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  • bkoganbing15 December 2010
    The Mole People is one of those science fiction cheapies that you wish had a bigger budget. I found it to be one of the most imaginative of science fiction films of the fifties. It would get a far better rating from me if a few more dollars had been put in.

    A team of scientists on top a mountain in what would be ancient Mesopotamia, today Iraq find on top the mountain a cave leading to an ancient Sumerian civilization which has survived their almost for 5000 years. Probably the greatest archaeological find ever, imagine finding some ancient Egyptians hidden away, clinging to their cultural traditions. The greatest opportunity ever to research a culture.

    Of course some of these are not quite human, they've returned to being mole like humans and they're the slaves. It's a slow punishment for the bad, a quick punishment is the hated fires of Ishtar. You're sent into what looks like an oven and you're burnt away to ashes.

    The film does a marvelous job in building up the viewers fears of the fires of Ishtar so in the end when the scientists are flung into it, we're scared witless.

    John Agar, Hugh Beaumont, and Nestor Paiva are some of the scientists and the high priest of Ishtar is Alan Napier. What is the fire of Ishtar? That's not a question to be answered here. See the film and find out.
  • Warning: Spoilers
    There is just enough 'oomph' to "Mole People" to mark it as a minor classic (50's Universal B flick division). The idea of an lost ancient civilization sealed away from the modern world by time and catastrophe and buried far underground is a powerful one (dating back to the Greek Hades/River Styx days), and there are elements of interest in the exposition and the plot - a slave race of mutants, a decadent people so accustomed to the dark that a flashlight is a source of overpowering pain, a society that must limit its numbers due to the limited food supply and sacrifices its youngest (and heretics) to the mysterious power found in a mystery chamber.

    Too bad this heady brew, which could have made for a powerful, disturbing experience in the hands of someone like Neil Gaiman or Alan Moore, was handled with the usual manner of an under-budgeted 50's B flick. It's not that the lead actors (Agar, Beaumont and Paiva) are so bad...well they ARE bad, but they are at the mercy of the script (which sinks the plot with indigestible wads of exposition) and direction (long dull sequences where nothing much happens and over-packed action sequences where nothing believable happens.) The actors do their best, but to no avail.

    BTW, I can accept the idea that this lost civilization is declining and decadent, but judging by the fight sequences, their soldiers and enforcers have the muscle tone and fighting skills of prepubescent girls. This tends to undercut the dramatic value of the scenes where Agar and company make a break for freedom, or the revolt scenes where the mutant mole people finally rise up against their overlords. And someone needed to educate the film makers that "decadent" is not the same thing as "effete".

    In "Mole People"'s favor: the first shot of the huge cavern our heroes emerge into is very nicely done indeed, one of the best matte effects of its day. The "surprise" twist which reveals the truth of the iconic symbol worshiped by the lost society and the sacrificial chamber is a nice little bit of writing. The cruelly ironic fate suffered by Agar's love interest made me wince a bit (she deserved better). And a nice closing shot that writes "Finis" to the move wraps things up nicely.

    Worth seeing once, if only for the historical interest. You just KNOW that a modern remake is being developed somewhere right now, but production values aside, it won't have the classic factor this one does.
  • "The Mole People" is another underrated black-and-white B-movie from the 50´s. The story of archaeologists that discover an ancient underground society in Asia is entertaining but unfortunately the rushed conclusion is lame and gives the sensation that the budget ended and the film had to be interrupted. The beauty of Cynthia Patrick is still impressive in the present days. My vote is five.

    Title (Brazil): "O Templo do Pavor" ("The Temple of the Dread")
  • Now this movie gave me nightmares when I was about eight years old. But when I saw it again in my thirties, it still kinda creep-ed me out, but it also gave me a laugh attack. Though no doubt innovative for it's time, it has lost some...OK a lot...of that now. Still, I recommend this movie because it does evoke an atmosphere of delicious creepiness, laced with just the right amount of claustrophobia (it takes place down under...everything), and afraid-of-the-dark-jitters. Strictly low budget fare, but interesting ideas, cool camera work, along with effective lighting make it work. I don't remember the music, but I am sure it is pretty standard for such a flick of the mid 50's. When the Mole Men come up out of the...well I don't want to spoil it for you, but it really scared me as a child for weeks on end. Nearly drove my parents crazy with that one. It has a pretty decent ending unlike most B-flicks of that era. Check it out if you can find it, and have plenty of snacks on hand. You may want to throw some popcorn at the screen to try and distract Wally and The Beav's dad, Hugh Beaumont, so the Mole Men will thankfully get him, and relieve you from his, now this is where I clear my throat, acting.

