Ten Tall Men (1951) User Reviews (22)

Sand dunes, palm trees, and Burt Lancaster's pecs

[dinky-4 · 6/10 · 2 November 2002]

The French Foreign Legion movie usually ranked as one of Hollywood's most enjoyable sub-genres, and this is a good though undistinguished example of it. If it doesn't quite match 1953's "Desert Legion," it's probably because of a tongue-in-cheek tone which sometimes seems a bit juvenile, and because of an unconvincing leading lady -- Jody Lawrance -- who seems more North Hollywood than North Africa.

However, Burt Lancaster shone in this kind of adventure and you don't have to wait long before he has his shirt off in a bathtub scene. He also winds up, as was often the case, in a beefcake-bondage scene which has him bound with outstretched arms inside the villain's tent. "I imagine it'll be dawn before you finally die," the villain says. "I should like to watch your entire performance ... to the very end."

The villain then nods toward a wizened Arab who's gleefully heating up a variety of branding irons to be used on Lancaster's sweaty face and naked torso. "You'd be surprised at how much Tarik can get from even the most phlegmatic types."

Lancaster's back got lashed in "Rope of Sand" and "Kiss the Blood Off My Hands," so it'd be a switch to see his chest bear the brunt of the torture for a change, but circumstances spare him from such a fate.

Incidentally, this being the prudish era of the early 1950s, Lancaster's pants during this bondage scene are worn high enough to cover his navel.

" If you take the money, you'll just find yourself in a bigger mess "

[thinker1691 · 7/10 · 7 November 2009]

Somewhere in the 1950's Hollywood discovered a simple formula for superior entertainment. Around that formula, any major star worth his salt could inspire a group of characters to create a magical memory. Thus this movie called " Ten Tall men " became a hit. Burt Lancaster, plays Sgt. Mike Kincaid, a French Foreign Legionnaire, who, while in a military stockade, learns of an impending attack on the city proper while the main garrison is away. Volunteering for what some consider a suicide mission, he and nine other prisoners ride into the desert to impede the attack for five days. During that time, the small group creates havoc among the gathering tribes to get their attention. Further they kidnap Mahla (Jody Lawrance) a tribal princess, which prevents the evil Khalif Hussein (Gerald Mohr) from caring out his attack. The entire film is fun to watch as great actors like Gilbert Roland, Kieron Moore, George Tobias, John Dehner and Mike Mazurki establish a wonderful and fun filled afternoon of creative enjoyment. A solid family offering for all ages. Easilly recommended. ****

TEN TALL MEN (Willis Goldbeck, 1951) ***

[Bunuel1976 · 7/10 · 22 September 2009]

The phrase "they don't make them like this anymore" is often used in this CGI-infested age to describe extra-laden and 'authentic' Hollywood spectaculars of yesteryear but, frankly, watching this more modest, tongue-in-cheek Foreign Legion adventure, I was equally struck by just how old-fashioned (and refreshingly so) it all was – not that the sand storm sequence included here would pass muster with today's audiences! Anyhow, from the very start of the film, we have Burt Lancaster, Gilbert Roland and Kieron Moore disguised as, respectively, an Arab merchant and his two daughters!; legionnaires who are punished for daring to look twice at their Lieutenant's fiancée; an Arab chieftain who marries off his daughter to a rival Sheik to bring peace between their warring tribes and in a bid to rid their country of the 'French' infidels; the kidnapping of that same feisty daughter who, not only turns the heads of all her ten titular captors but, after several escape attempts, eventually steals the heart of tough guy Lancaster; etc. However, shot in lovely Technicolor and moving at a rapid pace, the film is an enjoyable ride through familiar territory; what was somewhat surprising, plot-wise, is that while much was made initially of the unloved Lieutenant (Stephen Bekassy) and his blonde girlfriend (Mari Blanchard), their characters virtually disappear once Lancaster's jailbird unit sets out on its mission! Despite its baffling ultra-rarity, the film is peopled by an interesting pool of talent both in front and behind the camera: Lancaster is in his third adventure flick; Gilbert Roland is his usual laid-back, womanizing Latino self; John Dehner the proverbial rotten apple in the group; George Tobias (perhaps thankfully) sacrifices himself early on; Nick Dennis and Mike Mazurki are among the rowdiest of the 'Ten'; Gerald Mohr adequately provides the required villainy; this was the second product from Norma Productions (which first partnered Lancaster with producer Harold Hecht); writer Roland Kibbee would much later go on to share directorial credit with Lancaster on THE MIDNIGHT MAN (1974; which I will be revisiting presently); associate producer Robert Aldrich would later direct Lancaster in four movies – including TWILIGHT'S LAST GLEAMING (1977; which I'll be viewing for the first time during this ongoing Burt Lancaster tribute); and, most interestingly perhaps, this was multi-talented Willis Goldbeck's most notable directorial effort but, at least two of his screen writing credits are highly impressive indeed: Tod Browning's FREAKS (1932) and John Ford's THE MAN WHO SHOT LIBERTY VALANCE (1962; Goldbeck's last film work)! One final note: after searching high and low for this film on account of a friend of mine who is a big Burt Lancaster fan (and recalls the star's brief sojourn in Malta in the 1970s), ironically, it was he who eventually provided me with a means to catch up with it via a surprisingly well-preserved VHS-sourced copy he acquired!

