Robot Monster (1953)

Approved   |    |  Comedy, Sci-Fi

Robot Monster (1953) Poster

The monstrous Ro-Man attempts to annihilate the last family alive on Earth, but finds himself falling for their beautiful daughter.



  • George Barrows in Robot Monster (1953)
  • Claudia Barrett and John Brown in Robot Monster (1953)
  • Claudia Barrett, George Barrows, and George Nader in Robot Monster (1953)
  • Claudia Barrett, George Barrows, and John Brown in Robot Monster (1953)
  • Robot Monster (1953)
  • Claudia Barrett, George Barrows, and George Nader in Robot Monster (1953)

See all photos

Get More From IMDb

For an enhanced browsing experience, get the IMDb app on your smartphone or tablet.

Get the IMDb app

Reviews & Commentary

Add a Review

User Reviews

20 October 2004 | FranklinTV
Must be watched once in your lifetime with your closest friends
How can you approach a recent repeat viewing of a movie you first saw 20 years ago in a double feature with 'Plan 9 from Outer Space', which to this day is still the most joyous, funniest cinema experience you have ever had. Without these two films, I would never have been seduced by the wonderful Golden Turkey Awards books, nor started my secret, indulgent near obsession with enjoying bad movies.

And as bad movies go, Robot Monster is simply wonderful.

Its almost pointless to go about what is in store for the unwary viewer, except that they will encountering a cinematic experience they will still be talking about in 20yrs time. However, I cannot complete this review without mentioning my two most favourite magic moments.

The first magic moment is this wonderful scene at the grave of the recently buried little brat girl (who thankfully is terminated extremely efficiently by Ro-man). Suddenly, in the top left corner of the screen is this small dot. Which starts slowly getting larger and larger. You eventually realize it's a shirtless George Nader running to the graveside. George keeps jumping rocks and branches as he eventually makes his way to the grave. Keep running George. Eventually, he finally gets to the grave, to tell the parents that Ro-man has their adult daughter. At which point, he instantly collapses, and is immediately pronounced dead. The timing is so exquisite, you will rewind the film, just to see this wonderful setup and delivery, again and again.

The second magic moment is a touching piece of prose which I feel has been ignored by scientists / engineers around the world as a personal incantation when confronted with a crisis. Basically, Ro-man doesn't want to kill the girl because he is having 'strange feelings' towards her (much like the strange feelings my neighbors dog had for my leg when I visited a few days ago). Alas, his superior wants her (and everyone else) killed. We then have this lovely 'to camera' moment, when a creature, consisting of the body of a gorilla, and the head of a deepsea diving helmet plus antenna, laments to the viewer:

'I cannot, yet I must. How do you calculate that? At what point on the graph do must and cannot meet? Yet I must. But I cannot'.

If only Macbeth and Hamlet had consider life as deeply, they might not have died.

Robot Monster is definitely recommended viewing – just don't do it alone. Invite around your closest friends, and you will be bonded with enough 'But what about when …' experiences for the next two months. And how many modern films can claim to be able to do that.

Critic Reviews

Kevin Smith Answers 26 Questions About Sundance

Clerks premiered at the Sundance Film Festival 26 years ago, so we asked Kevin Smith 26 questions about the festival.

Watch the video

Around The Web


Powered by ZergNet

More To Explore

Search on