    James Van Pelt from Tulsa, Oklahoma
  • I remember seeing 'The Mole People' when it first came out and I haven't seen it since - it's never been shown on TV and has never had a video release over here in England. So my memories of it are those of an 8 year old. It's the only film I've ever seen that gave me nightmares - real, waking up screaming that the molemen are going to get me, nightmares. 'The Exorcist', 'Texas Chainsaw Massacre' and all the rest had no effect on me whatsoever, but 'The Mole People' remains for me the scariest film ever made.
  • Charmingly silly and inconsequential monster movie has archaeologists in Asia discovering secluded mountain city run by snarling, villainous humans who have mole people as slaves. Fair B-movie production with good cinematography by Ellis Carter, but a sluggish direction from barely-imaginative Virgil Vogel. Screenplay by Laszlo Gorog may have been intended as an antidote for non-fans of "Lost Horizon": this city looks like the flip-side to Shangri-La! Not a classic by any means, with predictably wooden performances by John Agar and Hugh Beaumont, though not terrible.

    ** from ****
  • Warning: Spoilers
    Considering that I love sci-fi and horror films from the 1950s, it is very surprising that I rate this film as low as I do. It just happens that of a string of these type movies had by Universal, this is about the dullest one.

    I group of scientists are exploring when they stumble upon a huge crack that leads to underground caverns. When they descend into them, they are captured by the subterranean people. Because they have lived under ground since ancient times and are look much like albinos, as it turns out their civilization was swallowed into the earth along with them.

    At first, everything seems just peachy, but later these underground people turn out to be major jerks who keep incredibly ugly creatures as slaves. They beat the poor mole-like things and when the scientist complain, the ancient dudes attack. However, the above ground people assist the mole people to fight back against their evil overlords and they return back to the surface.

    Aside from a less than inspiring script with few things to scare you, the acting and direction are pretty dull as well. It is amazing that a film called MOLE PEOPLE could be as static and uninteresting as this one was.
  • I've seen this movie several times over the years. It's a real semi classic, great example of 50s sci-fi monster movies. You do get a good look at the actual mole monsters and see quite a bit of them. As good as the mole monsters are, they are only a small part of this film. It's also an adventure movie about exploring for a lost civilization. Most of the plot involves this civilization which also happens to include the Mole People. This is good stuff. The stuff that used to scare and entertain in the 50s. The thing is, if you've seen a decent amount of horror/sci-fi films from the 50s and early 60s and haven't found much that you liked, "The Mole People" is not for you. If you're a fan of 50s B movies, you'll love this one. It's a real must see.
  • Warning: Spoilers
    I never thought I'd see a film in which Hugh (Ward Cleaver) Beaumont seemed exciting and dynamic. Well, compared to John Agar, Beaumont is quite a bundle of energy in this film.

    A group of archaeologists find an underground civilization of albinos in Asia. The primary albinos are the king (who appears to be wearing a rack of lamb on his head), the high priest (Alan Napier, Alfred from the "Batman" TV show), and the chief of the guards (Robin Hughes, better known as "the head" from "The Thing that Couldn't Die"). The albinos have enslaved the Mole People, who are subhuman brutes who wear dark jackets and pants.

    Agar and Beaumont are the only survivors of the archaeological expedition, and spend most of the film trying to find a way out of their underground prison. Incredibly, the two have mystical powers courtesy of their flashlight, which intrigues the albinos to no end, because they can't stand its bright light.

