Sissi - Die junge Kaiserin (1956) User Reviews (18)

Second part of Sissi with a profound message!!!

[marcin_kukuczka · 8/10 · 31 May 2004]

Whenever I see this part, it seems to me that Ernst Marischka wanted to show Sissi as a gentle woman who is exposed to the hardship of royal life. In spite of the fact that the film is full of sweet images (like other parts) which may seem to some people "out of date", it has a certain message conveyed.

In fact, this part's content is built upon two issues: politics and the family life in imperial palace. Sissi, as a young empress, has to get used to the lifestyle in the palace. She finds it difficult, especially due to the attitude of her mother in law, archduchess Sophie. The problems grow when Sissi gives birth to her daughter and the baby is taken from her. Sophie thinks that Sissi is too young to be a good mother. She has to choose: be an empress and forget about mother's feelings or escape from the golden cage...

Another interesting fact about the movie is the political situation of Hungary. Sissi loves this nation and aims at uniting it with Austria. Obstacles, however, are huge. Nevertheless, she does not give in and, in the long run, her goals are achieved.

I loved the scene when she thinks of leaving Vienna due to family problems, but the Hungarians are waiting for the meeting. She decides to take part in it. Here, Marischka shows the price she had to pay. The duty of an empress is more important than the family, the beloved baby and personal happiness. As her mother Ludovika says to her that she has a duty and has to be strong to fight her emotions.

At the end, I must admit that I cried when Sissi becomes the queen of Hungary, swears to fulfill her duties and the Hungarian anthem is being sung (so much forbidden in the time when this nation was persecuted): "Isten, Aldd Meg A Magyart, Jo Kedvvel Boeseggel..." Sissi cries. This is the love for the nation. This is the right attitude of a queen. Sacrifice even her happiness for the sake of fulfilling her duties.

I love this part of Sissi. It has much to say to our times, in which the feeling of duty and a good motherhood have been distorted and lost. Especially, young mothers should see it. Marischka shows the love of a mother to her child and the love of a queen or empress to her nation.

WORTH WATCHING. CLASSIC!!!

19th Century Hapsburg history served "light"

[berlinkubaner · 7/10 · 31 July 2000]

Contemporary critics, including ones on this site may describe as "kitsch" the Sissy series (Princess of Bavaria, Queen of Hungary, and Empress Consort of the Hapsburgs). But this is unfair. Everything must be seen in its time frame, and not retrospectively. The fact is this three part series was highly successful. So much so, it has been available in subtitled video in at least three languages I speak, Spanish, French, and English, for years. Speak to any older movie goer, who was a kid in the late 50's from Buenos Aires to Montreal to Paris, and he or she will remember Sissy fondly. I have seen many tourists in Vienna using the Sissy series as their total source of references while touring this city. This movie and the others, not only provided popular entertainment, historical education, and restored pride in German speakers in the post-war period. It made an international star of Romy Schneider, while she was still in her teens! The trio of Sissy features, prominently including the installment this IMDb page describes, made between 1955 and 1957 were edited together in 1962 into a 140 minute feature. I had previously seen all three individual installments about the Elizabeth (Sissy) and Franz Josef of Austria, dubbed in Spanish. They are beautiful films, recreating the entire period of history of the romance between young Sissy, Princess of Bavaria and the young Franz Josef, from the very beginning to the period after the "Ausgleich" (establishment of the dual monarchy of Austria-Hungary). It ends on a high note, while all involved was at its peak, leaving out the all the subsequent tragic events that marred Sissy's life, and that of Franz Josef, indeed the entire Empire. While some historic details are simplified, the bulk of the story is pretty well told, despite the teenage puppy love and later melodramatic elements thrown in to please the audience, and make the most of Schneider's incomparable charm, youth and beauty. See the condensed video if you are an English speaker. In fact I believe that is your only option. The three separate films, as described on this site are available in Spanish, French, Italian, and German only to my knowledge. But the 140 minute English-dubbed version is even available in NTSC now. It is sold in the USA. I hope American Amazon.com soon offers it, hopefully once this comment appears. Enjoy it! It's a classic.

Part 2 of the trilogy of Sissi's life

[blanche-2 · 6/10 · 28 August 2013]

Romy Schneider is "Sissi: The Young Empress," Empress Elisabeth of Austria, in this 1956 film, the second of the popular trilogy. Schneider was nearly 18 at the time, and absolutely beautiful and charming in the role.

