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  • In 1946, the drifters Steve Martin (James Stewart) and his partner and friend Johnny Gambi (Dan Duryea) travel to Port Felicity in Lousianna completely broken to meet the investor Kermit MacDonald (Jay C. Flippen). Steve dreams on building an offshore drilling barge to explore oil in the Gulf of Mexico and MacDonald, who is an entrepreneur and also a dreamer, decides to finance them but gives a short schedule to find oil.

    They initially hire the fishing vessel of skipper Dominique Rigaud (Antonio Moreno) since the fishermen are having difficulties to catch shrimps. Steve and Johnny try to befriend the locals but when they use dynamite to locate oil, the population turns against them. Meanwhile Johnny dates the younger daughter of Dominique, Francesca (Marcia Henderson), while her older sister Stella Rigaud (Joanne Dru) feels attraction for Steve, but she rejects him since she is a wounded woman with a past. Steve, Johnny and their crew need to face the hostility and sabotage from the locals and also a hurricane while searching for the valuable oil.

    "Thunder Bay" is an entertaining romantic adventure that takes place in the period of the beginning of exploration of oil in the Gulf of Mexico and shows the friction between the local fishermen and the oilmen. The plot is corny, with a feel-good conclusion but James Stewart is always an attraction. Further, for those that work in the oil business, it is great to see the early period of offshore exploration of oil. My vote is seven.

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  • From the director/actor team that brought us many of the great westerns of the 1950s, Thunder Bay teams Anthony Mann and James Stewart in what could easily be called a modern western. Stewart plays Steve Martin, an oil driller with a dream. His goal is to build an off-shore drill in the Gulf of Mexico. He receives the financial backing of oil tycoon Kermit MacDonald (Jay C. Flippen) and begins work.

    He sets out from a small fishing community that has been on hard times lately. They are leery of Stewart and his partner Johnny Gambi (Dan Duryea) at first, and become more so when the two start blasting in the middle of their shrimp beds. To make matters worse, Johnny falls in love with a local girl who is already engaged to one of the fisherman.

    Tension builds as the fishermen continue to have bad luck and the drill progresses. One disgruntled fisherman attempts to blow up the drill platform during the middle of a hurricane. Stewart, who had stayed on the platform to see how it would withstand the storm, catches him just in time to save it. A slippery fight ensues, during which the fisherman and Stewart fight not only each other, but a constant onslaught of water. As in the typical western, the hero (Stewart) wins and the villain dies.

    The fight scene is one that dates the film. The special effects seem very archaic in wake of such recent films as Titanic and The Perfect Storm. Other than that, the film presents an interesting story on what, at the time, was a very taboo subject.

    Aware of the controversy the film would stir-up, the film was carefully crafted to prove that two industries could exist side by side. As the fishermen resolve to destroy the well, Stewart discovers that his well has uncovered a new bed a shrimp. When the fishermen learn this they decide that the well is indeed an asset to their community and all live happily ever after.

    As usual Stewart steals the film. His acting is subtle and believable. The simple story did not push him as an actor, but he is properly harried, tough and laconic. Overall this is an interesting film, enhanced by the beautiful location shots filmed in Technicolor by William Daniels. Truly, an intriguing and different take on the western genre.
  • Warning: Spoilers
    Some of James Stewart's post war films are about a man following a vision. In Spirit of St. Lous it's about flight, in Strategic Air Command it's about air defense, in Carbine Williams it's about making a new kind of rifle.

    Here in Thunder Bay it's about oil under the ocean and how to get it out. Stewart and buddy Dan Duryea invest all their own money in the design of a platform for ocean drilling and think the delta country in Louisiana is where oil is to be found.

    Stewart and Duryea meet all kinds of opposition from the French cajun shrimp fisherman in the area. And complicating the picture is a pair of sisters Joanne Dru and Marcia Henderson who fall for our heroes.

    At the time of Thunder Bay's production and release, offshore oil drilling was a big controversy. Not over the environmental impact, but over whether the states or the federal government would get the revenue. The states involved with offshore oil fought for and got a 12 mile limit in terms of taxable revenue. Pocketed a lot of tax dollars because of it.

    Thunder Bay mentions the environmental impact as it relates to the shrimp fisherman. But it carefully skirts any conclusions either for the oil men or the fishermen. We've seen enough oil accidents at sea since Thunder Bay was made to know what the impact is. We also know how important oil is to our nation and the world.

    Anthony Mann as director provides us no answers. My guess is he was primarily interested in making a film that entertains more than enlightens. The cast is a gifted group of players who do just that. Gilbert Roland as one of the leaders of the shrimp fishermen is good as he always is.