    The last part of the movie is a blossoming romance between Agar and Adele (Cynthia Patrick), one of the few underground residents who has normal skin coloring, a few gory sacrifices, and a final, deadly revolt by the Mole People. The revolt is pretty satisfying, as the high priest and the king are roughly manhandled by the Mole People and end up dead. Agar, Patrick, and Beaumont escape, but Patrick is immediately crushed by debris from an earthquake, which forever buries the underground civilization. So ends this 1950s sci-fi opus.

    Universal released quite a few good sci-fi movies during the 1950s, but this one's pretty lame. Agar rarely shows any emotion rather than raising his eyebrows, leaving the heavy lifting to Beaumont, who really turns in quite a good performance as the second lead.

    This movie is introduced by Frank Baxter, a professor of English who speculates what might be inside the earth. The movie plods along, with only Beaumont--and the Mole People--to give us any decent acting. Not bad, but ultimately disappointing.

    Best line--The High Priest (seeing the Mole People begin their climactic revolt): Guards! Kill 'em!
  • Warning: Spoilers
    Surprisingly good B sci-fi. John Agar and Hugh Beaumont star as archaeologists who gets trapped in a world below the Earth's crust. They discover two intelligent species there, a race of Albinos apparently descended from Sumerians and the mole people. The mole people are initially the scarier race, with their ugliness and their big claws, but the superstitious, ultra-religious ways of the albinos prove more threatening in the long run. The script is fairly intelligent, and anticipates Planet of the Apes in many ways. Yes, the B-movie production level is at times risible, and the ending is very odd – read IMDb's trivia section for an explanation (though avoid it if you haven't seen the film, as the one piece of trivia is an enormous spoiler) – but otherwise it's a fine movie. I was racking my brains to understand why it was rated so low – only 4.4 – then I figured it out: it was featured on Mystery Science Theater 3000. That show really is a bane to real movie lovers. So far, this is the only film in Best Buy's sci-fi set that I've really liked besides The Incredible Shrinking Man.
  • A very poor man's 'Lost Horizon' with sets like an episode of 'Star Trek', inhabited by a race of albinos enslaving creatures like the Morlocks with great big eyes and enormous claws and making human sacrifices to the sun; their sensitivity to light enabling hero and villain alike to exert control by wielding a torch as though it's a light sabre.
  • I can't help feeling that everyone is jumping on the bandwagon saying this is the worst film ever made etc.

    I viewed this film for the first time on laserdisc on a video projector in a darkened room with some mates and we found it to be entertaining different atmospheric in parts. John Agar for once has some good lines and does well. The script is a fairly complex one far more than other film of its vintage and budget. We thought the writers should be commended for using such plot devices as intolerance to light and the sub-culture within a sub-culture. Even the ending is unexpected and different. It even has an opening prologue which is a lot of fun. While this film does not hit its target on everything it tries to do, we thought the creators had a pretty good go at it.

    I do not honestly understand why so many people think this film is so bad. Maybe seeing it projected on a big screen in a darkened room made a difference, I don't know, but if you have never seen the film before try it with an open mind you may well enjoy it as much as we did.
  • Yeah, yeah, yeah. So it's cheesy bw 50's sci fi. But it's GREAT cheesy bw 50's sci fi! The Mole People would be campy if it weren't so earnest. It takes itself so seriously it even begins with a pseudodocumentary prelude explaining the hollow Earth theory.

    Part of the fun is seeing future TV faves Hugh Beaumont (Beaver's dad), and Alan Napier (Alfred the butler) teamed with legendary 50's hack actors John Agar and Nestor Paiva.

