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  • There's no way you could ever truly "get" "Police Squad" or any of the "Naked Gun" movies without seeing "M Squad." When you see "Police Squad" or "Naked Gun", you know it's satire, but satire of what? You realize it must be satire of old police dramas, but very pointedly, it is satire of THIS PARTICULAR police drama. They broke the mold on film noir police dramas with this one.

    This was no sissypants show. It was made for men who appreciated real men - the perfect vehicle for Lee Marvin as Frank Ballinger, tough Chicago detective. With his low-voiced police growl and tall lanky tough-guy look, he dealt with Chicago bad guys with frank talk, force and the point of his snub-nosed revolver.

    This show would have a difficult time airing today due to its lack of political correctness in the violence department. However, it would be fun to see another run on cable.
  • This show was so hard-bitten Ballinger almost got killed once having been pumped full of lead. When did Joe Friday ever get shot? It's a crime this adult drama has never been rerun.
  • The opening scene was one of the best in TV history. Every week you saw the grille of Lee's '53 Ford come wheeling around a city corner and the words 'M SQUAD' flashing onto the screen as the car is coming into full view. It got you ready for a great police adventure with a character that could only be played by someone of Marvins' persona. He had the tough guy role down to a science - better than Clint Eastwood, Telly Savalas or Jack Lord.

    Marvin had a way of speaking to the criminal element (or anyone he didn't like for that matter) that caused them to stop and reflect on the probable outcome of an escalated confrontation with him. As a kid, I tried to copy that poker face and steady sure voice that caused the bad guys to back down. Never quite got the hang of it; there will only be one Lee Marvin.

    Hoping that some day these episodes are reproduced - it was TV at its best.
  • I remember M-Squad when it first came on. I was 15. Lee Marvin was a "no nonsense" cop much like Dan Matthews and Steve McGarrett. Lee Marvin was as good being good as he was good being bad. I think that Police Squad is based on this show. I have the original LP from the tv show that I bought 40 years ago and copied it and still play the tape in my car. The background jazz music was terriffic.
  • I've been working my way through the DVDs by timeless media. Man, they are great. Great because of Lee Marvin. I was expecting Marvin might have some work yet to becoming the Lee Marvin we know in Point Blank and The Killers. No way. He has tough guy cop done better here than it's ever been done. Someone mentioned that Marvin's Frank Ballinger challenged bad guys to escalate things with him. That's the perfect way to put it. The gun stays on the hip, Marvin gets in their face, reads them the facts and lets them absorb it. And then cuffs them. There are so many subtle things Marvin does here that make the tough guy work. It's maybe how he appraises the other actors. Like he's thinking " I'm listening, I'll tell you later if I believe you." Very stony. The material, in it's sketchy short form, deflates the magic of Marvin here and there but in a funny way. My favorite Police Squad type of moment has Marvin in a fistfight at the circus that starts a fire that burns the whole circus down in an apocalypse of panic and flames. Footage of some old big budget movie used as a backdrop. Very Frank Drebbin kind of unintended consequence. I recommend you get your own copy of Marine sniper turned actor kicking ass on TV
  • Lee Marvin became and remains one of my favorite actors because of this series. As a kid I eagerly awaited Friday nights at 9:00 (EST) on NBC. Frank Ballinger always got the bad guy, and we got to hear some really cool music along the way. The late fifties and early sixties were a golden age for TV cop shows and TV music -- this show was one of the main reasons. After much travail, I have managed to obtain a rare videocassette of two episodes, and even rarer, a copy of a CD reissue of the sound track LP. Great stuff! The "Police Squad!" opening credit sequence, and the characters of Frank Drebin and his boss, were lifted (lovingly, I am sure) from this show.
  • M Squad is probably the only true film noir TV show ever shot. It was done with low camera angles and the most intense black and white photography with surprising lighting. As few shades of gray as possible were used. It needs to be viewed on a b/w TV for the full effect. It is an important work, and if the series still exists, it should be shown on PBS. Very intense drama. A good antidote to the sugary sweet shows like (two of my true favorites) Leave it to Beaver and Father Knows Best. Good shows, but the fifties were nasty, and the TV shows that you find on G4 or Nick are just not representative. It was a show that made the viewers uncomfortable, I have read. I a very thankful that my parents never took those parental rating seriously (yes, they had them then).
  • "When I was a child around 7-8 years old I loved the police series that came on in the 50s Highway Patrol, The Lineup, San Francisco Beat,Mike Hammer, but I think that M-Squad was my favorite. Lee Marvin was DANGEROUS as Lt. Ballanger. But the sound track of Count Basie was what made me watch this show every week, and made me a life long Basie fanatic. I hope somebody will put all 117 episodes on video because I would certainly buy all of them.
  • Straight out of the James M. Cain hard boiled school of crime fiction (minus the sex, of course) this was TV by men for men. Each episode began and ended with a pithy remark or two by the hero/narrator Detective-Leut. Frank Ballinger about "my town"--Chicago, that is.