    One thing that does surprise me. Dan Duryea has not always played bad guys in film, but he usually does. Usually when he gets involved with a woman she regrets it. I was expecting him to walk out on Marcia Henderson and do her wrong through out the film. Was I ever surprised when he actually marries her. Also in a key scene he gives Stewart a strong does of common sense medicine at a time he sorely needed it and proves to be someone who saves the situation for the oilmen at a critical point.

    You won't find any thought provoking questions raised about oil or the environment here, but Thunder Bay is decent entertainment if wishy washy on the issues.
  • Thunder Bay is directed by Anthony Mann and written by Gil Doud and George W. George. It stars James Stewart, Joanne Dru, Dan Duryea, Gilbert Roland and Jay C. Flippen. Music is by Frank Skinner and cinematography by William H. Daniels.

    Offshore oil drillers set up base at Port Felicity, Louisiana and find the town's shrimpers are not at all happy about this threat to their livelihood. Conflict and affairs of the heart do follow.

    One of the eight films that James Stewart and Anthony Mann made together, Thunder Bay was relevant in topicality upon its release, and remains so today. Whilst lacking the psychological smarts that the duo's Western productions had, it's a handsome production with the expected qualities in front of and behind the cameras. There's a lot of talky passages, which given the subject matter pulsing away at the core is understandable, but Mann ensures that action and suspense is never far away. It all builds to a crescendo, with loose ends and quibbles conveniently tied up in a Hollywood bow, but such is the skills of actors and director it rounds out as good and thorough entertainment. 7/10
  • Warning: Spoilers
    Jimmy Stewart was directed by Anthony Mann in many wonderful Westerns--all made in the 1950s. They are classics--every one of them--ranging from WINCHESTER '73 to THE FAR COUNTRY to THE MAN FROM LARAMIE. However, they also made one non-Western together and this is that film. Considering the track record, I certainly expected so much more from this film. Instead of the usual high-caliber work, this film was amazingly flat and uninspiring despite having a very original story. I guess you can't win 'em all!

    Oddly, the film begins with Stewart and Dan Duryea as pals who are out to make a deal on an offshore oil rig. I say this is odd because usually, Duryea plays bad guys and NEVER buddies of the leading man. However, in this film he is a basically good guy--though he does have a hint of larceny about him! The oil rig is at first welcomed by the local shrimp boat operators. However, when they find that the oil company is using dynamite to help them detect oil deposits, they are afraid of losing their livelihoods and violently oppose the drilling. It is actually an interesting look at the 1950s, as Stewart is portrayed as the good guy and the dynamiting is explained away very glibly--saying it won't cause any lasting harm to the environment! As an avid fisherman, I didn't buy this explanation--nor did the shrimpers. But, the damage had already been done and the location for the well was determined quickly before the boat owners could do anything to stop this. The rest of the film follows the up and down relationship between the two factions until ultimately everyone is happy and the film ends--especially when they discover that the oil platforms are great attractants for sea life.

    The problem with all this is that while this might be modestly interesting from a historical sense, none of this seems compelling enough for a film. Plus, some of the characters in the film seem a bit stupid and tough to believe--apart from Duryea and Stewart. The film just seemed to lack energy or lasting appeal, though it was mildly diverting enough to merit a 6.
  • It's Louisiana 1946. Navy buddies Johnny Gambi (Dan Duryea) and Steve Martin (James Stewart) are a couple of talkers and always with a scheme. They rent a fishing boat but the boat owner's daughter Stella Rigaud (Joanne Dru) immediately distrusts them. It doesn't stop Steve from falling for her. Gambi sets his sights on the younger sister Francesca. The two men are actually wildcatters showing an oil executive their plans to do off-shore drilling. It's a risky new form of drilling. Stella stops her father from helping the oilmen. So they rent from shrimper Teche Bossier (Gilbert Roland) instead but soon it's the shrimpers against the oilmen.

    I'm not naturally pro-oil and anti-shrimp. So this comes with some normal resistance. The actual work from the oilmen is interesting. I'm not compelled to root for either side of the dispute. The shrimp is an easy out for the awkward conflict. This movie starts with some innocent fun but it gets a bit darker than I want. I like the start but it all gets a bit muddled especially in the modern sense.
  • This is the mailing , brawling saga of Steve Martin , the Bayou woman he loved and the billion dollar dream of glory he battled into the biggest bonanza of them all . In 1946, a pair of Louisiana wildcat oil drillers , formed by ex-Navy engineer Steve Martin (James Stewart) along with his pal Johnny (Dan Duryea) come to a Louisiana town with a dream : to construct a drill rig . As they believe there is oil at the bottom of the Gulf of Mexico off the coast of the town of Port Felicity. Having finessed financing from a big oil company (managed by Jay C Flippen) , formerly penniless . Steve and his colleague Johnny are in business...and getting interested in shrimp-boat captain Rigaud's two lovely daughters (Joanne Dru , Marcia Henderson) ; however , the fishermen believe they will interfere with their livehoods and problems crop out . In any way , they decide to built the oil platfom in spite of hazards and opposition from the fishing community growing fast , led by Stella Rigaud. Tensions rise between the groups and violence seems likely ..