    Mystery Science Theater 3000 gave Mole People the full treatment and it was one of the funniest MST3K episodes ever. For the full effect I'd suggest you view the straight version first and then try to find the MST3K episode.
  • 1956's "The Mole People" ranks as one of Universal's least appreciated genre films of the 1950s, which befalls anything not directed by Jack Arnold. Virgil Vogel wouldn't be anyone's ideal choice for director, and screenwriter Laszlo Gorog's only other works were "The Land Unknown" and "Earth vs the Spider." Still, this studio produced better looking movies than AIP, Astor, or Allied Artists, and created the most famous monsters of the era, with the Mole People featured here, or the Metaluna Mutant from "This Island Earth." They definitely skimped by reusing the same Hyde design from "Abbott and Costello Meet Dr. Jekyll and Mr. Hyde" for both "Tarantula" and "Monster on the Campus," and apparently wrote this script around available stock footage, seemingly identical to the conception of "The Deadly Mantis." Dr. Frank Baxter spends nearly five minutes attempting to bring gravitas to the film, and it takes another half hour to arrive at the lost underground world of albino Sumerians, ruled by Sharu (Arthur D. Gilmour) and high priest Elinu (the marvelous Alan Napier). With producer William Alland still aboard, it's brimming with ideas and excellent set designs, particularly the Mole People themselves, used as slave labor by the Sumerians but able to predictably revolt at the proper time. John Agar is his usual stolid self, in his last science fiction adventure for Universal; after this his films became noticeably shoddier working near the bottom rung of the Hollywood ladder. As the First Officer, whose job is to keep the slaves hungry, we have Robin Hughes, soon to be immortalized as the head in search of its body in Universal's 1958 "The Thing That Couldn't Die," and on television, playing the title role in THE TWILIGHT ZONE's "The Howling Man." The studio's 'B' unit finally petered out with "The Leech Woman," but over a span of 28 years were known to be horror's most dependable factory for classic monsters, introduced to TV viewers by such popular hosts as Bill 'Chilly Billy' Cardille, whose Chiller Theater in Pittsburgh aired "The Mole People" a total of 5 times.
  • After opening with what, in spite of its nutty theories, could easily be confused with one of those educational films so many of us slept through in school, THE MOLE PEOPLE begins.

    While attempting to discover the origin of an ancient artifact, archaeologists John Agar, Hugh Beaumont, and their team of extras (including that crusty boat captain from CREATURE FROM THE BLACK LAGOON!), venture forth into the subterranean unknown, in search of a comrade lost in a deep crevasse. This, after enduring multiple natural disasters- all in the first fifteen minutes! Our intrepid explorers soon encounter the goggle-eyed creatures of the title, and we're off to their underground la-la land.

    Alas, fooled by the title and promotional movie posters, viewers may expect tons of actual monster action, getting mostly dull humans and their endless palaver instead. More a study of class warfare than a creature feature, this film seems like an episode of some lost, 1950's sci-fi TV drama. An enjoyable enough slab of fantastical cheeeze.

    P.S.- You'll never look at high-powered flashlights or hats made from tea cozies in quite the same way again! Ever!...
  • A group of scientists find passage into the core of the earth where they discover a society of people who have monstrous mole creatures for servants.

    Probably the lesser of the 50's monster movies from Universal, but it's enjoyable for those who enjoy these kind of campy era films. Others will likely find it to be a dull monster flick. Over all, The Mole People is a fairly well-made venture and has some memorable monsters. B movie hero John Agar heads up a decent cast. It's not the best monster movie of the day, but it's not the worst either.

    ** out of ****
  • The King of Smug John Agar is his usual unbearable self in another horrible serving from the folks at universal international pictures, makers of some of the worst films of all time. Agar's archaeologist is so pompous and all knowing that you long to slap him in the chops over and over again. He leads a team of talented men(o.k., talented compared to him, anyway) on an archaeological dig 'somewhere in Asia'. They find an old stone tablet that tells of a lost Sumerian dynasty, then it gets destroyed when they leave the five thousand year old artifact on a cheap folding table during an earthquake. A competent bunch, to say the least. Then a shepherd boy brings them an oil lamp he found on a mountainside, telling another version of Noah's Ark featuring the same King and dynasty the tablet talked of(convenient, no?)

    Thus begins our hero's long toil up the mountainside. Make that a long series of stock footage shots of men climbing a mountainside somewhere, interspersed with lame shots of Agar and company crawling across a floor dusted with fake snow. They find the hand of a mannequin half buried in the snow(or maybe its Bon Ami?) on the mountain, apparently belonging to an ancient Sumerian clothes boutique. They hurry on to find some extraordinary matte paintings of Sumerian ruins on a plateau(although the ziggurat was out of perspective). One of their members falls through some cardboard flooring into a 'deep hole'. He never even made it to the first plot point.