The quickest way to a woman's heart is to kidnap her

[JamesHitchcock · 6/10 · 31 December 2014]

This film dates from Burt Lancaster's swashbuckling period when he was trying to inherit Errol Flynn's mantle as Hollywood's leading action hero. "The Flame and the Arrow", for example, is a disguised remake of Flynn's greatest hit, "The Adventures of Robin Hood", with the story transferred from England to Italy, and "The Crimson Pirate" is in the same tradition as Flynn's "The Sea Hawk".

It has long been an Anglo-American jibe that the Foreign Legion is the greatest fighting force in the French Army "because it has no Frenchmen in it", and the exploits of the Legion have always been popular with film-makers. Although many Americans in the late nineteenth and early twentieth centuries were opposed to European colonialism, such opinions were rarely reflected in Hollywood films- "The Hurricane" from the late thirties is an exception- and "Ten Tall Men", which is set during the Rif War of the 1920s, takes a firmly pro- French position. Morocco was still a French colony in 1951, and the producers may have thought that an anti-colonialist stance would not go down well in the French market.

The film has something in common with the Gregory Peck Western "Only the Valiant" which appeared in the same year. In that film Peck plays a US cavalry officer who commands a small force tasked with holding off the Indians for long enough to allow reinforcements to reach a garrison threatened with attack. Here Lancaster plays Mike Kincaid, an American- born sergeant with the Legion, who commands a small force (the "ten tall men" of the title) tasked with holding off the Rifs for long enough to allow reinforcements to reach the threatened city of Tarfa. In both cases the small hand-picked force is largely recruited from the inmates of a military prison. (Kincaid himself has been imprisoned for striking an obnoxious Lieutenant in defence of a lady).

The main difference is that "Only the Valiant" took this scenario seriously, whereas "Ten Tall Men" is, by and large, a comedy, or at least a comedy/action hybrid. (In common with a number of films which tried to combine humour with adventure, the Bob Hope vehicle "The Paleface" being another example, there is a surprisingly high death toll). As part of his plan to foil the raid on Tarfa, Kincaid kidnaps Mahla, the beautiful fiancée the of villainous Rif leader Caid Hussein and, inevitably, the two end up falling in love. (It seems to be a widely-held belief in Hollywood that the quickest way to a woman's heart is to kidnap her). Equally inevitably, Mahla is played by an American actress, Jody Lawrance, rather than a Moroccan one.

"Ten Tall Men" is a better film than "Only the Valiant", which even Peck acknowledged as one of his weakest, precisely because the latter treats an implausible scenario seriously, whereas the former takes a very similar scenario and treats it in a more light-hearted manner. As a swashbuckling hero Lancaster was not in the same league as Flynn- he was to achieve more later in his career when he reinvented himself as a serious actor- but here he is charismatic enough to keep the film watchable, with the aid of some well-handled action sequences. 6/10

Beau Jeste

[richardchatten · 7/10 · 30 May 2022]

Breezy Technicolor hokum from Burt Lancaster's second phase between his first few films as a tough guy and his later work as a serious actor as a grinning, thigh-slapping action hero leaping across the sceen as the fifties answer to Douglas Fairbanks; well matched by Jody Lawrence's spunky young heroine

When I originally encountered this film on TV aged about ten when I took it all very seriously, only later realising George Tobias's constant refrain "My father, my mother, my brothers, my sisters" was actually a running gag.