    Action-filled with timely story ,including hurricane , brawls , a near-lynching and free-for-alls , being based on an ahead-of-its-time script and story from John Michael Hayes , George Slavin and George George . There's much of the spirit of the Western here , though , especially astounding the main and support cast giving over-the-top interpretations . This attractive movie deals with a confrontation between Shrimpers and oilmen clashing when an ambitious wildcatter begins constructing an off-shore oilrig ; however , a lot of risks and strong opposition emerges , including sabotage , betrayal , violent fights ...and a treacherous board of directors . James Stewart took a break from their great series of rugged Westerns along with Anthony Mann such as : Winchester 73 , When the river bends , The naked spur , Far horizons , The man from Laramie , to play this equally exciting and action-packed drama story of two wild-catters drilling for oil . James Stewart delivers a very good acting , as usual , as the engineer who wants to build a safe platform for offshore oil drilling and in the end completes the winning formula by getting covered in oil . Support cast is frankly good , plenty of reliable and rich cast of notorious secondaries such as : Marcia Henderson , Jay C Flippen , Gilbert Roland , Antonio Moreno , Robert Monet and Fortunato Bonanova .

    Colorful and brilliant cinematography in Technicolor and wide-screen by William Daniels , Greta Garbo's usual cameraman . Being shot on location in Morgan City and on an oil platform in the Gulf of Mexico . Stirring and moving musical score by Frank Skinner . This Universal International Picture flick lavishly produced by Aaron Rosenberg was competently directed by Anthony Mann . Mann was an expert on all kinds of genres as Thriller/Film Noir such as: Desperate , T Men , Raw Deal , Border incident ; Wartime as Strategic Air command , Men in war , Heroes of Telemark ; Historical and biographical : Reign of terror , El Cid , The fall of the Roman empire , The Glenn Miller story ; and outstanding in Western genre as Devil's doorway with Robert Taylor , The tin star with Henry Fonda , Man of the West with Gary Cooper , The Furies with Barbara Stanwick , Cimarron with Glenn Ford and The tall target .Being his last one, A Dandy in aspic , played and co-directed by Laurence Harvey . Rating : 7/10 . Better than average . Well worth watching . The picture will appeal to James Stewart fans .
  • Thunder Bay is an anomaly, a pedantic film on a subject seldom dealt with in the movies, the conflict between businessmen, whose ambitions will cause great change in the local landscape, and the locals, who want things to remain as they are. In this case it's oil drillers versus shrimp fisherman in the Louisiana of the early 1950's. The conflict at times seems almost Marxian, with James Stewart's hardheaded, no-nonsense outsider going up against ragin' Cajun Gilbert Roland, a far more charming and sympathetic figure. Rather than shy away from class conflict, the movie confronts the issue repeatedly, in a variety of ways, and builds up a good deal of tension along the way, as Stewart's compulsive, oil drilling loner, increasingly isolated, takes on the entire community.

    There's a good deal of fifties sociology here, with the modern, inner-directed Stewart against the tradition-centered fishing people. Neither side understands the other, as one can well see how these local folks would view Stewart as an uncaring and forbidding figure, the embodiment of alien, big city values. On the other hand these people are a rough and tumble lot, uneducated, clannish and utterly without curiosity. It's easy to see how an educated man might look down on them. There's a good deal of action along the way, and some fist-fights. At a time when many Americans still thought of themselves in terms of class, and with the Depression fresh in everyone's minds, it was rather bold of director Anthony Mann to take on this subject from a middle of the road, basically Republican (but not right wing) perspective. In this respect the movie, which came out in the first year of the Eisenhower administration, heralded a new era of compromise, with the promise of better things yet to come. As to which side is right, well, you be the judge. I'm still thinking this over.
  • What starts off as a cute conman buddy movie turns into an unexpected dual romance as the pals find girls in a small fishing town, and a locals-against-outsiders fight. James Stewart and Dan Duryea, frequent costars, have great chemistry together as friends who are down on their luck. With failures on their resume and nothing but slick tongues, they con their way into a car ride into town, renting a boat for the day, and hosting a business meeting with an important investor - all without paying. Joanne Dru is skeptical, Gilbert Roland is jealous, Marcia Henderson is interested, and Jay C. Flippen believes in their vision: underwater off-shore drilling.

    If you like the actual story of the drilling and the local fisherman trying to sabotage their plans, you'll really enjoy Thunder Bay. I was more interested in the love stories, and I was still happy. Dan Duryea usually plays slimy villains, so I can only imagine what a treat it was for him to be the funny comic sidekick with an eye for the ladies. I've never seen him get to smooch someone after exclaiming, "Oh darling!" It's just adorable. If this is the first movie you see of his, you probably won't be able to imagine him playing a bad guy in his other movies.
  • henry8-38 April 2020
    Stewart and Duryea come to a shrimping town to start drilling for oil and fall out with the locals.