    Oddly, this fifty-plus year old series can still provide insights and observations that seem fresh, about police work, about human nature in general. The tough, minimalist dialog contains lines that make you want to write them down for future use.

    Lee Marvin is perfect. He was only mid-thirties when this series was shot but looks somewhat older, or anyway more mature, with his lived-in face and prematurely white hair. Marvin personifies toughness but he's no Steve McQueen. That is, he can handle a line of dialog articulately, use his voice like a woodwind, yet lose none of his manliness.

    The only aspect of the character of Lieut. Ballinger that is a bit unrealistic is his almost monkish attitude toward women--imposed on the character due to the prevailing broadcast standards of the time. In this series women are mostly trouble, or else the grieving widow of a police officer or the wife of a criminal, astonishingly naive about what her man really does.

    Without all the technical advances of today's television production, this show accomplished more with just tight writing, solid acting and straightforward directing.
  • If you take a good look at this series, you realize that "Police Squad" is its weird son. If there is a difference between Leslie Neilson's character and Lee Marvin's hard bitten cop, only your funnybone could tell. As such, this series should be seen in a new light..just after an episode of "Police Squad" or a "Naked Gun" movie. But...the best jazz theme song ever.
  • I recently saw Max Weinberg's Big Band and it was a real treat to hear them play the theme from M Squad - especially since I had just watched all the episodes of the series over the past year or so. Lee Marvin was one cool cucumber of an actor who wore a cool hat during the series run. It's great to see him walk the streets of Chicago in his relentless pursuit of criminal apprehension. Like Joe Friday, we never really see Marvin's Frank Ballinger off the clock, but unlike Friday it seems like when he does get the occasional day off, Ballinger might actually have a good time at a local windy city watering hole. I watched many of the episodes in the wee hours of the night, which was the perfect time to enter Frank's black and white universe of no nonsense crime fighting.
  • Even though Count Basie wrote the theme for M Squad, much credit should also be given to the Stanley Wilson orchestra for writing and performing the music for each episode week after week. Stanley Wilson, Benny Carter, and Johnny Williams wrote all the other cuts from the album, most of which are better than the theme in my estimation. The album from 1959, LPM-2062 includes: The Chase, The Search, Phantom Raiders, Lonely Beat, The Juke Box, The Mugger, The Discovery, The Late Spot, The Cha-Cha, Club, A Lady Sings the Blues, and, The End. They have all stood the test of time, just like the show. Does anyone remember if the opening credits show a Navy flying boat taking off? If not, what similar show from the same era had that scene? I thought it was M Squad, but since it was set in Chicago, maybe not. I believe the show I am looking for was set in San Diego, since the scene I am speaking of showed a Navy P5M taking off from the sea lane between North Island and San Diego. I was in that squadron at the time and would like to get a copy of that show just for the memories. Thanks
  • I remember back in the day that the thing Lee Marvin remembered about his TV series M Squad was that Detective Lieutenant Frank Ballinger was not allowed any kind of personal life. Even Dragnet's Joe Friday had one, if you remember in both incarnations of that series there was scenes in the squad car where Jack Webb had scenes with Ben Alexander and Harry Morgan where they would talk some personal business. Even Joe Friday wasn't always a cop.

    But Frank Ballinger was as Marvin put it 'no booze, no broads, no vices of any kind'. His life was truly his job. And on the M Squad of the Chicago PD, the squad that handled the toughest cases, Lee Marvin was all business.

    The only other series regular was Paul Newlan as Marvin's captain. Week after week Marvin just did his job and did it well. And after playing mostly toughs and psychos in supporting roles on the big screen, Marvin got to be a good guy.

    The theme from M Squad was done by Count Basie, a tribute to a town that certainly has its history in the origins of jazz. The shows were reflective of Marvin's character, neat and compact and got right down to business.

    You can't ask more of a cop show.