Good one

[SanteeFats · 7/10 · 3 September 2013]

This is a typical Hollywood action-adventure movie of the 1950's. It is a vehicle for Burt Lancaster to show case his sly romantic, tongue in cheek comedic, and of course his bravura talents. This film also has a bunch of well known Hollywood character actors, most as reprobate Legionnaires who are sent on a mission to delay the Riff from attacking the town of Tarfa. There is the promotion hungry lieutenant who has been left in command while most of the regiment is away. He and Burt ( a sergeant well liked by the major but NOT the LT.) are at odds over a saloon singer. This gets Lancaster in trouble as he belts the officer and gets thrown in the gaol. His only way out is to go on the probable suicide mission This where Hollywood rears it special effects head. Burt's revolver is capable of more than six shots with out a reload!! They steal the chieftain's daughter to prevent a uniting marriage between two tribe of Riff. During the course of their flight the girl of course falls for the handsome, charismatic sergeant. Everything turns out well in the end with Burt getting a medal that the lieutenant must present to him with full honors (kiss on the cheeks)!!

Unremarkable genre picture that will provide distraction and nothing more

[bob the moo · 2 May 2005]

When in the brig on charges, Foreign Legion Sgt Mike Kincaid learns from a Riff prisoner of an impending attack on the outpost of Tarfa. In exchange for freedom, Kincaid and his men offer to run a series of distracting missions across the territory to keep the enemy busy until help can arrive. When he also learns that the leader of the Riffs, Caid Hussein, plans to marry Mahla, a girl from another tribe, in order to combine the two tribes against the French, Kincaid kidnaps her and flees into the desert – sparking anger and a chase from Hussein and a growing love for Kincaid in Mahla.

Featuring the chest and jaw of Burt Lancaster, this is just one of many foreign legion films that were so popular at one time in Hollywood. The plot is fairly enjoyable despite not having any great development or depth to it; it provides movement and direction sufficient to keep the audience watching without ever requiring much of them and for this reason it works. Of course this is not to say it does anything special, because it doesn't but it does do what you would expect from a foreign legion picture of the period – sand storms, heroic sacrifice, bare chested heroes, torture, attacks on forts and so on. Sadly with this territory comes the usual problems – standard acting, poor characters, obvious plotting, clunky romances and a lack of real audience engagement; for me these did limit the effectiveness of the film and just made it blend with an average crowd.

The acting is roundly average to match the material. Lancaster is sturdy and heroic with a good charisma and presence; hardly an interesting performance but appropriate for the genre I think. Support is not so good. Naturally Lawrence and Mohr are white actors in ethnic roles but the problem is that they don't perform that well on any level – Lawrence is unconvincing and Mohr is only acceptable as the bad guy. The rest of the cast provide some comic relief and generally give the film a rambling feel.

Overall this is a standard genre film, nothing more nor nothing less. Those who like the matinée feel of the foreign legion film will enjoy it as such but just don't expect it to do anything above and beyond the call of duty as the characters, plot, action and delivery are all fairly average and prevent the film from standing out from the crowd.

"The Sahara - - years ago, land of the Riffs, the Foreign Legion-and adventure"

[hitchcockthelegend · 6/10 · 7 June 2010]

More known for writing credits that include the likes of The Man Who Shot Liberty Valance and Sergeant Rutledge, Willis Goldbeck here instead jumps into the directors chair for this fun Burt Lancaster led desert adventure piece. Also starring Jody Lawrance, Gerald Mohr and John Dehner, the film finds a cast rightly not taking things too seriously. The plot sees Sergeant Mike Kincaid (Lancaster all teeth and pectorals) lead nine Legionnaires on a deadly mission to delay a Riff attack on a desert fort. Whilst on the trek Kincaid learns that the Riff leader Khalid Hussein (Mohr) is planning to marry Mahla (Lawrance) so as to unite two once opposing tribes. So, to prevent the marriage, Kincaid kidnaps Mahla and the troubles for the Legionnaires are about to get much much worse.