    Well enough made, inevitably, by Mann, this remains nevertheless an odd storyline that never quite clicks. Stewart is his usual tough, conflicted and often rather dark character he adopts in Mann's films that seems out of kilter with the best of the cast who seem to be on the verge of making a musical - all a bit wishy washy, with the inevitable romantic elements a misfire.

    Worth a look for sure, but not one of Mann's best. Good storm sequence though.
  • "Thunder Bay," strictly a man's picture, may be considered a Western, with boats and oil substituting for horses and guns, on the Gulf Coast off Louisiana...

    Stewart and Mann considered as regular partners begun for what they thought were fresh pastures... Stewart is properly tough, wild and laconic as the enthusiastic engineer convinced that oil reserves might lie beneath the Louisiana waters, and Duryea have come up with a drilling platform that resists the fury of even the worst storms... Away they go to find offshore oil, with the encouragement of Jay. C. Flippen willing to ramp up, pumping money on exploration...

    The drilling clashes with the plans of shrimp fishermen who are opposing the test on the fishing grounds... It may have an adverse affect on their marine life...

    Duryea adds more complications to the action-drama by falling in love with the girlfriend of one of the fishermen, whose sister, Joanne Dru (echoing the sentiments of Janet Leigh in "The Naked Spur") is putting her eyes on Stewart... But the machinations of the two girls seem worthless material against the struggles between the guys, which are actually the main force of the movie...

    After several obstacles, violent storms, romantic distrust, and the retraction of magnate Flippen, who has lost faith in the project, all ends wonderfully when Stewart (hard to believe) discovers not only oil but an abundant source of shrimp...

    Subsequently the lovers pair off, and the former enemies become allies as they share their beneficial trades...

    Photographed in Technicolor, "Thunder Bay" is a well-produced movie, an entertaining piece of film making...
  • richardchatten17 December 2019
    The first of two fifties adventure films with heroes called Steve Martin (the second was 'Godzilla' with Raymond Burr)! Shot on location in Morgan City, Louisiana in rich Technicolor (all the better to show off local girl Joanne Dru's vibrant and extremely durable lipstick), this was Jimmy Stewart's first non-western with Anthony Mann; and although easily the least known of their eight films together remains fun.

    To 21st Century environmental sensibilities, oil prospectors no longer seem the heroic buccaneering figures they were once portrayed as. The film does acknowledge the disruptive impact Stewart and Duryea have on this sleepy little backwater; as much due simply to being men as oilmen...
  • ... with manly men and the women who love them, from Universal and director Anthony Mann. James Stewart stars as Steve Martin (???), a broke oil wildcatter who arrives in the Louisiana fishing village of Port Felicity. He and his best bud Gambi (Dan Duryea) want to build the first off-shore oil rig in the Gulf of Mexico, and they convince rich company man Jay C. Flippin to finance it. They run into trouble with the local fishermen, led by a swaggering Gilbert Roland, who resent the damage the oilmen are doing to the already fragile shrimp beds. Fisherman's daughter Joanne Dru also dislikes the outsiders, due to her bad experience spending "3 years in Chicago". But Steve Martin won't let some dumb yokels stop him from getting the oil, of which "there's enough to lubricate the universe!".

    At times this seems sponsored by Exxon-Mobil or some other oil company, with the pro-oil exploration rhetoric laid on thick, usually by Stewart during lengthy, righteous speeches. Duryea tries to liven things up as his devil-may-care friend, but he often seems to be trying too hard. Both Dru and Marcia Henderson, as poor fisherman's daughters, always appear in thick garish make-up, standard for the 1950's working woman who spends all day trawling for shrimp. Roland seems about as Cajun as he does Swedish, and his outfit is almost as silly as the women's makeup. Flippin is good as the helpful financier and former wildcatter. This was the last of the Mann-Stewart collaborations that I hadn't seen, and now I know why it's seldom shown.

    As for presentation, the color is starting to bleed and smear, and although it was filmed in the 1.37:1 aspect ratio, it was released in widescreen and Universal ended up cropping part of the image. Thus there is one scene in which there is a fuse burning down toward some dynamite, and it is not visible in the cropped image. At any rate, this one is overdue for a restoration.
  • The posted comment about wanting to see the "widescreen" version needs to be addressed.

    As the listing for the film indicates, Thunder Bay was filmed with a standard Academy ratio of 1.37x1. That was the way it was meant to be shown. Universal then chopped off the top and bottom of the image - totally destroying the spatial integrity of the image - to claim that it was a "widescreen" film.

    It must have looked awful. Count yourself lucky you don't get to see it.

