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  • This color remake of the landmark 'Gold Diggers' series of musicals of the 1930s is a pretty limp effort, despite individual bits that are excellent. 'Cuddles' Sakall is present for his usual Bavarian doubletalk, partnered, for some reason, with Wallace Ford playing a knife-throwing dessert rat. Dennis Morgan, tailing off in his Warners' career, plays the other guy. Basically this is a typical Warners musical of the era: a lightweight, retread plot and songs lifted from the catalogue. All it misses is Doris Day and she turned down the script.

    The real point of this movie is the dance numbers, featuring lead Gene Nelson with choreography by Warners' stalwart dance director Leroy Prinz. Nelson never really became a star, but he was as fine a dancer as any, averaging much more athletic and balletic than headliners Astaire and Kelly; his signature step was a leap onto a table from the floor. Prinz directs him perfectly with monochromatically colored lights that allow him to act and move without words. 'Birth of the Blues' is the real highlight of the film.

    Alas, aside from those moments, it's pretty much of a rote production. See it once for the dance numbers and be done.
  • Dennis Morgan stars in this color (Technicolor !) thang with Virginia Mayo. Big Yawn. Lots of musical numbers that don't really have anything to do with the plot, but give the stars a platform. The only good thing about this film is that Sandor Sakall is in here, for comic relief. (he only worked a couple more years after this one... died in 1954.) The paper thin plot here is that the girls need to find money to help Uncle Felix (Sakall) in Vegas, so they bring rich guy "Ted" along (Gene Nelson). Mayo, Lucille Norman, and Virginia Gibson are "The Dillon Sisters". There's an operatic version of "With a Song in My Heart".... too bad they couldn't do a fun, contemporary version. I thought the windows were going to shatter. They really rely on Sakall to carry this thing, but the script, the acting, and the direction are so lame it just kind of bumbles along. Not one of the better projects from Warner Brothers. One entertaining number where the trumpet player doubles as the dance partner. Directed by David Butler.. started in silents. Moved to directing television a couple years after this one. According to IMDb, he had played both a northern soldier AND a southern soldier in Griffith's Birth of a Nation ! This one is okay, but there are so many better films to watch.
  • Warner Brothers' 1950s recycling of their old films and their old songs gave us this remake of Gold Diggers of 1933 (itself a remake of the lost Gold Diggers of Broadway).

    Songs which appear within 'Painting the Clouds ...' include Tip Toe Through The Tulips, With a Song in My Heart, You're My Everything, and We're in the Money. About the best routines are those which accompany The Mambo Man, and The Birth of the Blues.

    In the cast are Virginia Mayo, Lucille Norman, and Virginia Gibson, as a girl trio of singers and dancers looking for rich men with no ties and lots of spare cash. Dennis Morgan is a slightly dull singer, Gene Nelson a dancer with a secret, and Tom Conway is Nelson's well-to-do uncle (not older brother as in Gold Diggers of 1933, although Conway looks very like Warren William did in the earlier film). An unnecessary subplot gives the irritating Cuddles Sakall something to do.

    A likeable musical which gives us nothing new but helps to pass the time.
  • Jack Warner handed this script to Doris Day, but she begged out. It was too much like the other films she had made at Warners (she made "Lullaby of Broadway" that same year and "Tea For Two" right before that). Virgina Mayo, who was free, loved doing musicals, so she stepped in and Dennis Morgan's name went up one step. Doris, by this time was extremely popular, so she would have gotten billing over Morgan.

    This was colorful (I saw it once) and Mayo looked incredible, as usual.

    Day, after "Calamity Jane" got "picky" about parts. She also turned down "The Helen Morgan Story" with Paul Newman, "The Jazz Singer" with Danny Thomas and WB had planned "Miss America" for Doris and Virginia, a musical.
  • Painting The Clouds With Sunshine casts Virginia Mayo, Lucille Norman, and Virginia Gibson as a singing trio who disappointed in love go west to Las Vegas. That city was just starting to develop as the sin city capital of America although it was a decade or so until the Rat Pack really put it on the map. The clubs in Las Vegas, Reno, and other areas in the state were just starting to attract show business acts like you see the women portray here. Singer Dennis Morgan with a bad gambling addiction is also there and so is Gene Nelson who is a hoofer who has a terrible secret, he's a Back Bay Boston millionaire.

    Terrible at least in the eyes of his cousin Tom Conway who wants to save him and the family reputation from Nelson's chosen career. Of course he falls for one of the women as well.

    I saw elements here from films like Moon Over Miami and Goldiggers Of 1933 and even Donovan's Reef in Painting The Clouds With Sunshine. The musical numbers were nice, but nothing terribly new. The score was taken from a variety of composers, I'm sure the Brothers Warner owned the rights to them. The film is a remake of the first Goldigger films both of which may be lost.

