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  • Since discovering noir actress Beverly Michaels, I've looked for her films. This one, Betrayed Women, was made in 1955. The film featres Carole Mathews, Peggy Knudsen, Tom Drake, and Sara Haden.

    When her boyfriend Baby Face is killed, Honey Blake (Michaels) is sent to a woman's prison. It's known for its bad conditions and over-the-top discipline. The funniest scene to me was seen these women, in dresses, digging ditches.

    When Blake arrives, there is a government agent, Jeff (Tom Drake) there to examine prison conditions and make recommendations to the governor. It just happens his own girlfriend (Knudsen) is imprisoned and does work in the office.

    Blake is actually thrown in solitary the first day due to a fight with another inmate, but she's released from solitary due to the fact that it will look bad to the government person there.

    Honey goes in on an escape plan with another inmate, and they take off, using Nora and Jeff as hostages. The other prisoner who escapes (Mathews) has hidden $50,000, and Honey wants a cut.

    What I like about Michaels is that she can be absolutely mean as dirt as she was in Pickup, totally vulnerable as in The Girl on the Bridge, and in between, as here. The other thing is, she had to be tallest woman in show business - she just towers over the other actors.

    Ordinary type of woman in prison story, but worth seeing for Michaels.
  • Having been cornered by the police "Honey Blake" (Beverly Michaels) watches as her mob boyfriend "Babyface" (Paul Savage) decides to go out in a blaze of glory and comes out shooting. Since she is unarmed she is taken prisoner and is subsequently sent to the "State Prison for Women" which is surrounded by swamps and has been compared to a "female Devil's Island". Anyway, while she may have been captured, her attitude is quite combative and as a result she is placed in solitary confinement on her very first day. It's at this time that an inspector from the governor's office arrives by the name of "Jeff Darrell" (Tom Drake) and he is alarmed by the conditions of the prison. Complicating matters is that his former girlfriend, "Nora Collins" (Peggy Knudsen) is a convict there and he feels somewhat responsible for her imprisonment. In any case, he promises to try to improve things but once he leaves things return to normal and one particularly hardened criminal named "Kate Morrison" (Carole Mathews) decides to take matters into her own hands. Now rather than reveal any more of this movie and risk ruining it for those who haven't seen it I will just say that this was pretty much what one might expect from a grade-B "women-in-prison" movie produced in the 50's. I suppose the acting was adequate but the dialogue was obviously dated and the plot was rather basic as well. Additionally, the supposed location of the prison was obviously not in Louisiana as the terrain bore no similarity to that part of the country. In short, this was an okay movie and probably worth a look for those who enjoy films of this type.
  • Back in the 1950s, following the movie "Caged", there were a whole bunch of so-called 'women in prison films'. Initially, they were films featuring a lot of violence and a whole lotta cat fights, though into the 60s and 70s they evolved into soft-core porn in many cases. Well, "Betrayed Women" was made during the earlier years of the genre and is pretty chaste by comparison. Heck, even the violence is minimal and the usual hints at lesbianism aren't even present. I would consider it to be a women in prison-lite sort of film!

    The film is supposedly set in the bayou, though it's a strange sort of bayou. No one speaks with a Southern accent and there isn't any swamp. The ladies also all sport nice perms and makeup! And, oddly, there are mountains! This clearly was NOT filmed in Louisiana, Mississippi, Alabama nor Florida...and the filmmakers did a terrible job trying to disguise it.

    The prison has been visited by a do-gooder from the state (Tom Drake). He's concerned about the way the inmates are being treated, though, oddly, you never really see much in the way of maltreatment...just folks TALKING about it. Later, a few of the inmates stage an escape...taking him and the warden. What's next?

    In every possible way, this film avoided violence, salaciousness and smut....so lovers of the genre might feel disappointed. As for me, it needed a bit more...just to make the prisoners' demands seem more reasonable. As it is, it's a watchable film with more than its share of cliches.
  • Perhaps one of the most effective Edward L Cahn movies ever made. A woman's prison tale. One more. I was afraid it would be a sort of Poor Man - or Woman's - CAGED or WOMEN'S PRISON. Of course, it's a B movie. But pretty well done. Characters are described in the right manner. The movie talks about life conditions in jail for women, cruelty exerted by ward sisters on the inmates. Solitary cells, for instance. A social drama film noir. Not bad for Edward L Cahn. It proves that our sweet Eddie could do very good things when he wanted to, and when he could, when he had producers to let him do what he wished to do.

    The film is fast paced, with some sequences we usually find in greater productions. And the music score is also adequate to the rhythm of the feature.

    In short, a film noir that deserves to be seen.
  • boblipton28 October 2019
    Tough-tawkin' gun moll Beverly Roberts is sent to the women's work prison, where she is promptly thrown into solitary. Esther Dale runs the joint with a heavy hand, and when her brother takes one of the inmates joy-riding, she isn't pleased. Still, some of the women break out and take hostages, but the state troopers are hot on their trail.