    (This horrible trick was also tried for the mid 1960s reissue for Gone With the Wind, where it was blown up to 70mm and released in a 2.35x1 ratio, which was just awful.)
  • Warning: Spoilers
    Anthony Mann directs this drama based on a story by George W. George. An all-star cast keeps this film moving. Steve Martin(James Stewart)and his buddy Johnny Gambi(Dan Duryea)are wildcatters that have intentions of building an off-shore storm-proof oil rig off the shores of Port Felicity, Louisiana. There is strong resistance from the shrimpers led by Gilbert Roland. The shrimpers fear that the oil drilling will interfere with their livelihood. Joanne Dru and Marcia Henderson are headstrong beauties that provide love interest. Photography is crisp and vivid. Supporting cast includes: Jay C. Lippen, Robert Monet and Harry(Henry)Morgan. This adventure/drama was filmed in and near Morgan City, Louisiana.
  • jotix10010 October 2012
    7/10
    Oil
    Warning: Spoilers
    Steve Martin, a man pursuing a dream of finding oil in the Gulf of Mexico, had no idea what he would be getting into when he and his partner, Johnny Gambi arrived at the sleepy fisherman town in Louisiana to meet Kermit McDonald, the head of a firm at the brink of bankruptcy.

    The new arrivals are clearly not welcome by the small fishing community, suffering from bad years for the lack of shrimp, their principal source of income. Afraid of the way Martin will change the source of their livelihood, create an unforeseen animosity among the oil people and the locals. The situation escalates when Johnny Gambi falls in love with the daughter of a well liked man.

    "Thunder Bay", a 1953 Universal picture, was seen recently on a cable channel. Directed by Anthony Mann, the film keeps the viewer involved, as the action keeps building up. The enactment of a storm in the Gulf area looks real, even though special effects then, were not what they are today. Thanks to Mr. Mann and his crew, things keep moving at a good pace, building on the strength of a dire situation and a deadline for finding the oil.

    James Stewart does not disappoint with his Steve Martin. After all, Mr. Stewart always delivered, as is the case here. Dan Duryea playing against type, is fun to watch. Joanne Dru has some good moments as Stella. Gibert Roland appears as a shrimp boat owner.
  • Warning: Spoilers
    Watching this thing again after so many years I was impressed by those of its qualities which never seemed to have survived the 1950s. A loud brassy theme assaults us, announcing that this is an important (not to say major) motion picture. Huge credits in relentlessly white letters with serrated edges, alphabetical lightning bolts, splash across the screen. And the credits are all over with in a minute or two.

    What follows is the story of -- nope, not Thunder Bay, Michigan, where James Stewart was to shoot a later film, but a small town in Louisiana. Stewart and Duryea manage to finagle some financing in an attempt to realize Stewart's dream of building the first offshore oil rig. It has to be a dream, an obsession, like Tucker and his car, because the alternative isn't very flattering to Stewart. "Why are you doing this?" asks Joanne Dru, "Will it make you rich?" Stewart: "Not especially." We can permit ourselves a bit of a chuckle at this point, I think. The oil industry is fulfilling its dream and all that. But Stewart tries to explain to Dru why he is so driven. Really he does! And it comes out something like, "Mebbe you don't know how oil is made. You see, there were these dinosaurs...." And he winds up telling her that he's trying to capture a little bit of time, of prehistory, and that money couldn't mean less to him. "What's money, after all? Just a piece of paper crawling with germs." No -- wait. That's a different movie. At any rate, you get the idea.

    The whole movie is equally simple minded and equally enjoyable in its politically incorrect recklessness. The Cajun fishermen of the village (all of whom are of Hispanic origin, but what the hell) are hostile to Stewart, Dan Duryea, and the other oil men. There are two Romeo-and-Juliet sorts of romances. Dynamite explosions. A fist fight to the death on a swaying oil rig in the middle of a hurricane.

    A lot of people find Stewart unfailingly engaging and I agree that he's a fine actor. Dan Duryea is his libidinous sidekick and supplies most of the wisecracks. He's not an actor with any range. (Imagine him as a respectable shrink.) And he looks slimy, like an evil Bob Fosse, and his voice is piping and always vaguely sinister, but I always enjoy him anyway. Gilbert Roland plays Gilbert Roland, the hairy chested man of action and gallantry who laughs off danger. At one point in the movie he tries to project major guilt and break into a sob, which is a mistake. The rest of the cast provides us with a lot of familiar faces.