It's easy to dismiss the all round acting as being rather poor, but with the material and the obvious tone the makers were going for, it all sits rather well. None more so than with the square jawed Lancaster, an Oscar winning actor whose comic timing wasn't always put to the best use. Here, however, it is. For sure much of the film is iffy technically, but in glorious Technicolor and with smiles and moustaches aplenty, the film winds up being the undemanding light entertainment piece it set out to be. Think Carry On Follow That Camel meets The Crimson Pirate and we are about there I think. 5.5/10

Oh, Those Legionaires

[bkoganbing · 5/10 · 7 November 2009]

In those last years before the French finally cleared out of North Africa, Foreign Legion films seem to have been popular with the movie going public. Ten Tall Men is a typical example of such a film. Even though ultimately and soon the French would be driven out of the area the Foreign Legion patrolled before the decade ended.

Burt Lancaster is a sergeant of American background in the Foreign Legion and typically we don't know what drove him to join. His two corporals are Gilbert Roland and Kieron Moore and a bit of lese majeste involving Mari Blanchard got these guys some stockade time. Still they and others break out and hear of both an impending attack by the Riffs while the regiment is away on their post. It will be at the conclusion of a marriage between Jody Laurence the daughter of one sheik and Gerald Mohr another sheik. Once these tribes are united nothing stands in their way.

What to do but kidnap the daughter and hold her until the regiment returns. That proves easier said than done and once done a lot harder to tame this desert wildcat. But Burt with that smile and those pecs is the guy for the job.

None of the players in Ten Tall Men took this one real seriously and neither should we. Ten Tall Men is like a combination of The Desert Song and The Road To Morocco without songs.

Don't believe me, well check out the end and you can't tell me The Road To Morocco didn't inspire that.

Exciting but superficially moving Foreign Legion movie with Burt Lancaster outstanding as a brave sergeant

[ma-cortes · 6/10 · 13 January 2021]

Typical Oriental adventure movie set during the Riff War in Morocco , the French Foreign Legion governs an outpost in the middle of desert. The threatened outpost is usually attacked by the Muslim natives . Then the valiant sergeant Kincaid : Burt Lancaster schemes a plan to to vanquish the Muslims by kidnapping a bride : Jody Lawrence about to marry an Arab chief . As the Sergeant along with his underlings : George Tobias, Nick Dennis , Mike Mazurki , John Dehner , Kieron Moore , Michael Pate , among others carry out a dangerous mission.

Thrilling movie following the mould of the Oriental Adventures in Universal Pictures style . Being produced by the tandem Harold Hetch- James Hill-Burt Lancaster from Norma Production that financed a lot of nice films , most of them starred by Burt Lancaster . This Ten Tell Men 1951 contains noisy action , frisky adventure , enjoyable humor , impressive feats , thrills , go riding , sandstorm sequences and breathtaking chases . Howevever , this fun and amusing flick can't really disguise the fact that it is the ordinary Oriental Adventure Here Burt Lancaster was still in his all-action period when he turned out this moving and enjoyable Foreign Legion tale , such as "The Flame and the Arrow", "The Crimson Pirate" , "His Majesty O'Keefe" , "The Kentuckian" , though he formerly performed Noir Films such as: "Criss Cross" , "Sorry Wrong Number" and "The Killers" .

Here stands out a great and large support cast , as you can spot several secondaries with formidable characters as Gerard Mohr , John Dehner, Nick Dennis , Mike Mazurski, Michael Pate, Ian McDonald , Kieron Moore , George Tobias. And other up-and-coming stars as Ricardo Montalban and the extremely charming Mari Blanchard in a small character . The motion picture was competently directed by Willis Goldbeck . Rating : 6.5/10. Better than average adventure movie . Well worth seeing . The movie will appeal to Burt Lancaster fans .

Sad Excuse for Historical Film - Ten Tall Men

[arthur_tafero · 4/10 · 16 November 2021]

Not true. One was very short. The film was also short on content, which, at best, was convoluted and inaccurate. Burt is always good, but it was embarrassing to see Gilbert Roland playing a lackey. In fact, most of this film is embarrassing. Skip it. See a real film on the French Foreign Legion; this one has nothing to do with the real one.

