I totally disagree with some previous comments. It seems as though everyone wants message films, or biting dialog for a picture to be great. Whatever happened to films being made strictly for entertainment sake. If you are looking for academy award performances forget it, but for a rainy afternoon and you just want some simple escapism then this is just the thing. The interesting thing about the whole movie was how Lucille Ball foiled all of the bigwigs who tried to put the screws to her by offering her this movie to fulfill her contract obligation. they all thought she would turn them down but she fooled them and accepted and as soon as the film wrapped she was gone.
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blakduke12 January 2007
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ptb-821 December 2013THE MAGIC CARPET is great fun. A Sam Katzman Supercinecolor bargain counter costume extravaganza with Lucille Ball and John Agar... what's not to like? It made me want to see Monogram's ALADDIN and HIAWATHA made he same year also in Super cine-color... which I thought was fantastic and rich in every mad hue possible. What a calling card for Super Cinecolor! You actually could have a whole weekend watching all these films and top it off with RKOs SON OF SINBAD. Any scene with Lucy and a very confused Raymond Burr is hilarious and she clearly is between TV shows and running not walking through this silly funny film. Tin swords that clatter, people stamping about on the floor, and a flying carpet that looks like a stiff beach towel..... yippee! It's a masterpiece of razzle dazzle cine-color whizziness. See it and laugh.
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Bunuel197624 January 2010Arabian Nights romps are popular around the house especially during this time of year for their exotic flavor, fantasy elements, action outbursts and general mindlessness. This film is best-known, if at all, for the presence of Lucille Ball; interestingly, she does not play the heroine but rather a sultry semi-villainess (the ambitious sister of the current Caliph, naturally a usurper). Equally predictably, the true heir to the throne (blandly played by John Agar) has survived an attack upon his life as an infant and, unaware of his heritage, has taken to living a life of poverty as a physician. The heroine, then, is a feisty (but who effortlessly works her feminine charms when the need arises) Patricia Medina – a regular in this type of film – who not only gets off with Agar on the wrong foot (by wanting to join the all-male band of rebels he secretly and all-too-suddenly finds himself leading under the guise of "The Scarlet Falcon"!), resents Ball (obviously over her attentions to Agar, eventually in the Caliph's employ when he cures a case of hiccups he had brought about in the first place) but has a brother of her own (Agar's sidekick and the film's obligatory supplier of comedy relief, George Tobias). As for the chief villain, we get no less than Raymond Burr: needless to say, he craves Ball's favors but she only has eyes for the dashing hero. The titular fabric comes in handy many a time during the course of the film, usually to allow Agar to make a nick-of-time escape or to meet up with his rabble and give them the low-down on the Caliph's movements so that they can finally storm the palace, rid the country of a tyrant and put Agar himself in his rightful place. As can be expected, the film is instantly forgettable and hardly great cinema but certainly makes for colorful fare and fun viewing to boot i.e. it provides perfect relaxation after a hard day at work.
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Okay, this movie is a cheap Saturday matinée type film from the 1950's, but heck, that is all it is meant to be. It is one of those silly Arabian nights movies that is fun to watch. I wish it were released on DVD, as I would gladly buy it. As a child, I liked this movie when I saw in on television, and just recently saw it again and still like it. Runs in the family as those 1950 Universal Studio Tony Curtis "Son Of Ali Baba" type films and "Son Of Sinbad" with Vincent Price. These movies may not be great in any sense of the word, but they sure are fun to watch one right after the other when there is nothing else to do!! And besides, like my summary said, where else can you find a film that has Lucy Ricardo, Perry Mason and Abner Kravitz in it??
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michael-2482 November 1999This low budget adventure stars John Agar, Raymond Burr of TV's Perry Mason, and a very pregnant Lucille Ball The poor production values used to make this movie give it the look of a Technicolor, Three Stooges episode. It's really too bad I would have enjoyed a good Arabian Adventure, starring Lucille Ball!
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nycritic24 November 2006THE MAGIC CARPET is notorious for one thing only: it was the movie that divided Lucille Ball's acting career neatly in two, for from here on she would be pioneering the Age of Television as Lucy Ricardo in "I Love Lucy", a show which over half a century after its release has been seen in practically every country in the world and has garnered her more notoriety than any meaty role, and more satisfaction that winning that golden statuette. However, at the time, she was taking a major risk which could become a hit or backfire miserably and Ball wasn't a particularly optimistic person, having toiled hard to crack the ceiling of her B-movie status. Pushing forty, completely washed up as a film actress as her talents had been ignored from every major studio, pregnant with daughter Lucie, struggling to make her marriage to Desi Arnaz work, she had read the message on the wall. It was best to be done with this mess and move on. Move on she did, and once she completed this poor excuse of an Arabian adventure, her foundling of a show shot to the top of the Nielsen ratings and made television history.
