I Confess

"I Confess" is the most under exposed/appreciated/rated of Hitchcock's films. It is as convincing (except for the minimal flashbacks) as "Shadow of a Doubt" in terms of both its art and its reality. Its mise en scene captures Quebec City, its specifically Catholic culture, its history, its moral dramas, and its character types. I think Clift and Baxter are perfectly cast, as are Aherne and Maldon. Keller and Alma truly hit home as Catholic parish staff and carry effectively much of the drama and suspense of this true Hitch sleeper, which is also a memorable romance. (There is indeed a great deal of genuine emotion and deep feeling in this very ordinary and convincing world).

An Alfred Hitchcock film with very little action or suspense, this moral issue- drama still maintains interest for the most part. Montgomery Clift is intriguing as "Father William Logan," a Catholic priest from Quebec who hears a murder confession, is charged with the crime himself, and never wavers from his vow to keep confessions private.

The question Hitchcock apparently poses with this is is, "Is that still morally right when it means you leave a killer out on the loose?"

Complicating the matter is an old girlfriend, played by Anne Baxter, who still loves the priest. However, once again the cleric remains true to his vows and doesn't get involved with her.

Karl Malden, meanwhile, plays a gung-ho cop out to solve the crime.

This movie could use a little more suspense and action, plus a bit of the old Hitchcock humor, but still is more than passable.

Entertaining suspense movie packs thrills ,intrigue , tension and ordinary Hitch touches . Indispensable seeing this quintessential Hitch movie , demanding various viewings . Classic and haunting suspense by the master himself , Hitchcock , dealing with tragic events when a priest (Montgomery Clift) takes confession from a man who coincidentally killed a blackmailer who he knew of pre-vows relationship with a married woman (Anne Baxter). Refusing to give into police investigators' questions of suspicion, due to the seal of confession, the Father becomes the prime suspect in a murder. The murderer is called Otto Kellar (O.E.Hasse) and his wife Alma (Dolly Haas) work as caretaker and housekeeper at a Catholic church in Quebec . Meanwhile , the priest named Fr. Michael Logan walking through the town, passes in front of a cinema showing ¨The enforcer¨.

Interesting Hitch film shot in Canada's colorful Quebec by Warner Bros , being based on the 1902 play "Nos Deux consciences" by Paul Anthelme, but little is known about any production of the play. However , in the original play, the priest was hanged ; this scene had to be eliminated and replaced with another scene to avoid the wrath of the censor. Alfred Hitchcock's films have become famous for a number of elements and iconography : innocent men wrongfully accused, blonde women , long non-dialogue sequences, etc . Hitch apparently decided to leave this movie location unspecific and without recognizable landmarks and filmed it in the city of Quebec . In spite of some shortcoming , this is the picture that best reflects many of Hitchcock's puritanical ethics . Hitch plays on the senses and keeps the suspense and action in feverish pitch . All the elements for a suspenseful evening are in place and things move at an intelligent pace . The story is typical Hitch fare , an issue of wrong accusation , dual guilt , and treason that embroils a man in murder . Hitch had two of most charming actors of all Hollywood as Montgomery Clift and Anne Baxter . As a pretty good acting by Montgomery Clift as a priest falsely framed of killing and Anne Baxter as his old friend who cannot handle the situation wrought in her life by the gross injustice . Montgomery Clift drank during the shooting and his eyes appear glazed during the ferry scene , Hitchcock was a very non-confrontational director and delegated an assistant director and Karl Malden to talk to the actor about it . Supporting cast is frankly excellent such as Karl Malden as Inspector Larrue , Brian Aherne as prosecutor Willy Robertson , O.E. Hasse as Otto Keller , Roger Dann as Pierre Grandfort and Dolly Haas played Alma Keller in this film ; Haas was selected to play "Alma" Keller, because of her physical resemblance to Hitchcock's wife Alma Reville . As usual , Hitch's cameo as man walking , as he is uncredited crossing the Top of Long Staircase . Atmospheric and moody cinematography in evocative style by Robert Burks , Hitch's ordinary . Very good sets and production design by Haworth and Beckman . Riveting and thrilling musical score by classic Dimitri Tiomkin .

The motion picture was well directed by Alfred Hitchcock , he was famous for making his actors follow the script to the word, but in this movie the Hitch's method filmmaking clashing with Clift's method interpretation and the result falls short of the Master of Suspense's best pictures and never quite comes off at all . This is one of Hitch's most stylish and discussed films and will keep you riveted and excited until the edge-of-your-seat .

I Confess is one of those movies that almost reaches the brink of greatness, but just doesn't quite make it. Hitchcock's direction is certainly fine, if not a bit pedestrian. There are no signature scenes that seems to be present in many of his other films (such as the shower scene in Psycho, or the Mount Rushmore chase in North By Northwest). There is a flashback sequence, showing Clift before his character was a priest, that starts off beautifully....the camera is slightly cock-eyed, and Anne Baxter descends the staircase in slow motion, almost flowing down the stairs. However, the rest of the flashback just doesn't live up to the potential established in that first shot. Karl Malden is good as usual. Clift does an okay job in the role of the priest who hears the confession of the murderer. Anne Baxter is very good, and the supporting cast is certainly fine. I have also had a problem with the musical score of this film. Seems that Jack Warner had a standing rule at WB studios, of filling nearly every second of a film's soundtrack with background music. I'm sure Hitchcock and Tiomkin both cringed at this insane policy. Tiomkin DOES provide the film with a beautiful love theme of sorts. I recommend this film, but I don't guarantee that you'll be watching a classic. *** out of ****.

"I Confess" is a strong candidate for Hitchcock's most forgotten film. It never gets mentioned in any Hitchcock documentaries or when discussing about his movies. The film doesn't offer the usual amount of excitement or thrilling entertainment than his better known ones ("North by Northwest", for instance). In fact, there isn't much of "real" suspense at all, but well-sketched characters, fine acting performances, and captivating plot development are more than compensating matters.

"I Confess" is a very interesting piece of film making and should be viewed by any Hitchcock fan.