A great Saturday afternoon popcorn chomper

[larryludwigpilot · 10/10 · 20 March 2007]

This is a great movie for just watching and enjoying. No overwhelming drama, no thought to guess the plot or who-done-it, just good old fashioned entertainment. Burt Lancaster shines in a way only he can. The jokes are funny, lines memorable (mamasita, what a rap she gave me... Khassein is a lump of evil smelling goat cheese) the girls are pretty and it rolls along as you "listen to the squeaking of the little mouse". Just enjoy yourself, if you miss a few minutes in the kitchen it won't throw you off the plot. It's great to see REAL actors displaying their craft in a time period when talent was more important than looks, bra size and CGI. If you want drama, go find Wuthering Heights and get your fill.

Wooman, Take Your Burning Eyes Off Me!

[rmax304823 · 7/10 · 20 September 2015]

The Sahara -- Years Ago! Land of Sand, Riffs, Adventure, and beaded curtains!

Also fairy tales like this story. Burt Lancaster is a sergeant in the French Foreign Legion, head of a pack of madcap ne'er-do-wells including some of the leading lights among the supporting players of the 40s and 50s. There's Gilbert Roland, Mike Mazurky, George Tobias and John Dehner. Yes, they will fight over a pair of socks but share the last drop in their canteen with the others. When they die, it's with a joke on their lips. ("Why does the chicken cross the road?") One for all; all for one. For added thrills and laughs, there is Mari Blanchard in a canary yellow dress and a fluffy hair do of the same tint.

Lancaster and his men capture a Riff prisoner and bring him back to Lieutenant Kruger in temporary charge of the base at Tafra. Kruger is played meanly by Stephen Bekassy. Bekassy was a Hungarian but no matter. One foreign accent sounds much like any other to Hollywood's ears, and it's as well that the mean guy should be a German because 1951 was only six years after the end of World War II and we still hadn't forgiven the Nazis.

Bekassy and Lancaster hate each other. And while Bekassy is busy torturing the Riff prisoner, Lancaster's Sergeant Kinkaid does roughly to Bekassy's girl friend what Lancaster's Sergeant Warden did to HIS captain's wife in "From Here to Eternity."

Result: Lancaster and his musketeers are sent on a dangerous mission through the desert in order to avert a Riff attack on the undermanned base. They kidnap a princess who is the cause of it all and gallop off into the wasteland. This is some princess too, well worth kidnapping, even if it doesn't prevent a war. Jody Lawrance, in dark makeup, is sublimely beautiful and sexy. She burns with hatred for the Legionnaires. She glares at them with irises the color of obsidian. When she speaks her voice is low, throaty, piercing, menacing, bitter, conjuring up personal images of marriages past. And she's awfully cute when she's mad. The men, of course, all want to ravage her -- except for Lancaster, who saves her from their brutality. For a moment, Lancaster and princess clinch while the ghost of Rimsky-Korsakoff plays a romantic tune in the background.

Situation Report. The half-dozen or so legionnaires are hustling across the desert with the sultry princess in tow, pursued by a multitude of black-robed, outraged, and frustrated Elf Kings. The chase is not without its hazard. Three of the legionnaires are picked off, each after some heroic deed, expiring in the arms of a comrade, always cheerful. "Londos, you're hurt bad." "I'm cashing in my chips, Mike, but why -- why -- did Descartes suddenly disappear in the wine shop? (Gasp.)"

The ending is a Donneybrook in the enemy camp, so comic it could be Bing Crosby and Bob Hope instead of Lancaster's men. There are tense moments when a Riff has Lancaster pinned under him, both men straining against the Arab dagger, only quivering inches from Lancaster's taut face. Do Burt and his men save the fort? Does Burt get the girl? Is that supposed to be a joke?

Burt Lancaster is at his best here. With a few exceptions like "Atlantic City," he was never much of a serious actor but he was great in these early adventure roles. He pulled out all the stops to magisterial comic effect. His grin is filled with Chiclets. He bounces around as if he were half his actual size, limber but not muscle bound. Off the screen he was an equally admirable altruist. Lots of fun.

Three Stooges Join the Foreign Legion

[reymunpadilla · 1/10 · 19 November 2023]

Really bad comedy that wastes three talented actors. What passes for said comedy is a bad Three Stooges imitation.