    Everybody here has done better work.
  • Warning: Spoilers
    I agree with the other reviewers that the good production values of Fifties musicals made these formula pictures tolerable; the dancing, the dated but okay singing, the cross-eyed beauty of Virginia Mayo, whom I had heard of only as a mediocre actress in B pictures. Unfortunately, this is such a compendium of tiresome stereotypes that I just couldn't stand it. Three women (always referred to as girls, of course). portrayed as whores who are looking to trade their favours for money, i.e rich husbands whose only attraction is money, end up falling for the male leads who don't all have money. A German immigrant with hideously fractured English. Wallace Ford chewing the rug, floors, walls and ceiling as a rootin' tootin' cowpoke (real Texans would puke). A straight arrow Bostonian, humourless and rigid, seduced by a blonde. One of the things I like best about feminism is that I live in a culture where women can build careers and self-worth all by themselves, and selling yourself to a man for money is no longer considered lotsa fun.
  • I have to say that I would never have watched this films by some of the reviews I read online, but glad I took a chance. It is a delightful film! I will admit I was pleasantly surprised with how much I did like it. I enjoyed it so much that I purchased a DVD copy for my own film library. Yes the story is corny by today's standards, but then again I can only take so much of 'today's standards'. This is a light, funny and wonderfully musical film that has a beginning, a middle, and an end unlike most films that are produced today. Love Virginia Mayo, who looks more beautiful in color than you could imagine.Dennis Morgan sings...who could ask for more! A great movie for a rainy afternoon...nothing more than pure entertainment!
  • It was discouraging to read the director's anti-his-movie comments. Granted it was not a big ole MGM spectacular, but I enjoyed "Painting the Clouds With Sunshine." The songs were oldies but goodies and delightful to hear, and it kept moving nicely. The 'girls-looking-for-millionaires' plot was - granted -- old hat, but the musical numbers were thoroughly enjoyable.

    Special kudos to Gene Nelson who is as good as, or better than, some of his screen contemporaries. Was he really playing the trumpet while dancing? That number was pure joy.

    Mayo and the sisters were lovely to look at, Dennis Morgan is, as usual, a pleasant talent.

    WB tossed ole Cuddles in every third picture, it seems. The 'cute-mit-accent' stuff eventually wears thin.

    Sorry, Mr. Butler, but I enjoyed your efforts on this one.
  • Warning: Spoilers
    Jack Carson was a frequent co-star of the leading man here: Dennis Morgan, but is not found here, although he was included in several early Warner Doris Day films around this time.............This musical comedy is the first of 3 released from 1951-53 that included Virginia Mayo and Gene Nelson among the stars. I would say it's probably the most entertaining of the 3, certainly in terms of memorable music, although the songs were retreads...........Dennis Morgan was a first-rate tenor, while guest star Lucille Norman was also a first rate singer,as well as a looker blond to rival Mayo. I always think of Dennis as an Irish tenor, although I discovered that he actually has a Swedish heritage! In any case, he begins this film by singing the standard "When Irish Eyes are Smiling". Gene Nelson can also sing professionally, although his main claim to fame is his athletic dancing style. .........Although Mayo (as Carol) is first billed among the actresses, she doesn't really stand out here. Her musical forte was always stage dancing, her singing always being dubbed. In fact, I would say that Lucille Norman(Abby) is more like the leading lady. ........Abby, Carol, and June(Virginia Gibson) comprise the Dillion Sisters singing trio, although they claim that they aren't really sisters. My favorite of the songs they sing is their first: "A Man is a Necessary Evil" Nelson(as Ted Lansing) then immediately pops up and begins to sing and dance to the standard "Tiptoe Through the Tulips", with the sisters eventually joining in. Interestingly, this song as well as their prior "A Man is a Necessary Evil" were composed by the team of Sonny Burke and Jack Elliot........Dennis(Vince) plus Lucille(Abby) sing 2 of the most memorable standards: "With a Song in my Heart", composed by Richard Rogers and Lorenz Hart for the musical "Spring is Here", as well as "Jalousie"(Jealousy, in English),composed by the Danish Jacob Gade, also in the '20s. Meanwhile, Carol(Mayo) sang "The Birth of the Blues", while Nelson danced around her, while supposedly chiming in with a trumpet..........Supposedly, the film was sort of a remake of Warner's "The Gold Diggers of 1933)". The first song in that film: "We're in the Money" was appropriately the last song in the present film, after the girls had snared their millionaire beaus and hoped-for husbands. I didn't notice any other song the 2 films had in common.........Of the 3 Dillion Sisters, June(Virginia Gibson) was the least prominent . However, in the Western festival, she demonstrated that she too had appreciable stage dancing skills, while clowning with Nelson..........There are also a number of non-musical supporting players. English-challenged 'Cuddles' Sakal, as 'uncle' Felix Hoff, is the owner of the Golden Egg Casino, of Las Vegas, where most of the action, except the first part, takes place. He has strange dealings with eccentric knife-throwing desert rat cowboy Sam Parks(Wallace Parks). The latter sleeps on the floor, with a small log for a pillow, so that he "will sleep like a log"(sorry). He follows Cuddles around because he wants to buy into the casino business. At one point, he wants to kill Cuddles with his knife throwing. These 2 are supposed to carry much of the humor..........Then, there is aristocratic Tom Conway, as Bennington: Nelson's cousin and president of a family bank in the East, which is the main source of Nelson's considerable wealth. He arrives at the Golden Egg to try to break up the impending marriage of Nelson and Abby by devious means...........As I mentioned, the Dillion girls came to LV to find millionaire husbands(a very familiar plot, as in "How to Marry a Millionaire", at a time before women owned more wealth than men in the USA). In the finale, the girls each have a promising wealthy beau and all are singing "We're in the Money". A fun upbeat film! See the film(on DVD) to find out who apparently ends up with whom(as if you cared!).