    There follows long shots of our fellows climbing endlessly down a rope. (1. Why is this interesting? and 2. why do they care about finding the guy's mangled body down a dangerous, unstable hole? I mean,he's dead. That was pretty obvious considering how long their downward journey is. Are they going to scrape his remains into an envelope and go on?) At the bottom, they're buried alive in a series of caves by an earthquake. But they press on, inspired by the quiet leadership of Agar.

    Thus enter the mole people, deformed creatures who look like the Hunchback of Notre Dame with a bad skin problem and beaks. For some reason, these primitive things are dressed in pants and little jackets. Who gave them these clothes, since the Sumerian folk who live underground are wearing skirted tunics and gowns? Kinda puzzling, really. Maybe the mole people had a sweatshop somewhere where they make garments for the Sumerian equivalent of Kathy Lee Gifford?

    Agar and friends eventually meet the Sumerian folks, who look like Keebler elves and are whiter than Micheal Jackson. For some reason, these Sumerian people have Egyptian paintings on their walls, and their King wears a Crown Roast hat. They have the spines of tube worms, as they're sent running by the low level light coming from Agar's flashlight. Or maybe they'd just heard about Agar and were running from him personally, you never know.

    Alfred the Butler from the old Batman is the head priest of these folks, and he wears a glittering robe, pointed hat with fringe, and a Fu Manchu mustache. So this is how the ancient Sumerian priests dressed,huh? Interesting. He schemes to get the flashlight away from Agar, because he believes it will make him all powerful. Of course, with this lot, it might actually work. They believed Agar when he told them he was a messenger from the Gods, after all. Frankly, I think that he'd be a messenger from a lower place than Heaven, but that's just my thought.