Dress like women and bat eyelashes while spouting "Ooh la la!" This is supposedly funny?!

Smash a pot over the bad guys' head and the audience hears a ridiculous popping coconut sound. Not just once but again and again. This is supposedly funny?!

Bad guy pulls off good guy's fake beard during fight and is wide eyed with surprise. This is supposedly funny?!

Run around in circles. One of you whines "what will we do now?" This is supposedly funny?!

What a sad low point for all involved.

The 38 Year Old Burt Lancaster

[The Novelist · 25 April 2002]

An impressive 38 year old Burt Lancaster appears in this mediocre film. He was a perfectionist when it came to working with ambitious amateurs who had more aspiration than talent. Although there is no one film that I like about Lancaster, he was impressive at 38.

Jody steals the show!

[JohnHowardReid · 6/10 · 22 September 2017]

Director: WILLIS GOLDBECK. Screenplay by Roland Kibbee, Frank Davis. Story by James Warner Bellah, Willis Goldbeck. Assistant director: Earl Bellamy. Director of photography: William Snyder. Art director: Carl Anderson. Color by Technicolor. Technicolor Color Consultant: Francis Cugat. Film editor: William Lyon. Set decorator: Louis Diage. Make- up by Clay Campbell. Hair styles by Helen Hunt. Sound engineer: George Cooper. Gowns by Jean Louis. Music director: Morris Stoloff. Music score by David Buttolph. Assistant to the producers: Robert B. Aldrich. A Norman Production. A Columbia Picture. Producers: Harold Hecht, Burt Lancaster.

Copyright 5 November 1951 by Halburt Productions, Inc. A Norma Production, released by Columbia Pictures Corp. New York opening at the Victoria: 26 October 1951. U.S. release: December 1951. U.K. release: 7 April 1952. Australian release: 24 October 1952. 97 minutes.

SYNOPSIS: Foreign Legion Sergeant Mike Kincaid (Burt Lancaster) and nine comrades-in-arms undertake to stop a Riff attack on the desert city of Tarfa. His troop includes Delgado (Gilbert Roland), Molier (Kieron Moore) and Londos (George Tobias). Mike captures Mahla (Jody Lawrance), a Riff princess whose marriage to Hussin (Gerald Mohr) will ally two Riff tribes against the French.

COMMENT: A Foreign Legion romp with Burt Lancaster and company pretending to be legionnaires, alternately incredibly brave or playfully skittish. The action is lively enough, the actual locations reasonably attractive, but it is Jody Lawrance who steals the show — without trying!

OTHER VIEWS: Thin and light-hearted, if rather obvious and poorly scripted. Burt Lancaster makes an efficient looking sergeant, and Kieron Moore a somewhat less adequate corporal. — Monthly Film Bulletin.

Carry on up the desert

[Prismark10 · 4/10 · 3 April 2015]

When French Foreign Legionnaire Kincaid (Burt Lancaster) is told of an impending attack on the outpost of in North Africa while he is imprisoned. In return for his freedom he and his men will distract the enemy until help arrived.

However he learns that the treacherous leader of the Riffs plans to marry Mahla, a girl from a rival tribe in order to create an alliance against the French. Kincaid kidnaps her and takes for the desert where both fall for each other.

Burt Lancaster was the tough, compassionate and dashing soldier several years before From Here to Eternity.

The plot nicely shot in Technicolour does have a hint of being shot in a Hollywood back lot rather than a desert. It also has a whole heap of campness especially with a bare chested Lancaster about to be tortured.

Its purely a film of its time with a light plot, broad humour, a clunky romance where the white soldier kidnaps the Arab princess and inexplicably fall in love. Still you feel that all involved had their tongues in their cheeks and went all out to entertain.

Ten Tall Men

[henry8-3 · 5/10 · 26 March 2022]

Burt Lancaster plays a sergeant in the French foreign legion who, in big trouble with the lieutenant in charge, volunteers to distract the enemy for 5 days until the full regiment returns. He takes a group of 9 other undesirable soldiers and they start by kidnapping the wife to be of a tribal elder - the baddie.