    It seems that Anthony Mann never directed Jimmy Stewart without turning him into a neurotic, and his obsession here alienates everyone around him. But, not to worry. It all ends happily. The men get their oil, the villagers get their golden shrimp, and Stewart and Duryea get their girls. This is the 1950s. It ought to be in a time capsule.
  • twanurit30 December 2006
    Anthony Mann/James Stewart collaboration does not work as well here, in contrast to the successful westerns ("Bend of the River" - 1952, etc.). It's about a conflict between shrimp fisherman and oil drillers, with usual bad guy Dan Duryea playing a good guy role (he's better bad, a brilliant actor), as Stewart's business partner. Somehow blue-eyed WASP beauties Joanne Dru and Marcia Henderson are the daughters of latino Antonio Moreno. For shrimp harvesters, the women are surprisingly glamorous, well-groomed, and unfazed. Dru's character does sulk quite a bit, still dazzlingly beautiful, but not the best role for her, while Henderson is chipper, petite, and fun. Gilbert Roland is hammy and forgettable. Some of the color photography is pretty good, but it's a dull, contrived misfire. (Note to prior reviewer: the film was produced in aspect ratio 1:37 to 1 in 1953, on the cusp of widescreen, and formatted in the Academy Ratio, yet released "wide", by inadequate cropping,).
  • grtfred4 February 2006
    Apparently the public was mainly unaware of Cajuns and their culture, which would have been the largest population group of shrimp fishermen in Louisiana at the time. The portrayal of the 'hurricane' would have given them the impression of, at best, a big squall. What was a real hoot, was Stewart tossing sticks of dynamite at the crowd while he 'talked sense' to them. ("Alright now, just settle down"). If this movie is shown on a show where there is a 'host' or 'moderator' who comes on before and after the film, it would be informative to mention the 'microenvironment' created by the oil rigs; not so much with shrimping, but with sport fishing, which is a major economic force in the Gulf. The metal structure of the rig platforms becomes an 'artificial reef', which first becomes populated by barnacles and other stationary marine life; then becomes a focal point of fish, crustaceans, cephalopods, and various other species. The area around the rig becomes a jackpot for fisherman.
  • THUNDER BAY is another collaboration between director Anthony Mann and star James Stewart, riding high on the success of their western collaborations such as WINCHESTER '73. This one's a less successful story about Stwart's oil man who is convinced that he's on the verge of discovering a rich bed of oil in the Gulf of Mexico, and the conflict that arises when he interrupts the livelihoods of the local shrimping fishermen.

    The story isn't so bad, it's just that the execution feels dated and a bit melodramatic. For one of the first times I can remember I didn't like Stewart's character; I like the actor well enough, but his character seemed single-minded and oblivious to the feelings of others here. The pacing is slow with the story bogged down by the standard romantic sub-plots and the like, and it only really picks up with an admittedly impressive climax. THUNDER BAY is a piece of drama that's only so-so to my mind.
  • robfollower27 August 2022
    Antony Mann and Jimmy Stewart's fourth collaboration, Thunder Bay, is based on an original story by John Michael Hayes , who just a few years later will go on to write the screenplays for Rear Window and To Catch a Thief. Mann shot the film in the 1.37:1 ratio, but Universal International re-framed it and then promoted it as its first widescreen feature at Loew's State Theatre in New York City, as well as other sites. Its initial presentation also marked U-I's first use of directional stereophonic sound, although few theaters in the country had such equipment at the time.

    Of course the movie's big selling point is that it is a James Stewart movie and you get a sense that he enjoyed playing this part of a developer with a go getting attitude. He brings a lot of life to the character . But Stewart is not the only star name who delivers a good performance with Joanne Dru, Gilbert Roland and Dan Duryea amongst many others who deliver entertaining performances in what are little more than stereotypical characters. Stewart is great as the determined engineer, but he is not the undisputed star of the film. There are a lot of secondary characters played by terrific actors that make viewing the film a real treat.

    Dan Duryea's character is interesting as usual.

    As so often I've seen him play a villain or a troubled hero, and it was nice here to see him playing someone who's kind of loud (which was probably what bothered me last time) but turns out to be a decent guy.

    It was also more meaningful to watch this film in light of Duryea's other work with Stewart, playing a villain in WINCHESTER '73 (1950)

    Thunder Bay (1953) was the first Hollywood movie to focus on the subject of offshore oil drilling. This may not sound like the most thrilling fact, but in 1953 offshore drilling was very topical indeed, with congressional hearings and controversies surrounding it. The movie is a brawny, testosterone-charged action flick, with James Stewart and Dan Duryea as oil riggers convinced there is black gold at the bottom of the Gulf of Mexico.

    Thunder Bay was described by many at the time (including Stewart) as a modern western with boats and oil standing in for horses and guns. This picture may be a minor credit for both Stewart and director Anthony Mann, but even a minor film from these artists is well worth watching. 7.5/10

    this is not one of James Stewart's best known movies, and has been pretty much neglected or issued in the past with very little attention to quality. I'm pleased that this Blu-Ray issue from Kino Lorber has rectified that.
  • Warning: Spoilers
    During the 1950s, until the two famously fell out over the making of "Night Passage", Anthony Mann was James Stewart's favourite director. Their partnership is best remembered for the five so-called Mann/Stewart westerns, but they also made three non-westerns together, of which this is the second.