    Agar eventually becomes the John Brown of the Mole People, helping them to rebel against the guys in skirts who like to whip them just a LITTLE too much. Agar, Beaumont, and a truly dumb slave girl named Adele escape the carnage by the attacking Mole people by climbing up a hole that leads to the surface. Another earthquake finishes off Adele by dropping a pillar on her(and good riddance, says I-why couldn't it have taken Agar with it, too?) and closes the hole, leaving the Mole People large and in charge. So ends the grand saga of John Agar, archaeologist and truly extraordinary pain in the butt.
  • Warning: Spoilers
    Given our rapid technological/ scientific advancement in understanding what is the makeup of our planet's core. It's hard to believe, that, there is still, present day pseudoscientific and conspiracy theories about hollow Earth. Most scientific community has dismissed the notion, since the late 18th century. So, anybody believing, this movie concept could be real, need to read a science book. Regardless of that harsh truth, I love the fantasy of discovering an ancient civilization beneath our feet like this movie, does. After all, I did like author Jules Verne's classic, 'A Journey to the Center of the Earth'. However, I have yet to see, any good subterranean sci-fi genre films. All of them, including this B-list movie directed by Virgil W. Vogel seem beneath me. Without spoiling the movie, too much, I have to say, 'Mole People' kinda suck. Released as a double feature with 1956's jungle adventure film, 'Curucu, Beast of the Amazon' by Universal & later spotlight by the ninth season of Mystery Science Theater 3000, episode 3 (1993), this film for the most part, has a lot of the same thing we've seems before. In many cases, it's the exact as the movie has a lot of props, sets, and stock footage recycled from other films. Despite that, the film style did influence other films like 1960's 'The Time Machine' & 1966's 'The Wild World of Batwoman'. Yet, the acting was not as memorable with everybody sounding like they were reading off, the same cue cards, multiple times. Very few emotional delivery. It doesn't help, the film, one bit, that nearly every dialogue in this film is boring exposition, with most of it, being wrong, with the highly fictionalized version of panbabylonism history. I get that, the writers weren't historians, but couldn't they get a little of the history, right. It really felt odd that none of the archaeologists point out, how strange, it was, to see Egyptian painting, on a Sumerian settlement or why there wasn't no language barrier. Instead, the main characters, just over explain, the flaws of the creatures. We get it, the first time! They hate light! We don't really need further laymen terms for that. Also, I didn't like, how preachy, the scientists were. Yes, we get it, slavery is wrong. You don't need to keep on, reminding us. Can we move on, already!? For archaeologists, they really do suck, at their jobs; they pretty much destroy the civilization due to their indoctrination. Despite that, main actor, John Agar is likable, but somewhat annoying as Dr. Bentley, with his cheap John Wayne's accent. Still, he lightyears ahead, of the most of the rest of the cast, whom seems to phone it in, like Hugh Beaumont, Phil Chambers, and Nestor Paiva. The only other character that stood out for me, was Elinu, the High Priest, played by Alan Napier, even if his subplot to overthrown the king was soon abandoned. Regardless of the acting, most of the actor's characters seem to be needed for the story. I can't say, the same with Adad (Cynthia Patrick). She doesn't seem to fit in the world that the movie is, giving us, seeing how the albinos killed, most of the people with some shade. She just doesn't seem real. It felt like, a 1950s man's wet dream of a perfect woman. In other words, she does nothing, but serve as an out of place love-interest for Dr. Bentley. Because of that, she is quite boring. Another thing, boring about this movie was the film pacing. Lot of pacing issues like long climbing scenes and awful dance numbers. The ending was also abrupt and unsatisfying, with producers changed from a typical happily-ever-after scenario because members of the studio felt that the film would promote interracial relationships. So wrong. Even the opening of the film with the real-life lecture from Dr. Frank C. Baxter, an English professor was boring and drawn out. Anyways, how does this scene, help the movie!? Doesn't it, hurt the film, by exposing the movie magic, by stating out, how fictionalized, the film is!? It doesn't help the film, one bit that the visual effects were a bit adequate, too. The mole people's rubber costumes were really cheap looking with the humps being stuff with newspapers and their clothes looking like burlap bags. Fake looking. Still, in the end, the Mole People do not look anywhere near as bad as other 1950's creature flicks. The other visual FX are rather good at times, with the sets, small miniatures & matte painting, however, the movie rarely uses it, besides a few key scenes. Most of the time, we forced to look into low light area with no backgrounds. Lighting, use of shadows and even sounds are not fully taken advantage of in order to help create a specific claustrophobic atmosphere. Instead, the film feels confusing, as the extreme light sensitivity albinos, somehow function, both in low light area, and place where normal light is visual. It begs the question, how much, light do they need to be exposure to, to get burned!? For that matter, how does extreme darkness "forced degeneracy" to turn some people into humanoid mole monsters, yet goats stay the same!? We are told that the mole people are cruel and dangerous, but they seem more like a nuisance than anything else. Don't get me wrong, there is a fair amount of action here, but when your villains get defeat by a flashlight. Then, you know that you have problems. For a civilization that survive thousands of years, underground, they have really quickly forgotten how to effectively wield their weapons in combat. Even other entertaining values felt a bit off. This makes the movie really lacking in excitement and chills. Overall: I think it's safe to say that the idea of descending into the depths of hell would be better than watching 'Mole People', again. I really can't recommended watching this movie.
  • It's so easy to make fun of low budget horror films. I refuse to do that. This is an imaginative look at a race of people who live under the earth. They have evolved to be lacking in pigment and their eyes have low tolerance for light. This parallels the non- human creatures who live in dark places. When scientist investigate these characters, they find there is an oppressive culture that has enslaved others. They are actually using ritual sacrifices, so things aren't much better below ground than above it. The use of light comes into the fray and a god, Ishtar, is seen as vengeful. The special effects are reasonable and the creatures are interesting. Take this for what it is and for what a task is accomplished.
  • 13Funbags17 May 2018
    Here we go with yet another 75 minute movie that has 30 minutes of people walking in silence.When they do talk, it just non-sense. It's a bad story that is quite boring.
  • Of all the silly 50's sci-fi flicks why was this one singled out as one of the worst? What about that silly Peter Graves movie that had killer shrews but was actually collies with wigs? This one is silly but I still enjoy a low budget movie like this. It has one of my favorite "B" movie stars like John Agar and I thought Cynthia Patrick was pretty and charming. And the beavers dad Hugh Beaumont gives his usual stiff performance. It also has a non-hollywood ending, so it surprised me in that regard. And why do the mole people wear sweat shirts? Anyhow, I admit its slow moving and very silly. But I can enjoy it on that level!
  • Dr. Roger Bentley and Dr. Jud Bellamin lead an archaeological dig in Asia where they search for the remains of Sumerian dynasty, where they make their way up a mountain pass and find the ruins of a temple, but another member of their crew (Dr. Stuart) falls through a pit down to a cavern. The other members of the expedition make their way down (Lafarge and a guide, who like Dr. Stuart, dies after falling down). The remaining three make their way through caves until they find an open area where they are promptly abducted by a strange race of Mole People. The three manage to escape, but are captured by the leaders of the underground city, a race of albinos who use the Mole People as slaves. Elinu, high priest of the albinos, and the rest of the people revere the two doctors as Gods, since their flashlight becomes a sacred instrument to the light-shunning albinos. Adel, a blonde girl of fair skin is given to the doctors as a gift to the Gods, but Elinu believes them to be mortals and wants to have the doctors sacrificed before their influence reaches the albino people and the Mole People revolt. In terms of the Universal monster series, this is a very disappointing effort since they film is not as fun as interesting as previous monster films. The script has various absurd moments and creates little suspense or anticipation. Agar and Beaumont are pretty wooden characters that no actor could have saved. Patrick is beautiful, but her character just seems to a stereotypical "what is the outside world like" person. Napier is hardly intimidating, and the title characters look ridiculous. The sound recording must have been done by amateurs, but the score fits the scenes well. The film does have some fun elements, but they are few and far between and the ending was really a disappointment. Rating, 4.
  • twanurit18 November 2000
    Coming from 1956 is another of Universal-International's science-fiction pleasures. They made about twenty of them in the 1950s, brought on by the enormous successes of "It Came From Outer Space" (1953) and "Creature From the Black Lagoon" (1954). An interesting prologue with a real professor on the Earth's interior cores is followed by a great title sequence accompanied by a superb score.