I need to say here, for anyone non-European or anyone who has not spent time in Austria, Germany, Hungary, etc., Sissi was the Princess Diana of her day and in fact, remains popular. Her face is on everything from candy wrappers to pins, pocket watches, necklaces - she's everywhere. She's been the subject of musicals, countless books, TV miniseries, plays, and films.

As others have pointed out, this is an idealized story of Sissi, with lots of facts left out as well as the more negative aspects of Sissi's personality - her anorexia, for one. Here, she is still in the honeymoon phase with her husband, the Emperor Franz Josef; and she is also anxious to help to build a good relationship with Hungary.

Sissi runs into problems when she becomes pregnant with her daughter Sophie, and her mother-in-law, convinced that Sissi is too young to be a good mother, takes the child from her in order to raise her. Angry that Franz will not stand up to his mother and instead, takes her side, Sissi leaves him and returns home to her family. It's pointed out to her that she has duties as a royal that must be fulfilled.

In actuality, Sissi's mother-in-law was worse to her than shown in the film. Also, by the time she becomes Queen of Hungary, she has three children but the film only speaks of one, Sophie, who by then is deceased.

These films are incredibly popular in Europe and I believe are shown at Christmas. The color is beautiful, the costumes and furnishings are gorgeous - these films are truly a treat for the eyes.

Read up on Sissi to get the real story, and enjoy these romanticized films for what they are: Sissi-lite.

She can appeal to all the mothers of Austria........

[dbdumonteil · 16 October 2005]

....and she will have them all on her side,says Duchess Ludovica (Magda Schneider) to her son-in -law who is none other than the Emperor of Austria Franz-Joseph.In real life ,Elisabeth was not as lucky as Romy Schneider's character:not only her first daughter died (the one we see in this part of the trilogy)at a very early age (two) but she was also estranged from her second one ,Gisèle (whom we see in the third "schicksal (sic)" segment.As for her only son,the doom-fated Rudolph,she was never allowed to take care of his education,although she intervened once to snatch him from the clutches of Gondrecourt -who fired several shots in the Kronprinz 's bedroom to gently wake him up.The only one she had for her was her last,Valerie.

So we find Sissi battling against her sinister mother-in-law,a stickler for form.She has to strike back ,not only to get her child again ,but also for count Andrassy and his Hungarians the old lady will always consider her enemies.

There is a charming moment when Sissi and Franz take a holiday in the mountains.And as always,in the last scenes,pomp and circumstance prove that the love you take is equal to the love you make.

I will always love the Sissi saga.It's part of my childhood.Forever,my love.

Historically inaccurate, but still enjoyable

[homespun13 · 7/10 · 3 March 2013]

This is the second film in the Sissi trilogy. Like the first movie Sissi, this continuation is equally idealized, but here the movie actually disregards historical fact so that a more fairy-tale-like storyline can be presented. It is historical fact that by the time Franz Josef and Elizabeth were crowned King and Queen of Hungary in 1867, Elizabeth already gave birth to 3 children and her oldest child, daughter Sophie, had died. These are huge events in the lives of both parents and monarchs. Yet, in the movie, only the oldest daughter had been born, the second born daughter and third born son do not exist, and by the end of the movie no child is ever mentioned. These are serious omissions which can be problematic if the viewer assumes the story as told in the movie is historically accurate. It's not. I have no doubt that some scenes were totally invented - such as the Tyrolean holiday sequence. I realize that film makers of historical drama need to take some liberties since there is no time to present all of the events truthfully and accurately. In this movie, the film makers wanted to focus on the empress's influence on the resolution of the conflict with the Hungarians. Unfortunately, it was done at the expense of leaving out the ongoing drama and suffering of the real Elizabeth - as opposed to the idealized Elizabeth presented here. Her mother-in-law's extreme cruelty toward her is minimized, and though the emperor's love for his wife was never in doubt throughout their lives, he completely failed to protect her from his mother - a situation that is not portrayed in the movie accurately. In spite of all this, the movie is still enjoyable and hopefully viewers will realize they are watching a very idealized fairy tale and will not confuse the story presented here with historical fact. The opulent ceremonies of the era, the pomp and splendor of the monarchy, are all well portrayed and definitely enjoyable to watch. I missed some explanation, even a very simplistic one, of why a dual monarchy was formed and its importance. But politics do not fit well into fairy tales, so this was likewise completely omitted.

It looks nice....

