to occur), Red and Ellen go to a home show. Once there, Red recognizes the man who he'd hit with his cab when he buys a refrigeration product from "Dr." Dokstedder, and "smells a skunk".

    Later, one of Creavy's heavies, Hugo (Jay Flippen), takes a fare during which he bops Red on the head; a unique dream sequence follows. When Red awakes, he finds himself being held captive by Dokstedder & Hugo, but successfully escapes his own apartment by using his own inventions.

    Ever since being hypnotized by Dokstedder, Red conveniently hears the Doctor's voice in his head, which leads him to later suspect that he's killed Tomlin, who was about to double cross Creavy by spilling the beans about the unsuccessful invention demonstration.

    However, the fact that Red's pitcher made of elastic glass was used as the murder weapon, and that Creavy somehow knew it had water in it, eventually works its way from Red's subconscious to help him figure out what's going on. Events lead Red, recaptured by Creavy and company (which now includes another heavy played by John Indrisano), as well as Ellen & Corkins back to the home show after hours for a crazy, slapstick ending including a convoy of taxicabs, large balloons with bows & arrows ... and, of course, another demonstration of Red's elastic glass windshield to Mr. Hendricks, with predictable results.
  • Warning: Spoilers
    **SPOILERS** Red Skelton is at his hilarious best as goofy and accident pron inventor Augustus "Red" Pirdy. A man who just can't get, or stay, out of the way of both falling and moving as well as stationary objects. We get to see Red's troubles right at the start of the film as he slips and falls down a fight of stairs as the movie credits are displayed on his body cast at the hospital.

    It's when Red walking into traffic gets hit by taxi-driver, for the Yellow Cab Co, Mickey Corkins, James Gleason,that his life takes a sudden turn for the better. It's then that Red is given a chance to display his newest invention a sheet of unbreakable glass for automobiles. This has ambulance cashing lawyer Martin Creavy, Edward Arnold, who was at first interested in getting Red to sue the Yellow Cab Co. a bright idea in stealing the patent, which an absent minded Red forgot to file, from him as well as the sheet of glass itself! As things turn it's both Mikey and Yellow Cab insurance adjuster, who was investigating Red's accident, Ellen Goodrich, Gloria DeHaven, who really came to Red's rescue in preventing him from getting involved with shyster Creavy and his crew of crooks that included the fake headshrinker, psychiatrist, and kitchen appliance and carnival barker "Dr."Byron Dokestedder, Walter Slezak.

    Mickey getting Red a job at the Yellow Cab Co. after he almost brained the company's owner, by demonstrating his unbreakable glass windshield, Person Hendrick-Paul Harvey-turned out to be a stroke of genius on Mickey's part. This in fact gave Red the mobility that he needed to keep his distance from the Greavy Mob. It also got him close to who turned out to be his love interest in the movie pretty Ellen Goodrich. It's when Yellow Cab Co. manager Willis Tomlin, Guy Anderson, who was blackmailed by Greavy to switch Red's unbreakable glass, that resulted in Hendricks getting beaned by Red throwing a baseball at him, was about to spill the beans on him is when things started to get real deadly.

