A Streetcar Named Desire (1951)

PG   |    |  Drama


A Streetcar Named Desire (1951) Poster

Disturbed Blanche DuBois moves in with her sister in New Orleans and is tormented by her brutish brother-in-law while her reality crumbles around her.

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Photos

  • Marlon Brando in A Streetcar Named Desire (1951)
  • Marlon Brando with Kim Hunter on the set of "A Streetcar Named Desire"
  • Marlon Brando in A Streetcar Named Desire (1951)
  • Marlon Brando on the set of "A Streetcar Named Desire"
  • Marlon Brando in the studio gym during shooting of "A Streetcar Named Desire"
  • Marlon Brando in A Streetcar Named Desire (1951)

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Did You Know?

Trivia

There were clashes on the set between Vivien Leigh and her fellow cast members. Besides being the only major cast member not to have come from the Broadway production, Leigh was a classically trained actress, whereas most of the other actors studied under the "Stanislavsky Method." Even so, Leigh was determined to make a good picture and create a great performance. She reportedly could not wait to get to the set every day, and was often the last lead actor to leave at day's end.


Quotes

A Sailor: Can I help you, ma'am?
Blanche DuBois: Why, they told me to take a streetcar named Desire and then transfer to one called Cemetery and ride six blocks and get off at Elysian Fields.


Goofs

When Stanley meets Blanche for the first time, and changes his t-shirt, during the conversation, the t-shirt goes from un-tucked to tucked into his pants. He made a big deal about taking the shirt off in front of her, but nothing about unbuckling his tight belt to get his shirt tucked into his trousers.


Alternate Versions

Kazan was forced to cut several seconds from the scene where Stanley calls Stella down from Eunice's apartment, particularly the shots of Stella lingering at the top of the stairs and regarding her husband with a look of pure lust on her face before slowly making her way down and meeting him in a passionate embrace. Instead, several prints had Stella shadowed, opening the door to exit the apartment, and following with a shot of her already halfway down the steps. The music cue was also different: the raw, sultry jazz score was replaced with a more flowery romantic one. Both the full scene and the original music cue were restored in the "director's cut" DVD.


Soundtracks

Mary Had a Little Lamb
(uncredited)
Written by
Sarah Josepha Hale

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