[planktonrules · 6/10 · 3 February 2012]

A few years ago, my wife and I toured Austria. Up until then, I'd never heard of Empress Elisabeth ('Sissi'). However, as we toured a couple of the royal palaces in Vienna, we heard an interesting version of the life of Sissi. Tour guides said that the popular image of the empress was far from the real lady. On more than one occasion, she was described as vain as well as 'not quite right' (a nice way of saying crazy or at least emotionally unstable). And, tour guides enjoyed regaling us with stories about her eccentricities. Some of these I know to be true (such as her obsession with her weight) and others I still haven't been able to prove or disprove (they claimed she had teeth pulled in order to make her face look thinner). Regardless, this new assessment of the woman flies in the face of the fanciful and highly fictionalized Sissi trilogy made back in the 1950s. Whether or not you'll like these films has a lot to do with whether you are looking for the real Elisabeth or the nearly Cinderella-like fictionalized Sissi. Since I am a retired history teacher, you can probably guess which version I prefer.

From what I have been able to learn, "Sissi: The Young Princess" is closer to the truth than the first film, "Sissi". That's because the first film is all happiness and joy--and is hard to believe. But here in the second of three films, you see the beginnings of a schism in the marriage between her and Emperor Franz Joseph. The film seems to blame all this on Franz's overbearing mother, Archduchess Sophie. While she was clearly a dominant figure in her son's life, blaming all the couple's problems on her is overstating things a bit. Much of the problem between the pair related more to very, very different temperaments--Franz Joseph was a rather dull and hard-working man whereas Sissi was almost manic and never liked to sit still. And, from what I have recently read, Sissi seemed to have little interest in her husband.

So apart from overstating the awfulness of Archduchess Sophie, what's the rest of this film like? Well, like the first one, it's filmed in magnificent color--and sure looks great with its location shoots in the mountains as well as throughout Vienna (such as in Schönbrunn Palace). And for the romantics out there who love everything royal, there is a lot to like. Romy Schneider plays Sissi with an almost cloying niceness and you can't help but like her--even though she isn't too much like the real Sissi. She is who people WISH Sissi to have been--much like the world's fascination with Princess Diana. Not, like the real Sissi--complete with coughing fits and depression! All in all, an enjoyable film that's best taken for what it is instead of what it isn't. To me, it's like a steady diet of meringue--tasty but not especially filling.

Gemutlichkeit in Formal Settings

[boblipton · 6/10 · 19 October 2017]

This movie continues the tall tale begun in SISSI as the adorable Imperial lovebirds move into the Schonbrunn Palace and all is hunky-dory for a year. When their daughter is born, however, up pops the Evil Mother-in-Law Trope, as Archduchess Vilma Degischer moves the baby to her wing of the palace. Maternal love cannot bear this, so Sissy flees back to Bavaria.

Will the Emperor follow? Will the Archduchess admit she's made a mistake? Will the Hungarians walk out on the Spanish Reception when they think they've been snubbed, threatening the Dual Monarchy?

Given the rough relationship of actual history to this spun-sugar confectionery, the best one can hope for is an exercise for old people tired of devastation by two World Wars talking about how it was better back in the Good Old Days. That's what one gets here in spades, with beautiful actors in beautiful clothes in beautiful settings, gemutlichkeit family relationships and beer and ham hocks at formal dinners, because under it all, that's what people really like. As a follow-up to the earlier movie, it's fine, but breaks little fresh ground on its own.

They should learn to fight

[blumdeluxe · 6/10 · 28 March 2020]

"Sissi - Die junge Kaiserin" tells the story of the young empress of Austria, Sissi, who finds herself caught between the enormous political duties of her beloved husband and a mistrusting, careless mother-in-law.

The film is typical for its time. You have a couple that is almost ridiculously in love, that has huge fights over important issues but suddenly forgets everything at the first opportunity (Doesn't seem like a clever way to cope with differences). You have good and bad characters and very little in between. There is a lot of effort shown, especially in terms of mask and set decoration, but all of the emotions in this movie are so exaggerated that even the dark sides of the story are not dark enough to cause any trouble. What I don't really like are that the film is changing history, even though this is a common thing. It is clear that the depiction of historic events will always be an adaption but you should at least stick to the facts.

All in all this is a classic but one that aged quite noticeably. I would have liked a more brutal depiction of what it psychally meant for a young empress to live through all that.