    All out free for all ending with both Red and Ellen stuck at a local L.A modern house and kitchen exhibit as Creavy and his boys try to do them it as well as steal Red's unbreakable glass formula. In the end Red not only foils Creavy and his gang from getting their hands on his secret formula but gets Dr.Dokestedder to have a taste of his own medicine which he infected on Red all throughout the movie: A hypodermic needle filled with a combination of truth serum and a for-runner to LSD rammed into his big fat butt! This combination chemical cocktail was administrated not by Red or Ellen but by a toaster that fat a** Dokesstedder hid the needle in to keep the police as well as the entire fleet of Yellow Cab drivers, who came to Red and Ellen's rescue, from finding!
  • I think that so many people only think of Red Skelton from TV and I think they forget that he did movies and in fact very funny movies. I scrounged around until I could find most of them on VHS but now I long for a good DVD set. The Yellow Cab Man has got to be my favorite, I laugh so hard at parts of it that I have to actually pause the film so that I can catch my breath. I usually don't care that much for physical comedy but he and Danny Kaye seem to be the masters of the art and their movies have me rolling on the floor every time. The plot in here is really not that great but it is just what is done with a simple idea -A nice guy that is totally accident prone trying to be a cab driver and show his new invention. Just wind Red up and let him loose.
  • I had discovered this obscure Red Skelton movie on YouTube recently and just decided to watch it now because of many glowing reviews on this site. In a nutshell, Red is an accident-prone fella who eventually becomes a cab driver after initially being hit by one! He's also an inventor with some crazy contraptions in his apartment. I'll stop there and just say this was very funny from beginning to end. There's an unusual distorted sequence that must have turned some minds on at the time and a hilarious end chase sequence taking place in a demonstration home. So on that note, I highly recommend The Yellow Cab Man. P.S. Since I always like to cite when someone that was in my favorite movie-It's a Wonderful Life-is in something else, here it's Charles Lane-the one who told Mr. Potter he'd one day work for George Bailey-who plays an insurance man who rejects an offer to insure Mr. Skelton!
  • Some belly laughs in this Skelton madcap. As usual Red plays a good-hearted schlemiel who stumbles from one mishap to the next, but somehow muddles through to win the girl (Gloria DeHaven) and the climax. Here he's an amateur inventor and Yellow Cab man battling veteran baddies Walter Slezak and Edward Arnold.

    A great job by the writers. The comedy set-ups are consistently funny and inventive from the mine-field opening of Red walking down the street to the whirlwind close at the L A Home Show . (Forget the muddled story-line which is just a handy post to hang the hi-jinks on.) This was just the kind of slapstick that Skelton could turn into a wild and crazy romp, and he does. .

    Catch the great comedic architecture in the early sequence that builds hilariously from the baby-sitting beginning to the nine-one-one close. Too bad this kind of engineering has largely disappeared from today's movie screen. Then too, the crib scene with Red playing both his toddler self and infant sister amounts to 60 second knee-slapper.

    In fact, there are a number of special effects scenes that work up more than a few chuckles. But the North Pole dream has something of a nightmarish undercurrent as does Red's getting shoved into the mixer.

    I guess my only complaints are the cheapness of the street sets and the dull-grayish quality of the filming (at least, in my copy). Coming from big-budget MGM, such cost-cutters affecting overall quality seem surprising.

    Nonetheless, this is a fine little post-war flick whose futuristic house at the Home Show expresses something of the surging spirit of a 1950's America then on the economic upswing.
  • Red Skelton plays a guy, oddly enough, named Red. Red is an accident- prone man and because he's often involved in accidents, he's worked on inventing some things to save lives. Most of them are pretty lame, but his unbreakable glass will easily earn him a fortune. Unfortunately a corrupt lawyer (am I being repetitive?) has decided to steal it--but the formula is locked in Red's mind. So, he comes up with a complicated plan to have him meet a phony psychiatrist who will try to pump Red for information. Along the way, Red falls for a pretty lady (Gloria DeHaven)--but soon the psychiatrist convinces Red that he has a death wish--and is a danger to people he loves. It may not sound all that funny, but the film abounds with wonderful pratfalls, stunts and cute scenes. The bottom line is that Skelton once again plays an extremely likable guy--and that makes all the silliness work. It reminds me of a Ritz Brothers film I just saw--you never liked them, so their antics were tiresome. But, with Skelton, you cannot help but root for him and are willing to put up with some extreme silliness. Well worth seeing and good for a few laughs.
  • Warning: Spoilers
    Producer: Richard Goldstone. Copyright 15 February 1950 (in notice: 1949) by Loew's Inc. An MGM picture. New York release at the Capitol: 25 March 1950. U.S. release: 7 April 1950. U.K. release: 12 June 1950. Australian release: 18 August 1950. Sydney release at the St James and Minerva (on a double bill with Devil's Doorway): 18 August 1950. U.S. running time: 85 minutes. U.K. length: 7,572 feet (84 minutes). Australian length: 7,380 feet (exactly 82 minutes).

