A Star Is Born (1954)

Passed   |    |  Drama, Musical, Romance


A Star Is Born (1954) Poster

A film star helps a young singer and actress find fame, even as age and alcoholism send his own career on a downward spiral.

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7.7/10
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  • Judy Garland and James Mason in A Star Is Born (1954)
  • Judy Garland and James Mason in A Star Is Born (1954)
  • Judy Garland and James Mason on the set of "A Star Is Born," 1954. Modern silver gelatin, 11x14. $600 © 1978 Sanford Roth / AMPAS MPTV
  • Judy Garland in A Star Is Born (1954)
  • Judy Garland in A Star Is Born (1954)
  • Judy Garland and James Mason in A Star Is Born (1954)

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18 January 2005 | Lechuguilla
8
| Sing Melancholy Baby
Is it possible to watch this fictional story without digressing to thoughts about the real life story of Judy Garland? For me it isn't. Both are permanently intertwined. And it's not just the parallel between fiction and fact, but also the dark, brooding, melancholy mood they engender, like ghosts calling out to us from a Hollywood that no longer exists.

The film's storyline is well known. I won't belabor it here, except to say that it communicates an honest and introspective indictment of the entertainment industry as it once was. The story can be thought of as a kind of archetypal Hollywood memoir, expressed as a musical.

But musicals are supposed to be upbeat, lighthearted, fun. This one isn't. Moments of humor and joy are swept away in a cascade of emotional pain and tragedy. Fiction mimics real life. How appropriate that the film's signature song "The Man That Got Away" is one that is so uncompromisingly serious, poignant, and smoldering ... a perfect vehicle for Judy Garland.

Some say she had the greatest singing voice of any entertainer in the twentieth century. This film lends credence to that assertion. Every song she sings is performed with such consummate verve, such emotional commitment that she seems to be singing not just for her contemporaries, but also for generations to come. Indeed, she is. My personal favorite is the "Born In A Trunk" segment, all fifteen minutes of it. Surrounded by sets of true cinematic art, she belts out one tune after another, including, of course, the poignant "Melancholy Baby".

Judy's singing and the music itself are what make the movie so memorable. But she also demonstrates her considerable acting talent. And the acting of other cast members is fine, especially the performances of James Mason and Jack Carson. I do think that the film was, and still is, too long, the result of an overly ambitious screenplay.

That Judy Garland was denied the Best Actress Oscar is poignant. But her talent was so massive, her uniqueness was so special, maybe fate required a compensatory level of pain and tragedy, as a prerequisite of legend.

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