    John Agar leads an archaeological expedition in Himalayan mountains to search for an underground lost civilization. Eventually they find them, an albino tribe (although I think, they would be blonde, not with dark hair, due to lack of melanin), who have trained the half-human "Mole People" to be their slaves. Agar falls in love with the lone pigmented character, lovely light-haired Cynthia Patrick, who brings a quiet dignity and gentleness to the part which is most appealing. She's beautifully photographed, appearing simply radiant in her close-ups. Her part is like the eye of a hurricane in story terms, and her scenes are the only ones that permit the audience to relax.

    Sacrifices, revolt and chaos ensue, with the Mole People actually the sympathetic characters, an unexpected ending, shadowy cinematography, and solid direction by Virgil Vogel, make this enjoyable. And it started a mini-trend of "..... People" movies: "The Gamma People" (1956), "Attack of the Puppet People" (1958), "Invasion of the Animal People" (1959), "The Alligator People" (1959), "The Slime People" (1963), "Isle of the Snake People" (1971), "The Twilight People" (1972), "The Bat People" (1974), "Pod People" (1983), more.
  • Hey_Sweden28 September 2014
    "The Mole People" is not top-tier in terms of the Universal-International product of the 1950s, but it's not terrible as some reviews might have one believe. It has an entertaining story, good atmosphere, and decent creatures, although it also has a rather sedate pace. Of course, it's hard to knock any movie of this kind that starred John Agar. He's likable as always, and the rest of the cast does effective work. Some of them have some pretty priceless dialogue to recite (you could play a drinking game for every time the name "Ishtar" is uttered).