Brilliant

[dutchie-10 · 10/10 · 23 November 2001]

Loved it as a romantic teenager in Holland in 1956 - now I'm a senior in Australia and still love it. It brings back wonderful memories of my youth. Sure it is sweet and most probably not a completely true story, but who cares ? I'll see it anytime, it's a shame they don't make movies like this anymore.

nice to watch historical movie

[v-56289 · 7/10 · 21 February 2020]

The movie presents part of the life of beloved Sissi, the Austrian and Hungarian empresses. It equally shows happy, as well as difficult moments. Does not goes to much emotional. It is nice to learn about this period. I found the costumes and props well done

Good Enough

[PennyReviews · 5/10 · 14 August 2020]

Princess Sissi pretty much follows the well known story of the Austrian monarch, with few unpredictable moments and some unwelcome comedy acts. But, overall, it isn't a bad movie and the settings were breathtaking.

A beautiful fairy tale well worth watching

[pefrss · 10/10 · 24 August 2014]

I grew up with the Sissi movies and was a big fan of Romy Schneider in my youth. Later in life I researched the life of the Empress and the life of King Ludwig II a little bit more thoroughly. Of course I found out that the multiple movies made about these two popular royalties were all sugarcoated and in many aspects far from reality. This said, up to today I put on the Sissi movies to relax. I enjoy just about everything in it and like them as a fairy tale. A fairy tale with castles, kings, princesses and the wicked mother in law. I never visited Hungary and thoroughly get pleasure from the scenes showing this beautiful land. In many ways the movie is also realistic.

My father grew up under a Kaiser, so the lifestyle is not too far removed from what I experienced. Children of influential families were nearly always brought up by governesses and saw their parents only at "audiences". Duty to the Fatherland was something which was taught to everybody and of course even more so to the royalties. Marriages in high circles were always arranged and a marriage out of love practically unheard of. So the film paints also a picture of the time these people were living in.

I think the Sissi trilogy may be the only movies which stayed with me all my life.

Romantic Piece of History

[mrdonleone · 7/10 · 4 January 2020]

It's romantic and. Predictable, but still beautiful historic piece of art here of which the colours are more surreal than it's acting performances could ever be.

Basically the first reloaded

[Horst_In_Translation · 4/10 · 30 December 2015]

"Sissi - Die junge Kaiserin" or "Sissi: The Young Empress" is the second of 3 Sissi films starring Romy Schneider, her mother Magda and Karlheinz Böhm. Director and writer is Oscar nominee Ernst Marischka again and it runs for 105 minutes just like the first. Many of the topics in this film are exactly like they were in the first. The love between the 2 main characters is still strong, but so is Sissi's connection to back to her rural roots. She loves her parents, especially her father. She is the ultimate do-good character and protects animals this time and the Hungarians as well. The main antagonist is once again Franz Josef's mother and there are occasionally successful attempts at humor, even if this is probably even more a drama than the original movie, mostly with the motherhood plot. And of course the mountain climbing scenes, which for the first time bring the danger of death to the movies, even if it was fairly cringeworthy.

I personally did not like the original too much and same applies to this one here. It suffers from one-dimensional writing, especially in terms of the character developments which are almost non-existent. The actors are mediocre for the most part and not good enough to elevate the weak script for the most part. I would not have needed this sequel and I also do not need a third film. I have almost no hope this one is better than these first two. Do not be fooled by the awards recognition this film got. Schneider lost the Bambi for the second year in a row to Maria Schell. The best thing about this film is, just like with the first the visual side. Schneider looks absolute stunning and the costumes cinematography and set decorations are all fairly good. But these pros cannot make up for the lack of great story or acting. Admittedly, it is not worse than the first in my opinion, so if you enjoyed that one, you will probably like this one as well. I just wouldn't know why. Not recommended.

affirmation of the culture of Mitteleuropa

[kekseksa · 14 January 2017]

In an earlier review of the first Sissi film, I pointed out that the historical significance of this trilogy lies not so much in its account of the Austrian Empire before the First World War (this is totally fairy-tale history) but in its relevance to the post-war German world.

Germans (particularly young Germans) were in a constant state of denial in the fifties and sixties. As late as the seventies I taught groups of West German students who would were not even willing to express an opinion about the possible future reunification of a still divided Germany and of course steered well away from any discussion of the unfortunate events of 1933-1945 - the "you know what" of the German world.

Austria, spared by a sort of political conjuring trick from all implication in German nastiness, served as a wonderful alibi for the pan-German world and was the natural setting for a sumptuous epic (a film of the kind that Germany itself now avoided making).