Odd mixture of tough guy action and silly comedy which doesn't entirely gel. Lancaster though is his usual heroic, grinning self which makes this a pleasant enough if unremarkable beau geste pastiche.

Good action yarn

[Spondonman · 8/10 · 22 August 2013]

If like me you prefer adventure movies that entertain and that don't have to engage the brain then this is probably right up your sand dune. Absolutely no message and defiantly old fashioned (because it was made in 1951?) full of corn and clichés but to the light hearted also full of fun and frolics. Most of today's audience will also notice there's no cgi cartoonery that has to be in every film made nowadays.

Swashbuckling Legionnaire Burt Lancaster gets out of jail on the understanding he will delay by 5 days the naughty Riff's attack on their stronghold at Tarfa, picking 9 men fairly good and true to help. He finds an "easy" way to accomplish this: by abducting a sultan's pretty and pretty feisty daughter with the strange gravelly voice and thus getting the Riff's to chase all over the place. Although Lancaster initially seemed to me to be missing Nick Cravat he turned in some fine non-acrobatic comedic moments – as the supposed father to 2 ugly daughters, dodging Princess Mahla's bullets, and one of my favourite split seconds from any film ever made is when he lustily roars out "Murderers!" to the aghast wedding party. During the chase a corny variation on Beau Geste is used, Abbott & Costello are referenced, and the tribal division sown in Road To Morrocco is continued to good effect. Because of this film I've always had a little trouble adjusting if I've seen Gerald Mohr without a turban. But what the red blooded Mike was supposed to see in Mahla was beyond me though as she wasn't a very friendly lady - even at the end if she'd ever said I Love You to Lancaster I'd take it to mean Take That!

So, it's nothing heavy and has absolutely no significance at all – but every few years it's a pleasant time passer for me, 97 minutes of witty and romantic middlebrow entertainment. By the way that's not something I'd put about The Hobbit, having recently watched that for the first and last time.

Amazingly ordinary.

[planktonrules · 5/10 · 1 September 2011]

Despite the presence of Burt Lancaster, this is a very ordinary sort of French Foreign Legion film. You certainly WON'T be reminded of "Beau Geste" when you see "Ten Tall Men".

Lancaster plays a trouble-loving sergeant. However disrespectful and crazy he behaves, however, he's loyal and very brave. So, when he hears that the evil Hussin is planning an attack, he's quick to volunteer to take a group of nine men and try to delay Hussin's men. But, when they arrive in his camp in disguise, they learn that Hussin is about to marry the daughter of his hated rival from another clan. And, in doing so, he'll united the clans and be strong enough to beat the Legion. So, they impulsively decide to kidnap the lady--figuring that this way the two tribes will not become one. Much of the rest of the film consists of Lancaster and his men running from the pursuers.

I assume that if you love the colonial system, you will be more favorably disposed towards this film. After all, if you think about it, you could just as easily root for the rebels as they are trying to rid their land of foreign invaders. As for me, the deciding factor for not loving the film had much more to do with the very pedestrian nature of the movie. Nothing caught my interest and it seemed more like a B-movie with color than anything else. It had a lot of clichés (such as the falling in love bit that came from out of no where) and an ending that just seemed rushed and, again, clichéd. Not a terrible film--just not a good one either.

By the way, look for Robert Clary (of "Hogan's Heroes" fame) in a small part as one of the natives.

Fun version of the Dirty Dozen

[SipteaHighTea · 10/10 · 13 May 2012]

The movie was excellent. To me, it was a very funny version of the movie Dirty Dozen (although the Dirty Dozen did not come until 1967). In the movie Dirty Dozen, Lee Marvin tells the prisoners that if one screws up, the others go right back to prison, so therefore, they are depend on each other. Since he is in charge of the mission, Marvin also realizes that his life also depends on them too and pointed out that fact to his superiors.

In the movie Ten Tall Men, Burt Lancaster says almost the same thing: "The main reason we're going to do it is we have no other choice. And just one other thing: each man has got to depend on the next man. I'm going to see to it that the next man doesn't let him down." Only difference is that Lancaster has two corporals to back him up while Marvin has the MP sergeant to help him out plus the men under Lancaster's command are not facing a death sentence or long imprisonment for murder. The insults at the wedding and the big brawl which occurred was the highlight of the movie. It's too bad that the movie not available on DVD and I don't know why TMC doesn't have it in its inventory of movies to be purchase.