    Thunder Bay is a Canadian city on the shores of Lake Superior, and there is a bay of the same name on the American side of Lake Huron, but the film is not set in either location, or for that matter anywhere in the Great Lakes. Instead it is set much further south in coastal Louisiana. The precise significance of the title is obscure, but it may be a reference to the fact that a storm features in one scene.

    The action takes place in the year 1946. Steve Martin, an engineer, and his friend Johnny Gambi arrive in the small fishing port of Port Felicity in order to build an offshore oil drilling platform. They are not, however, popular with the local people. The main industry in the area is fishing, especially for shrimp, and the fishermen believe that any exploration for oil will put their livelihood at risk. (The word "shrimp" in American usage obviously denotes something far larger than it would in Britain. We would call what the fisherman catch "prawns" or "scampi"; "shrimp" refers to a similar, but much smaller, species of crustacean. Hence the expression "little shrimp" to mean a small person).

    An added complication is the romance which grows up between Steve and Stella, the beautiful and intelligent daughter of one of the fishermen. Stella is better-educated than most of her fellow townspeople, and is one of the few with experience of the outside world, having worked in Chicago. She is, however, also one of the fiercest opponents of the oil drilling project, having been left with a deep distrust of the business community and of outsiders in general by an unhappy love-affair with a city-slicker type in Chicago.

    One reviewer describes the conflict in this movie as "almost Marxian", but this strikes me as overstated. Marxists have normally seen the class struggle in terms of employer/employee relationships, something largely absent from this film. What we see here is the clash of big business against small business, Big Oil versus Little Shrimp. Rather surprisingly, at least from a modern perspective, the film generally takes the side of Big Oil. The shrimpers (with the exception of one who resorts to violence) are not exactly cast as the villains of the piece, but they are shown as Luddites, standing in the way of America's inevitable progress towards a golden industrial future. Steve, Johnny and their financial backer Kermit MacDonald are the good guys because they are on the side of that future. The only bad guys on the big business side are the faint-hearts in the company who threaten to cut off funding when Steve seems to be making slow progress in finding oil.

    The special effects during the storm scene probably did look special in the early fifties, but today, in comparison with something like "The Perfect Storm", they are nothing much. What really dates the film, however, is its complacent assumption that it is in the public interest for big business to get whatever big business wants. Any environmental objections to its plans can simply be brushed aside or made to disappear as if by magic, as happens here. Rather improbably, Steve and Johnny not only strike oil but also discover a rich new source of shrimp, which ensures lasting wealth and prosperity for Port Felicity and removes any obstacle to the love of Steve and Stella.

    The Mann/Stewart westerns include some excellent films such as "The Man from Laramie" and "The Naked Spur", which brought to the genre a new emphasis on the importance of character and a greater moral complexity than the old "white hats versus black hats" formula. Their non-western collaborations, however, are not always up to the same standard. I have never seen "The Glenn Miller Story", but "Strategic Air Command" is overlong and dull, and "Thunder Bay" is not a lot better, although it is at least shorter. This is not Stewart's best performance- at times he just seems to be going through the motions- and Dan Duryea seems a bit too abrasive as Johnny. There is not the same emphasis on well-developed characters as in the Mann/ Stewart westerns and the plot is really just a romantic comedy set against the background of the oil industry, although without very much humour. Any tension or conflict is allowed to evaporate by that magic ending. "Thunder Bay" looks very dated today, and not only by the fact that the scriptwriter used the name "Kermit" for a character who wasn't a talking frog. (Although in 1953 the Muppets only lay two years in the future). 5/10
  • Warning: Spoilers
    Beats me why this Technicolor film was titled "Thunder Bay", which is the name of a Canadian city on Lake Superior and the associated little 'bay', with no obvious connection to this story about the first distant offshore oil rig emplaced in the Gulf of Mexico. Perhaps refers to the often stormy relations between the principals? There was some thunder associated with the very dramatic sequence when a hurricane hit soon after the rig was finished, but before oil was struck. Not only was Steve(James Stewart) alone on the rig, except for Stella(Joanne Dru), a shrimp boat carrying jilted lover Phillipe approached and a bundle of dynamite sticks was attached to the rig, hoping to blow it up and blame it on the storm. While waves dashed over them and the fuse burned, they fought on the open platform until Phillipe fell into the sea. Beats me why the boat wasn't pitched into the rig, probably wrecking both. Steve's assumption that Stella was in on the sabotage plan also makes no sense. If successful, she would have died along with Steve! Steve stays mad at her after this until the finale, when assured that she was not involved.