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classicsoncall14 March 2015Checking YOUR pulse after watching this Arabian adventure would be a good idea as well. Someone, somewhere at some time must have thought his was a pretty good idea for a picture, but obviously overlooked the fact that a man dressed in bright scarlet red would not exactly have looked inconspicuous as the leader of a band of desert rebels attempting to win back his lineage.
Well I don't know, you'd think a picture with Lucy Ricardo and Perry Mason on hand would be something of a unique film experience, and this one certainly qualifies, but probably for all the wrong reasons. I see a number of other reviewers had some fun with this one pretty much along the same lines as I did. It's cool to see these actors go through their paces, but the result is just a mess. Seriously now, can you imagine Raymond Burr having the desert hots for Lucille Ball?
As for the magical flying carpet, well that was just the icing on the cake. Not only was it comical looking, but you had to wonder how the players managed to keep a straight face. When it was all over, I finally figured out where John Kay (you know, the lead singer of Steppenwolf) might have gotten the inspiration for his mega-hit. I wonder if he ever saw the picture. -
churei3 August 2006Lucille Ball didn't have to do THE MAGIC CARPET and chose to make it just to finish off her contract with Columbia and move onto her planned new TV show, and we all know the result of THAT. Columbia did not believe that Ball would accept the role in this film, but she outfoxed them all and played the villainess in this Arabian Nights-type fun film. I saw it initially when it was first released, and I LOVE LUCY was already a smash hit on the tube. It was the second half of a double bill, and the audience enjoyed every minute. It was an unintentional(??) riot to see Ball so out of the character that we had come to expect already from LUCY. The SRO audience hooted, laughed, giggled, and had a great time. I don't even recall what the main feature was.... But THE MAGIC CARPET is still remembered, and I would love to find a copy.
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scsu197517 November 2022Considering "The Magic Carpet" is a costume drama starring John Agar, this film isn't nearly as bad as it could have been.
After the Caliph is murdered, his son (baby Agar) is placed on a magic carpet that spirits him away. It lands in an alley, where the baby and carpet are picked up by the guy who played Pete on the TV series "Fury." The grown boy (adult Agar) is now a physician's assistant. He pulls out a tongue depressor and tells one of his patients to open his mouth and say "Ali Baba." (I kid you not.) Meanwhile, the new Caliph, played by Gregory Gaye, aided by Raymond Burr as the Vizier, is taxing the populace to death.
It's time for a hero. Agar becomes (drum roll) the Scarlet Falcon!!
I must admit, Agar looks simply stunning in red. Apparently, he is the only clean-shaven man in the Middle East. He also displays feats of derring-do, with some nifty sword fighting and a few wrestling moves (he takes out a few dudes with a monkey flip and hip toss). Agar may have had a career doing some action flicks, instead of the 1950s-60s sci-fi crap in which he was saddled.
Agar manages to infiltrate the Caliph's lair by curing the old geezer's hiccups. We get a gratuitous shot of Agar in Arabian bathing trunks. Fortunately, the producer (Sam Katzman, who else?) spared us the sight of Burr in similar garb.
George Tobias is on hand for some comic relief. Patricia Medina plays Tobias' sister, and she has eyes for Agar. She also dances for the guys. She's pretty.
Did I mention Lucille Ball is in this? She plays the evil Caliph's sister. She discovers Agar is really the Scarlet Falcon, so it is off to the chopping block for Agar.
Can the Magic Carpet save him? Will Agar take his rightful place on the throne? Will Agar and Medina get to do a little nookie-nookie on the Magic Carpet? -
Apollo15AnnoPianoCatDogSnailAnt31 July 2020The leads are the main guy, the funny guy assistant kinda dopey amusement, the good girl, and the evil girl played by the famous lady, so basically I think they have a good fun thing here. The script is actually just routine, however this is even made up for the dir. wisely somehow understanding this and filling the movie with just action scenes after another which is a success, also the magic carpet itself is nifty. I think this is a fun movie.
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mark.waltz14 September 2016Two decades before her debacle of the movie version of the Broadway musical "Mame", Lucille Ball had a truly wretched film which she herself had badmouthed. It was all to get out of that Columbia contract, hopefully to appear in the big Cecil B. Demille smash, "The Greatest Show on Earth", but of course, that didn't happen. Instead, she ended up on TV and the rest was immortality.
