Carousel (1956)

Approved   |    |  Drama, Fantasy, Musical


Carousel (1956) Poster

Fifteen years after his death, a carousel barker is granted permission to return to Earth for one day to make amends to his widow and their daughter.


6.6/10
5,750


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  • Shirley Jones in Carousel (1956)
  • Shirley Jones and Gordon MacRae in Carousel (1956)
  • Cameron Mitchell and Robert Rounseville in Carousel (1956)
  • Carousel (1956)
  • Shirley Jones and Barbara Ruick in Carousel (1956)
  • Shirley Jones and Barbara Ruick in Carousel (1956)

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Reviews & Commentary

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User Reviews


22 June 1999 | LBX Dude
This version does not do justice to a great musical
I have had the relatively rare privilege of performing "Carousel" on stage, uncut, and with a full orchestra. The original "Carousel" that Rodgers and Hammerstein wrote for the stage is practically an opera, employing extended musical scenes that cover great stretches of plot and character by alternating music and dialogue. When one sees the "Carousel" on stage (with good voices and the original orchestrations), one begins to understand why this is considered one of the greatest musicals ever written.

"Carousel" on film is not nearly as overwhelming. The story is still there, as are the songs, for the most part. But they are just songs in the movie, scenes distilled to the bare bones of the melody on which the original sequence was based. You don't get the feeling, after hearing them sung, that you have learned anything new about the characters (excepting, of course, Billy Bigelow's "Soliloquy" which is left entirely intact).

For example, the "If I Loved You" bench scene between Julie Jordan (Shirley Jones) and Billy Bigelow (Gordon MacRae) lasts almost fifteen minutes once the music starts. What the characters don't tell us about themselves, the music does, throwing melodies left and right until it finally culminates in the release of the famous love song. The scene has built up to this moment until it becomes the only way that Julie can tell Billy that she loves him. In the movie, however, it is all talk until Julie starts singing "If I Loved You". The song seems to come much more out of left field and does not seem nearly as satisfying. Billy repeats the song and the scene ends. As a result, their falling in love with each other doesn't make much sense because the scene really hasn't built up to it.

Several songs which delineate the supporting characters are either severely truncated (such as the musical/character sequence between Carrie Pipperidge (Barbara Ruick) and Enoch Snow (Robert Rounseville)) or cut entirely (such as "Blow High, Blow Low" which could have been a choreographer's dream). As for the choreography itself, surely "June is Bustin' Out All Over" could have been staged with a little more imagination instead of confining itself to the roof and deck of Nettie Fowler's spa. And it does feel confined. This is a song about abandoning the human spirit to the glories of the summer season, a feeling that covers much more territory than just a dining patio.

I do like the casting in the film, although I believe that they were badly underdirected. Gordon MacRae and Shirley Jones seem a little lost here. Their talent is not in question as evidenced by their stellar performances in the movie version of "Oklahoma!". Clearly this movie, which had the potential to be a cinema classic, was helmed by someone who didn't understand the genius of Rodgers and Hammerstein. In other words, don't try to fix what ain't broke.

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Did You Know?

Trivia

In the song "If I Loved You," the line "and I always say two heads are better than one to figure it out" is dubbed by Marni Nixon. Shirley Jones was unavailable to re-record that line when Gordon MacRae was brought in to replace Frank Sinatra. Jones' voice sings this line on the soundtrack album.


Quotes

Heavenly Friend: Bigelow...
Billy Bigelow: Well, what'd I do now?
Heavenly Friend: Nothing. I just thought you'd wanna know - there's trouble.
Billy Bigelow: Huh! Thought you said I didn't do nothin'.


Goofs

As everyone leaves for the clambake in sailboats, several men in one boat wear very modern-looking caps and sunglasses.


Crazy Credits

A star hurtles downward and explodes in mid-air; out of this appears the credit "Twentieth Century-Fox presents Rodgers and Hammerstein's Carousel". The other credits all appear in a straightforward fashion.


Alternate Versions

In the film's first two telecasts on ABC-TV in 1966, Mrs. Mullin's line "I don't run my business for a lot of sluts." followed by Carrie's retort "Who you calling a slut? Slut yourself!" and Julie says "Yeah, slut yourself!" was edited out. The line was kept on all local station telecasts of the film, and on all video releases.


Soundtracks

You'll Never Walk Alone
(1945) (uncredited)
Finale
Music by
Richard Rodgers
Lyrics by Oscar Hammerstein II
Performed by Shirley Jones, Susan Luckey (dubbed by Marie Greene), Lili Gentle, Claramae Turner, Barbara Ruick, Robert Rounseville, Gene Lockhart, and Chorus

Storyline

Plot Summary


Genres

Drama | Fantasy | Musical

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