    This was just one of a whole series of crises that threatened to bring an end to this pioneering endeavor. Twice , lynching mobs of local fishermen threatened Steve and his workers. Incredibly, Steve dispersed the first mob by throwing sticks of dynamite near them! The resulting 'explosions' looked and sounded like flares rather than dynamite! The final confrontation, near the end, was dissipated by the serendipitous spectacle of a gusher, as the mob swarmed onto the rig platform, combined with news that the long sought 'golden shrimp' bed had been discovered around the drill site. This last facet comes across as an unlikely fabrication to placate the concern that oil production in the Gulf might have a severe negative effect on commercial fisheries. There is no such thing as a commercial 'golden' shrimp in the Gulf! Yes, big oil spills have since caused marine life devastation. However, oil rigs also encourage many forms of life, acting as artificial reefs, especially important where natural reefs have being dying out. We are presently confronted with the debate whether depleted rigs should be removed, or remain to promote sea life.

    This story has some historical credibility, in that it takes place in 1946-7, when the first oil rig far off the Gulf coast actually was emplaced. Most of the film was appropriately shot on the LA Gulf coast. Stewart plays a Horatio Alger-like figure, who along with his faithful partner, played by Dan Duryea, begin the film penniless, armed only with a model of how to build an offshore rig that could withstand hurricanes. They have to convince not only the beleaguered president of the oil company(played by Jay Flippen), but also the local fishermen, that their scheme is worth the risk. The former proves much easier than the latter.

    A secondary aspect of the plot involves two beautiful flirtatious Nordic-looking daughters of an elderly Latino fisherman, who have a strong hankering to leave this little backwater village, and find Stewart's and Duryea's characters convenient prospects toward a more exciting, affluent, life. Unfortunately, papa doesn't like losing his daughters to these outsiders, expecting that they would marry fishermen like himself. Joanne Dru's character(Stella) has baggage of a hurtful 3 year romance in Chicago. She and Steve spend the film alternatively hating and loving each other. Marcia Henderson, playing Stella's more naïve younger sister, develops a more stable relationship with Duryea. But, we suspect he is not really a right man for her: too old and a potential drunkard. Duryea mostly played villains, and his role as Stewart's sometimes disapproving sidekick doesn't feel quite comfortable.

    If you like stories about oil discoveries, you might check out some of the following films I am familiar with: "Boom Town"(1940), "Flowing Gold"(1940), Tulsa(1949) and "Joe Dakota"(1957). Of these, "Tulsa" has the most similar plot to the present film. It's a war between cattle and oil interests. In place of poor Cajun fishermen, the oil interests have to deal with Native Americans. In the end, its decided that cattle and oil, like shrimp and oil, can get along well enough. Another film the present film reminds me of is the 1936 "Trail of the Lonesome Pine"(also shot in Technicolor, believe it or not!). Fred Mac Murray takes on Stewart's role, as the representative of a coal company that wants to mine the coal on land belonging to warring backwoodsmen. Again, there is a bittersweet romance with one of the 'native' girls.
  • This was decent entertainment but nothing special, which it could have been with the likes of James Stewart, Joanne Dru, Dan Duryea and Gilbert Roland, and directed by Anthony Mann. This is supposed to be very good widescreen viewing but, unfortunately, I haven't viewed it on that format. We are all stuck with a formatted-to-TV tape until a DVD is released on this film. What's the holdup?

    Duryea and Stewart played their normal interesting roles. This is mainly storytelling, even though it's listed as an "action movie." Nobody gets killed, and there is very little violence and, of course, no profanity. It's simply a story of some people who are the first to successfully drill oil offshore and the resistance they get from the local fishermen.

    Dru mostly frowns through the picture, so she's not that likable as the female romantic lead. Stewart's squeaky voice doesn't across that well here, either. He sounded better on most of his other films.

    It's an okay movie but certainly not one I would watch frequently, but I would like to see this in its intended widescreen version.
  • Warning: Spoilers
    Jimmy Stewart proves in this film he can bring something to even an average script by playing his role powerfully. This battle between shrimp fishermen and oilmen does not work with Stewart. This one is prime Stewart.

    He has solid directing and Joane Dru plus Harry Morgan head a solid support cast. Still, while the script is a bit weak, Stewart takes this movie and makes it better than it should have been.

    I can't see another actor in the role of the oilman bringing this one in. The was one of the earlier films where oilmen and the environment are addressed. While it is a little weak on the conflict, the actual facts on this issue are still not addressed properly now.

    Men and technology have to co-exist. One side or the other is not right as we can not afford to get out of the middle on these types of issues. While the environment is the most important issue, going to either extreme will kill people. It does not matter if the polluter kills people or the environmentalist does, murder is murder.

    When Stewart draws a line in the sand, as he does here, he brings something special to the table. That something special is what we need more of. It takes the good drama of a film like this to bring that out.
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