Lucy's a princess here, beyond miscast as an obviously non-Arab Arab princess. This is miscasting at it's worst, with Lucy acting like she's ready to have a cat fight with the first actual Arab to come along and reclaim the title she seems to have stolen from them. She's the sister of the caliph, the subject of affections by the caliph's right hand man (Raymond Burr) who is twice as evil as the usurper caliph, having nefarious intentions himself.
Years before, the rightful caliph was murdered, and his heir is sent off on a magic carpet, growing up to be John Agar, a common thief. Hired as the caliph's doctor simply because he cured his hiccups, he soon finds out his real identity and becomes involved with both Lucy and Patricia Medina, a peasant girl who is no Maria Montez or Yvonne De Carlo.
Corny to the end, this is a quota quickie (produced by poverty row producer Sam Katzman) that was perfect for Saturday matinée audiences but forgotten soon after. Burr is appropriately sinister, with Lucy obviously phoning in a performance. George Tobias provides comedy relief while the actual carpet is pretty impressive allegedly flying through the air with the greatest of ease. -
dougiedc27 August 2014To judge anything out of Hollywood on a par with some of the incredible live performances of today's megastars is "apples n' oranges." That's why everyone still refers to it as "The Factory." Particularly now with most everything is loaded with computerized graphics - to satisfy my preteen grandchildren's Xbox fantasyworld. Back when Hollywood could crank out these pieces of trash allowing us to roll around on the living room floor laughing until we ache all over even now is the epitome of why "The Factory" churned out this stuff. Seeing very gay Raymond "Ironside" Burr sashay around in my grannies old drapes (AND THAT HILARIOUS TURBAN) is right up there with the old Mummy, Dracula, Werewolf and Frankenstein films. My dinner guests absolutely chortle with glee when I pull out one of these chestnuts, and then there's all those perfectly tacky buccaneer movies with John Payne, Steve Reeves and Maureen O'Hara.
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bkoganbing3 September 2016Harry Cohn making use of those sets he constructed for Cornel Wilde and A Thousand And One Nights made this B film The Magic Carpet that starred John Agar, Lucille Ball, and Patricia Medina. It looks like it should have come from Universal which specialized in these Middle Easterns in post World War II America churning them out by the dozen for its young contract stars, Jeff Chandler, Tony Curtis, and Rock Hudson.
But John Agar never attained the stature of these guys and doesn't quite cut it in sword, sandal, and camel. Poor Lucille Ball she was just waiting for I Love Lucy to start and just running out her contract. Lucy especially put all the emoting of George Raft into her role as the usurper princess. Of course her red hair looked as out of place in these films as Maureen O'Hara did.
As this story opens the Caliph of Bagdad is proclaiming his infant son his heir when he's struck down in a palace coup. Before the revolt is finished the Queen is also killed, but not before she dispatches the infant like Moses not in a waterproof basket, but on the family flying carpet, set on autopilot and to the home of William Fawcett a physician who brings up the kid in his profession never revealing to the kid who grows up to be John Agar his true identity. Fawcett even keeps the carpet which proves of immense help.
Patricia Medina who appeared in more than one of these kind of films has the proper spirit playing the girl who Agar really likes. But I sure can't believe she's George Tobias's sister. Raymond Burr who appeared in some great films and some not so great like this one is always good, here as the villainous vizier of the false Caliph who discovers who Agar is and tries to destroy him.
The Magic Carpet is a mediocre sand and scandal story with leads who just can't really summon up any conviction. -
grizzledgeezer2 August 2014MGM's slogan was "More stars than there are in heaven." Columbia's might have been "More crap than there is in a chicken coop". Columbia produced some fine films, but its percentage of gobblers is notably higher than that of 20th, MGM, Paramount, Warner, etc. This is one of the turkeys.
The story is the usual Arabian nights hokum. The dialog (some of which sounds as if it was lifted from Westerns) is written so as not to confuse a five-year-old, leading to terminal boredom for adults. The film is so uninvolving that the composer fills virtually every second with music, to make the viewer think something of interest is happening. The fight scenes, in particular, are notable non-events. (They look as if the actors choreographed them on the fly.)
The acting is strictly amateur, with only Raymond Burr working up enough energy to sound convincing -- and that only occasionally. John Agar's performance is among his worst -- perhaps //the// worst. One gets an inkling of why his marriage to The Queen of Cute ended.
The sets and costumes are lavishly cheap, and the color is the weirdly hued Super Cinecolor, a couple of notches inferior to the more-expensive Technicolor. The only things that show any taste or talent are several beautiful glass paintings.
This is the sort of film that ought to have been skewered on MST3K, but wasn't. A shame, really.