    There's not much lesbian symbolism going on in this one. Director Edward L. Cahn seems more interested in offering the script's message about prison reform, the need for more money, and the salvation of individuals through good will in this one. Some of the dialogue sounds awfully bad, particularly when Darlene Fields tells John Damler to come back, and he asks in reply if she wants him or the money. Listening to the girls playing the cons trying to act as if they're Wallace Beery is a bit of a hoot.
  • Warning: Spoilers
    ***SPOILERS*** One of the many 1950's women in prison flicks has two inmates who've been betrayed by their good for nothing boyfriends in taking the rap for them and ending up behind bars or barb wire at the notorious "Bayou Women's Reformatory" in the snake and alligator infested swamps of Louisiana. "Two Gun" Honey Blake,Beverely Michaels, was caught when her kill crazy boyfriend Baby Face,Paul Savage, decided to shoot it out with the police as she tried to get the crazy guy to surrender peacefully and ended up behind bars as an accomplice in a robbery he committed. The "Good girl" of the two Kate Morrison, Carole Mathews, took the rap for her two timing boyfriend two time loser "Handsome Joe" Marby, John Damier, who not only let her hang but got married to another women-Darline Fields-while she was behind bars.

    The usual horrors you would expect in a prison movie with "Bad girl" Honey Blake after being put through the ringer as well as a six month sentence in solitary confinement executes a jail brake with Kate reluctantly going along with it. It's later when Kate's two timing boyfriend Joe Marby hears of her escape from prison he gets into the act in trying to get her to show him where the $50,000.00 that he ripped of the from US Governmwnt in a train robbery was hidden that she kept, as insurance, from him.

    ****SPOILERS**** We also have the dim witted Cletus,John Dierkes ,the prison dog or bloodhound handler who's the prison director Mrs. Ballard's, Esther Dale,brother who after being kidnapped by Honey Blake ends up dropping dead from exhaustion running for her life in the swamps from his dogs. The ending has the on the lamb Joe Marby come out into the open to find out where Kate hid the $50,000.00 only to get caught by the police who have her and her hostages cornered in the swampland. With Honey Blake finally seeing the light she peacefully does the right thing by giving herself up, unlike her crazy boyfriend Babyface, to the police instead of going down in a blaze of glory.
  • Warning: Spoilers
    The opening of this women's farm prison drama literally starts off with a bang, showing tough girl Beverly Michaels rushing out of a show-down between her gangster boyfriend and the police, and living to tell other tough girls about it. She ends up in a farm detention camp run by evil Esther Dale, who along with mean- spirited guard Sara Haden runs a no nonsense ship. She has no tolerance for any kind of coddling, and gives "Caged" matron Hope Emerson and the same year's Women's Prison " warden Ida Lupino a run for their money.

    Dale's inmate secretary Carole Matthews is basically threatened into spying on Michael whom Haden had earlier roughed up before throwing her into solitary. Along with fellow inmate Peggy Knudeson, the determined Michaels vows to escape, especially if she can get her hands on money Knudeson has stashed.

    This is far more brutal than either "Caged" and 'Women's Prison ", and that ain't an easy feat. Haden literally turns the hose on Matthews (Shame on you, Aunt Millie!), beating her with it and leaving no marks, while Dale's seemingly retarded brother actually hoses Michael down brutally, showing the power of water pressure. These scenes are very disturbing, but don't you great, 'cause there is a special punishment in store for these evil has.

    Dale had previously played an equally hard-nosed matron in 1938's " Condemned Women", but 17 years have greatly aged the popular character actress who may have been annoying as Ma Kettle's rival, Birdie Hicks, but other than being a trifle bit of a gossip was basically harmless. She is despicable here, and the scene of her being taken hostage is uncomfortable because she shows absolutely no emotion to her predicament. This weakens the character structure, which also happens with several others.

    "B" movies like this can be fun because they often dare to go where "S" pictures won't. Then there is the short running time, just 70 minutes, which makes the flaws all the more tolerable. Nobody really gives what I would call a good performance, but "B" movie viewers will love it. I made it through without losing interest, but I honestly hoped for some camp elements, something this seriously lacks. But to quote Dale in regards to how she really feels about her charges, "This isn't exactly finishing school, but we'll give her a course in charm!"
  • And more lines like this interlard the script with oh so joyfull tone coming out of Beverly's mouth all throughout this terrific wallop of a film!

    I don't think I've seen something this cool in a long long time, Beverly gets all the cool lines and she can handle them! With oh so much class and style!

    I can't believe this film what a gem, wish there was a bit more time, wish it had like another few hours with these characters on the run but hey, I'll take what I can get!

    These dames are cool, this whole everything in this film was awesome, highly recommend it!