    SYNOPSIS: Accident-prone inventor plays havoc with the Yellow Cab Company.

    COMMENT: An excellent Red Skelton comedy. The supporting cast is especially strong, and there is a marvelous performance by Walter Slezak. The gags are very good and the film has a bizarre undertone, assisted by Stradling's superb photography, that is not unattractive. The climax in the Ideal Home Exhibition is realized with considerable verve by director Donohue and has audiences literally rolling the aisle. This is one of the best films Skelton ever made, and even if you don't like Skelton's earnestly bumbling brand of humor, you will enjoy this vehicle.

    MY SECOND OPINION: People who've worked with him all agree that Skelton was actually a much funnier comedian "off the cuff". When amusing cast and crew, he was allegedly a riot of innovation, but as soon as the camera turned, he froze into the less funny, predetermined routines and dialogue laid down by the script.

    Despite its great cast (particularly Walter Slezak and Edward Arnold), excellent sets and production values (including Harry Stradling's atmospheric photography), "The Yellow Cab Man" ON A SECOND VIEWING is only mildly and intermittently amusing. On the one hand, the characters are too superficial to excite much interest; on the other, Miss De Haven is too attractive a heroine for a schlemiel like "Red" Pirdy.

    Donahue's direction too is also not without fault. On a second view, I had the impression it was too clumsy, too maladroit, too mistimed to extract the most comic juice from the script's kernels of opportunity.
  • The movies from my youth. This movie which I wish was on DVD! is a great ole movie for a rainy day. Red'd never been better getting away from the bad guys. And of course winning the girl and keeping Unbreakable Soft Glass he invented for his Cab!
  • rmax30482318 July 2011
    Warning: Spoilers
    Red Skelton is a cab driver who is accident prone. He has a girl friend of sorts, Gloria DeHaven, and some buddies at the Yellow Cab Company in Los Angeles, including James Gleason. A cabal of bad guys -- Edward Arnold, Walter Slezak, and assorted hoods with names like "Gimpy" -- find out that Skelton has invented an invaluable substance, elastic glass, for use in automobile windows. The villains first con Red, then drug him, then chase him through a vast display of "modern homes" and appliances.

    I laughed all the way through this when I was a kid, cheering and clapping along with the others. It strikes me as silly at times, now that I'm older and have much more sophisticated tastes. (Now I find Lady Gaga funny.) However, there's no argument about it's being a successful farce. The climax has a whirling carousel of a modern house going berserk -- before "Strangers on a Train" -- throwing bad guys this way and that. Slezak plays an evil doctor who tries to hide his hypodermic syringe full of truth serum in a toaster. The toaster tips over and ejects its contents point first, hitting Slezak in the buns. If you don't find that amusing, you should not watch this.

    Red is his usual gibbering self. DeHaven is pouty and pretty. We don't usually associate Edward Arnold with comedy and, in fact, he plays his familiar evil self here, only slightly over the top, gruff, blustering, phonily affable. Slezak is quite good. He was in a number of comic roles and was almost always effective in them.
  • Warning: Spoilers
    Inventor Red Skelton, prone to accidents, creates a riot in this 1950 film. Gloria DeHaven, as his girl, is along for the ride.

    Walter Slezak, Jay C. Flippen and Edward Arnold are at their evil best.

    The last scene is similar to a Marks Brothers or 3 Stooges like films.

    I loved the part with the ambulance chasers and the attorneys. Was this ever so true to life!

    The film has familiar themes of slapstick comedy, accidents beyond belief, and a little brat of a child who causes mayhem with the police and traffic departments.

    The zany Red Skelton was wonderful at this type of film. The only thing is that you're familiar with these things and can easily predict what's coming next.