A one-armed stranger comes to a tiny town possessing a terrible past they want to keep secret, by violent means if necessary.A one-armed stranger comes to a tiny town possessing a terrible past they want to keep secret, by violent means if necessary.A one-armed stranger comes to a tiny town possessing a terrible past they want to keep secret, by violent means if necessary.
IMDb RATING
7.7/10
22K
YOUR RATING
- Director
- Writers
- Millard Kaufman(screen play)
- Don McGuire(adaptation)
- Howard Breslin(based on a story by)
- Stars
Top credits
- Director
- Writers
- Millard Kaufman(screen play)
- Don McGuire(adaptation)
- Howard Breslin(based on a story by)
- Stars
- Nominated for 3 Oscars
- 4 wins & 8 nominations total
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- Director
- Writers
- Millard Kaufman(screen play)
- Don McGuire(adaptation)
- Howard Breslin(based on a story by)
- Production, box office & more at IMDbPro
- All cast & crew
Storyline
From the time John J. Macreedy steps off the train in Black Rock, he feels a chill from the local residents. The town is only a speck on the map, and few strangers ever come to the place. Macreedy himself is tight-lipped about the purpose of his trip and he finds that the hotel refuses him a room, the local garage refuses to rent him a car, and the sheriff is a useless drunkard. It's apparent that the locals have something to hide, but when he finally tells them that he is there to speak to a Japanese-American farmer named Kamoko, he touches a nerve so sensitive that he will spend the next 24 hours fighting for his life. —garykmcd
- Taglines
- Suddenly you realize murder is at your elbow! - and there's no way out!
- Genres
- Certificate
- Passed
- Parents guide
Did you know
- TriviaJohn Sturges had already moved on to his next film, The Scarlet Coat (1955), so Herman Hoffman took charge of filming the opening. The plan was to shoot the train hurtling toward the audience, almost like a 3-D movie, but it would have been deadly to attempt a helicopter maneuver into the path of a speeding locomotive. Stunt flier Paul Mantz offered the perfect solution: have the train running backwards, fly the copter over the retreating engine, then project the footage in reverse. "It's a helluva shot," Sturges later said, "but I didn't make it."
- GoofsAs the train approaches the town, the horn blows twice, which is the signal for starting up. The mandatory signal for a grade crossing (long, long, short, long) is never blown, although one clearly exists. When the train departs, the conductor makes a confused hand signal to the engineer resembling the horizontal motion that means "stop" rather than the vertical motion that means "go". The engineer never responds with the "long, long" starting signal.
- Quotes
Coley Trimble: You're a yellow-bellied Jap lover! Am I right or wrong?
John J. Macreedy: You're not only wrong. You're wrong at the top of your voice.
Coley Trimble: [gets ready to scrap] You don't like my voice?
- Alternate versionsTo receive an 'A' (PG) certificate in 1955 the UK cinema version was subject to heavy BBFC cuts. These included Macreedy striking Hector with the brass fire hose nozzle and the climactic shots of Reno on fire. Later TV showings and video releases were fully uncut.
- ConnectionsFeatured in The Spencer Tracy Legacy: A Tribute by Katharine Hepburn (1986)
Top review
A bad day, a superb film
John Sturges directed this quintessentially tight-constructed masterpiece. This is how it was done in the good old days: nothing falls by the wayside. Tight, clear characterizations, with minimalist dialog, costume, manner, and facial expression all reflecting the inner lives of people in their self-constructed hell. Check out how Hector (Lee Marvin) uses the word "boy" to suggest racial overtones well in advance of the slowly-revealed background plot; how Macreedy (Spencer Tracy) in his dark suit and no-nonsense manner contrasts with everyone else's casual dress and edginess, perfectly reflecting his role as avenging angel; how Coley (Ernest Borgnine), trying to run Macreedy off the road, resembles (probably unintentionally) Joe McCarthy, especially as caricatured by Walt Kelly; and of course how the arch-villain, Reno Smith (Robert Ryan), suggests limitless power with his inimitable smirk and almost languid movements: he controls the town without actually doing anything overt--until Macreedy forces his hand. Nicely turned performances by other major players, too: Dean Jagger (the drunkard Sheriff Tim), Anne Frances (nervous Liz), and Walter Brennan (loquacious, self-justifying Doc). The suggestion that one man can--literally single-handedly--make a moral difference is inspiring (and how that one hand utterly confounds Coley is a nifty, low-key precursor of Bruce Lee-inspired acrobatics). This is a keeper.
helpful•14427
- pj-103
- May 15, 2004
Details
Box office
- Budget
- $1,271,000 (estimated)
- Gross worldwide
- $10,813
- Runtime1 hour 21 minutes
- Aspect ratio
- 2.55 : 1
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