Romy Schneider and Karlheinz Böhm were the ideal representatives of the new generation, expressive at once of continuity and reborn innocence. Both had parents who were in fact closely implicated in the period no one talked about. Magda Schneider, who appears of course as her daughter's mother in the films, had been a neighbour and close friend of Hitler (she still lived in Bechtesgarten) and had also been, according to herself at any rate, his favourite actress. The conductor Karl Böhm had belonged to a quasi-Nazi cultural organisation (formed by the very racist Alfred Rosenberg)and had publicly and ostentatiously welcomed the annexation of his native Austria in 1938. Romy and Karlheinz of course had both been at boarding-school and were innocent of any such associations.

The average German did not so much want a break with the past but to establish a line of continuity that made the past somehow OK (even the "you know what"). It might be mildly critical of those nasty Nazis (as in the highly popular film Die Trapp-Familie, which came out in the same year as this second Sissi film, but were not prepared, understandably enough, to accept the burden of collective guilt for the past. Even The Sound of Music, the gooey Hollywood musical based on the German 1956 film, was felt by German audiences (despite the edelweiss) to be too strongly critical of the unmentionable past.

In the second Sissi film, there is the same pan-Germanic context as in the first (Bavarian beer and Bavaraian pigs' trottters, the Tyrol and edelweiss are not forgotten) but the historical events (the Hungarian unrest and Sissi's fondness for Hungary are accurate) allow an expansion of the pan-Germanic space, balm to the soul of a divided Germany, beyond the German-Austrian world portrayed in the first film to include Hungary, traditionally very strongly linked, culturally and politically, with the German world but in 1956 a Communist state under Russian tutelage. It is not too difficult to appreciate the importance of this in 1956, the year of the Hungarian rising against the Communist government and its suppression by Soviet troops. The link was widely commented upon in the contemporary press and 350 Hungarian refusgees weer invited to the film's première at the Mozart-Kino.

In 1954 Leni Riefenstahl's Tiefland was released in Germany, controversial because it had been made during the war and had made use of concentration-camp inmates as gypsy extras. Faced by a hostile press campaign, Riefenstahl ttok refuge in Austria. Her tour there was, in her own words, "a roaring success". In this film Mariscka hired gypsy extras for the crowd-scenes in Hungary, a fact frequently emphasised in the publicity for the film.

Today a reunited Germany sees itself once again as the centre of the culture of Mitteleuropa but, even in the days when such things weer not spoken of, that cultural imperium remained close to the heart of most Germans. As Germany increasingly flexes its muscles and begins to talk incessantly once again of rearmament, let us hope that the future of that Central European imperium proves closer to the fairy-tale world of this trilogy, where even the reactionary autocrat Franz Josef is displayed as a benevolent liberal, than to the darker reality of the "you know what".

A fairytale

[v-34793 · 7/10 · 9 June 2020]

The movie created a romantic and loving story between the king and queen, although in history she didn't really enjoy herself in the court nor had intimate relationship with her husband and children.

This trilogy is not so wrong as often said

[whain · 9/10 · 23 October 2022]

This trilogy is not so wrong as often said. Sissi (correctly Sisi) does not fall in love with the Emperor, which is historically correct. She also does not want to become an Empress, which is also historically correct. Sisi actually had an idyllic childhood in Possenhofen. The language of the actors is historically correct - also the salutations in the third person. The character of Colonel Böckl is fictitious, but in 1882 a worried policeman actually pursued Sisi and she was often accompanied by police officers - albeit secretly at the Emperor's request. The Bavarian is correct as well as the "liver rhymes". The costumes are right; as well as hikes in the mountains. However, the real Sisi did not laugh as often as Romy Schneider. That's why you should correct some things and make a new trilogy or a new film based on Marischka's work - possibly up to the assassination in Geneva in 1898. And also show the political Sisi - she was a republican. "My dream ... the republic", she wrote in one of her poems (W. & R. Hain, Sisi Researcher, Vienna, Austria)

Too shalow for me?

[dontakeitpersonal · 5/10 · 27 December 2021]

Loved the first movie, however, this one was a bit all over the place, to touch upon the subjects that mattered and happened in her life. However, I found it a shame that there wasn't more dept such as: What did she do to help the relationship between Hungary. Perhaps not a lot is known about that? There was sufficiant 'dept' regarding her baby being taking away and the going on's with the emporers mother. But would ahve loved to see what she actually did for the countries. It quickly touched upon those 2 subjects and hat was the whole 2nd movie. I would like to think that it could have been more. Entertaining nevertheless, Amazing costumes, and directing.