    As many genre movies of this period did, this one begins with exposition, as a scientist named Frank Baxter educates us on various theories as to what exists below the surface of the Earth. Then we begin the story proper, as archaeologists including Dr. Roger Bentley (Agar) are on an expedition in the Asian mountains. They venture inside a mountain, and eventually climb down so deep as to discover an ancient Sumerian race that thrives in relative darkness. They also discover the "mole men" beasts that these people treat as slave labour.

    Agar is well supported by actors such as beautiful Cynthia Patrick, playing the "marked one" Adad, Hugh Beaumont as Dr. Jud Bellamin, Alan Napier as the evil priest Elinu, and the always engaging Nestor Paiva as Professor Lafarge. The stock compositions are used to good effect, the special effects are generally decent, and the masks for the mole men are pretty cool. The conclusion is a little rushed, but that could be said of a number of other movies of this kind during this era. The resolution is actually a little surprising.

    As directed by Virgil W. Vogel ("The Land Unknown"), who mostly worked in TV, "The Mole People" is nothing special but it *is* reasonably diverting.

    Six out of 10.
  • Warning: Spoilers
    The Mole People starts in Asia where a team of archaeologists are busy at work doing archaeological stuff, a young boy brings top archaeologist Dr. Roger Bentley (John Agar) an old lamp with an intriguing inscription carved on it talking about the ancient god Ishtar. The boy claims he found the relic atop a mountain nearby, on a hunch Bentley decides to organize an expedition to the mountain top to see what's there. Bentley along with a few other men climb to the summit of the mountain & are mazed to discover the ancient ruins of a 5000 year old Sumerian city, in an accident one of the team falls down a large hole with the other's making their way down to help him. Once at the bottom a cave in traps three survivors down in the dark caverns & tunnels but help is at hand when they find a small number of albino human beings living there, the remains of the ancient Sumerian civilisation. Also living down there are the mutant Mole People but who should the archaeologists be more afraid of?

    Directed by Virgil Vogel this black and white Universal Pictures sci-fi monster film was probably better back when it originally came out in the mid 50's, watching The Mole People today (as I literally just did) I can't say I was that impressed with it although having said that it passes the time I suppose. I guess I was expecting a fairly straight forward monster film about Mole People but they are more of a side issue, an afterthought by the makers who maybe decided they needed a monster of some kind & The Mole People is more of an adventure film where some archaeologists discover an ancient civilisation & become political pawns for power as they try to survive & get back home. At only 77 minutes long at least it's short, it moves along at a decent pace & the story is solid enough but I couldn't help but think the film as a whole was dull. It never really grabbed me, it never got my imagination going & I wanted to see more Mole People. The script actually makes the Mole People the victims rather than the aggressors & it's them we are supposed to sympathize with in an unusual twist for the period but because the Mole People are silent creatures who just seem to stumble around it's hard to feel that much for them & why didn't they revolt & fight back against their captors earlier? The often asked moral cinematic sci-fi question of who are the real monsters, them or us is asked but only in passing & without much conviction. There's the obligatory romance between the leading man & woman & one or two nice moments but overall I though The Mole People was pretty average.

    The shots of the expedition climbing the glacier are taken from the German adventure film Die weiße Hölle vom Piz Palü (1929) while itself was later edited into The Wild World of Batwoman (1966). The Mole People look alright actually, I'm not sure why they wear suits but who cares. They are among the better monsters from this period although rather underused & aren't the villains. The film looks pretty good with decent sets & costumes, the make-up on some of the albino character's make them look like they are covered in wax but hey, it was 1956. There film goes for adventure rather than horror or suspense, there are a few scenes of Mole People dragging people under the dirt but otherwise there's nothing scary here. A bizarre introduction hosted by someone called Dr. Frank Baxter has him talk about strange theories about the Earth & it's core.

    Filmed on a supposed budget of about $200,000 this is well made & looks quite good, you can tell it had a major studio behind it even if they didn't spend too much on it. The acting is a bit wooden like a lot of films from this era but the material they have to work with isn't exactly inspiring.

    The Mole People is a decent enough little film, there's some monsters, a lost city & civilisation & some action too but I found it rather dull & the Mole People don't feature enough. Watchable enough if you can catch it on telly for free but there's no need to spend good money on it.
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