I Died a Thousand Times (1955)

Passed   |    |  Crime, Drama, Film-Noir

I Died a Thousand Times (1955) Poster

After aging criminal Roy Earle is released from prison he decides to pull one last heist before retiring - by robbing a resort hotel.




  • Jack Palance and Shelley Winters in I Died a Thousand Times (1955)
  • Jack Palance in I Died a Thousand Times (1955)
  • Shelley Winters in I Died a Thousand Times (1955)
  • Jack Palance in I Died a Thousand Times (1955)
  • Jack Palance and Pedro Gonzalez Gonzalez in I Died a Thousand Times (1955)
  • Jack Palance and James Millican in I Died a Thousand Times (1955)

See all photos

Get More From IMDb

For an enhanced browsing experience, get the IMDb app on your smartphone or tablet.

Get the IMDb app

Reviews & Commentary

Add a Review

User Reviews

15 July 2013 | hitchcockthelegend
| Famed Bandit, Former No 1 On FBI List, Pardoned After Eight Years.
I Died a Thousand Times is directed by Stuart Heisler and adapted to screenplay by W.R. Burnett from his own novel High Sierrra. It stars Jack Palance, Shelley Winters, Lori Nelson, Lee Marvin, Pedro Gonzalez Gonzalez, Lon Chaney Junior and Earl Holliman. A CinemaScope/Warnercolor production, cinematography is by Ted McCord and music by David Buttolph.

It will always be debatable if remaking the excellent High Sierra (Raoul Walsh 1941) was needed or wanted by a 1950s audience? Especially since Walsh had himself already remade it as a great Western with 1949 film Colorado Territory, but taken on its own terms, with great production value and Burnett's personal adaptation taken into consideration, it's a very enjoyable film.

Set up is simple, it's one last heist for Roy "Mad Dog" Earle (Palance) before going straight, but as his attempts to break free from his emotional loner status fall apart, so does the heist and his future is written in blood right up there in the mountains. Heisler and Burnett put Earle up front for character inspection, easing in sympathetic tones whilst ensuring he remains a big physical threat. The air of fatalism is pungent enough and the finale is excitingly staged by Heisler. Cast performances are more than adequate if not comparing to the likes of Bogart and Lupino, while the Warnercolor is gorgeous and the photography around the Alabama Hills in Lone Pine is superb.

While not in the same league as High Sierra or Colorado Territory, that doesn't mean this is a wash out, more so if you haven't seen either of the Walsh movies. If you have, like me (High Sierra is one of my favourite Bogart performances), then comparisons and a feeling of deja vu will obviously infiltrate your viewing experience. That said, there is more than enough here to make it worth your time regardless of comparison and familiarities. 7/10

Critic Reviews

Vintage Looks: Stars at the Beach

Turn back the clock and hit the beach with some of our favorite classic Hollywood stars.

See the entire gallery

Around The Web


Powered by ZergNet

More To Explore

Search on Amazon.com