21 October 2016 | gavin6942
Three stories of murder and the supernatural. In the first, a museum worker is introduced to a world behind the pictures he sees every day. Second, when two lifelong friends fall in love with the same woman and she is killed, they are obvious suspects. Is their friendship strong enough for them to alibi each other? Third, when a young politician is terribly hurt by the arrogant Secretary for Foreign Affairs Lord Mountdrago, he uses Mountdrago's dreams to get revenge.
Orson Welles received top billing, but he appears only in "Lord Mountdrago." According to Patrick Macnee, who had a supporting role, Welles began making suggestions to director George More O'Ferrall throughout the first day of filming, and by the third day he had taken over the direction of the entire segment.
Does this surprise anyone? Of course Welles would be the star to draw audiences in, and of course he would try to take over the production, because that was very much the sort of chap he was. For better or worse, a film starring Welles was very much a Welles film.
As far as anthologies go, this one is not often remembered. And as far as horror anthologies go (if this even counts), it seems all but forgotten, overshadowed by the later Amicus films. I love Amicus, and it is hard to beat them, but surely this film must have been some influence on the later Amicus and Hammer productions.