IMDb RATING
6.3/10
5.2K
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Refusing to let himself be re-settled on a Florida reservation, Massai, an Apache warrior, escapes his captors and returns to his homeland to become a peaceful farmer.Refusing to let himself be re-settled on a Florida reservation, Massai, an Apache warrior, escapes his captors and returns to his homeland to become a peaceful farmer.Refusing to let himself be re-settled on a Florida reservation, Massai, an Apache warrior, escapes his captors and returns to his homeland to become a peaceful farmer.
Charles Bronson
- Hondo
- (as Charles Buchinsky)
Paul E. Burns
- General Store Proprietor
- (uncredited)
Lonnie Burr
- Indian Boy
- (uncredited)
John George
- Shoeshine Man
- (uncredited)
Anne Kunde
- Townswoman Leaving Trading Post
- (uncredited)
Rory Mallinson
- Citizen Noticing Handcuffs
- (uncredited)
Mort Mills
- Sergeant of the Guard Fort.
- (uncredited)
Dick Rich
- Loafing Trooper
- (uncredited)
Steve Rowland
- Teenage Bully in Street
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaMassai was born to Little Sun and White Shadow at Mescal Mountain, Arizona, near Globe. He later met Geronimo, who was recruiting Apaches to fight American soldiers. He also knew the Apache Kid. The policy in Arizona at the time was to exterminate hostile Apaches. Many Apache warriors fought for their people and traditions, fleeing and waging effective guerrilla warfare against their enemies.
Massai escaped over the border to Mexico, eventually settling in the Sierra Madre mountains in Sonora Mexico with a camp of rebellious Chiricahuas who had refused to surrender with Geronimo. Nothing is known of his final days.
- GoofsAbout 16 minutes into the movie as Massai (Burt Lancaster) is fleeing from the white mob through a hotel corridor you can see an unlit electric 'EXIT' sign visible in the hallway at the top of the shot.
- Crazy creditsOpening credits: This is the story of Massai, the last Apache warrior. It has been told and re-told until it has become one of the great legends of the Southwest. It began in 1886 with Geronimo's surrender.
- ConnectionsReferenced in Autumn Leaves (1956)
Featured review
Apache was the third feature Robert Aldrich directed. Before he worked as an assistant director to Jean Renoir, William Wellman, Lewis Milestone and even Charlie Chaplin and also made several episodes for TV films. He was invited to direct Apache by its co-producer and main star Burt Lancaster.
The Apache's particularity is that it doesn't enter the classic Western scheme of almost obligatory showing of the Indians as bad guys, thou the most illustrious example of this probably belong to John Ford's 1964 Cheyenne Autumn with which the legendary director bid a farewell to the genre. Also Apache's distinctiveness resides in the treatment that is given to the central theme of the Western genre, which is revenge.
Here the Indian rebellious warrior Massai, wonderfully played by Burt Lancaster is obsessively seeking revenge facing the enemy not only in a form of one person or a small group of people in accordance with traditional Western vengeance system, but in a form an entire society either Indian or White, a society that he considers his enemy and against which he courageously fights alone not looking for help from anyone till he meets an equally strong character Nalinle (Jean Peters), a woman who simply accepts him as he is ready to share all the difficulties of Massai's life and even to sacrifice her own life for the man she loves. From this point on as his affection for Nalinle increases, his desire to fight everything and everyone proportionally decreases resulting in his settling down looking for more peaceful existence, which is hardly possible due to the burden of his past deeds which weighs over him personified in a collective figure of the American authorities who unceasingly continue to hunt him down.
A weak, but also in many ways remarkable Western featuring convincing performances from Burt Lancaster and Jean Peters in a tale of self-sacrificing love and courageous but ultimately pointless fight for imaginary cause. 7/10
The Apache's particularity is that it doesn't enter the classic Western scheme of almost obligatory showing of the Indians as bad guys, thou the most illustrious example of this probably belong to John Ford's 1964 Cheyenne Autumn with which the legendary director bid a farewell to the genre. Also Apache's distinctiveness resides in the treatment that is given to the central theme of the Western genre, which is revenge.
Here the Indian rebellious warrior Massai, wonderfully played by Burt Lancaster is obsessively seeking revenge facing the enemy not only in a form of one person or a small group of people in accordance with traditional Western vengeance system, but in a form an entire society either Indian or White, a society that he considers his enemy and against which he courageously fights alone not looking for help from anyone till he meets an equally strong character Nalinle (Jean Peters), a woman who simply accepts him as he is ready to share all the difficulties of Massai's life and even to sacrifice her own life for the man she loves. From this point on as his affection for Nalinle increases, his desire to fight everything and everyone proportionally decreases resulting in his settling down looking for more peaceful existence, which is hardly possible due to the burden of his past deeds which weighs over him personified in a collective figure of the American authorities who unceasingly continue to hunt him down.
A weak, but also in many ways remarkable Western featuring convincing performances from Burt Lancaster and Jean Peters in a tale of self-sacrificing love and courageous but ultimately pointless fight for imaginary cause. 7/10
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Details
Box office
- Budget
- $1,240,000 (estimated)
- Runtime1 hour 31 minutes
- Aspect ratio
- 1.37 : 1
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