Fast, Furious, and Frivolous

[zardoz-13 · 8/10 · 21 December 2009]

"3 Men in White" director Willis Goldbeck's "Ten Tall Men" is a rip-snorting adventure in the Errol Flynn tradition about recklessly brave heroes and slimy villains running loose in the dunes. Basically, the Roland Kibbee & Frank Davis screenplay, based on a story by James Warner Bellah and Goldbeck, is a French Foreign Legion escapade against murderous desert tribes that want to wipe out the French. The light moments outweigh the dark moments in this nimble actioneer that looks like it is a 19th century epic until the heroes find an abandoned French supply truck in the last quarter hour. Nevertheless, this is fast, furious and frivolous nonsense with Lancaster in command at all times supported by Gilbert Roland and Kieron Moore. Lancaster fans will love this opus. He specialized in swashbucklers after he made some film noir thrillers at Universal. This Columbia Pictures release is in glorious color and the cast is first-rate.

"Ten Tall Men" opens with French Foreign Legion Sergeant Mike Kincaid (Burt Lancaster of "All My Sons") masquerading as an Arab merchant. Kincaid trudges along a desert trail with his two veiled daughters, in reality Corporals Luis Delgado (Gilbert Roland of "Camille") and Pierre Molier (Kieron Moore of "Mine Own Executioner") in disguise waiting to catch an enemy Rif warrior. They manage to catch one and they return after being gone for two weeks. Anybody who looks with lustful eyes at the new exotic dancer in town, Marie DeLatour (Mari Blanchard of "Jungle Heat"), ostensibly the sweetheart of martinet French Lieutenant Kruger (Stephen Bekassy of "Hell and High Water"), gets put in poky. Not surprisingly, while Kruger is interrogating the Rif prisoner that Sergeant Kincaid provided him, Kincaid is making time with DeLatour. Meanwhile, the savvy Rif prisoner informs on Kincaid so that he can avoid any more of Kruger's probing questions. Kruger marches a squad to DeLatour's apartment and finds Kincaid. Predictably, Kincaid winds up in the clink with his Legionnaire buddies, Londos (George Tobias of "Objective, Burma"), Mouse (Nick Dennis of "Spartacus"), and Roshko (Mike Mazurkia of "Murder, My Sweet"), and learns from the Rif prisoner that Tarfu is going to be wiped out. Kincaid tells Kruger about the enemy plans and insists that he can save the garrison as well as the town if Kruger will give him ten men. Naturally, Kruger has his doubts and cannot spare the manpower so Kincaid settles for men in the stockade.

Our heroes descend onto the enemy camp deep in the desert by an oasis. They spot what they believe is a munitions tent and decide to blow it to smithereens. Instead, they discover that the tent belongs to a beautiful girl, Mahla (Jody Lawrance of "Mask of the Avenger"), who is not only about to marry Khalif Hussein (Gerald Mohr of "Invasion, U.S.A.") but also unite two tribes intent on running the French out of Morocco. Kincaid and his men snatch Mahla and Hussein and company pursue them. Mahla tries to escape, but she cannot get away from the tenacious Sergeant Kincaid. Eventually, each earns the grudging respect of the other. Hussein means to kill Kincaid slowly, but Mahla demands that he release Kincaid or she will not wed Hussein. Reluctantly, Hussein capitulates to this demand. No sooner has Hussein freed Kincaid than he dispatches two Rif guards to kill him. Happily, the two guards are none other than Delgado and Molier in disguise again. They rescue Kincaid, spoil the marriage, rout Hussein and save the town. The commandant of the Foreign Legion orders Lieutenant Kruger to administer full honors to Kincaid after he pins on the medal. This includes the ceremonial French embrace. Kincaid gives the medal to Mahla and tells her that it belonged to his mother.

Fistfights, shoot-outs, horse chases, and more enliven this adventure film. The diminutive Frenchman who plays Lancaster's orderly is future "Hogan's Heroes" star Robert Clary making his film debut. Die-hard Lancaster fans will not his acrobat buddy Nick Cravat in the wedding scene. Forget your troubles and enjoy this movie.